Most Popular Books by Yiyun Li

In her first memoir, award-winning novelist Yiyun Li offers a journey of recovery through literature: a letter from a writer to like-minded readers. “A meditation on the fact that literature itself lives and gives life.”—Marilynne Robinson, author of Gilead “What a long way it is from one life to another, yet why write if not for that distance?” Startlingly original and shining with quiet wisdom, this is a luminous account of a life lived with books. Written over two years while the author battled suicidal depression, Dear Friend, from My Life I Write to You in Your Life is a painful and yet richly affirming examination of what makes life worth living. Yiyun Li grew up in China and has spent her adult life as an immigrant in a country not her own. She has been a scientist, an author, a mother, a daughter—and through it all she has been sustained by a profound connection with the writers and books she loves. From William Trevor and Katherine Mansfield to Søren Kierkegaard and Philip Larkin, Dear Friend is a journey through the deepest themes that bind these writers together. Interweaving personal experiences with a wide-ranging homage to her most cherished literary influences, Yiyun Li confronts the two most essential questions of her identity: Why write? And why live? Praise for Dear Friend, from My Life I Write to You in Your Life “Li has stared in the face of much that is beautiful and ugly and treacherous and illuminating—and from her experience she has produced a nourishing exploration of the will to live willfully.”—The Washington Post “Li’s transformation into a writer . . . is nothing short of astonishing.’”—The New York Times Book Review “An arrestingly lucid, intellectually vital series of contemplations on art, identity, and depression.”—The Boston Globe “Li is an exemplary storyteller and this account of her journey back to equilibrium, assisted by her closest companion, literature, is as powerful as any of her award-winning fiction, with the dark fixture of her Beijing past at its centre.”—Financial Times “Every writer is a reader first, and Dear Friend is Li’s haunted, luminous love letter to the words that shaped her. . . . Her own prose is both lovely and opaque, fitfully illuminating a radiant landscape of the personal and profound.”—Entertainment Weekly “Yiyun Li’s prose is lean and intense, and her ideas about books and writing are wholly original.”—San Francisco Chronicle

Finalist for the Story Prize and the Los Angeles Times Book Prize for Fiction Long-listed for the Mark Twain American Voice in Literature Award Named a Best Book of the Year by Los Angeles Times, Vulture, Esquire, NPR, and Kirkus Reviews A new collection—about loss, alienation, aging, and the strangeness of contemporary life—by the award-winning, and inimitable, author of The Book of Goose. A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In the stories of Wednesday’s Child, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. Even before such moments, everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen. Yiyun Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and her memoir, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and other publications. Taken together, these stories, written over the span of a decade, articulate the cost, both material and emotional, of living—exile, assimilation, loss, love—with Li’s trademark unnerving beauty and wisdom.

“One of our major novelists” (Salman Rushdie) tells the story of a woman reflecting on her uncompromising life, and the life of a former lover, in this provocative novel. “Yiyun Li is one of my favorite writers, and Must I Go is an extraordinary book.”—Meg Wolitzer, New York Times bestselling author of The Female Persuasion and The Interestings NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE AND ESQUIRE Lilia Liska has shrewdly outlived three husbands, raised five children, and seen the arrival of seventeen grandchildren. Now she has turned her keen attention to the diary of a long-forgotten man named Roland Bouley, with whom she once had a fleeting affair. Increasingly obsessed with Roland''s intimate history, Lilia begins to annotate the diary with her own rather different version of events, revealing the surprising, long-held secrets of her past. She returns inexorably to the memory of her daughter Lucy. This is a novel about life in all its messy glory, and of a life lived, by the extraordinary Lilia, absolutely on its own terms. With great candor and insight, Yiyun Li navigates the twin poles of grief and resilience, loss and rebirth, that compass a human heart.

A fearless writer confronts grief and transforms it into art, in a book of surprising beauty and love, "a masterpiece by a master” (Elizabeth McCracken, Vanity Fair). "Li has converted the messy and devastating stuff of life into a remarkable work of art.”—The Wall Street Journal WINNER OF THE PEN/JEAN STEIN AWARD • LONGLISTED FOR THE PEN/FAULKNER AWARD • NAMED ONE OF THE TEN BEST FICTION BOOKS OF THE YEAR BY TIME AND ONE OF THE BEST BOOKS OF THE YEAR BY Parul Seghal, The New York Times • NPR • The Guardian • The Paris Review The narrator of Where Reasons End writes, “I had but one delusion, which I held on to with all my willpower: We once gave Nikolai a life of flesh and blood; and I’m doing it over again, this time by words.” Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose. “Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young man who bears a striking resemblance to a dictator and so finds a calling to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives. “After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations. These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.

