New Releases by William Trevor

The “wryly entertaining” debut novel of old grudges and petty power struggles from the Whitbread Award–winning author of Love and Summer (The New York Times). Graduates of an elite English public school, the septuagenarian members of the Old Boys Association have convened in London to decide who shall be their next president. Mr. Jaraby has been proposed, and unless there is an objection from his circle of peers, he will assume the position automatically. It seems like little more than an excuse to get together and reminisce about old pranks played on the headmaster. But while none of their boyhood bonds have been forgotten, neither have their old cruelties been forgiven. Mr. Nox certainly remembers Jaraby’s behavior from their time as schoolmates. And when he decides to oppose Jaraby for the presidency, the conflict unleashes decades of buried rivalries, regrets, failures, and the savage nature hidden just beneath good English manners. “The elemental value of Mr. Trevor’s wryly entertaining story lies less in its grubby specifics than in its illuminating generalities. It reminds us that at every level of every society there are groups of Old Boys cocooned in smug insularity.” —The New York Times

A London boarding-house becomes a battle ground in this “dazzling display of character-led fiction” from the award-winning author of The Old Boys (The Independent). William Wagner Bird spent his life collecting lost souls—dispossessed immigrants, lonely old ladies, and the simply half-mad—to live in his London boarding-house. But when he dies, the true intent of his work is revealed in his diary. Bird had been watching them all closely, keeping notes on their sad and peculiar circumstances. And then there’s the matter of his will, in which he leaves the house to the two tenants who most despise each other, the petty thief Mr. Studdy and the equally nasty Nurse Clock. In this “rhapsody to misanthropy” Whitbread Award winner William Trevor paints a fascinating group portrait of society’s outcasts, each of whom sees their small life unravel “in a manner somewhere between Dubliners and Grimm’s fairy tales” (The New York Times).

An Englishwoman is taken in by a duplicitous suitor in this “constantly surprising work” from the Whitbread Award–winning author of Love and Summer (John Updike, The New Yorker). Forty-seven-year-old widow Julia Ferndale can’t believe her good luck—she’s about to remarry. What’s more, her fiancé, Francis Tyte, is a charming actor and magazine model fourteen years her junior. Her daughters are thrilled. Her mother is suspicious. But unfortunately for Julia, she keeps those suspicions to herself. After the wedding, Francis reveals a past that includes an abandoned wife, a mistress and child, and the many others he’s used and left behind to deal with his wreckage. Finding herself suddenly added to their number, Julia is shocked out of her dream and onto a sobering journey that leads into the savage realities of the world. “Pungent with the sense of evil and corruption.” —John Updike, The New Yorker “All the gifts that were obvious in Mr. Trevor’s earlier books are even more apparent here. . . . A book filled with narrative surprise and shrewd social observation, and has, in addition, an edge of genuine moral interest.” —The New York Times “Trevor is a master of both language and storytelling.” —Hilary Mantel on Felicia’s Journey

The Whitbread Award–winning author “demonstrates a master’s touch” in this tale of an aristocratic Irish family’s ruinous path toward modernity (The New York Times). An island estate off the coast of county Cork, Carriglas has been in the Rolleston family for centuries. Sarah Pollexfen, a distant relation of little means, remembers the magical summer she spent there as a child in 1904. But much has changed in Ireland since then. And when Sarah returns nearly thirty years later, she finds Carriglas much changed as well. World War I and the Irish Troubles have taken their toll on the Rollestons. Sarah’s cousins, who once seemed to sparkle with beauty and wit, have grown dour and withdrawn. And as Sarah uncovers the tragedies they’ve endured, she’ll also discover the terrible truth about that seemingly idyllic summer in 1904.

