Best Selling Books by William T Vollmann

WINNER OF THE NATIONAL BOOK AWARD A daring literary masterpiece of historical fiction that weaves together the gripping stories of those caught in the web of authoritarian rule. Through interwoven narratives that paint a portrait of 20th century Germany and the USSR and the monstrous age they defined, Europe Central captures a chorus of voices both real and fictional—a young German who joins the SS to fight its crimes, two generals who collaborate with the enemy for different reasons, and the tumultuous life of Soviet composer Dmitri Shostakovich amidst Stalinist oppression. In this magnificent work of fiction, acclaimed author William T. Vollmann turns his trenchant eye on these two authoritarian cultures to render a mesmerizing perspective on human experience during wartime.

Failing San Francisco private detective, Henry Tyler journeys through the dark underbelly of the city as he searches for the legendary Queen of the Prostitutes, all the while grieving over the suicide of the women he loves.

A “beautifully written and deeply affecting” novel (USA Today) about a Vietnam veteran – from the National Book Award-winning author of Europe Central From the acclaimed author of Europe Central comes this fever dream of a novel about an alcoholic Vietnam veteran, Jimmy, who devotes his government check and his waking hours to the search for a beautiful and majestic sex worker, a woman who may or may not exist save in Jimmy''s rambling dreams. Gloria''s image seems distilled from memory and fantasy and the fragments of whatever Jimmy can buy from the other sex workers: their sex, their stories—all the unavailing dreams of love and salvation among the drinkers and addicts who haunt San Francisco''s Tenderloin District.

The man and the idea that created modern science, as seen by one of today''s most celebrated writers.

Winner of the PEN Center USA West Award for Fiction – a collection of fifty-three interconnected stories by the National Book Award-winning author of Europe Central Hailed by Newsday as "the most unconventional--and possibly the most exciting and imaginative--novelist at work today," William T. Vollmann has also established himself as an intrepid journalist willing to go to the hottest spots on the planet. Here he draws on these formidable talents to create a web of fifty-three interconnected tales, what he calls "a piecemeal atlas of the world I think in." Set in locales from Phnom Penh to Sarajevo, Mogadishu to New York, and provocatively combining autobiography with invention, fantasy with reportage, these stories examine poverty, violence, and loss even as they celebrate the beauty of landscape, the thrill of the alien, the infinitely precious pain of love. The Atlas brings to life a fascinating array of human beings: an old Inuit walrus-hunter, urban aborigines in Sydney, a crack-addicted prostitute, and even Vollmann himself.

Butterfly Stories follows a dizzying cradle-to-grave hunt for love that takes the narrator from the comfortable confines of suburban America to the killing fields of Cambodia, where he falls in love with Vanna, a prostitute from Phnom Penh. Here, Vollmann''s gritty style perfectly serves his examination of sex, violence, and corruption.

From the National Book Award-winning author of Europe Central – a dazzling fictional account of the epic fighting retreat of the Nez Perce Indians In this fifth installment in his acclaimed Seven Dreams series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the epic fighting retreat of the Nez Perce Indians, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn the previous year, as they fled from northeast Oregon across Montana to the Canadian border. Vollmann’s main character is not the legendary Chief Joseph but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict, and written in an original style in which the printed page works as a stage with multiple layers of foreground and background, The Dying Grass is another mesmerizing achievement from one of the most ambitious writers of our time.

Never before available in paperback and all but invisible for twenty years, a personal account of the origins of America''s longest war. In 1982, the young William Vollmann worked odd jobs, including as a secretary at an insurance company, until he''d saved up enough money to go to Afghanistan, where he wanted to join the mujahedeen to fight the Soviets. The resulting book wasn''t published until 1992, and Library Journal wrote: "The wrong book written at the wrong time. . . . With the situation in Afghanistan rapidly heading toward resolution . . . libraries may safely skip this." Thirty years later--and with the United States still mired in the longest war of its history--it''s time for a reassessment of Vollmann''s heartfelt tale of idealism and its terrifying betrayals. An alloy of documentary and autobiographical elements characteristic of Vollmann''s later nonfiction, An Afghanistan Picture Show is not a work of conventional reportage; instead, it''s an account of a subtle and stubborn consciousness grappling with the limits of will and idealism imposed by violence and chaos.

