New Releases by Richard Wright

DigiCat Publishing presents to you this special edition of "Pagan Spain" by Richard Wright. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

New York Times Bestseller • One of the Best Books of the Year: Time magazine, Chicago Tribune, Boston Globe, and Esquire • One of Oprah’s 15 Favorite Books of the Year From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright''s masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com) “The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of Richard Wright''s scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement between the Library of America and the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

A remarkable celebration of Richard Wright, poetry, and contemporary black boys at play. From walking a dog to watching a sunset to finding a beetle, Richard Wright''s haiku puts everyday moments into focus. Now, more than fifty years after they were written, these poems continue to reflect our everyday experiences. Paired with the photo-collage artwork of Nina Crews, Seeing into Tomorrow celebrates the lives of contemporary African American boys and offers an accessible introduction to one of the most important African American writers of the twentieth century.

These inspirational meditations, prayers, and stories are written by an Ojibwe Elder and alcohol and drug counselor to speak with clarity, wisdom, and care about the everyday experience of recovery. The author combines Ojibwe and Twelve Step spiritual principles and practices with stories from Indians at all stages of recovery to help readers navigate the challenges and rewards of living sober. Each of this book’s 52 meditations includes a short reflection, a related story "from the rooms" of AA, and seven prayers—one for every day of the week. Grounded in reliance on the Creator, the wisdom of Elders, and the support of the sober community, this unique collection is intended to provide daily strength and hope for the recovery journey and counteract the harsh realities of poverty, violence, and broken relationships that are too often fueled by alcohol and other drug use. Readers will recognize the value of spiritual laws like Honesty, Sharing, Kindness, and Strength as well as the power of traditional rituals such as offering tobacco with prayers. Whatever our culture, we can apply this book’s wisdom to our recovery and life.

When we think about young people dealing drugs, we tend to picture it happening on urban streets, in disadvantaged, crime-ridden neighborhoods. But drugs are used everywhere—even in upscale suburbs and top-tier high schools—and teenage users in the suburbs tend to buy drugs from their peers, dealers who have their own culture and code, distinct from their urban counterparts. In Code of the Suburb, Scott Jacques and Richard Wright offer a fascinating ethnography of the culture of suburban drug dealers. Drawing on fieldwork among teens in a wealthy suburb of Atlanta, they carefully parse the complicated code that governs relationships among buyers, sellers, police, and other suburbanites. That code differs from the one followed by urban drug dealers in one crucial respect: whereas urban drug dealers see violent vengeance as crucial to status and security, the opposite is true for their suburban counterparts. As Jacques and Wright show, suburban drug dealers accord status to deliberate avoidance of conflict, which helps keep their drug markets more peaceful—and, consequently, less likely to be noticed by law enforcement. Offering new insight into both the little-studied area of suburban drug dealing, and, by extension, the more familiar urban variety, Code of the Suburb will be of interest to scholars and policy makers alike.

Praise for the First Edition: "Sex Offender Laws . . . "is a good source for [a] balanced, objective, and thorough critique of our current sex offender policies as well as a source for accurate information about a very heterogeneous population. . . . The message that sexual abuse is often a multifaceted and complex issue and that policy based on quick fixes or knee jerk reactions does not often work will be informative and enlightening to many readers."" Sex Roles ""[T]his fine book by Richard Wright and his distinguished collaborators provides the evidence that wise policy makers would want to consider. It covers every major field of research concerning sex offenders and sexual offenses and provides evidence of bad practices and policies. Intellectually honest politicians should read this book." " Michael Tonry, LLB, Professor of Law and Public Policy, University of Minnesota Law School (from the Foreword) The most comprehensive book available about sex offender policies and their efficacy, "Sex Offender Laws" has been widely embraced as a text for courses in criminal justice, social work, and psychology. Now updated to keep pace with rapidly changing laws and policies, this second edition features an increased emphasis on policy and program alternatives. It incorporates new content on high-profile issues affecting adolescent sex offenders, critical analyses of the results of recent studies on sex offender policies, effective approaches in preventing recidivism, and cutting-edge research in the fields of criminal justice, law, forensic psychology, and social work. The second edition continues to document and assess the full gamut of laws designed to respond to and prevent sexual violence. The majority of sex offender policies often developed as "quick fixes" in response to high-profile cases are not based on empirical evidence, nor have they demonstrated any significant reduction in offender recidivism. This new edition showcases alternative models that offer innovative and victim-centered approaches to combating sexual violence. Expert authors explore critical, controversial topics such as sexting, Internet sexual solicitation, the death penalty, mandatory sentencing, statutory rape, age of consent laws, and community responses. The book examines the political "untouchability" of sex offender laws and their adverse effects; despite their popularity, sex offender laws have largely failed to keep people safe and actually promote an inaccurate sense of vulnerability. The text also analyzes the role of the media and presents a new chapter on Sexual Assault Nurse Examiner programs. Expert contributors include Karen Terry, author of "Sexual Offenses and Offenders," and others who bring a wealth of insight to the field of sex offense. New to the Second Edition: Emphasizes policy and program alternatives to currently ineffective policies Provides new content on the criminalization of adolescent sexuality Analyzes the role of the media in sex offense and sex offense policies Critically discusses state implementation of the 2006 Adam Walsh Act Introduces new policy alternatives including environmental criminology and its use toward sexual violence prevention and the increasing use of civil litigation in sexual assault cases Examines the political "untouchability" of sex offender laws and their adverse affects and unintended consequences "

