Most Popular Books by Stanislaw Lem

An astronaut returns to Earth after a 10-year mission and finds a society that he barely recognizes in science fiction novel by the Solaris author, whose works “make our weary universe seem pale and undistinguished by comparison” (The Washington Post). Stanisław Lem’s Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years—although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are “betrizated” to remove all aggression and violence—a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as “resuscitated Neanderthals,” and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem’s depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

Scientists must decode a message from intelligent beings in outer space in this classic science fiction tale by the legendary author of Solaris. “The universe is still struggling to catch up with the vast creative force that was Stanisław Lem.” —Washington Post By pure chance, scientists detect a signal from space that may be communication from rational beings. How can people of Earth understand this message, knowing nothing about the senders—including whether or not they even exist? Written as the memoir of a mathematician who participates in the government project (code name: His Master’s Voice) attempting to decode what seems to be a message from outer space, this classic novel shows scientists grappling with fundamental questions about the nature of reality, the confines of knowledge, the limitations of the human mind, and the ethics of military-sponsored scientific research.

A space cruiser encounters beings descended from self-replicating machines in this sci-fi classic with echoes of H.G. Wells and Jules Verne! “A giant of mid-20th-century science fiction, in a league with Arthur C. Clarke, Isaac Asimov, and Philip K. Dick.” —The New York Times Stanisław Lem’s The Invincible tells the story of a space cruiser sent to an obscure planet to determine the fate of a sister spaceship whose communication with Earth has abruptly ceased. Landing on the planet Regis III, navigator Rohan and his crew discover a form of life that has apparently evolved from autonomous, self-replicating machines—perhaps the survivors of a “robot war.” Rohan and his men are forced to confront the classic quandary: what course of action can humanity take once it has reached the limits of its knowledge? Lem has his characters confront the inexplicable and the bizarre: the problem that lies just beyond analytical reach.

A playful, witty, reflective memoir of childhood by the science fiction master Stanisław Lem. With Highcastle, Stanisław Lem offers a memoir of his childhood and youth in prewar Lvov. Reflective, artful, witty, playful—“I was a monster,” he observes ruefully—this lively and charming book describes a youth spent reading voraciously (he was especially interested in medical texts and French novels), smashing toys, eating pastries, and being terrorized by insects. Often lonely, the young Lem believed that he could communicate with household objects—perhaps anticipating the sentient machines in the adult Lem''s novels. Lem reveals his younger self to be a dreamer, driven by an unbridled imagination and boundless curiosity. In the course of his reminiscing, Lem also ponders the nature of memory, innocence, and the imagination. Highcastle (the title refers to a nearby ruin) offers the portrait of a writer in his formative years.

Ijon Tichy, Lem''s Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel. A Helen and Kurt Wolff Book

Robot armies, an arms race in space, and a brain at war with itself add up to “a futuristic version of Dr. Jekyll and Mr. Hyde” (The Boston Phoenix). Anxious to avoid a war that would destroy the entire planet, the major powers of Earth have come to an ingenious compromise. Each country sends a force of adaptable, self-programming robots to the surface of the moon to play out the conflict there and, hopefully, reach a mutually agreeable stalemate. But when the robots stop responding, it is up to Ijon Tichy to travel to the lunar war zone and discover what went wrong. Tichy finds what he needs to know, but falls victim to an attack that severs the left and right sides of his brain: one of which knows nothing about the status of the moon, the other of which isn’t telling. Now Tichy finds himself at the center of a new sort of war of attrition, with each world power clamoring for his knowledge and each half of his stubborn brain clamoring for control. Wry and action-packed in equal measure, Stanislaw Lem’s absurd, insightful sendup of the Cold War is required reading for any fan of science fiction. Here, “humor and a breathless pace create a delightful and thought-provoking read” (Publishers Weekly).

