New Releases by Simon Schama

A vibrant cultural history investigating pandemics and vaccines, by bestselling author and historian Simon Schama Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before. Characteristically, Schama’s message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces, and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong, and Mumbai. At the heart of it all is an unsung hero: Waldemar Haffkine, a gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as “the saviour of mankind” for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice. Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, “there are no foreigners, only familiars.”

“Simon Schama has re-examined the role of Baron Edmond de Rothschild [1845-1934] and his son James [1878-1957] in the Jewish settlement of Palestine... He refutes Herzl’s charge that the colonies were a ‘rich man’s pastime to while away what would otherwise have been idle hours’ by illustrating how Baron Edmond’s immediate concern in 1882 for the sanctuary of Eastern European pogrom victims was, by the turn of the century, translated into a total commitment to the development of a self-supporting Jewish homeland and finally a state... Along the way, Schama maneuvers skillfully through the cluttered detail of budgets, expenditures, equipment, crop experimentation (with wine, tobacco, and perfume), border disputes, and administrative problems, providing occasional vignettes of local Palestinian conditions under Ottoman rule, Baronial outrage at colonists’ ingratitude toward his centralized regime, agents’ ineptness, and encounters with Herzl, Balfour, and Weizmann. Meanwhile the Baron evolves from a ‘benevolent onlooker’ to an ‘active accomplice’; and, with Schama’s thoroughly documented, incisively written account, he and his family take their significant places in Israeli history.” — Kirkus “To its credit Schama’s work records that the re-establishment of large-scale Jewish settlement in Palestine was not only marked by a struggle against its Arab inhabitants and later against its British overlords, but primarily by a struggle against the sandy soil, rocks and swamps which covered so much of the land available for Jewish settlement at the turn of the century... The importance of this study... is that it is the first to be based on the archives of PICA [the Palestine Jewish Colonisation Association], which Schama has used extensively. He presents countless details concerning the early Jewish settlements, and many fascinating vignettes of life in Ottoman Palestine... he has written a highly readable account of aspects of life in Palestine in the late nineteenth and early twentieth centuries.” — Ronald W. Zweig, The Historical Journal “Schama’s contributions are remarkable... Schama’s lively and intelligent discussion of the material hardships and economic realities of the resettlement effort... makes... an important contribution... The spare details of the economic problems of the Yishuv take on a sense of immediacy that is found only in the best economic history.” — Todd M. Endelman, Jewish Social Studies “[B]iographies of Baron Edmond de Rothschild have been written before... But not until Schama’s book, which evidently had the support of family cooperation, could we rely on a study based on archival as well as more readily available documentation. It is fortunate that this material is now made accessible in the interpretation of a distinguished historian with a broad sweep of social and economic as well as political interests.” — Benjamin Halpern, Middle East Journal “[An] important study.” — Raphael Patai, The American Historical Review

Belonging is a magnificent cultural history abundantly alive with energy, character and colour. From the Jews'' expulsion from Spain in 1492 it tells the stories not just of rabbis and philosophers but of a poetess in the ghetto of Venice; a boxer in Georgian England; a general in Ming China; an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stage coaches and the railways; trudges the dawn streets of London, hobbles along with the remnant of Napoleon''s ruined army. The Jewish story is a history that is about, and for, all of us. And in our own time of anxious arrivals and enforced departures, the Jews'' search for a home is more startlingly resonant than ever.

In the second of two volumes of this magnificently illustrated cultural history—the tie-in to the PBS and BBC series The Story of the Jews—Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain during the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents—from the Iberian Peninsula and the collapse of “the golden age” to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentration camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychiatrist forever changes the conception of the human mind. And a great story unfolds. Not—as often imagined—of a people apart, but of a Jewish culture immersed in and imprinted by the peoples among whom they have dwelled. Which, as Simon Schama so brilliantly demonstrates, makes the story of the Jews everyone’s story, too. The Story of the Jews Volume 2 features 24 pages of color photos, numerous maps, and printed endpapers.