The denizens of a crumbling Dublin hotel are the subject of a meddling photographer in this Booker Prize–shortlisted “masterpiece” (Irish Times). Once a flourishing establishment, O’Neill’s Hotel has fallen on hard times. The same could be said for the people who live there. Among them are Mrs. Sinnott, the elderly, deaf, and mute proprietor; her drunkard son, Eugene; Morrissey, a small-time pimp; and the grim, lone porter O’Shea. But what might sound bleak to some holds irresistible allure for globetrotting photographer Ivy Eckdorf. Hearing stories of O’Neill’s Hotel from an ocean liner barman, Eckdorf catches the unmistakable whiff of human interest. Surely some tragic story hides within this crumbling corner of Ireland. Now she intends to uncover that story, frame it just so, and turn it into her next coffee table book. Though she has no connection to these hard-luck souls, she has arrived. And no one’s life will be the same—not even hers. “An astounding richness of pathos, humour and tragedy.” —Francis King “A small work of art [that] reaches antic heights.” —The New York Times

Alone together in a London hospital ward, four women take stock of their lives in this “deeply moving novel” by the award-winning author of The Old Boys (The New York Times). At forty-one, the news that she requires a hysterectomy strikes Elizabeth Aidallbery as something of a nonevent. But from her bed at Cheltenham Women’s Hospital, the divorced mother of three comes to realize that she is at a crossroads. She meets two other women admitted for the same operation: Young Sylvie Clapper, who is preoccupied with her dishonest boyfriend; and poor Miss Samson, with her disfiguring birthmark, who runs a Christian boarding house. In the ward with them is Lily Drucker, determined to have a child despite insurmountable difficulties. With compassion and wry humor, these very different women share their lives, concerns, and regrets. Elizabeth faces a lonesome life that includes a childhood friend turned hapless suitor, and a teenage daughter who has run off to a commune. But there is a hard-won grace in the companionship these women find in Trevor’s “finely observed, gently sensitive comedy” that is “delightful to read” (Daily Telegraph).

En av 1900-talets stora irländska författare i efterlängtad nyutgåva Irländaren William Trevors romaner är tragedier, vemodigt desillusionerade och lika storslagna som ömkligt mänskliga. Tragedin är hela Irlands, men den kommer till uttryck i varje enskilt livsöde, i nyanserade och inkännande personporträtt. Femtonårige Timothy Gedge tjuvlyssnar, smyger utanför fönster och tillskansar sig människors hemligheter i den lilla staden Dynmouth; när han till slut använder sin makt, på en talangjakt, inför allas blickar, blir följderna katastrofala. Kusinerna Willie och Marianne, den ene född på Irland, den andra i England, drivs av omständigheterna mot sin katastrof. Men när den ensamme pojken Harry lär känna ett tyskt par, som flyttar till hans landsortsstad, börjar en känsla av hopp växa. I romanerna Färdvägar och Ödets narrar, samt kortromanen Kvällar på Alexandra, vilka här samlas i en volym, träder William Trevor fram som en irländsk tragöd, med sparsmakad stil och osviklig känsla för små människors stora öden. Romanerna är översätta till svenska av Birgit Edlund, Kvällar på Alexandra av Lina Erkelius. WILLIAM TREVOR, född 1928 i Cork, arbetade bland annat som lärare och träsnidare innan han debuterade med romanen Av den gamla skolan (1964), vilken belönades med Hawthornden Prize. Bland hans övriga priser märks The Royal Society of Literature Price och Whitbread Prize for Fiction. Han avled 2016. »William Trevor var vår tids Tjechov.« Wall Street Journal

A NEW YORK TIMES NOTABLE BOOK The beloved and acclaimed William Trevor''s last ten stories "The great Irish writer, who died in 2016 at the age of 88, captured turning points in individual lives with effective understatement. This seemingly quiet but ultimately volcanic collection is his final gift to us, and it is filled with action sprung from human feeling." —The New York Times Book Review With a career that spanned more than half a century, William Trevor is regarded as one of the best writers of short stories in the English language. Now, in Last Stories, the master storyteller delivers ten exquisitely rendered tales—nine of which have never been published in book form--that illuminate the human condition and will surely linger in the reader''s mind long after closing the book. Subtle yet powerful, Trevor gives us insights into the lives of ordinary people. We encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano-teacher who accepts her pupil''s theft in exchange for his beautiful music. This final and special collection is a gift to lovers of literature and Trevor''s many admirers, and affirms his place as one of the world''s greatest storytellers.

