Most Popular Books by Simon Schama

Considers the fullest resources of social, cultural, and political history and includes accounts of private and public lives to help see the reality of the revolution.

A Time Magazine Best Books of the Year. In Landscape and Memory, award-winning author Simon Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini''s Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art, as encyclopedic as The Golden Bough and as irresistibly readable as Schama''s own Citizens. "A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times "Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books

Rough Crossings turns on a single huge question: if you were black in America at the start of the Revolutionary War, whom would you want to win? In response to a declaration by the last governor of Virginia that any rebel-owned slave who escaped and served the King would be emancipated, tens of thousands of slaves -- Americans who clung to the sentimental notion of British freedom -- escaped from farms, plantations and cities to try to reach the British camp. This mass movement lasted as long as the war did, and a military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in American history. With powerfully vivid storytelling, Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture at the war''s end, into inhospitable Nova Scotia, where thousands who had served the Crown were betrayed and, in a little-known hegira of the slave epic, sent across the broad, stormy ocean to Sierra Leone.

The first volume in this history of Britain tells the story of Britain from the time of the earliest settlements, discovered in the Orkneys, to the death of Queen Elizabeth I. Each chapter focuses on a major theme.

"Great art has dreadful manners," Simon Schama observes wryly at the start of his epic and explosive exploration of the power, and whole point, of art. "The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ." With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio''s David and Goliath to Picasso''s Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain. Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . ''OK, OK, but what''s art really for?''"

In the second of two volumes of this magnificently illustrated cultural history—the tie-in to the PBS and BBC series The Story of the Jews—Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain during the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents—from the Iberian Peninsula and the collapse of “the golden age” to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentration camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychiatrist forever changes the conception of the human mind. And a great story unfolds. Not—as often imagined—of a people apart, but of a Jewish culture immersed in and imprinted by the peoples among whom they have dwelled. Which, as Simon Schama so brilliantly demonstrates, makes the story of the Jews everyone’s story, too. The Story of the Jews Volume 2 features 24 pages of color photos, numerous maps, and printed endpapers.

Belonging is a magnificent cultural history abundantly alive with energy, character and colour. From the Jews'' expulsion from Spain in 1492 it tells the stories not just of rabbis and philosophers but of a poetess in the ghetto of Venice; a boxer in Georgian England; a general in Ming China; an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stage coaches and the railways; trudges the dawn streets of London, hobbles along with the remnant of Napoleon''s ruined army. The Jewish story is a history that is about, and for, all of us. And in our own time of anxious arrivals and enforced departures, the Jews'' search for a home is more startlingly resonant than ever.

Acclaimed historian and award-winning author Simon Schama offers an essential historical perspective on the crucial 2008 presidential election and its importance for reclaiming America''s original ideal. It''s not business as usual. Cultural hostilities more irreconcilable than any since the Civil War have divided America in two. In November 2008, the American people elected a new president, feeling more anxious about the future of the nation than at any time since Watergate. Our omnipotent military, the cornucopia of material comforts available, the security of our borders, and the global economy can no longer be taken for granted. In The American Future, historian Simon Schama takes a long look at the multiple crises besetting the United States and asks how these problems look in the mirror of time. In four crucial debates—on wars, religion, race and immigration, and the relationship between natural resources and prosperity—Schama looks back to see more clearly into the future. Full of lost insights, The American Future showcases Schama''s acclaimed gift for storytelling, ensuring these voices will be heard again.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller''s son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). Rembrandt''s Eyes, about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt''s paintings threaded into his narrative, he allows us to see Rembrandt''s life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. Rembrandt''s Eyes shows us why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama''s understanding of Rembrandt''s mind and the dynamic of his life allows him to re-create Rembrandt''s life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt''s own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever been written, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the New York Times Book Review, Time, the New York Times, The Independent on Sunday, and Nature, respecti

The acclaimed historian and award-winning author offers an essential, historical, outsider''s perspective on the crucial 2008 presidential election and its importance for reclaiming America''s original ideal. It''s not business as usual. Cultural hostilities have divided America in two irreconcilable blocs more completely than at any time since the Civil War. In November 2008, the American people elected a new president, feeling more anxious about the future of the nation than at any time since Watergate. Our omnipotent military, the cornucopia of material comforts available, the security of borders, and the global economy all seem to be in question. In The American Future, historian Simon Schama takes a long look at the multiple crises besetting the United States and asks: How do these problems look in the mirror of time? In four crucial debates (wars, religion, race and immigration, and the relationship between natural resources and prosperity), Schama looks back to see more clearly into the future. Full of lost insights, The American Future showcases Schama''s acclaimed gift for storytelling, ensuring these voices will be heard again.

