New Releases by Stanislaw Lem

Ein spannender Kriminalroman und ein brillantes philosophisches Verwirrspiel über Zufall und Wahrscheinlichkeit. Ausgezeichnet mit dem Grand prix de littérature policière 1979. Eines von 12 bisher vergriffenen Meisterwerken aus der ZEIT Bibliothek der verschwundenen Bücher.

"Nach einer zehnjährigen Weltraumexpedition kehrt Hal Bregg auf die Erde zurück. Zehn Bordjahre aber bedeuten 123 Erdenjahre. Die Gesellschaft, der er sich nun anpassen muss, hat sich bis zur Unkenntlichkeit verändert. Aber nicht nur der technische Fortschritt hat eine völlig neue, verwirrende Welt geschaffen. Mittels einer Droge wurde eine der folgenreichsten menschlichen Eigenschaften in den Griff bekommen: die Aggressivität. Hal Bregg wehrt sich gegen die ""weiche"" Gesellschaft, bis er sich eines Tages in eines dieser sanften Wesen verliebt ..."

Ijon Tichy, Lem''s Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel. A Helen and Kurt Wolff Book

Essays by the author of Solaris: “Lem’s delightful sense of humor accentuates his essential seriousness about humanity’s possible fate” (Publishers Weekly). In One Human Minute, Stanislaw Lem takes a hard look at our world and technology—what it means now and what dire implications it could have for the future—in satirical, wise, and biting prose. With this collection of three essays, Lem targets some of the most pressing issues humanity faces, from our unsettling origins to the cybernetic future of our weaponry. “The Upside-Down Evolution” chronicles the Earth’s military evolution from nuclear stockpiles to deadly, robotic microweapons. “The World as Cataclysm” examines how humankind’s dominance on Earth is the result of the extermination of another species just as qualified to rule the world. And the title essay presents a disturbing and fascinating snapshot of every single thing happening on the planet in a sixty-second span. Effortlessly blurring the lines between fiction and nonfiction, scientific essay and fantastical short story, cynical reproach and wry humor, Lem’s One Human Minute combines the best elements of the renowned science fiction author and Kafka Prize winner’s writing into one irreverent and intellectually stimulating package.

An eerie and offbeat mystery by a Kafka Prize–winning author. The case confronting Lieutenant Gregory is not one that a man of Scotland Yard would expect. In fact, it is not one any sane man would care to entertain. Bodies are disappearing. The initial assumption is that a grave robber is roaming London and defiling local morgues. But upon further examination, it seems the deceased are, in fact, resurrecting. As Gregory stumbles his way through the tangled clues, seeking advice from scientific, philosophical, and theological experts alike, he finds himself tossed into a baffling metaphysical puzzle of incomprehensible truths and unbelievable realities. Hailed by Kirkus Reviews as “closer to Kafka than the police precinct house,” Lem’s intelligent and puzzling foray into the mystery genre offers an appealing combination of disturbance and delight.

The author of Solaris critiques science fiction in a collection of provocative essays. Celebrated science fiction master Stanislaw Lem turns his always sharp and insightful pen to criticism in this bold and controversial analysis of the genre for which he is most known. In this collection of ten essays—ranging from an introspective examination of his own biographical and literary history to biting scrutiny of fellow authors and their works—Lem takes a keen look at the influence, shortcomings, merit, and importance of science fiction, touching on topics from Philip K. Dick (“a genius among the charlatans”) to time travel, cosmology, and Jorge Luis Borges. Whether deriding the genre’s tendency to adhere to well-worn patterns of adventure or lauding its ability to, when executed correctly, discover ideas that have not been thought of or done before, Lem’s quick wit, razor tongue, and impeccable insights make Microworlds a master class of scientific and literary analysis from one of the undisputed legends of science fiction.