Miss Gomez and the Brethren by William Trevor - a classic early novel from one of the world''s greatest writers ''Like Rembrandt, Trevor looks long but charitably upon his creations . . . his understanding of human nature is acute'' Sunday Times Beryl Tuke, whiling time away in the Thistle Arms with gin and cheap romances, and Alban Roche at Bassett''s Petstore are among the street''s dream-ridden survivors. A new arrival, Miss Gomez, on the run from her tragic childhood in Jamaica, now lives for her postal correspondence with the Church of the Brethren of the Way back on the island. No one will believe Miss Gomez when she announces her revelation of a hideous sex crime soon to be committed in Crow Street. That is, until young Prudence Tuke disappears, the police arrive, and the newspapers herald a ''Sex Crime Prophecy''... ''The genius of William Trevor is that he can entice you into his fictional terrain in a handful of pages'' Literary Review William Trevor was born in Mitchelstown, County Cork, in 1928, and was educated at Trinity College, Dublin. He has lived in England for many years. The author of numerous acclaimed collections of short stories and novels, he has won many awards including the Whitbread Book of the Year, The James Tait Black Memorial Prize and the Sunday Times Award for Literary Excellence. He has been shortlisted three times for the Booker Prize: in 1976 with his novel The Children of Dynmouth, in 1991 with Reading Turgenev and in 2002 with The Story of Lucy Gault. He received the prestigious David Cohen Literature Prize in recognition of a lifetime''s literary achievement, and has been knighted for his services to literature.

A Dynmouth tutto è pulito, elegante: case linde, chiese e scuole, un piccolo porto. E una vita ordinata e sonnacchiosa, che si anima solo in occasione di qualche festività. Eppure, qualcuno sta per sconvolgerla. Non un efferato criminale, ma un ragazzino, Timothy Gedge, che ha un progetto innocente solo in apparenza: organizzare uno spettacolo per l’annuale festa pasquale della parrocchia. Per attuarlo Timothy è disposto a tutto: sotterfugi, ricatti, intrusioni nella vita privata degli altri. E la vita privata di molti, a Dynmouth, non è improntata a una severa morale. Nessuno vuole scavare in profondità, perché ognuno ha un segreto da nascondere...

Nights at the Alexandra by William Trevor - a classic early novel by one of the world''s greatest writers A brief encounter in wartime Ireland - the memory of which lasts a lifetime In a small town in Ireland middle-aged Harry looks back on his wartime adolescence when he fetched and carried for the beautiful young Englishwoman who had taken over the big stone house with her much older German husband. But Frau Messinger''s health is failing, and her husband decides to build a cinema in the town to honour her. Harry will work in it; one day he will own it; and he will always remain captive to the memory of the beguiling young woman who arrived suddenly from abroad and lit up his drab provincial life. William Trevor''s gift of understanding the poignancy in apparently small lives is beautifully realized in this short novel. ''Perfect in its making and its length'' The Times ''Certainly lingers in the mind. I am prepared to bet that I will still remember it in a year''s time, which is a test of genuine excellence'' Harriet Waugh, Spectator William Trevor was born in Ireland in 1928 and educated at Trinity College, Dublin. He is regarded as one of the greatest short story writers in English, and has also written many award-winning novels, most recently The Story of Lucy Gault and Love and Summer. For many years he has lived in Devon.

Quando in un pomeriggio d’estate Letitia muore in un incidente stradale, Thaddeus Davenant si ritrova improvvisamente vedovo e con una figlioletta da crescere. Non trovando una bambinaia adatta, accetta l’offerta della suocera, che si trasferisce così a vivere da lui. Il già precario equilibrio di questa difficile convivenza si incrina ulteriormente quando una giovane bambinaia rifiutata, invaghitasi di Thaddeus, architetta un piano disperato per stabilirsi in casa Davenant. La vicenda vira allora verso il giallo, segnando di altre morti la tragica estate. Un romanzo con cui William Trevor si conferma grande indagatore dell’animo umano, maestro nel costruire i personaggi per sottili allusioni e nell’insinuare sfumature di mistero in atmosfere di domestica ordinarietà.

È sottile il filo che lega i dodici racconti di Uomini d’Irlanda: è poco più di una sensazione, penetrante e diffusa, un’atmosfera malinconica che scandisce vicende assai diverse tra loro eppure tutte accomunate dall’incombere di un destino, a volte già riconosciuto, altre volte solo presagito. Ognuno dei protagonisti porta con sé la percezione chiara di un sussulto, breve e terribile, che ne scardina l’esistenza. Spesso si tratta di un lutto, magari lontano nel tempo ma non ancora elaborato. Ma può anche essere un appuntamento misterioso con un uomo sconosciuto, o soltanto l’inaspettato incontro con un volto familiare in una piccola via di Parigi, dopo anni di silenzio e di lontananza. William Trevor costruisce, attraverso i suoi personaggi, un piccolo labirinto irlandese che assomiglia moltissimo a quello delle esistenze degli esseri umani di tutte le latitudini.

