Most Popular Books by Jane Gardam

Old Filth is the nickname for Sir Edward Feathers, a very old judge as the novel opens. His wife has just died and he''s remembering his life, beginning as Raj Orphan when his mother died during his birth in Malaysia. He was raised in Wales with other orphans by a vicious foster mother. He eventually became a successful lawyer and judge in Hong Kong, retiring back to an England he doesn''t recognize anymore. He''s been a proper man of the Imperial Age distinguished by duty and honour and now without his wife, he''s just an lonely icon to an earlier era.

Another masterpiece from Jane Gardam and the second novel in the Old Filth trilogy ''She does fiction as it should be done, with confidence and insight'' CHIMAMANDA NGOZI ADICHIE ''Witty, subversive, moving'' THE TIMES ''Full of the humour and eccentricity that have made Gardam one of the most enjoyable novelists writing today'' INDEPENDENT ON SUNDAY Old Filth told the story of Sir Edward (Eddie) Feathers QC, aka Filth, his colonial upbringing and career, his long and comfortable marriage, his rivalries and friendships. The Man in the Wooden Hat picks up these threads from the perspective of Filth''s wife, Betty. An orphan of the Japanese internment camps, a free spirit, a clever code-breaker at Bletchley Park, Betty has her own secret passions. No wonder she is drawn to Filth''s hated rival at the Bar, the brash, forceful Veneering.

“The satisfying conclusion to Gardam’s Old Filth trilogy offers exquisite prose, wry humor, and keen insights into aging and death” (The New Yorker). While Old Filth introduced readers to Sir Edward Feathers, his dreadful childhood, and his decades-long marriage, The Man in the Wooden Hat was his wife Betty’s story. Last Friends is Terence Veneering’s turn. His beginnings were not those of the usual establishment grandee. Filth’s hated rival in court and in love is the son of a Russian acrobat marooned in the English midlands and a local girl. He escapes the war and later emerges in the Far East as a man of panache and fame. The Bar treats his success with suspicion: Where did this handsome, brilliant Slav come from? This exquisite story of Veneering, Filth, and their circle tells a bittersweet tale of friendship and grace and of the disappointments and consolations of age. They are all, finally, each other’s last friend as this magnificent series ends with the deep and abiding satisfaction that only great literature provides. “[Gardam’s] prose sparkles with wit, compassion and humor. She keeps us entertained, and she keeps us guessing. Be thankful for her books. Be thankful for this trilogy, which is ultimately an elegy, created with deep affection.” —The Washington Post “Restores us to an era rich in spectacle and bristling with insinuation and intrigue. Vivid, spacious, superbly witty, and refreshingly brisk . . . the story (and the author) will endure.” —The Boston Globe “All three Gardam books are beautifully written but it’s a pleasure to note that Last Friends is the most enjoyable, the funniest and the most touching.” —National Post

A collection of short stories which portray the English character in many ways and situations.

“Pure delight . . . One perfect story after another” from the Whitbread Award–winning author of the Old Filth trilogy (The Sunday Telegraph). From the inimitable Jane Gardam, whose Old Filth trilogy cemented her status as one of England’s greatest living novelists, comes a collection of short stories that showcase her subversive wit, gentle humor, and insight into the human condition. Gardam’s versatility is on full display, while her sublime grasp of language and powers of observation remain as provocative as ever. “A formidable collection that is at once outlandish and entirely convincing . . . It is Gardam’s gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy, richer and more concentrated than any novel. She gives us miracle heaped upon miracle, and insists that they should each one be handled with care.” —The Guardian “Unexpected appearance of figures from the past drive many of these sly, bighearted tales.” —The New York Times “Readers will feel lucky to have so much good writing in one place.” —Publishers Weekly (starred review) “Gardam’s preference for short stories shows in this extraordinary collection of great writing.” —NewPages Book Reviews “A rich haul from a well of talent.” —Kirkus Reviews