Commander Pirx, who drives space vehicles for a living in the galaxy of the future, here faces a new series of intriguing adventures in which robots demonstrate some alarmingly human characteristics. Translated by Louis Iribarne, assisted by Magdalena Majcherczyk and Michael Kandel. A Helen and Kurt Wolff Book

Golem XIV es el nombre que ha recibido una máquina pensante, una supercomputadora mental, dotada de una inteligencia superior a la de cualquier humano, y cuya misión es la de servir a sus constructores en sus operaciones bélicas. Sin embargo, una vez conectada, se dota de conciencia, se rebela y se entrega a la elucubración acerca de la condición de los hombres, del universo y de sí misma en relación con ambos. Golem XIV ha diseñado su propio fin, que será un completo misterio para los científicos encargados de su cuidado, pero previamente expondrá sin la menor piedad sus conclusiones, y charlará con las mentes más preclaras de su época acerca del posible futuro biológico e intelectual de la humanidad. Con una hipnótica agilidad narrativa y una evidente brillantez teórica, Lem culmina con "Golem XIV" la que fuera su obra clave, la "Biblioteca del Siglo XXI", en la que expone sus propias tesis relativas a la evolución y los límites del ser humano.

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book

Vacío perfecto es un espectacular experimento literario que se ha convertido por méritos propios en un referente mítico entre los lectores de Stanislaw Lem. Heredero de un género que exploraron con singular genio autores como Borges, Swift o Rabelais, se trata de una delirante colección de reseñas de libros inexistentes, que subvierten brillantemente los cánones literarios explorando temas de lo más variopinto, desde la pornografía a la inteligencia artificial, desde el Noveau Roman a las novelas de James Joyce. En palabras de Andrés Ibáñez: "Este exiguo volumen, que se lee en tres tardes, equivale, en información y en tiempo mental, a tres meses de apasionante y dedicada lectura".

El castillo alto, la esperadísima autobiografía de juventud de Stanislaw Lem, constituye la memoria intelectual de uno de los genios literarios del XX. A la vez semblanza íntima y original testimonio sobre la Europa que nació tras la Primera Guerra Mundial y que se extinguiría con la irrupción de los fascismos, estamos ante unas memorias conscientemente ensimismadas, en las que el propio autor nos pinta a un Lem precoz, insaciablemente inquisitivo, que será considerado, ya en su época, el escolar más brillante de todo el sur de Polonia. Descubriremos al lector voraz empeñado en espiar los libros de anatomía de su padre, un acomodado doctor de la ciudad de Lvov, al que el propio Lem, destructor de juguetes, confesará que tuvo durante años sumido en un estado cercano al terror; al aspirante a inventor que se pasa las horas obsesionado con la formación de las galaxias, la pornografía francesa y los animales prehistóricos; al creador de mundos paralelos («reinos de permisividad universal») a los que dota de pasaportes propios, papeles de identificación y multitud de documentos burocráticos. Pero también al muchacho idealista no supo realmente que era alguien «judío» hasta que los alemanes se lo hicieron ver violentamente cuya inocencia se verá violada cuando los nazis invadan Polonia en el año 1939.

Si en «Relatos del piloto Pirx» (BA 0792) Stanislaw Lem exploraba ante todo situaciones en que la salvación acababa hallándose, más que en la máquina o el conocimiento abstracto, en la ética y el instinto, en MÁS RELATOS DEL PILOTO PIRX es sobre todo un hipotético espacio neutro entre las inteligencias artificial y humana el que sirve de fundamento a casi todas sus historias. El insospechado comportamiento de un robot enfrentado a un súbito reto «El accidente» o el paradójico resultado de una debilidad humana que acaba dando al traste con un plan aparentemente perfecto «El proceso» , son los hilos conductores de algunos de los relatos de este volumen, que ponen de manifiesto el genio narrativo del autor polaco