«Avevamo bisogno di uno scrittore come William Trevor... La nostra speranza è che molte persone leggano Il viaggio di Felicia.» The Washington Post «Un grande osservatore della commedia umana.» New York Times Book Review Il viaggio di Felicia è breve: deve attraversare il Mare d’Irlanda e inoltrarsi nelle Midlands inglesi. Molto più difficile, una volta giunta nella zona industriale attorno a Birmingham, è cogliere l’obiettivo che si è posta: trovare Johnny, il giovane che ama riamata – lo sa, ne è certa – e da cui aspetta un figlio. La sua ricerca la mette in contatto con una quantità di persone alquanto singolari: c’è Miss Calligary, che ha fondato un’associazione religiosa; c’è gente che vive per strada, come Lena e George; c’è, soprattutto, il signor Hilditch, un signore di mezza età insolitamente premuroso... Un thriller raffinato e allo stesso tempo un romanzo di eccezionale profondità morale e psicologica, che ha rivelato in Italia il talento di William Trevor.

"William Trevor ist einzigartig - unbeirrbar darin, das Gewöhnliche und Vertraute immer wieder verblüffend und neu erscheinen zu lassen." The Irish Times In allerletzter Sekunde kann Captain Gault einen Brandanschlag auf sein Gut in Lahardane vereiteln. Dennoch kommen er und seine englische Frau Heloise zu dem Schluss, dass es höchste Zeit ist, das unsichere Irland zu verlassen. Ganz anderer Meinung ist ihre achtjährige Tochter Lucy. Sie liebt ihr Zuhause und kann sich ein Leben jenseits der Wälder, Felder und langen Strände von Lahardane nicht vorstellen. Nachdem all ihre Proteste nicht fruchten, greift Lucy zum letzten Mittel: Am Vorabend der unwiderruflich beschlossenen Abfahrt reißt sie aus, um das Unabänderliche doch noch zu verhindern. Ein Ereignis, dessen Folgen die Gaults in eine Katastrophe stürzen und ihr Leben von nun an schicksalhaft bestimmen. In seinem Roman spiegelt der große irische Schriftsteller Trevor nicht nur das Irland der 1920er Jahre wider, in dem ein Ende der feindlichen Auseinandersetzungen zwischen Protestanten und Katholiken, zwischen Arm und Reich nicht abzusehen ist. Er erzählt auch eine tief melancholische Geschichte von verpassten Gelegenheiten und Missverständnissen, die das Leben der Lucy Gault zu einer Tragödie machen. Ein Roman wie ein Requiem.

Cynique, pervers et sans complexe, le jeune Timothy Gedge s’introduit chez ses voisins dans l’idée de détruire la fade tranquillité de leurs jours et de leurs nuits. Gosse inquisiteur, il les épie, les harcèle et lance d’affreuses rumeurs... et bientôt, c’est toute la paisible ville de Dynmouth qui connaît la terreur. Voici ce que raconte l’adolescent sur son voisinage : le capitaine Gordon Abigail est prétendument attiré par les jeunes garçons ; Mrs Dass et son mari n’ont rien fait pour éviter la rupture définitive avec leur fils unique ; Mr Plant lorgne les femmes et en trousse certaines ; pire, le père de Stephen a sans doute tué sa première épouse. Oui, c’est ce que clame à qui veut l’entendre et souvent aux intéressés eux-mêmes le diabolique Timothy. Mais dans ce qu’il raconte, insinue ou affirme, où est la part de mensonge et où se trouve la vérité ? Fantasmes ? Vengeance ? Ou grande détresse ? Qu’est-ce qui entraîne Timothy à détruire ainsi les paisibles habitudes des habitants de Dynmouth ? Issu d’une famille protestante, William Trevor Cox, de son vrai nom, est né en 1928 dans une petite ville voisine de Cork en Irlande. Après des études au collège Saint Columbia, puis au Trinity College de Dublin, où il fut diplômé d’histoire, William Trevor s’essaya à la sculpture parallèlement à son métier d’enseignant. En 1952, il se marie à Jane Ryan et s’établit en Angleterre, à Londres où il fut rédacteur dans une agence publicitaire, puis quelques années plus tard, dans le Devon. Il connait son premier grand succès littéraire à l’âge de trente-six ans avec The Old Boys. On lui doit des chefs-d’œuvre tels que En lisant Tourgueniev (Booker Prize 1991 ; Libretto, 2001) ou Le Voyage de Felicia (Phébus, 1996 ; adapté au cinéma par Atom Egoyan). Primé à de nombreuses reprises, il est considéré comme l’un des écrivains majeurs de langue anglaise ; il fut d’ailleurs anobli par la reine Elizabeth II d’Angleterre en 2002.

