Best Selling Books by Richard WRIGHT

The story of Bigger Thomas, a black youth seeking his identity in the white world.-from Amazon.

A special 75th anniversary edition of Richard Wright''s powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

Wright presents a compelling story of a black man''s attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes. As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright''s second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright''s construction of the criminal mind as intelligent, introspective, and transformative." In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad.

Back in its original unabridged form, a novel of Depression-era Chicago.

"Johnny, you''re leaving us tonight . . . " Fifteen-year-old Johnny Gibbs does, well in school, respects his teachers, and loves his family. Then suddenly, with a few short words, his idyllic life is shattered. He learns that the family he has loved all his life is not his own, but a foster family. And now he is being sent to live with someone else. Shocked by the news, Johnny does the only thing he can think of: he runs. Leaving his childhood behind forever, Johnny takes to the streets where he learns about living life--the hard way. Richard Wright, internationally acclaimed author of Black Boy and Native Son, gives us a coming-of-age story as compelling today as when it was first written, over fifty years ago. ‘Johnny Gibbs arrives home jubilantly one day with his straight ‘A’ report card to find his belongings packed and his mother and sister distraught. Devastated when they tell him that he is not their blood relative and that he is being sent to a new foster home, he runs away. His secure world quickly shatters into a nightmare of subways, dark alleys, theft and street warfare. . . . Striking characters, vivid dialogue, dramatic descriptions, and enduring themes introduce a enw generation of readers to Wright’s powerful voice.’—SLJ. Notable 1995 Children''s Trade Books in Social Studies (NCSS/CBC)

Wright''s dazzling novel of murder & misadventure.

Autobiography of Southern Negro who yearned for intellectual and physical freedom.

Collection of interviews revealing Wright''s racial experience and the themes and techniques of his own work.

Includes a brief biography of the author, thematic and structural analysis of the work, critical views, and an index of themes and ideas.

New York Times Bestseller • One of the Best Books of the Year: Time magazine, Chicago Tribune, Boston Globe, and Esquire • One of Oprah’s 15 Favorite Books of the Year From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright''s masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com) “The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of Richard Wright''s scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement between the Library of America and the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of the acclaimed Native Son and Black Boy, discovered the haiku in the last eighteen months of life. He attempted to capture, through his sensibility as an African-American, the elusive Zen discipline and beauty in depicting man’s relationship, not only to his fellow man as he had in the raw and forceful prose of his fiction, but to the natural world. In all, he wrote over 4,000 haiku. Here are the 817 he personally chose; Wright’s haiku, disciplined and steeped in beauty, display a universality that transcends both race and color without ever denying them. Wright wrote his haiku obsessively—in bed, in cafes, in restaurants, in both Paris and the French countryside. They offered him a new form of expression and a new vision: with the threat of death constantly before him, he found in them inspiration, beauty, and insights. Fighting illness and frequently bedridden, deeply upset by the recent loss of his mother, Ella, Wright continued, as his daughter notes in her introduction, “to spin these poems of light out of the gathering darkness.”

Tells the stories of a young farm worker deep in debt, a flood, murder, a fugitive, exile, and a railroad porter.

A black author''s assault upon a society that transforms self-destructiveness into an art.

Set in the American Deep South, each of the powerful novellas collected here concerns an aspect of the lives of black people in the postslavery era, exploring their resistance to white racism and oppression. Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

In the powerful tradition of Native Son, Richard Wright''s last novel is a stirring story of racial prejudice in the South.

“An intense, provocative, and vital crime story that excavates paradoxical dimensions of race, class, sexism, family bonds, and social obligation while seeking the deepest meaning of the law." — Booklist Originally published posthumously by his daughter and literary executor Julia Wright, A Father’s Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period prior to his death in Paris in 1960, it offers a fascinating glimpse into the writer’s process as well as providing an important addition to Wright’s body of work. In rough form, Wright expands the style of a crime thriller to grapple with themes of race, class, and generational conflicts as newly appointed police chief Ruddy Turner begins to suspect his own son, Tommy, a student at the University of Chicago, of a series of murders in Brentwood Park. Under pressure to solve the killings and prove himself, Turner spirals into an obsession that forces him to confront his ambivalent relationship with a son he struggles to understand. Prescient, raw, and powerful, A Father''s Law is the final gift from a literary giant.

A remarkable celebration of Richard Wright, poetry, and contemporary black boys at play. From walking a dog to watching a sunset to finding a beetle, Richard Wright''s haiku puts everyday moments into focus. Now, more than fifty years after they were written, these poems continue to reflect our everyday experiences. Paired with the photo-collage artwork of Nina Crews, Seeing into Tomorrow celebrates the lives of contemporary African American boys and offers an accessible introduction to one of the most important African American writers of the twentieth century.

Richard Wright''s devastating autobiography of his childhood and youth in the Jim Crow South His training by his elders was strict and harsh to prepare him for the "white world" which would be cruel. Their resentment of those trying to escape the common misery made his future seem hopeless. It was necessary to grow up restrained and submissive in southern white society and to endure torment and abuse. Wright tells of his mental and emotional struggle to educate himself, which gave him a glimpse of life''s possibilities and which led him to his triumphant decision to leave the South behind while still a teenager to live in Chicago and fulfill himself by becoming a writer.