"These are some of the remarkable Jewish objects in the Ashmolean Museum in Oxford, brought together here for the first time to tell the history of the Jewish people from Ancient Mesopotamia to the present day. Spanning 4000 years and fourteen countries, they document the astonishing diversity and adaptability of Jewish life over the centuries, and the long history of close interaction with other cultures and religions of the world."--Publisher''s description.

Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibition Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century, the poet-artist Rossetti trying to capture on canvas what he couldn''t possess in life, a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death. In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama''s extraordinary storytelling reveals the truth behind the nation''s most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.

This anthology contains poems shortlisted for the Forward Poetry Prizes, the UK''s most valuable annual awards for contemporary poetry.

Cy Twombly (1928-2011) created art that was remarkable for its versatility, sensitivity and originality. Throughout his career, he followed his own artistic pathway, independent from contemporary trends, and for a long time his work went unnoticed by a wider audience. By the time of his death in Rome, at the age of 83, he was internationally recognized as one of the greatest and most idiosyncratic artists of the 20th and early 21st century. This book provides an authoritative overview of Twombly''s complex body of work, bringing together the most important of his paintings and painting cycles, as well as a selection of his drawings, sculptures and photographs.

The final stage of Simon Schama''s epic voyage around Britain spans centuries, crosses the breadth of the empire and covers a vast expanse of topics - from the birth of feminism to the fate of freedom. The Fate of the Empire asks crucial questions about the nature of empire, journeying from celebrations of industrial and imperialist power at the Great Exhibition, to the catastrophic Irish potato famine and the Indian Mutiny. Through the military and economic shocks and traumas of our past, Schama asks the question that is still with us - is the immense weight of our history a blessing or a curse, a gift or a millstone around the neck of our future? This third and final volume in the series is a vast compelling history, made more so by the lively storytelling and big bold characters at the heart of the action. But alongside flamboyant heroes, like Nelson and Churchill, Schama recalls unsung heroines and virtually unknown enemies. Alongside the grand ideas, he exposes the grand illusions that cost untold lives.

“Schama is a masterful stylist and storyteller.” —Boston Globe “A writer of gorgeous prose.” —Washington Post The ever erudite, always delightfully curious Simon Schama returns with Scribble, Scribble, Scribble, a wonderful compendium of thirty provocative, witty, enlightening, and stimulating essays previously published but collected in a single volume for the first time. One of our most distinguished historians and commentators, Schama, the acclaimed author of The American Future: A History, explores an amazing diversity of topics—from the political to the personal, from the earth-shaking to the mundane, from ice cream to Churchill to Hurricane Katrina and everything in-between. In Scribble, Scribble, Scribble, Simon Schama opens up his—and our—wide world to us.

The acclaimed historian and award-winning author offers an essential, historical, outsider''s perspective on the crucial 2008 presidential election and its importance for reclaiming America''s original ideal. It''s not business as usual. Cultural hostilities have divided America in two irreconcilable blocs more completely than at any time since the Civil War. In November 2008, the American people elected a new president, feeling more anxious about the future of the nation than at any time since Watergate. Our omnipotent military, the cornucopia of material comforts available, the security of borders, and the global economy all seem to be in question. In The American Future, historian Simon Schama takes a long look at the multiple crises besetting the United States and asks: How do these problems look in the mirror of time? In four crucial debates (wars, religion, race and immigration, and the relationship between natural resources and prosperity), Schama looks back to see more clearly into the future. Full of lost insights, The American Future showcases Schama''s acclaimed gift for storytelling, ensuring these voices will be heard again.

"Great art has dreadful manners," Simon Schama observes wryly at the start of his epic and explosive exploration of the power, and whole point, of art. "The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ." With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio''s David and Goliath to Picasso''s Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain. Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . ''OK, OK, but what''s art really for?''"

A professor of social history shares a lifetime of insights into the metaphysics of the body by retracing the emergence of a renaissance understanding of the body and the fading notion of a soul contained within it. Reprint. 15,000 first printing.

In May 2005 Penguin will publish 70 unique titles to celebrate the company''s 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane''s vision of good books for all''. whose books and TV series have enthralled huge audiences through their gripping storytelling. Citizens, his award-winning account of the French Revolution, has continued to be one of Penguin''s most popular history titles since it was first published in 1989. This extract takes us into the heart of the revolution''s ferment as the angry crowd storm the Bastille

"This is a personal selection of his articles from amongst other publications, ''The New Yorker'', contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the ''unforgettable perculiarity'' of Stanley Spencer." --cover.