Una relación perfecta confirma a William Trevor como el maestro absoluto del relato, capaz de dibujar con toda elocuencia y la mayor economía de medios la cara dramática de nuestra existencia. Casi sin excepción, William Trevor está considerado uno de los mejores narradores de nuestro tiempo. Este nuevo libro de relatos -después de La historia de Lucy Gault y Verano y amor, tercera obra de Trevor publicada por Salamandra- es la brillante demostración de su fértil y conmovedor universo literario, pues pocos como el escritor irlandés son capaces de narrar con tanta exactitud la complejísima topografía de la conducta humana. Desde un hombre que regresa a Venecia para cumplir la promesa que hizo a su esposa, perdida en el mundo sin recuerdos del Alzheimer, hasta una mujer que observa cómo su marido se prepara para reunirse por última vez con su amante, las historias de este libro hablan de oportunidades perdidas. De las trampas de la memoria, arbitraria y fragmentaria; de los secretos que sofocamos; de los sueños a los que nos aferramos; de las consecuencias que pueden tener, años después, unas palabras no pronunciadas. Los relatos de William Trevor esconden un cuidado mecanismo para revelar los rincones más recónditos del laberinto del deseo, y transmiten una especial melancolía, teñida de humor. La crítica ha dicho... «¿Qué queda por decir de William Trevor excepto repetir la evidencia de que es el maestro indiscutible de la narrativa? Sus relatos muestran una facilidad para hablar de espacios en la mente y el corazón humanos que está fuera del alcance de la mayoría de los escritores.» The Times «¿Cómo explicar el milagro de William Trevor? Ha conservado su asombro y curiosidad hacia la humanidad, por sus esperanzas, sus pecados y sus fallos.» The Irish Times «Magistral [...] Estos cuentos permanecen en la memoria mucho tiempo después de su lectura.» The New York Times «Un narrador y estilista soberano.» Süddeutsche Zeitung «Su hermosa y sobria prosa es un pequeño milagro. Estos relatos figuran entre los mejores de Trevor.» Irish Independent «Ningún otro escritor vivo domina el cuento como William Trevor.» The Literary Review «Estos relatos, igual que los de Chejov -la comparación es casi inevitable-, dejan espacio para que el lector piense, y de esta forma consiguen su objetivo, que es subrayar la naturaleza solitaria, la impenetrabilidad, de la experiencia individual.» Anita Brookner, The Spectator

La pâle et touchante Marie-Louise finit ses jours en marge du monde des gens dits « normaux ». Les souvenirs d''un passé reviennent par bouffées, entre l''époux médiocre, le sadisme sournois de l''entourage et la mémoire d''un amour manqué, celui qu''elle voua à son cousin qui l''initia à la beauté des choses... en lisant Tourgueniev.

Pur di sfuggire alla modesta fattoria in cui è nata e cresciuta e coronare il sogno di vivere in città, spinta dall’illusione del benessere e dell’affrancamento sociale, l’ingenua Mary Louise accetta di sposare il poco attraente Elmer, più vecchio di lei e desideroso di trovare moglie solo per dare un erede all’attività di famiglia. Si trova dunque intrappolata in un matrimonio senza amore, tormentata per giunta dalle cognate nubili che non le perdonano di aver turbato la loro esistenza rigida e abitudinaria, tesa a conservare un’apparenza di rispettabilità, e si rintana in un mondo tutto suo, al confine tra realtà e immaginazione, in compagnia del cugino invalido Robert. Tra i due nasce un amore romantico, mai consumato e per questo più intenso, a cui Mary Louise consacrerà la vita, trovando finalmente le parole per esprimere i propri sentimenti nei romanzi russi che Robert le legge in un cimitero di campagna abbandonato. Ma nell’ambiente chiuso e conformista che la circonda basta un minimo scarto dalla norma per veder segnato il proprio destino.