DigiCat Publishing presents to you this special edition of "Pagan Spain" by Richard Wright. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This indispensable work urging removal of the color barrier remains one of the key commentaries on the question of race in the modern era. First published in 1956, it arose from Richard Wright''s participation in a global conference held in Bandung, Indonesia, in April 1955. With this report of what occurred at Bandung Wright takes a central spot on the international stage and serves as a harbinger of worldwide social and political change. He exhorts Western nations, largely responsible for the poverty and ignorance in their former colonies, to destroy racial impediments and to work with the leadership of the new nations in moving toward modernization and industrialization under a free democratic system rather than under Communist totalitarianism. With this book, Wright became a precursor to the era of multiculturalism and an advocate for global transformation.

Part II: Fiction -- Long Black song -- Fire and cloud. Lawd today [excerpt] -- Native son [excerpt] -- The man who lived underground -- The outsider [excerpt] -- Savage holiday [excerpt] -- Big Black good man -- The long dream [excerpt] -- Black Boy (excerpt) -- Joe Louis Uncovers Dynamite -- Blueprint for Negro Writing -- Letters: Richard Wright/Burton Rascoe -- Richard Wright/David L. Cohn -- Richard Wright/Antonio Frasconi -- Review: Wars I Have Seen / Gertrude Stein -- There''s Always Another Cafe -- Black Power (excerpt) -- Pagan Spain (excerpt) -- 12 Million Black Voices -- Poetry: I Have Seen Black Hands -- Between the World and Me -- Red Clay Blues -- The FB Eye Blues -- Haikus -- Long Black Song -- Fire and Cloud -- Lawd Today (excerpt) -- Native Son (excerpt) -- The Man Who Lived Underground -- The Outsider (excerpt) -- Savage Holiday (excerpt) -- Big Black Good Man -- The Long Dream (excerpt) -- Chronology -- Bibliography.

12 Million Black Voices combines Wright''s prose with startling photographs selected by Edwin Rosskam from the Farm Security Administration files compiled during the Great Depression. The photographs include works by such giants as Walker Evans, Dorothea Lange and Arthur Rothstein. From crowded, run-down farm shacks to Harlem storefront churches, the photos depict the lives of black people in America - their misery and weariness under rural poverty, their spiritual strength, and their lives in northern ghettos. Wright''s accompanying text eloquently narrates the story of these pictures and delivers a powerful commentary on the origins and history of black oppression in this country.

OpenGL ® SuperBible, Fourth Edition , begins by illuminating the core techniques of “classic” OpenGL graphics programming, from drawing in space to geometric transformations, from lighting to texture mapping. The authors cover newer OpenGL capabilities, including OpenGL 2.1’s powerful programmable pipeline, vertex and fragment shaders, and advanced buffers. They also present thorough, up-to-date introductions to OpenGL implementations on multiple platforms, including Windows, Mac OS X, GNU/Linux, UNIX, and embedded systems. Coverage includes · An entirely new chapter on OpenGL ES programming for handhelds · Completely rewritten chapters on OpenGL for Mac OS X and GNU/Linux · Up-to-the-minute coverage of OpenGL on Windows Vista · New material on floating-point color buffers and off-screen rendering · In-depth introductions to 3D modeling and object composition · Expert techniques for utilizing OpenGL’s programmable shading language · Thorough coverage of curves, surfaces, interactive graphics, textures, shadows, and much more · A fully updated API reference, and an all-new section of full-color images You’ll rely on this book constantly—whether you’re learning OpenGL for the first time, deepening your graphics programming expertise, upgrading from older versions of OpenGL, or porting applications from other environments. Now part of the OpenGL Technical Library—The official knowledge resource for OpenGL developers The OpenGL Technical Library provides tutorial and reference books for OpenGL. The Library enables programmers to gain a practical understanding of OpenGL and shows them how to unlock its full potential. Originally developed by SGI, the Library continues to evolve under the auspices of the OpenGL Architecture Review Board (ARB) Steering Group (now part of the Khronos Group), an industry consortium responsible for guiding the evolution of OpenGL and related technologies.

Black Boy Story, is about life of Richard Wright''s, inspects Richard''s tormented a long time in the Jim Crow South from 1912 to 1927. In every section, Richard relates agonizing and confounding recollections that lead to a superior comprehension of the man a dark, Southern, American author who at last arises. Although Richard, as the storyteller, keeps a grown-up voice all through the story, every part is told from the viewpoint and information that a kid may have. However, considering the fact, that the story is told with such power and genuineness, the unwavering quality of Richard''s recollections isn''t addressed. By the story''s end, as Richard grows up, the voice of the storyteller and of the nineteen-year-old young fellow he has become converge into one.

Nineteen fifteen. The resurgent Ku Klux Klan met on Stone Mountain in Georgia for its first-ever cross burning. Fifty-six blacks were reported lynched. Nineteen twenty-three. Half a million blacks migrated into Northern cites with false hopes of better times in the nation''s factories. Nineteen twenty-nine. The stock market crashed. Soon more than a quarter of all blacks were unemployed. Nineteen thirty-three. Under the New Deal, the segregated Civilian Conservation Corps put 200,000 black teenagers to work. Nineteen forty. Richard Wright''s Native Son outsells John Steinbeck''s The Grapes of Wrath to become number one on the best-seller list. 12 Million Black Voices, first published in 1941, brilliantly captures the lives of black people in America during the early twentieth century by combining the powerful prose of Richard Wright with startling photographs selected by Edwin Rosskam from the Farm Security Administration files compiled during the Great Depression. From crowded, run-down farm shacks to Harlem storefront churches, the photographs ? by giants like Walker Evans, Dorothea Lange, & Arthur Rothstein ? poignantly depict the lives of black people while the accompanying text eloquently narrates the story of the pictures & delivers a powerful commentary on the origins & history of black oppression in this country.