“Simon Schama has re-examined the role of Baron Edmond de Rothschild [1845-1934] and his son James [1878-1957] in the Jewish settlement of Palestine... He refutes Herzl’s charge that the colonies were a ‘rich man’s pastime to while away what would otherwise have been idle hours’ by illustrating how Baron Edmond’s immediate concern in 1882 for the sanctuary of Eastern European pogrom victims was, by the turn of the century, translated into a total commitment to the development of a self-supporting Jewish homeland and finally a state... Along the way, Schama maneuvers skillfully through the cluttered detail of budgets, expenditures, equipment, crop experimentation (with wine, tobacco, and perfume), border disputes, and administrative problems, providing occasional vignettes of local Palestinian conditions under Ottoman rule, Baronial outrage at colonists’ ingratitude toward his centralized regime, agents’ ineptness, and encounters with Herzl, Balfour, and Weizmann. Meanwhile the Baron evolves from a ‘benevolent onlooker’ to an ‘active accomplice’; and, with Schama’s thoroughly documented, incisively written account, he and his family take their significant places in Israeli history.” — Kirkus “To its credit Schama’s work records that the re-establishment of large-scale Jewish settlement in Palestine was not only marked by a struggle against its Arab inhabitants and later against its British overlords, but primarily by a struggle against the sandy soil, rocks and swamps which covered so much of the land available for Jewish settlement at the turn of the century... The importance of this study... is that it is the first to be based on the archives of PICA [the Palestine Jewish Colonisation Association], which Schama has used extensively. He presents countless details concerning the early Jewish settlements, and many fascinating vignettes of life in Ottoman Palestine... he has written a highly readable account of aspects of life in Palestine in the late nineteenth and early twentieth centuries.” — Ronald W. Zweig, The Historical Journal “Schama’s contributions are remarkable... Schama’s lively and intelligent discussion of the material hardships and economic realities of the resettlement effort... makes... an important contribution... The spare details of the economic problems of the Yishuv take on a sense of immediacy that is found only in the best economic history.” — Todd M. Endelman, Jewish Social Studies “[B]iographies of Baron Edmond de Rothschild have been written before... But not until Schama’s book, which evidently had the support of family cooperation, could we rely on a study based on archival as well as more readily available documentation. It is fortunate that this material is now made accessible in the interpretation of a distinguished historian with a broad sweep of social and economic as well as political interests.” — Benjamin Halpern, Middle East Journal “[An] important study.” — Raphael Patai, The American Historical Review

In a brilliantly inventive work, bestselling author Simon Schama explores the enigma of 17th-century Holland, a nation that attained an unprecedented level of affluence, yet lived in constant dread of being corrupted by prosperity. Drawing on a vast array of period documents and sumptuously reproduced art, THE EMBARRASSMENT OF RICHES throbs with life on every page. 314 photos & illustrations. Copyright © Libri GmbH. All rights reserved.

Simon Schama explores the forces that tore Britain apart during two centuries of dynamic change - transforming outlooks, allegiances and boundaries. From the beginning of July 1637, battles raged on for 200 years - both at home and abroad, on sea and on land, up and down the length of burgeoning Britain, across Europe, America and India. Most would be wars of faith - waged on wide-ranging grounds of political or religious conviction. But as wars of religious passions gave way to campaigns for profit, the British people did come together in the imperial enterprise of ''Britannia Incorporated''. The British Wars is a story of revolution and reaction, inspiration and disenchantment, of progress and catastrophe, and Schama''s evocative narrative brings it vividly to life.

In May 2005 Penguin will publish 70 unique titles to celebrate the company''s 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane''s vision of good books for all''. whose books and TV series have enthralled huge audiences through their gripping storytelling. Citizens, his award-winning account of the French Revolution, has continued to be one of Penguin''s most popular history titles since it was first published in 1989. This extract takes us into the heart of the revolution''s ferment as the angry crowd storm the Bastille

A vibrant cultural history investigating pandemics and vaccines, by bestselling author and historian Simon Schama Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before. Characteristically, Schama’s message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces, and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong, and Mumbai. At the heart of it all is an unsung hero: Waldemar Haffkine, a gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as “the saviour of mankind” for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice. Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, “there are no foreigners, only familiars.”

Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibition Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century, the poet-artist Rossetti trying to capture on canvas what he couldn''t possess in life, a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death. In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama''s extraordinary storytelling reveals the truth behind the nation''s most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.

"This is a personal selection of his articles from amongst other publications, ''The New Yorker'', contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the ''unforgettable perculiarity'' of Stanley Spencer." --cover.

Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama''s latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination. "From the Trade Paperback edition.

“Schama is a masterful stylist and storyteller.” —Boston Globe “A writer of gorgeous prose.” —Washington Post The ever erudite, always delightfully curious Simon Schama returns with Scribble, Scribble, Scribble, a wonderful compendium of thirty provocative, witty, enlightening, and stimulating essays previously published but collected in a single volume for the first time. One of our most distinguished historians and commentators, Schama, the acclaimed author of The American Future: A History, explores an amazing diversity of topics—from the political to the personal, from the earth-shaking to the mundane, from ice cream to Churchill to Hurricane Katrina and everything in-between. In Scribble, Scribble, Scribble, Simon Schama opens up his—and our—wide world to us.

Foreword by Mikhail Piotrovsky. Introduction by Simon Schama.