“Far more than just another coming-of-age story” from the award-winning author of the Old Filth trilogy (Bustle). Jane Gardam’s marvelous stories of young girls on the threshold of womanhood—God on the Rocks and Crusoe’s Daughter—have delighted fans and critics alike. These “modern classics” are now joined by a novel that is equally fresh and genuine, comic and touching (The Independent). Jessica Vye introduces herself with an enigmatic pronouncement: “I ought to tell you at the beginning that I am not quite normal, having had a violent experience at the age of nine.” A revered author has told Jessica that she is, beyond all doubt, a born writer. This proves an accurate prediction of the future, one that indelibly colors her life at school and her perception of the world. Jessica has always known that her destiny would be shaped by her refusal to conform, her compulsion to tell the absolute truth, and her dedication to observing the strange wartime world that surrounds her. What she doesn’t know, however, is that the experiences and ideas that set her apart will also lead her to a new and wholly unexpected life. Told with grace and inimitable wit, A Long Way from Verona is a wise and vivid portrait of adolescent discovery and impending adulthood. “A book to be judged by the highest standards.” —The Spectator “A brilliant, witty, and agonizingly true-to-life novel.” —The Times Literary Supplement “A fiercely funny and personal book.” —The Economist “The qualities for which Gardam is cherished (the quirkiness, the bright-eyed wonder at reality) are already apparent in this early work.” —Kirkus Reviews

Shortlisted for the Man Booker Prize: "So charming a novel that you don''t want to give away a single one of the many twists of its plot" ( The New York Times). Originally published in Great Britain in 1978, the novel describes Margaret Marsh''s coming of age one summer between the world wars. Caught in the backwash of a fervently religious father, a mother bitterly nostalgic for what might have been, the tea and sympathy of some thoroughly secular neighbors and the bawdy jokes of her nanny Lydia, Margaret''s world hurtles toward a shattering moment of truth. Drama, tragedy, and a touch of farce lend themselves to Gardam''s typically eloquent prose. With subtlety and precision, God on the Rocks provides an intimate portrait of the tensions that divide men and women, present and past, and the love and sorrow that linger throughout. Jane Gardam''s reputation in the United States has been greatly enlarged by the critical acclaim and commercial success garnered by her latest novels, Man in the Wooden Hat and her masterpiece Old Filth. Now, newcomers and fans alike can enjoy the pleasure of the splendid writing that established Gardam''s considerable canon some four decades ago. "Gardam is a unique and wonderful writer, mixing no-nonsense presentations of heartbreak, despair, and uncertainty, with equally dry but hilarious bouts of humor, desire, love, friendship, and even happiness, fleeting as that might be." — The Huffington Post "Gardam orchestrates the subtle evolution of character and plot with Olympian omniscience and wry humor." — The Boston Globe " God on the Rocks offers plenty of the wit and humanity that are her trademarks." — The Christian Science Monitor

With her customary accuracy, Jane Gardam reveals the extraordinariness of ordinary people as she deals with the pangs of love- fulfilled or hopeless, sexual or spiritual, tortured or hilarious- in these eleven stories. Paraded here are ladies with a ''thing'' about vicars, strange events happening in ornate downstairs lavatories (and in ornate upstairs ones), and the English abroad, desperate and dotty. The glum and impossible Edna haunts the supermarket- and dispenses an unlikely kiss of life. The younger sister of Hans Christian Andersen''s Little Mermaid declares her sibling ''very silly'' and turns her story on its tail, an old maid forms a curious liason with a tramp, and small moments of temptation fill hotel rooms as histories glance briefly off each other.

With her customary accuracy, Jane Gardam reveals the extraordinariness of ordinary people as she deals with the pangs of love- fulfilled or hopeless, sexual or spiritual, tortured or hilarious- in these eleven stories. Paraded here are ladies with a ''thing'' about vicars, strange events happening in ornate downstairs lavatories (and in ornate upstairs ones), and the English abroad, desperate and dotty. The glum and impossible Edna haunts the supermarket- and dispenses an unlikely kiss of life. The younger sister of Hans Christian Andersen''s Little Mermaid declares her sibling ''very silly'' and turns her story on its tail, an old maid forms a curious liason with a tramp, and small moments of temptation fill hotel rooms as histories glance briefly off each other.

“Engrossing stories of hilarity and heartbreak” from the Whitbread Award–winning author of the Old Filth trilogy (The Seattle Times). A collection of stories from a writer at the height of her powers—a celebrated stylist admired for her caustic humor, freewheeling imagination, love of humanity, and wicked powers of observation. This is a delightful grouping of stories, witty and wise, that includes the return of Sir Edward Feathers, “Old Filth” himself. “[Gardam’s] stories, like delicate tapestries, are alight with colors.” —The Times (London) “When Gardam hits her mark, like other exemplary short-story writers such as William Trevor, Sylvia Townsend Warner and Elizabeth Taylor, she can be dazzling.” —The Guardian “Gardam’s brisk narration and fearless temperament make for serious fun.” —Kirkus Reviews (starred review) “Wry, economical and perpetually surprising, these 14 stories from English novelist Gardam follow the last of the intrepid, stiff upper lip WWII generation of British ladies and gentlemen. . . . Gardam vividly evokes an age of iron wills.” —Publishers Weekly “Gardam displays the consummate skill of the short-story-teller, which is that of the caricaturist, the ability to capture a personality in a few brief strokes. . . . Privilege Hill is a collection of gentle stories that you could read to your grandmother, with the kind of sharp wit that would no doubt give her a secret smile. But they’re deeper than they look . . . so don’t read them all at once.” —The Bookbag