Essays by the author of Solaris: “Lem’s delightful sense of humor accentuates his essential seriousness about humanity’s possible fate” (Publishers Weekly). In One Human Minute, Stanislaw Lem takes a hard look at our world and technology—what it means now and what dire implications it could have for the future—in satirical, wise, and biting prose. With this collection of three essays, Lem targets some of the most pressing issues humanity faces, from our unsettling origins to the cybernetic future of our weaponry. “The Upside-Down Evolution” chronicles the Earth’s military evolution from nuclear stockpiles to deadly, robotic microweapons. “The World as Cataclysm” examines how humankind’s dominance on Earth is the result of the extermination of another species just as qualified to rule the world. And the title essay presents a disturbing and fascinating snapshot of every single thing happening on the planet in a sixty-second span. Effortlessly blurring the lines between fiction and nonfiction, scientific essay and fantastical short story, cynical reproach and wry humor, Lem’s One Human Minute combines the best elements of the renowned science fiction author and Kafka Prize winner’s writing into one irreverent and intellectually stimulating package.

“A stunningly inventive fantasy about cosmic travel” from the Kafka Prize–winning author of Solaris (The New York Times). The Hermes explorer ship represents the epitome of Earth’s excellence: a peaceful mission sent forth to make first contact with an alien civilization, and to use the expansive space technology developed by humanity to seek new worlds, friendships, and alliances. But what its crew discovers on the planet Quinta is nothing like they had hoped. Locked in a seemingly endless cold war among themselves, the Quintans are uncommunicative and violent, refusing any discourse—except for the firing of deadly weapons. The crew of the Hermes is determined to accomplish what they had set out to do. But the cost of learning the secrets hidden on the silent surface of Quinta may be grave. Stark, startling, and insightful, Fiasco has been praised by Publishers Weekly as “one of Lem’s best novels.” It is classic, thought-provoking hard science fiction, as prescient today as when it was first written.

Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem''s intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.

An eerie and offbeat mystery by a Kafka Prize–winning author. The case confronting Lieutenant Gregory is not one that a man of Scotland Yard would expect. In fact, it is not one any sane man would care to entertain. Bodies are disappearing. The initial assumption is that a grave robber is roaming London and defiling local morgues. But upon further examination, it seems the deceased are, in fact, resurrecting. As Gregory stumbles his way through the tangled clues, seeking advice from scientific, philosophical, and theological experts alike, he finds himself tossed into a baffling metaphysical puzzle of incomprehensible truths and unbelievable realities. Hailed by Kirkus Reviews as “closer to Kafka than the police precinct house,” Lem’s intelligent and puzzling foray into the mystery genre offers an appealing combination of disturbance and delight.

The Franz Kafka Prize-winning author invites you to a doped-up dystopia. “Nobody can really know the future. But few could imagine it better than Lem.” —The Paris Review Bringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Polish author Stanislaw Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress in Costa Rica to discuss the overpopulation problem. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a cure. But when he awakens in 2039, he is faced with a future unlike any that the Congress could have ever imagined. Translated by Michael Kandel. “A vision of Earth’s future where the authorities dose the population with ‘psychemicals’ to make life in a desperately over-populated world worth living.” —The Boston Globe “Lem’s view of the overcrowded future is original and disturbing. A pessimistic, mordantly funny book.” —Kirkus Reviews “Lem writes with a humor underlined by his commentary on the way the world is.” —SF Site

An early realist novel by Stanisław Lem, taking place in a Polish psychiatric hospital during World War II. Taking place within the confines of a psychiatric hospital, Stanisław Lem''s The Hospital of the Transfiguration tells the story of a young doctor working in a Polish asylum during World War II. At first the asylum seems like a bucolic refuge, but a series of sinister encounters and incidents reveal an underlying brutality. The doctor begins to seek relief in the strange conversation of the poet Sekulowski, who is posing as a patient in a bid for safety from the occupying German forces. Meanwhile, Resistance fighters stockpile weapons in the surrounding woods. A very early work by Lem, The Hospital of the Transfiguration is partly autobiographical, drawing on the author''s experiences as a medical student. Written in 1948, it was suppressed by Polish censors and not published until 1955. The censorship of this realist novel is partly what led Lem to focus on science fiction and nonfiction for the rest of his career.

Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers. The most completely successful of his books ... here Lem comes closest to inventing a real universe (Boston Globe). Translated by Michael Kandel.