Robot armies, an arms race in space, and a brain at war with itself add up to “a futuristic version of Dr. Jekyll and Mr. Hyde” (The Boston Phoenix). Anxious to avoid a war that would destroy the entire planet, the major powers of Earth have come to an ingenious compromise. Each country sends a force of adaptable, self-programming robots to the surface of the moon to play out the conflict there and, hopefully, reach a mutually agreeable stalemate. But when the robots stop responding, it is up to Ijon Tichy to travel to the lunar war zone and discover what went wrong. Tichy finds what he needs to know, but falls victim to an attack that severs the left and right sides of his brain: one of which knows nothing about the status of the moon, the other of which isn’t telling. Now Tichy finds himself at the center of a new sort of war of attrition, with each world power clamoring for his knowledge and each half of his stubborn brain clamoring for control. Wry and action-packed in equal measure, Stanislaw Lem’s absurd, insightful sendup of the Cold War is required reading for any fan of science fiction. Here, “humor and a breathless pace create a delightful and thought-provoking read” (Publishers Weekly).

Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers. The most completely successful of his books ... here Lem comes closest to inventing a real universe (Boston Globe). Translated by Michael Kandel.

El hombre no se ha elevado aún al pináculo que cree haber alcanzado; no ha merecido aún acceder a la posición presuntamente llamada cosmocéntrica. Esa idea acariciada desde la antigüedad, que no consiste sólo en buscar criaturas semejantes al hombre y en aprender a comprenderlas, sino más bien en abstenerse a comprenderlas, sino más bien en abstenerse de interferir en todo aquello que no concierne al hombre, en todo cuanto es ajeno.

Brilliant stories of a bumbling astronaut, and the human desire to discover the unknown, by the much-loved author of Solaris. Set in the not-too-distant future, when space flight has evolved to the point where humanity is ready to colonize the solar system, Tales of Pirx the Pilot follows one somewhat-hapless explorer as he struggles though his training as a cadet, his career as a pilot, and his tenure as captain of a merchant ship. In these collected stories, Pirx stumbles his way through various exploits: traveling to the moon; battling mechanical malfunctions; encountering robots; and confronting questions of ambition, evolution, exploration, experimentation, and the nature of humanity itself. And in classic Pirx fashion, he faces down each dilemma with charm, curiosity, courage, and intuition. These early works by revered speculative fiction author Stanislaw Lem are filled with both the sharp insight for which he is known and a childlike innocence, making them an entertaining and thought-provoking read for science fiction fans of all ages.

A message from another civilization in the universe is received on Mount Palomar. Upon deciphering it scientists learn that there are multiple meanings, some of them are dangerous.

The Franz Kafka Prize-winning author invites you to a doped-up dystopia. “Nobody can really know the future. But few could imagine it better than Lem.” —The Paris Review Bringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Polish author Stanislaw Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress in Costa Rica to discuss the overpopulation problem. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a cure. But when he awakens in 2039, he is faced with a future unlike any that the Congress could have ever imagined. Translated by Michael Kandel. “A vision of Earth’s future where the authorities dose the population with ‘psychemicals’ to make life in a desperately over-populated world worth living.” —The Boston Globe “Lem’s view of the overcrowded future is original and disturbing. A pessimistic, mordantly funny book.” —Kirkus Reviews “Lem writes with a humor underlined by his commentary on the way the world is.” —SF Site

An ex-astronaut investigates a string of potential murders in this novel by the Kafka Prize–winning author of Solaris. Vacation is supposed to be relaxing. But while traveling in Naples, several American tourists die in a most macabre and unusual way: committing suicide in a fit of madness. The cases are too similar to be coincidental, and the prevailing theory soon assumes that a serial poisoner is on the loose. Called in to investigate, and stem the rash of death before it becomes an epidemic, is a former astronaut from the States. As he follows the path of the last victim, he is confronted with a mystery that proves the truth is always stranger than fiction—and that we are all casualties of fortune in the end. Called “a Jorge Luis Borges for the Space Age, who plays in earnest with every concept of philosophy and physics, from free will to probability theory,” Stanislaw Lem now tackles the suspense genre with his famed intensity and intelligence, weaving a taut and enigmatic tale as only a great novelist can (The New York Times Book Review).