From a writer who has won comparison with Thomas Pynchon and William S. Burroughs comes thirteen unnerving and often breathtaking stories populated by punks and angels, skinheads and religious assassins, streetwalkers and fetishists--people who live outside the law and and the clear light of the every day. Set in landscapes as diverse as ancient Babylon, India, and the seamy underbelly of San Francisco, these daring and innovative tales are laced with Vollman''s fertile imagination. The Rainbow Stories ushers us into a world that bears an awful yet hypnotic resemblance to that of our deepest nightmares, confirming Vollman''s reputation as a dark visionary of contemporary fiction.

A bold allegorical epic that hovers somewhere between the surreal and the incredible. Vollmann tells of the battle for power between the inventors and developers of electricity and the insect world.

The second volume of a saga that chronicles the relations between native Americans and their colonizers begins four hundred years ago in the Great Lakes region, where Jesuit priests martyr themselves to save the disease-ridden villages of the Huron.--Amazon.com.

Supernaturally tinged stories from William T. Vollmann, author of the National Book Award winner Europe Central Watch for Vollmann’s new work of nonfiction, No Immediate Danger, coming in April of 2018 In this magnificent new work of fiction, his first in nine years, celebrated author William T. Vollmann offers a collection of ghost stories linked by themes of love, death, and the erotic. A Bohemian farmer’s dead wife returns to him, and their love endures, but at a gruesome price. A geisha prolongs her life by turning into a cherry tree. A journalist, haunted by the half-forgotten killing of a Bosnian couple, watches their story, and his own wartime tragedy, slip away from him. A dying American romances the ghost of his high school sweetheart while a homeless salaryman in Tokyo animates paper cutouts of ancient heroes. Are ghosts memories, fantasies, or monsters? Is there life in death? Vollmann has always operated in the shadowy borderland between categories, and these eerie tales, however far-flung their settings, all focus on the attempts of the living to avoid, control, or even seduce death. Vollmann’s stories will transport readers to a fantastical world where love and lust make anything possible.

From the author of Europe Central, winner of the National Book Award, a journalistic tour de force along the Mexican-American border – a finalist for the National Book Critics Circle Award For generations of migrant workers, Imperial Country has held the promise of paradise and the reality of hell. It sprawls across a stirring accidental sea, across the deserts, date groves and labor camps of Southeastern California, right across the border into Mexico. In this eye-opening book, William T. Vollmann takes us deep into the heart of this haunted region, exploring polluted rivers and guarded factories and talking with everyone from Mexican migrant workers to border patrolmen. Teeming with patterns, facts, stories, people and hope, this is an epic study of an emblematic region.

A National Book Award-winning author travels the globe and meets with impoverished individuals where they live to document firsthand the causes and effects of poverty. Two 16-page photo inserts.

A majestic fictional evocation of the Norse arrival in the New World, from the National Book Award-winning author of Europe Central The time is the tenth century A.D. The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call "Vinland the Good." The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples--and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise--he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past.

The story of John Franklin’s doomed 1845 attempt to discover a Northwest Passage, from the National Book Award-winning author of Europe Central Vaulting through time to another flashpoint in the long struggle between Indians and Europeans, William T. Vollmann''s visionary fictional history now focuses on the white explorers of the mid-1800s, desperately dreaming of forging a Northwest Passage. As Sir John Franklin embarks on his fourth Arctic voyage, he defies the warnings of the native people, and his journey ends in ice and death. But his spirit lingers in the Canadian north, where 150 years later, in 1990, Inuit elders dream of long-gone seal-hunting days and teenagers sniff gasoline. And when a white man seduces and leaves pregnant a young Indian woman, he becomes Franklin reincarnated, bound for the same fate. Vollmann''s vivid characters and landscapes weave together the stories of the past and present to live out America''s ongoing tragedy of greed, ignorance, and violence.

The author recounts his train-hopping adventures at the side of fellow accomplice Steve and other underground stowaways, journeys during which he observed the wild scenery of the American West from a grainer platform.