A profound mystery is at the heart of this magnificent new novel by Yiyun Li, “one of America’s best young novelists” (Newsweek) and the celebrated author of The Vagrants, winner of the Hemingway Foundation/PEN Award. Moving back and forth in time, between America today and China in the 1990s, Kinder Than Solitude is the story of three people whose lives are changed by a murder one of them may have committed. As one of the three observes, “Even the most innocent person, when cornered, is capable of a heartless crime.” When Moran, Ruyu, and Boyang were young, they were involved in a mysterious incident in which a friend of theirs was poisoned. Grown up, the three friends are separated by distance and personal estrangement. Moran and Ruyu live in the United States, Boyang in China; all three are haunted by what really happened in their youth, and by doubt about themselves. In California, Ruyu helps a local woman care for her family and home, avoiding entanglements, as she has done all her life. In Wisconsin, Moran visits her ex-husband, whose kindness once overcame her flight into solitude. In Beijing, Boyang struggles to deal with an inability to love, and with the outcome of what happened among the three friends twenty years before. Brilliantly written, a breathtaking page-turner, Kinder Than Solitude resonates with provocative observations about human nature and life. In mesmerizing prose, and with profound insight, Yiyun Li unfolds this remarkable story, even as she explores the impact of personality and the past on the shape of a person’s present and future. Praise for Kinder Than Solitude “This is an exceptional novel, and Yiyun Li has grown into one of our major novelists.”—Salman Rushdie “Yiyun Li infuses the traditional form with a fresh, rigorous beauty and a sense of permanence and increasing value.”—Mona Simpson, author of My Hollywood “[A] sleek, powerful novel about the weight of memory, the brunt of loss and the myriad ways the past can crimp the soul . . . Li gives us gifts of gorgeous prose. . . . Rarely are ordinary humans given such eloquent witness.”—The Washington Post “What makes [Kinder Than Solitude] so vivid is its humanity. . . . It is an inquiry into how the past scars us, shaping present and future, and some deeds, once committed, can never be undone.”—Los Angeles Times “[Li’s] true gift . . . is old-fashioned storytelling [and] a sense that a life, a whole life, can be captured on pages.”—The Boston Globe “A stunning, dark, and beautiful book . . . Yiyun Li writes with characteristic genius.”—Paul Harding, author of Tinkers and Enon

Winner of the 2023 PEN/Faulkner Award for Fiction Long-listed for the 2023 Andrew Carnegie Medal for Excellence in Fiction A New York Times Book Review Editors’ Choice A Slate Top Ten Book of the Year A TIME Best Fiction Book of 2022 Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed, and more. A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li. Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised—the place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell her story. As children in a war-ravaged backwater town, they’d built a private world, invisible to everyone but themselves—until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

In these spellbinding stories, Yiyun Li, a Hemingway Foundation/PEN Award winner, a MacArthur Fellow, and one of The New Yorker’s top 20 fiction writers under 40, gives us exquisite stories in which politics and folklore magnificently illuminate the human condition. A professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. A lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. Six women establish a private investigating agency to battle extramarital affairs in Beijing. Written in lyrical prose and with stunning honesty, Gold Boy, Emerald Girl introduces us to worlds strange and familiar, creating a mesmerizing and vibrant landscape of life.

In luminous prose, award-winning author Yiyun Li weaves together the lives of unforgettable characters who are forced to make moral choices, and choices for survival, in China in the late 1970s. Shortlisted for the 2011 International IMPAC Dublin Literary Award Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond. In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction. Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art. Praise for The Vagrants “She bridges our world to the Chinese world with a mind that is incredibly supple and subtle.”—W Magazine “A Balzacian look at one community’s suppressed loves and betrayals.”—Vogue “A sweeping novel of struggle, survival, and love in the time of oppression. . . . [an] illuminating, morally complex, and symphonic novel.”—O Magazine

Winner of the Sunday Times EFG Short Story Prize Auntie Mei is a live-in nanny for newborns and their mothers. She has worked for a hundred and twenty-six families and looked after a hundred and thirty-one babies, one set of clients easily replaced by the next. But the hundred and thirty-second baby and his mother Chanel prompts a crisis in Auntie Mei''s life - a tremor that threatens to destroy her resolute detachment.

