New Releases by Terry Tempest Williams

Across generations and geological epochs, a grandfather invested in the care of our planet writes to his grandsons. Intimate and informed, The Planet You Inherit addresses the biggest questions for the next generation, of climate justice, earth ethics, global citizenship, and legacy.

Timely and unsettling essays from an important and beloved writer and conservationist. “These are essays about the courage to face what is most brutal and monstrous by finding what is most beautiful and merciful.” —Rebecca Solnit Best of Fall 2019 at Newsweek, The Chicago Tribune, Kirkus Reviews, and Literary Hub A Top Ten Book of October at The Washington Post One of “5 Boss Lady Books of Nonfiction” at BookRiot Best Spiritual Books of 2019, Spirituality & Practice Terry Tempest Williams’s fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America’s public lands and the erosion of our commitment to the open space of democracy. She asks: “How do we find the strength to not look away from all that is breaking our hearts?” We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument—sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which “oil rigs light up the horizon.” And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself. These essays are Williams’s call to action, blazing a way forward through difficult and dispiriting times. We will find new territory—emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming. Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone. “If Wiliams’s haunting, powerful and brave book can be summed up in one line of advice it would be this: try to stare down the grief of everyday life, speak out and find solace in the boundless beauty of nature.” —Diane Ackerman, The New York Times Book Review “Erosion is a spiritual and profound anthology that could not be more appropriate for our time.” —Julia Rose Pignataro, Newsweek

America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them. From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

Black and white landscape photos of Jackson Hole by Edward Riddell, Wyoming with essay by Terry Tempest Williams.

With Leap, Terry Tempest Williams, award-winning author of Refuge, offers a sustained meditation on passion, faith, and creativity-based upon her transcendental encounter with Hieronymus Bosch''s medieval masterpiece The Garden of Delights. Williams examines this vibrant landscape with unprecedented acuity, recognizing parallels between the artist''s prophetic vision and her own personal experiences as a Mormon and a naturalist. Searing in its spiritual, intellectual, and emotional courage, Williams''s divine journey enables her to realize the full extent of her faith and through her exquisite imagination opens our eyes to the splendor of the world.

The acclaimed author of Refuge here weaves together a resonant and often rhapsodic manifesto on behalf of the landscapes she loves, combining the power of her observations in the field with her personal experience—as a woman, a Mormon, and a Westerner. Through the grace of her stories we come to see how a lack of intimacy with the natural world has initiated a lack of intimacy with each other. Williams shadows lions on the Serengeti and spots night herons in the Bronx. She pays homage to the rogue spirits of Edward Abbey and Georgia O’Keeffe, contemplates the unfathomable wildness of bears, and directs us to a politics of place. The result is an utterly persuasive book—one that has the power to change the way we live upon the earth.

"The Williamses anchor Jefferies'' profound inquiry to our churning world and illuminate their own passionate quests for truth and understanding." —BOOKLIST, starred review While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth–century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies'' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty–first century. JOHN RICHARD JEFFERIES (6 November 1848 – 14 August 1887) was a British novelist and essayist who helped pioneer the field of modern nature writing. Jefferies described the English countryside with an intimate vividness and expansive passion that inspired both his contemporaries and later writers. TERRY TEMPEST WILLIAMS is the author of fourteen books including Erosion: Essays of Undoing, Refuge: An Unnatural History of Family and Place, and When Women Were Birds. Recipient of John Simon Guggenheim and Lannan Literary Fellowships in creative nonfiction, she is the Provostial Scholar at Dartmouth College. Her work has been anthologized and translated world–wide. BROOKE WILLIAMS has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as the Executive Director of the Murie Center in Moose, Wyoming. He holds an MBA in Sustainable Business from the Bainbridge Graduate Institute and a Biology degree from the University of Utah. He has written four books including Halflives: Reconciling Work and Wildness, and dozens of articles. He is involved in The Great West Institute, a think tank exploring expansion and innovation in the conservation movement and is currently working on a book about ground–truthing. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.

In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother''s journals in a book that keeps turning around the question, "What does it mean to have a voice?"

When artist Tom Curry first moved to Maine, his house overlooked a small, uninhabited island in Eggemoggin Reach. One day, while rowing across to the island, his boyhood fear of water came crashing in on him. So he decided to explore his fear head-on, and began painting the island “as a way to delve into my own darkness and seek a way back to the surface.” That series of paintings, capturing the island in all lights, weathers, and moods, forms the basis of this book. But the whole is much more than the sum of its parts. These paintings represent an ongoing narrative: “island as escape and entrapment, island as longing and memory, island as sanctuary, island as self in a sea of turmoil.” The paintings are accompanied by essays by Terry Tempest Williams, exploring Curry’s spirit of place, and Carl Little, establishing Curry’s art within the field of landscape painting.

Terry Tempest Williams presents a sharp-edged perspective on the ethics and politics of place, spiritual democracy, and the responsibilities of citizen engagement. By turns elegiac, inspiring, and passionate, The Open Space of Democracy offers a fresh perspective on the critical questions of our time.

"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.

The author talks about wilderness and wildlife, place and eroticism, art and literature, democracy and politics, family and heritage, Mormonism and religion, writing and creativity, and other subjects in a set of interviews gathered and introduced by Michael Austin to represent the span of her career as a naturalist, author, and activist.

Beautifully illuminated with drawings and paintings by noted artist Mary Frank, Williams, one of the West''s most intense and lyrical writers, invokes the lure and drama of the landscape. This is an incandescent meditation--in word and image--on the physical vastness and beauty of the desert and the spiritual place one woman finds for herself there.

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry''s mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

A COLLECTION OF STORIES READ BY THE AUTHOR.

"These things are real: desert, rocks, shelter, legend" (Judith Fryer). Coyote''s Canyon evokes the beauty and mystery of southern Utah''s desert canyons--home to Navajo and to the Anasazi who came before, and spiritual homeland to the Coyote Clan, thousands of individuals who draw nourishment from this land. This collaboration between photographer John Telford and writer Terry Tempest Williams is an intimate meditation on one of the earth''s most extraordinary landscapes. Telford''s spectacular color photographs of the region''s canyons, mesas, hidden waterways, arches, Anasazi cliff dwellings, and desert vistas are rich with the reflected ligh that elevates rock into sculpture. Tempest Williams'' stories celebrate the legend and ritual surrounding this sacred place, creating a compelling new mythology for desert lovers--persons quietly subversive in the name of the land. Taken together, these photographs and words are an invitation, an initiation into the desert''s sanctuary of secrets--Coyote''s Canyon. photographs throughout

Introduction to Navajo culture by a storyteller.

Examines over a dozen different types of snow and snowy conditions through the vocabulary of the Inuit people of Alaska. Discusses the physical properties and formation of the snow and how it affects the plants, animals, and people of the Arctic.