From the National Book Award-winning author of Europe Central, a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty What is a woman? To what extent is femininity a performance? Writing with the extra-ordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look at the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself. Sweeping readers from the dressing room of one of Japan''s most famous Noh actors to a trans-vestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of desire and loss as Mishima, Kawabata and Andrew Wyeth. From old Norse poetry to Greek cult statues, from elite geisha dancers to American makeup artists, from Serbia to India, Vollmann uncovers secrets of staged femininity and mysteries of perceived and expressed beauty, including specific makeup procedures furnished by an L.A. transgender bar girl, a Kabuki female impersonator, and the owner of a semi-clandestine studio for Tokyo cross-dressers. Kissing the Mask is illustrated with many evocative sketches and photographs by the author.

From the National Book Award-winning author of Europe Central – a hugely original fictional history of Pocahontas, John Smith, and the Jamestown colony in Virginia In Argall, the third novel in his Seven Dreams series, William T. Vollmann alternates between extravagant Elizabethan language and gritty realism in an attempt to dig beneath the legend surrounding Pocahontas, John Smith, and the founding of the Jamestown colony in Virginia-as well as the betrayals, disappointments, and atrocities behind it. With the same panoramic vision, mythic sensibility, and stylistic daring that he brought to the previous novels in the Seven Dreams series--hailed upon its inception as "the most important literary project of the ''90s" (The Washington Post)--Vollmann continues his hugely original fictional history of the clash of Native Americans and Europeans in the New World. In reconstructing America''s past as tragedy, nightmare, and bloody spectacle, Vollmann does nothing less than reinvent the American novel.

“The most honest book about climate change yet.” —The Atlantic “The Infinite Jest of climate books.” —The Baffler An eye-opening look at the consequences of coal mining and oil and natural gas production—the second of a two volume work by award-winning author William T. Vollmann on the ideologies of energy production and the causes of climate change The second volume of William T. Vollmann''s epic book about the factors and human actions that have led to global warming begins in the coal fields of West Virginia and Eastern Kentucky, where "America''s best friend" is not merely a fuel, but a "heritage." Over the course of four years Vollmann finds hollowed out towns with coal-polluted streams and acidified drinking water; makes covert visits to mountaintop removal mines; and offers documented accounts of unpaid fines for federal health and safety violations and of miners who died because their bosses cut corners to make more money. To write about natural gas, Vollmann journeys to Greeley, Colorado, where he interviews anti-fracking activists, a city planner, and a homeowner with serious health issues from fracking. Turning to oil production, he speaks with, among others, the former CEO of Conoco and a vice president of the Bank of Oklahoma in charge of energy loans, and conducts furtive roadside interviews of guest workers performing oil-related contract labor in the United Arab Emirates. As with its predecessor, No Immediate Danger, this volume seeks to understand and listen, not to lay blame--except in a few corporate and political cases where outrage is clearly due. Vollmann is a carbon burner just like the rest of us; he describes and quantifies his own power use, then looks around him, trying to explain to the future why it was that we went against scientific consensus, continually increasing the demand for electric power and insisting that we had no good alternative.

The National Book Award winning author returns to his original fictional territory--the lives of the dispossessed in San Francisco--with a parable about the limitations of desire and life at the margins of society In such earlier works of fiction as The Rainbow Stories and The Royal Family, William T. Vollmann wrote of pimps, prostitutes, addicts and homeless dreamers in San Francisco''s Tenderloin district. In this new novel, Vollmann returns there with a story that centers around a woman with magical powers whom everyone loves, and who has to love them all back. After being initiated into a coven of island witches, Neva begins to fulfill her fate in a Tenderloin dive bar. Her worshippers include Richard, the introverted, alcoholic, occasionally omniscient narrator; a profane, aggressive transgender sex worker named Shantelle; the brisk but motherly barmaid Francine; and the former Frank, who has renamed herself after her idol Judy Garland. When Judy starts to love Neva too much, Judy''s retired policeman boyfriend embarks on a mission of exposure and destruction. Crafted out of language by turns spiritual and sexually graphic, The Lucky Star aches with compassion as it explores celebrity culture, gender identity, incest, Christian sacrifice and, most of all, the quotidian and sometimes faltering heroism of marginalized people who in the face of humiliation and outright violence seek to love in their own way, and stand up for who they are.