Esta historia de amor, ambientada en una pequeña población de Irlanda durante un verano de finales de los años cincuenta, ha sido clasificada por la crítica anglosajona como «obra de arte perfecta» y «obra maestra». El destino parece haber dictado que Ellie y Dillahan se hayan convertido en marido y mujer. Criada en un orfanato, la joven Ellie es enviada a servir a la granja de Dillahan, donde se encuentra a un hombre que arrastra el sufrimiento de haber perdido a su esposa y a su hijo recién nacido en un extraño accidente. No obstante, ya sea fruto del azar o la necesidad, la vida de la pareja transcurre ordenada y tranquila hasta que, un día de verano, la aparición de Florian, un veinteañero melancólico que está ultimando la venta de la casa de sus padres, despierta las emociones dormidas de Ellie. La pasión, repentina e irrefrenable, empuja a la joven Ellie hacia una turbadora relación con Florian, que afectará incluso a algunos habitantes del pueblo hasta desembocar en un desenlace sorprendente. La prosa sobria y luminosa de Trevor retrata con precisión fotográfica los detalles más reveladores de la vida cotidiana de unos personajes indefectiblemente ligados al entorno y al momento histórico que les ha tocado vivir, creando una historia de amor acorde con los más altos cánones de excelencia literaria y estética. La crítica ha dicho... «El gran escritor irlandés William Trevor otorga a lo nimio una importancia vital hasta formar un complejo y exquisito tapiz en el que cada vida depende y modifica a las otras. [...] Una de las más perfectas historias de amor de nuestro tiempo.» Alberto Manguel, Babelia «Prosa elegante y perfecta administración del tempo dramático de un grande entre los grandes. [...] Una historia triste a la hora de escribirla que nos hace tan, pero tan felices a la hora de leerla.» Rodrigo Fresán, ABC Cultural «Una historia de amor acorde con los más altos cánones de excelencia literaria y estética.» Fernando Pérez Pacho, Última hora «Una hermosa y fascinante novela. Una historia de amor narrada con compasión y tristeza [...]. La sensibilidad moral y estética de Trevor sobrepasa a la de la mayoría de los escritores contemporáneos.» The Times

From the pre-eminent author of Felicia’s Journey and Death in Summer, the first major collection of stories since the highly acclaimed After Rain. With understatement and startling precision William Trevor writes about longing and sadness, the loving and the lonely, those who barely have control over their lives and those who have something to hide. Whether writing of the dying of a day, a love or a way of life, Trevor tells a story of such distilled beauty and intelligence that humanity illuminates even its darkest corners. Eloquent, subtle and brilliantly crafted, The Hill Bachelors will hold a beloved place amongst William Trevor’s award-winning body of work and shows the master of short stories at the height of his game.

Full of hope, seventeen-year old Felicia crosses the Irish sea to the English Midlands in search of her lover Johnny to tell him she is pregnant. Unable to find him, alone and desperate, she is found instead by Mr. Hilditch, an obese catering manger, collector and befriender of homeless girls, who is also searching — in a way Felicia could never have imagined...

È un’estate sul finire degli anni Cinquanta a Rathmoye, cittadina nella campagna irlandese, e tutto scorre come sempre, tra la fiera del bestiame e qualche acquisto sulla via principale. Ma basta poco per spezzare l’equilibrio. La presenza in paese di un giovane sconosciuto che si aggira in bicicletta con la macchina fotografica al collo genera sospetti e chiacchiere. Il suo nome è Florian Kilderry ed è giunto a Rathmoye per vendere la vecchia villa di famiglia. Un’attempata signorina decide di tenerlo d’occhio, ed è proprio lei che, da poche parole innocenti scambiate per strada sotto gli occhi di tutti, intuisce il fiorire di un sentimento tra il misterioso Florian ed Ellie. Ellie è sposata da qualche anno con Dillahan, un agricoltore che vive tormentato dal dolore per una tragedia che l’ha colpito in passato e che si dedica solo al suo lavoro per attutire lo strazio. Il silenzio assordante della vita solitaria che conduce, la nostalgia di un amore vero mai sperimentato, la monotonia della quotidianità accendono nell’animo innocente di Ellie una scintilla di passione verso Florian. E l’estate acquista nuovi, pericolosi colori. Grazie a una scrittura essenziale, rarefatta ma di estrema precisione, William Trevor coglie con la consueta sensibilità i dilemmi morali dei suoi personaggi, attraverso uno sguardo delicato e forte, pudico e profondo, sapiente ma sempre capace di stupore dinanzi alle gioie e alle disgrazie della vita di tutti i giorni.