A collection of brand-new short stories written by prize-winning, bestselling writers and inspired by Kafka - published to commemorate the centenary of his death *Chosen as a 2024 highlight in the Guardian, the Financial Times, the Daily Mail, New Statesman, Esquire and the New European* Franz Kafka is widely regarded as one of the great geniuses of twentieth-century literature. What happens when some of the most original literary minds of today take an idea, a mood or a line from his work and use it to spark something new? From a future society who ask their AI servants to construct a giant tower to reach God; to a flat hunt that descends into a comically absurd bureaucratic nightmare; to a population experiencing a wave of unbearable, contagious panic attacks, these ten specially commissioned stories are by turns mind-bending, funny, unsettling and haunting. Inspired by the visionary imagination of a writer working one hundred years ago, they speak powerfully to the strangeness of being alive today.

Étincelant et provocateur, un roman d''une grande honnêteté sur une femme au crépuscule de sa vie, prête à en faire le bilan. Une œuvre lumineuse, portée par le style remarquable de celle que Salman Rushdie considère comme " une des plus grandes autrices de notre temps ". À quatre-vingt-un ans, Lilia a enterré trois maris, élevé cinq enfants et vu naître dix-sept petits-enfants. L''heure est venue de vivre un peu pour elle. Et de se plonger dans un livre qui l''intrigue : le journal d''un certain Roland Bouley, un auteur resté obscur mais qui occupe une place particulière dans son existence. Et pour cause, Lilia l''a connu en 1945, quand Roland était vaguement en poste aux Nations unies. Quand ce séducteur invétéré papillonnait de l''une à l''autre en promettant le mariage à toutes. Quand Lilia vivait dans une ferme avec son père veuf et ses nombreux frères et sœurs. Elle avait seize ans, elle était vive et délurée. Elle voulait échapper à sa vie, et Roland est arrivé. Aujourd''hui, Lilia est curieuse de découvrir le journal de celui qu''elle n''a jamais oublié. De découvrir aussi ce que ce journal dit de sa vie à elle, de la vie qu''ils auraient pu avoir et de la vie qu''elle a menée, malgré tout...

À l''aube du 19 mars 1979, la petite ville de Rivière-Fangeuse est en ébullition : après dix ans de prison, Gu Shan, une ancienne garde rouge, va être exécutée. Son crime ? Avoir douté du parti. Et la mort n''est pas le pire de ce qu''elle va devoir subir. Cet événement va avoir des répercussions sur ses concitoyens : le professeur Gu, son père, un intellectuel qui se réfugie dans le passé pour échapper à un monde qu''il ne comprend plus, et son épouse, jusque-là humble et soumise, qui va relever la tête pour défendre sa fille ; Bashi, un adolescent tourmenté qui noue une relation improbable avec Nini, une petite infirme affamée ; Kai, voix officielle du parti, qui va sacrifier famille et carrière pour l''amour d''un dissident ; et bien d''autres... Cruauté d''une société déboussolée, où l''idéologie marxiste n''a pas effacé les vieilles superstitions, où les liens familiaux sont rongés par la misère et l''endoctrinement, où l''implacable machine à décerveler n''en finit plus de broyer les individus qui tentent de résister.

Le livre qui a révélé Yiyun Li sur la scène littéraire internationale et qui lui a valu de nombreux prix, dont le Frank O''Connor International Short Story Award et le Hemingway Foundation/PEN Award. Portées par une extraordinaire finesse d''observation et une bouleversante empathie, dix histoires ancrées dans la Chine d''aujourd''hui, sur l''amour filial, les errements idéologiques, la condition des femmes ou les aspirations d''une jeunesse tiraillée entre tradition et modernité. " Yiyun Li est l''authenticité même... Elle a ce talent, cette vision, ce respect envers les mystères insolubles de la vie que l''on rencontre chez les bons écrivains. Dans toutes ces histoires, les clichés sont mis en pièces à mesure que les personnages acquièrent une profondeur, une perspicacité, une individualité perverse. Les innombrables vies détruites par l''Histoire ne peuvent être reconstruites, mais peut-être un livre comme Un millier d''années de bonnes prières est-il la meilleure revanche possible. " Michel Faber, auteur de La Rose pourpre et le lys, in The Guardian

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. “There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Brillant, exigeant, un texte de la reconstruction psychique et artistique qui confronte avec pudeur et élégance deux questions essentielles : pourquoi écrire ? Pourquoi vivre ? Il fut un temps où je lisais les carnets de Katherine Mansfield pour me distraire. " Cher ami, de ma vie je vous écris dans votre vie ", écrivit-elle dans une entrée. En lisant cette phrase, j''ai pleuré... Elle me rappelle aussi la raison pour laquelle je ne veux pas m''arrêter d''écrire. Les livres que l''on écrit – passés, présents et futurs – n''essaient-ils pas de dire la même chose : Cher ami, de ma vie je vous écris dans votre vie ? Qu''il est long, le chemin d''une vie à une autre ! Convoquant à la fois philosophie et littérature, une œuvre remarquable où l''auteur d''Un beau jour de printemps interroge celle qu''elle a été, celle qu''elle est et celle qu''elle sera : l''enfant persécutée, la scientifique dans l''âme, l''immigrante au parcours complexe, la mère en quête de réponses, l''écrivain au cœur d''une nouvelle création...