This work takes us from the mid-1770s when the country was intoxicated by a great surge of political energy through to the massive advances of technology and industrialisation during the Victoria era, and the burgeoning of the British Empire.

Foreword by Mikhail Piotrovsky. Introduction by Simon Schama.

This work takes us from the mid-1770s when the country was intoxicated by a great surge of political energy through to the massive advances of technology and industrialisation during the Victoria era, and the burgeoning of the British Empire.

The compelling opening words to The Fate of Empire set the tone and agenda for the final stage of Simon Schama''s epic voyage around Britain, her people and past. Spanning two centuries, crossing the breadth of the empire, and covering a vast expanse of topics -- from the birth of feminism to the fate of freedom -- he explores the forces that shaped British culture and character, from 1776 to 2000. The story opens on the eve of a bloody revolution, but not a British one. The French Revolution never actually crossed the Channel, though its spirit of fiery defiance and Romantic idealism did, sparking off a round of radical revolts and reforms that gathered momentum over the coming century -- from the Irish Rebellion to the Chartist Petition. If the British Empire helped to make Britain stable and rich, did it live up to its promise to help the ruled as well as the rulers? The Fate of Empire makes stops at celebrations, like the Great Exhibition, and catastrophes, like the Irish potato famine and the Indian Mutiny. Amidst the military and economic shocks and traumas of the twentieth century, and through the voices of Churchill, Orwell, and H.G. Wells, Schama asks the question that still haunts the British -- is the immense weight of British history a blessing or a curse or a millstone around the neck of the future?

The second installment of Schama''s epic three-part history of Britain is a complete chronicle of the eventful years from 1603 to 1776. 150 color photos. 10 color maps.

Simon Schama''s magesterial new book encompasses over 1,500 years of Britain''s history, from the first Roman invasions to the early seventeenth century, and the extraordinary reign of Queen Elizabeth I. Schama, the author of the highly acclaimed Citizens and The Embarrassment of Riches, is one of the most popular and celebrated historians of our day, and in this magnificent work he brings history to dramatic life with a wealth of stories and vivid, colorful detail, reanimating familiar figures and events and drawing them skillfully into a powerful and compelling narrative. Schama''s perspective moves from the birth of civilization to the Norman Conquest; through the religious wars and turbulance of the Middle Ages to the sovereignties of Henry II, Richard I and King John; through the outbreak of the Black Death, which destroyed nearly half of Europe''s population, through the reign of Edward I and the growth of national identity in Wales and Scotland, to the intricate conflicts of the Tudors and the clash between Elizabeth I and Mary Queen of Scots. Driven by the drama of the stories themselves but exploring at the same time a network of interconnected themes--the formation of a nation state, the cyclical nature of power, the struggles between the oppressors and the oppressed--this is a superbly readable and illuminating account of a great nation, and its extraordinary history.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller''s son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). Rembrandt''s Eyes, about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt''s paintings threaded into his narrative, he allows us to see Rembrandt''s life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. Rembrandt''s Eyes shows us why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama''s understanding of Rembrandt''s mind and the dynamic of his life allows him to re-create Rembrandt''s life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt''s own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever been written, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the New York Times Book Review, Time, the New York Times, The Independent on Sunday, and Nature, respecti

Magisterially learned, exuberantly narrated, and lavishly illustrated, the latest book by the acclaimed author of Citizens is a bravura exploration of the ancient relationship between natural landscapes and the human imagination. A Time magazine Best Book of the Year. of color art.

The author of the bestselling Citizens reconstructs--and at times reinvents--the death of General James Wolfe at the battle of Quebec in 1759 and the 1849 murder of the Boston brahmin George Parkman, whose nephew would become Wolfe''s biographer. What Schama achieves is "a mind-teasing delight".--The New York Times Book Review. Photographs.

This award-winning, worldwide bestseller is an authoritative social, cultural and narrative history of the French Revolution.