Irlanda, 1921. Alla vigilia dell’indipendenza, nel paese le manifestazioni antibritanniche si fanno sempre più pericolose. Per questo il capitano Gault e la moglie Heloise si rassegnano a lasciare l’Irlanda e riparare in Inghilterra, patria della donna. La decisione è presa, ma nessuno chiede il parere della piccola Lucy. La bimba non ha alcuna intenzione di lasciare per sempre tutto quello che ama. Così decide di scappare di casa, per far cambiare idea al papà e alla mamma. La fuga doveva durare soltanto qualche giorno, ma per una serie di coincidenze niente va come previsto e il destino della famiglia Gault cambia per sempre, prendendo una piega drammatica. Dopo, nulla sarà più come prima, e col passare degli anni il fardello di rimorsi inespressi e affetti negati si farà sempre più pesante, finché il tempo, alla fine, non porterà Lucy ad accettare con semplicità ciò che ogni giorno può offrire: serenamente, nell’impossibilità di decifrare il senso della propria storia.

Here is a new collection of twelve absorbing, deeply compassionate tales that reveal the subtle revenges of love and indifference, the deep wells of affection, and the strange, breathtaking tricks of chance that make up the texture of our lives. In the rain-washed Italian hills, a forgotten artist''s Annunciation brings light to a heartbroken woman; insidiously, in her struggle for love, the second wife of a blind piano tuner distorts his memories of the first; two children, survivors of divorce, mimic their parents'' dramas and passions; a mother, tied through love and fear to her son, watches with helpless dread as she realizes the monster he has become.

A marvelous collection from "the greatest living writer of short stories in the English language" (The New Yorker). Four-time winner of the O. Henry Prize, three-time winner of the Whitbread Prize, and five-time finalist for the Man Booker Prize, William Trevor is one of the most acclaimed authors of our time. Over a career spanning more than half a century, Trevor has crafted exquisitely rendered tales that brilliantly illuminate the human condition. Bringing together forty-eight stories from After Rain, The Hill Bachelors, A Bit on the Side, and Cheating at Canasta, this second volume of Trevor''s collected fiction offers readers "treasures of gorgeous writing, brilliant dialogue, and unforgettable lives" (The New York Times Book Review).

A husband sits in Harry’s Bar in Venice, thinking of his wife–lost to him now–whose plea has brought him back to one of their favourite haunts. At another table, a young couple quarrel. “Cheating at Canasta” is the title story of William Trevor’s new collection, his first since the highly acclaimed A Bit on the Side, and its themes of missed opportunities, the inevitability of change and the powerful but fragmentary quality of our memories are entirely characteristic of his unparalleled oeuvre.

The Children Of Dynmouth - a classic prize-winning novel by William Trevor Penguin Decades bring you the novels that helped shape modern Britain. The 1970s was a decade of anger and discontent. Britain endured power cuts and strikes. America pulled out of Vietnam and saw its President resign from office. Feminism and face lifts vied for women''s hearts (and minds). And for many, prog rock, punk and disco weren''t just music but ways of life. William Trevor''s The Children of Dynmouth (Winner of the Whitbread Award and shortlisted for the Booker Prize) was first published in 1976 and is a classic account of evil lurking in the most unlikely places. In it we follow awkward, lonely, curious teenager Timothy Gedge as he wanders around the bland seaside town of Dynmouth. Timothy takes a prurient interest in the lives of the adults there, who only realise the sinister purpose to which he seeks to put his knowledge too late. ''A small masterpiece of understatement ... a work of rare compassion'' Joyce Carol Oates, New York Times If you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime''s literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia''s Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

It?s summer and nothing much is happening in Rathmoye. So it doesn?t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty?s funeral. Florian Kilderry couldn?t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt- out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan?s wife. But Florian?s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.