A collection of haunting stories___

Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times). With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman’s confrontation with the realities of sanity will delight readers who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. “Excellently done . . . Manic delusions have never been so persuasive . . . Very moving when it is not being exceedingly funny.” —Anita Brookner, award-winning author of The Debut “British author Gardam, who won the Whitbread Award for this jigsaw puzzle of a novel, keeps up the suspense to the end, writing like a sorceress in the meantime.” —The Seattle Times “Brilliant.” —The Sunday Times “An ingenious, funny, satirical, sad story . . . Vivid and poignant.” —The Independent on Sunday “Wickedly comic . . . masterly and hugely enjoyable.” —Daily Mail “Marvelously subtle and moving.” —The Times (London)

From the award-winning author of Old Filth. “[A] wonderfully old-fashioned novel . . . This post-Victorian charmer is an engrossing delight” (People). In 1904, six-year-old Polly Flint is sent by her sea captain father to live with her aunts in a house by the sea on England’s northeast coast. Orphaned shortly thereafter, Polly will spend the next eighty years stranded in this quiet corner of the world as the twentieth century rages in the background. Through it all, Polly returns again and again to the story of Robinson Crusoe, who, marooned like her, fends off the madness of isolation with imagination. In the Guardian’s series on writers and readers’ favorite comfort books, associate editor Claire Armitstead said of Crusoe’s Daughter, “This is the most bookish of books . . . Every time I return to it, I am comforted by its refusal to conform, its wonderful, boisterous bolshiness, and the intelligence with which it demonstrates that we are what we read.” “Witty, subversive, moving.” —The Times (London) “[A] richly textured novel . . . much occurs on the emotional landscape. We know Polly intimately, and she haunts our imaginations as surely as Crusoe haunts hers . . . a thought-provoking book.” —Library Journal “[The] most seductively entertaining of British novelists.” —Kirkus Reviews

Two girls lose interest in playing with their doll house after moving from London to Wales but the dolls in the house amuse themselves by telling stories about their exciting pasts.

"The Flight of the Maidens" is an award-winning novelist''s captivating look at postwar England and a summer that changes the lives of three schoolgirls on the brink of womanhood and a new world. An award-winning novelist''s captivating look at postwar England & a summer that changes the lives of three schoolgirls on the brink of womanhood & a new world

A short story by Jane Gardam from the collection Reader, I Married Him: Stories inspired by Jane Eyre.

A collection of short stories. Sister Luke and Sister Reparatrice, out in the convent''s Morris Traveller, have a bizarre adventure; Klaus, who is a stranger to passion, becomes emotional over the delicious food served at a special lunch; a remote Quaker meeting house provides a place of peace for the spirits of a troubled family. In the title story, Going into a dark house, nothing is what it seems, what appears sweet is bitingly hot, and all the reader''s preconceptions are turned on their heads."--Publisher description.

The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bell and Harry, two children who find enchanting wonder at every turn, as they explore THE HOLLOW LAND. Everyday challenges give a daring edge to this rural work and play. There are ancient mysteries to explore and uncover, like the case of the Egg Witch, and everyone is curious about the Household Name, a wildly famous Londoner moving in to the jewel of the territory, Light Trees Farm. With painterly ease, Jane Gardam’s stories fly with a marvelous spirit that will delight readers of all ages!

"Three ... stories that were read to the audiences of The Daily Telegraph Cheltenham Festival of Literature in 1991, 1992, and 1993 respectively."--Back cover

Pratt wondered if Henry Wu was real: maybe he was a sort of waxwork - or a very fragile Chinese-china doll. For Henry Wu would not speak and never seemed to listen. But Pratt was in for a big surprise.