The author of Solaris critiques science fiction in a collection of provocative essays. Celebrated science fiction master Stanislaw Lem turns his always sharp and insightful pen to criticism in this bold and controversial analysis of the genre for which he is most known. In this collection of ten essays—ranging from an introspective examination of his own biographical and literary history to biting scrutiny of fellow authors and their works—Lem takes a keen look at the influence, shortcomings, merit, and importance of science fiction, touching on topics from Philip K. Dick (“a genius among the charlatans”) to time travel, cosmology, and Jorge Luis Borges. Whether deriding the genre’s tendency to adhere to well-worn patterns of adventure or lauding its ability to, when executed correctly, discover ideas that have not been thought of or done before, Lem’s quick wit, razor tongue, and impeccable insights make Microworlds a master class of scientific and literary analysis from one of the undisputed legends of science fiction.

Brilliant stories of a bumbling astronaut, and the human desire to discover the unknown, by the much-loved author of Solaris. Set in the not-too-distant future, when space flight has evolved to the point where humanity is ready to colonize the solar system, Tales of Pirx the Pilot follows one somewhat-hapless explorer as he struggles though his training as a cadet, his career as a pilot, and his tenure as captain of a merchant ship. In these collected stories, Pirx stumbles his way through various exploits: traveling to the moon; battling mechanical malfunctions; encountering robots; and confronting questions of ambition, evolution, exploration, experimentation, and the nature of humanity itself. And in classic Pirx fashion, he faces down each dilemma with charm, curiosity, courage, and intuition. These early works by revered speculative fiction author Stanislaw Lem are filled with both the sharp insight for which he is known and a childlike innocence, making them an entertaining and thought-provoking read for science fiction fans of all ages.

Meet Ijon Tichy—a space age adventurer who encounters faulty time machines, intelligent washing machines, and other puzzling phenomena—in this collection from a sci-fi legend Memoirs of a Space Traveler follows the adventures of Ijon Tichy, a Gulliver of the space age, who leads readers through strange experiments involving, among other puzzling phenomena, faulty time machines, intelligent washing machines, and suicidal potatoes. The scientists Tichy encounters make plans that are grandiose, and strike bargains that are Faustian. They pursue humanity’s greatest and most ancient obsessions: immortality, artificial intelligence, and top-of-the-line consumer items. By turns satirical, philosophical, and absurd, these stories express the most starkly original and prescient notions of a master of speculative fiction.

''On one side of the ducats was stamped the radiant profile of Archithorius, on the other - an image of his six hundred arms'' Mortal Engines is a selection of the best of Stanislaw Lem''s extraordinary miniature space epics, chosen by his heroic translator Michael Kandel, who has somehow battled through Lem''s jokes, parodies, fabricated technological terms and unreliable robots and brilliantly converted them from Polish into English. Encompassing his Fables for Robots and stories from his protagonists Ijon Tichy (from The Star Diaries) and Pirx the Pilot, this is a highly entertaining but also deeply alarming view of the glories and absurdities of Outer Space.

''What use to a being that lives beneath a sun are jewels of gas and silver stars of ice?'' From a giant of twentieth-century science fiction, these four miniature space epics feature crazy inventors, surreal worlds, robot kings and madcap machines. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York''s underground scene to the farthest reaches of outer space.

The first English translation of a nonfiction work by Stanisław Lem, which was "conceived under the spell of cybernetics" in 1957 and updated in 1971. In 1957, Stanisław Lem published Dialogues, a book "conceived under the spell of cybernetics," as he wrote in the preface to the second edition. Mimicking the form of Berkeley''s Three Dialogues between Hylas and Philonous, Lem''s original dialogue was an attempt to unravel the then-novel field of cybernetics. It was a testimony, Lem wrote later, to "the almost limitless cognitive optimism" he felt upon his discovery of cybernetics. This is the first English translation of Lem''s Dialogues, including the text of the first edition and the later essays added to the second edition in 1971. For the second edition, Lem chose not to revise the original. Recognizing the naivete of his hopes for cybernetics, he constructed a supplement to the first dialogue, which consists of two critical essays, the first a summary of the evolution of cybernetics, the second a contribution to the cybernetic theory of the "sociopathology of governing," amending the first edition''s discussion of the pathology of social regulation; and two previously published articles on related topics. From the vantage point of 1971, Lem observes that original book, begun as a search for methods "that would increase our understanding of both the human and nonhuman worlds," was in the end "an expression of the cognitive curiosity and anxiety of modern thought."