The settings for the stories in Vollmann''s collection range from Las Vegas to Bangkok, but his protagonists share traits in common. They are the desperate, the haunted, those who have reached the end of their ropes and are trying to make sense of a world that has failed them. The prostitutes and pimps, the addicts and the skinheads, who are the subjects of Vollmann''s stories are all engaged in larger journeys of self-discovery. The hope that the next fix, the next night of sex, the next trip abroad will finally lead them to an always allusive internal peace.

William T. Vollmann has travelled to Soviet-occupied Afghanistan with Islamic commandos, shivered out a solitary stretch at the North Magnetic Pole in winter, hopped freight trains, studied the stately ancient beauties of Japanese Noh theater, and made friends with street prostitutes all over the world-all in the interest of learning a little more about life. Now in his mid-fifties, Vollmann sets out on what may well be impossible for a heterosexual genetic male: to envision himself as a woman. In these photographs, block prints, and watercolor drawings, he portrays his alter ego, Dolores, with whimsicality, and sometimes with cruelty-for Dolores would like to be attractive, or at least to "pass," but the ageing male body in which she remains confined requires lowered expectations. Meanwhile, the drawings and block prints, composed with the artist''s glasses off, show Dolores as she imagines herself to be. The Book of Dolores brings the genre of self-portraits to a new level of vulnerability and bravery. In the process, it offers virtuoso performances of nineteenth, twentieth, and twenty-first-century photographic techniques, including the seductively difficult gum bichromate method. Each section of the book is accompanied by an essay on motives and techniques.

“The most honest book about climate change yet.” —The Atlantic “The Infinite Jest of climate books.” —The Baffler A timely, eye-opening book about climate change and energy generation that focuses on the consequences of nuclear power production, from award-winning author William T. Vollmann In his nonfiction, William T. Vollmann has won acclaim as a singular voice tackling some of the most important issues of our age, from poverty to violence to the dark soul of American imperialism as it has played out on the U.S./Mexico border. Now, Vollmann turns to a topic that will define the generations to come--the factors and human actions that have led to global warming. Vollmann begins No Immediate Danger, the first volume of Carbon Ideologies, by examining and quantifying the many causes of climate change, from industrial manufacturing and agricultural practices to fossil fuel extraction, economic demand for electric power, and the justifiable yearning of people all over the world to live in comfort. Turning to nuclear power first, Vollmann then recounts multiple visits that he made at significant personal risk over the course of seven years to the contaminated no-go zones and sad ghost towns of Fukushima, Japan, beginning shortly after the tsunami and reactor meltdowns of 2011. Equipped first only with a dosimeter and then with a scintillation counter, he measured radiation and interviewed tsunami victims, nuclear evacuees, anti-nuclear organizers and pro-nuclear utility workers. Featuring Vollmann''s signature wide learning, sardonic wit, and encyclopedic research, No Immediate Danger, whose title co-opts the reassuring mantra of official Japanese energy experts, builds up a powerful, sobering picture of the ongoing nightmare of Fukushima.

Angesichts der Havarie in Fukushima tappten alle wochenlang im dunkeln: Was passierte wirklich in den Reaktorblöcken? War die Kernschmelze bereits eingetreten? Und ganz praktisch: Wie rechnet man eigentlich Sievert in Becquerel um? Kraftwerksbetreiber und Verwaltung schienen überfordert, Medienberichte waren widersprüchlich, selbst den Geigerzählern war nicht zu trauen. In dieser Situation machte sich William T. Vollmann, ausgestattet mit einem Dosimeter und Jodtabletten aus dem Kalten Krieg, Anfang April auf den Weg ins japanische Katastrophengebiet. »Vollmann reist durch ein zerstörtes, doppelt und dreifach heimgesuchtes Land, weil er mit eigenen Augen sehen will, was geschehen ist. Weil er es aufschreiben und so das Unbegreifbare, das Unsichtbare sichtbar machen will. Und dieses Unsichtbare ist nicht abstrakt, sondern ganz konkret. Es heißt Radioaktivität. Deswegen muss Vollmann bis zum Äußersten gehen, bis an die Grenze, in die Sperrzone eben.« (Richard Kämmerlings in der Welt am Sonntag)