The complete " wonderfully entertaining trilogy" about three British friends approaching their twilight years with bittersweet humor ( The Washington Post). Jane Gardam''s beloved Old Filth Trilogy—including her masterpiece, Old Filth, voted one of the 100 greatest British novels in a BBC survey; The Man in the Wooden Hat; and Last Friends—are here presented in one volume. Emotionally distant but highly successful Edward Feathers, aka Old Filth, a man who "belongs in the Dickensian pantheon of memorable characters" ( The New York Times Book Review), his beautiful wife Betty, and his devilishly handsome professional rival (and Betty''s onetime lover) Edward Veneering are the anchors of this series, with each novel focusing on a different character. Feathers was a "raj orphan"—children born in Far East British colonies and raised in England—while Veneering managed to get out of his fishing village-turned-industrial-town just before the German bombs dropped (and his luck has held up pretty well ever since). The three tells a bittersweet tale of enduring friendship while contending with the disappointments and consolations of age, while a once-insurmountable empire declines around them. It forms a deeply humane and often comic portrait of aging, and a reminder that the experiences we choose to take with us in our twilight years are as unpredictable as life itself. "Her prose is so perceptive and fluid that it feels mentally healthful, exiling the noise and clutter of your mind as efficiently as a Schubert sonata. She could make actuarial tables pleasurable."— The New York Times Book Review "Gardam is the best British writer you''ve never heard of."—Maureen Corrigan, NPR

„In Robinsons Tochter steht alles drin, was ich zu sagen habe.“ (Jane Gardam) Über das Leben einer zutiefst ungewöhnlichen Frau. Einfühlsam, witzig und raffiniert erzählt, wie man es von der Bestseller-Autorin der britischen Trilogie um „Old Filth“ kennt. England 1904 – Polly, mit sechs Jahren schon eine Pflegefamilien-Veteranin, kommt zu ihren frommen Tanten in das gelbe Haus am Meer. Hier gibt es kaum Unterhaltung, aber es gibt Bücher, und lesend entwickelt sich Polly unbemerkt zu einer stillen, unbeugsamen Rebellin. Ein Buch liest sie immer wieder: "Robinson Crusoe" wird zu ihrem Kompass in jeder Lebenslage. Ihre eigene einsame Insel verlässt Polly Flint nie ganz. Doch am Ende ihres fast ein Jahrhundert umspannenden Lebens wird sie Liebe und Enttäuschung, Depression und rettende Freundschaft kennengelernt und ihre Bestimmung gefunden haben. Ein großer Roman voller hinter gepolsterten Türen verborgener Geheimnisse, so raffiniert und klug, wie nur Jane Gardam sie inszenieren kann.

Eliza, 51, schreibt Briefe an Joan, die Nachbarin, die offenbar ihren Mann und ihre Kinder verlassen hat, und die sie eigentlich kaum kennt. Briefe mit besten Ratschlägen – voller ungeschminkter Wahrheiten, schlafwandlerisch sicher gesetzter Seitenhiebe und Exzentrik. Antwort bekommt Eliza nie, was ihre Schreibwut eher anstachelt. Als ihr Mann Henry plötzlich auszieht, geraten die Briefe zu immer wilderen, fiebrigen Bekenntnissen einer zutiefst einsamen, in ihrem Leben gefangenen Frau, der nicht unbedingt zu trauen ist. Mit „Gute Ratschläge“ beweist Gardam einmal mehr ihre erzählerische Meisterschaft und den scharfen Blick für die grausame Scheinheiligkeit der postviktorianischen Gesellschaft, in deren diskretem Schweigen manches unschöne Geheimnis schlummert.

Filth fut pendant des années un avocat international de renom à Hong Kong. Mais il fut aussi un de ces enfants appelés « Orphelins du Raj » né dans l’empire britannique en Malaisie et rapatrié tout jeune en Angleterre pour être éduqué. En déroulant sa vie ainsi que celle de sa femme Betty, Jane Gardam nous raconte la gloire de l’empire, la Seconde Guerre mondiale jusqu’au début du XXIe siècle. Mais elle réussit aussi à éclairer la complexité de son héros que l’on appelle alternativement Eddie, le juge, fevvers, Filth, le maître de l’Inner Temple et sir Edward Feathers. « Un véritable chef d’œuvre, l’un des romans les plus émouvants que j’aie lu depuis des années. » The Guardian Traduit de l’anglais par Françoise Adelstain

Relates the joys and sorrows of adolescence as experienced by a young girl growing up in a boy''s boarding school.

Athene''s adored father dies and during the summer following his death she drifts as if in a trance from one bizarre experience to the next, growing up as she goes.