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book

Traducida a más de treinta lenguas, la obra de Stanislaw Lem contribuyó poderosamente a situar el género de la ciencia ficción en nuevas y originales coordenadas. Los relatos incluidos en CIBERÍADA protagonizados por dos expertos «constructores» dotados de un profundo conocimiento del cosmos actualizan el cuento filosófico cultivado por Jonathan Swift y por Voltaire mediante su traslación al mundo de la robótica. Esta serie de fábulas alegóricas, en las que la sátira aparece atemperada por el humor y la ironía, superpone las más imaginativas posibilidades tecnológicas a los esquemas tradicionales del cuento fantástico o la leyenda medieval.

Ingenious essays from “a Jorge Luis Borges for the Space Age, who plays in earnest with every concept . . . from free will to probability theory” (The New York Times Book Review). In A Perfect Vacuum, Stanislaw Lem steps outside of his fictional comfort zone to try his hand at reviewing the literature of others. The only catch is this: None of these books have actually been published—or even written—he just made them up. These sixteen satirical and brilliantly insidious commentaries on non-existent books cover the gamut of unconventional writing techniques: from a Joycean review that doggedly dissects every word to a critique that is written entirely in negatives to an analysis presented in fragments for the reader to assemble as he or she likes. Along the way, Lem presents his trademark examinations on topics ranging from modern art to computer technology to philosophy. At once a disarming delight and a clever mental exercise, A Perfect Vacuum lends credence to the assertion that Lem is “Harpo Marx and Franz Kafka and Isaac Asimov rolled up into one and down the white rabbit’s hole” (Detroit News).

Commander Pirx, who drives space vehicles for a living in the galaxy of the future, here faces a new series of intriguing adventures in which robots demonstrate some alarmingly human characteristics. Translated by Louis Iribarne, assisted by Magdalena Majcherczyk and Michael Kandel. A Helen and Kurt Wolff Book

An ex-astronaut investigates a string of potential murders in this novel by the Kafka Prize–winning author of Solaris. Vacation is supposed to be relaxing. But while traveling in Naples, several American tourists die in a most macabre and unusual way: committing suicide in a fit of madness. The cases are too similar to be coincidental, and the prevailing theory soon assumes that a serial poisoner is on the loose. Called in to investigate, and stem the rash of death before it becomes an epidemic, is a former astronaut from the States. As he follows the path of the last victim, he is confronted with a mystery that proves the truth is always stranger than fiction—and that we are all casualties of fortune in the end. Called “a Jorge Luis Borges for the Space Age, who plays in earnest with every concept of philosophy and physics, from free will to probability theory,” Stanislaw Lem now tackles the suspense genre with his famed intensity and intelligence, weaving a taut and enigmatic tale as only a great novelist can (The New York Times Book Review).

El hombre no se ha elevado aún al pináculo que cree haber alcanzado; no ha merecido aún acceder a la posición presuntamente llamada cosmocéntrica. Esa idea acariciada desde la antigüedad, que no consiste sólo en buscar criaturas semejantes al hombre y en aprender a comprenderlas, sino más bien en abstenerse a comprenderlas, sino más bien en abstenerse de interferir en todo aquello que no concierne al hombre, en todo cuanto es ajeno.

Stanislaw Lem (Lvov, 1921) publicó su primer relato, en una revista juvenil, después de la segunda guerra mundial, pero fue sobre todo a partir de la década de 1950 cuando su nombre empezó a sonar con fuerza entre los aficionados a la ciencia ficción, gracias a títulos como Diarios de las estrellas (1957), Edén (1959), Memorias encontradas en una ballena (1961), La voz de su amo (1961), Solaris (1961)... La versión cinematográfica de la última de las novelas mencionadas, dirigida por Tarkovsky y galardonada en Cannes en 1972, le convirtió en una celebridad internacional, y desde 1973 compagina su labor creativa con una brillante carrera docente en la Universidad de Cracovia y como miembro de la Sociedad Polaca de Astronáutica.

The year is 3149, and a vast paper destroying blight-papyralysis-has obliterated much of the planet''s written history. However, these rare memoirs, preserved for centuries in a volcanic rock, record the strange life of a man trapped in a hermetically sealed underground community. Translated by Michael Kandel and Christine Rose. Copyright © Libri GmbH. All rights reserved.