„Was für ein langer Weg es ist von einem Leben zu einem anderen: Doch warum schreiben, wenn nicht wegen dieser Distanz.“ Yiyun Li schreibt – ohne je das Wort zu verwenden – über ihren Selbstmordversuch, über das, was es bedeutet, an der Grenze zwischen Leben und Tod zu stehen. Sie kam als Immunologin von China nach Amerika und entdeckte erst dort, dass das Schreiben eine Form des Widerstands gegen die existenzielle Leere sein kann. In diesem zutiefst bewegenden Buch erzählt Yiyun Li von ihren Depressionen und von jenen Büchern von Stefan Zweig, Elizabeth Bishop und William Trevor, die sie aus ihrer Einsamkeit herausgerissen haben. Ein Buch über die lebensspendende Kraft der Literatur.

BESTSELLER BOOKFEST 2024 Traducere și note de Justina Bandol Yiyun Li este una dintre vocile romanești de prim rang ale literaturii americane. Romanul ei Cartea gâștei a fost distins, în 2023, cu PEN/Faulkner Award for Fiction și nominalizat, în același an, la Andrew Carnegie Medal for Excellence in Fiction. New York Times Book Review a desemnat-o „Alegerea editorilor“, iar Time, „Cea mai bună carte de ficțiune a anului 2022“. Tot în 2022 a fost inclus pe listele celor mai bune cărți ale anului de către The New Yorker, NPR, Slate, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed. Un Saint-Rémy răscolit de război dă la iveală o prietenie remarcabilă între două tinere fete: Fabienne și Agnès, două jumătăți ale aceleiași portocale. Împreună pun la cale păcăleala secolului în lumea literară, o aventură care va separa cele două destine printr-un salt spectaculos în mijlocul faimei, mai întâi la Paris, apoi într-un pension englezesc. Morala lui Yiyun Li din acest roman este tulburătoare, iar construcția universului în care ne invită, magistrală.

"A real friend is a companion for your heart." Godlike Gilgamesh, King of Uruk, has built a beautiful city, but is also a terrible tyrant. In answer to the prayers of his oppressed citizens, the gods create Enkidu, a wild man whose destiny is to first fight Gilgamesh, and then become his life-long friend. They embark on adventures together, but when they - together - kill the Bull of Heaven, Enkidu must pay the ultimate price. In his grief and fear of his own death, Gilgamesh goes on a journey to discover the secret to immortality ... Dave Eggers says, of the series: "I couldn''t be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they''ve complied have been lushly illustrated and elegantly designed."

Winnaar PEN Award: bejubeld meesterwerk nu eindelijk vertaald. ''Zwenkend tussen luchtig, geestig, zwaarmoedig en verdrietig schreef Li een buitengewoon ontroerend in memoriam.'' De Volkskrant, Beste Boeken van 2021 Yiyun Li beschrijft een gesprek tussen een moeder en een kind in een tijdloze wereld. Waar geen reden is schreef ze in de maanden nadat ze haar tienerzoon verloor aan zelfmoord. Een roman die de plek betreedt tussen leven en dood, waar moeder en kind vrijuit met elkaar kunnen praten, ongehinderd door oude beelden of dogma''s. ''Een diep ontroerend verhaal, dat vooral gaat over nabijheid.'' NPO Radio 1, De Nieuws BV ''Mijn absolute boek van het jaar.'' Anne Enright ''Deze triomf van compassie en taal is tot de rand gevuld met liefde. Een meesterwerk van een meester.'' Vanity Fair ''Li heeft al het rommelige en heftige van het leven omgevormd tot een prachtig kunstwerk.'' Wall Street Journal ''Dit boek vol intimiteit en diepe pijn weet de liefde en complexiteit van ouderschap te vatten op een manier zoals nooit eerder is gedaan.'' The Millions ''Hartverscheurend, gedurfd en anders dan alles wat je ooit gelezen hebt.'' Esquire

In een Chinees provinciestadje komt in 1979 een groepje mensen in opstand tegen de executie van een jonge afvallige communiste, die na tien jaar gevangenisstraf gek is geworden.

En författare har problem med sitt skrivande och samtalar med sin son Nikolai. Han är sexton, intelligent, krävande, charmerande och inte sällan otålig och anklagande mot sin mor. Han ber henne att förstå, blir besviken när hon inte gör det. Han tycker att hennes svar ofta blir till banala uttryck. Men där finns också en oerhörd värme och närhet. Det är bara ett fel med deras relation: Nikolai är död. Han har begått självmord och hans mor gör sitt yttersta för att förstå hur det kunde ske. "Jag var nästan du en gång", säger hon, "det är därför jag måste uppfinna den här världen för att tala med dig." De talar om sorg, moderskap, minnet och hur orden ofta sviker när man behöver dem som mest. Nikolai förklarar aldrig varför han avslutade sitt liv, men det förtvivlar hans mor att tänka på allt detta mörker hon aldrig kunde tolka. Hon försöker att hålla tankarna borta från den sista dagen, men minns varenda steg hon tog den tagen fram till hon fick beskedet om vad som hänt. Hon berättar också att hon en gång skrev en roman som handlade om en kvinna som miste sin son i självmord. Kvinnan var fyrtiofyra år. "Jag visste inte att samma sak skulle hända mig när jag fyllde fyrtiofyra." Hennes son svarar: "Du kanske skrev romanen för att kunna förbereda dig." Dit mina tankar inte når är en hypnotiskt vacker roman som inte lämnar någon oberörd, skriven av en av USA:s mest hyllade författare. "Vår tids mest intelligenta, insiktsfulla och hjärtskärande bok. Jag trycker den i handen på alla som jag möter och säger: Läs!" Andrew Sean Greer

A reader''s companion for Tolstoy''s epic novel, War and Peace, inspired by the online book club led by Yiyun Li. For the writer Yiyun Li, whenever life has felt uncertain, War and Peace has been the novel she turns to. In March 2020, as the pandemic tightened its grip, Li and A Public Space launched #TolstoyTogether, a War and Peace book club, on Twitter and Instagram, gathering a community (that came to include writers such as Joyce Carol Oates, Garth Greenwell, and Carl Phillips) for 85 days of prompts, conversation, succor, and pleasure. It was an experience shaped not only by the time in which they read but also the slow, consistent rhythm of the reading. And the extraordinary community that gathered for a moment each day to discuss Tolstoy, history, and the role of art in a time like this. Tolstoy Together captures that moment, and offers a guided, communal experience for past and new readers, lovers of Russian literature, and all those looking for what Li identifies as "his level-headedness and clear-sightedness offer[ing] a solidity during a time of duress.

" Yiyun Li excelle à rendre les vies ordinaires broyées par les aberrations du système Mao, les drames obscurs des sans-grades dans les villes de province et les carnages plus intimes des sentiments. Elle déploie un art du récit concentré et intimiste, tissé de mots simples et d''images classiques. " David Fontaine, Le Canard enchaîné Des révolutions étudiantes de la place Tian''anmen au déracinement dans lequel les États-Unis maintiennent leurs migrants aujourd''hui, l''histoire de trois amis au destin brisé par un mystérieux accident. Servie par un style à l''élégance distanciée, une œuvre saisissante qui explore les tréfonds de la nature humaine, et notamment l''idée que même la plus innocente des personnes est capable du plus glacial des crimes...

«Questo è un romanzo eccezionale, e il nome di Yiyun Li compare ormai fra quelli dei nostri autori piú grandi». Salman Rushdie

"In this collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, [this collection] reveals worlds both foreign and familiar"--English publisher.

"Cela faisait onze ans que Tante Mei travaillait comme nounou à domicile pour les nouveau-nés et leurs mères. Elle se fixait comme règle de quitter le foyer de la famille le jour où le bébé fêtait son premier mois, sauf – bien que cela arrivât rarement – si elle était entre deux engagements, ce qui ne durait jamais plus de quelques jours. Beaucoup de familles auraient été ravies de la payer pour une semaine, voire un mois de plus. Certaines lui proposaient même des engagements plus longs, mais elle déclinait toujours : son travail consistait à être la nounou du premier mois, dont les tâches, à l’égard de la mère comme de l’enfant, n’étaient pas les mêmes que celles d’une nounou normale. De temps à autre, d’anciens employeurs l’approchaient et lui demandaient de s’occuper de leur deuxième enfant. La perspective de retrouver un enfant qui avait été jadis un bébé dans ses bras lui donnait des insomnies. Elle n’acceptait que dans les cas de force majeure, et elle traitait les aînés comme s’ils n’existaient pas" -- Site internet de l''éditeur