This children book is about a four year old''s first day at school. The other children exclude him and are mean to him. It is written to help young ones to know how to deal with such a situation - it is a must have for anyone with young ones. Like a tree you can bend a child when young, after a few years they are set in their ways.

Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of the acclaimed Native Son and Black Boy, discovered the haiku in the last eighteen months of life. He attempted to capture, through his sensibility as an African-American, the elusive Zen discipline and beauty in depicting man’s relationship, not only to his fellow man as he had in the raw and forceful prose of his fiction, but to the natural world. In all, he wrote over 4,000 haiku. Here are the 817 he personally chose; Wright’s haiku, disciplined and steeped in beauty, display a universality that transcends both race and color without ever denying them. Wright wrote his haiku obsessively—in bed, in cafes, in restaurants, in both Paris and the French countryside. They offered him a new form of expression and a new vision: with the threat of death constantly before him, he found in them inspiration, beauty, and insights. Fighting illness and frequently bedridden, deeply upset by the recent loss of his mother, Ella, Wright continued, as his daughter notes in her introduction, “to spin these poems of light out of the gathering darkness.”

The compelling continuation of Richard Wright''s great autobiographical work, Black Boy Anyone who has read Richard Wright''s Black Boy knows it to be one of the great American autobiographies. Covering Wright''s early life in the South, the book concludes with his departure in 1934 for a new life in the North. American Hunger (first published more than thirty years after the appearance of Black Boy) is the continuation of that story. A vital, richly anecdotal work, American Hunger treats with feeling and often with wry humor Wright''s struggle to make his way in the North—in Chicago—as a store clerk, dishwasher, and eventually as a writer. He deals movingly with his early days in the Communist Party and with his attempts to keep his integrity in the face of Party demands that he subordinate his artistic goals to its needs. And he recounts with a mixture of pain and irony his break with the Party and the tortured period of ostracism that followed. There is an unsettling and totally frank personal story here, and a lot of raw social history as well.

Three extraordinary and impassioned nonfiction works by Richard Wright, one of America''s premier literary giants of the twentieth century, together in one volume, with an introduction by Cornel West. “The time is ripe to return to [Wright’s] vision and voice in the face of our contemporary catastrophes and hearken to his relentless commitment to freedom and justice for all.” — Cornel West (from the Introduction) Black Power: A Record of Reactions in a Land of Pathos is Richard Wright’s chronicle of his trip to Africa’s Gold Coast before it became the free nation of Ghana. It speaks eloquently of empowerment and possibility, freedom and hope, and resonates loudly to this day. The Color Curtain: A Report on the Bandung Conference is a vital piece arguing for the removal of the color barrier and remains one of the key commentaries on the question of race in the modern era. “Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain . . . Wright did not hesitate to tell the truth as he saw it” (Amritjit Singh, Ohio University). White Man, Listen! is a stirring assortment of Wright’s essays on race, politics, and other social concerns close to his heart. It remains a work that “deserves to be read with utmost seriousness, for the attitude it expresses has an intrinsic importance in our times” (New York Times).

This ebook is a selective guide designed to help scholars and students of criminology find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In criminology, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is a static version of an article from Oxford Bibliographies Online: Criminology, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study and practice of criminology. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.

“An intense, provocative, and vital crime story that excavates paradoxical dimensions of race, class, sexism, family bonds, and social obligation while seeking the deepest meaning of the law." — Booklist Originally published posthumously by his daughter and literary executor Julia Wright, A Father’s Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period prior to his death in Paris in 1960, it offers a fascinating glimpse into the writer’s process as well as providing an important addition to Wright’s body of work. In rough form, Wright expands the style of a crime thriller to grapple with themes of race, class, and generational conflicts as newly appointed police chief Ruddy Turner begins to suspect his own son, Tommy, a student at the University of Chicago, of a series of murders in Brentwood Park. Under pressure to solve the killings and prove himself, Turner spirals into an obsession that forces him to confront his ambivalent relationship with a son he struggles to understand. Prescient, raw, and powerful, A Father''s Law is the final gift from a literary giant.

OpenGL ® SuperBible, Fourth Edition , begins by illuminating the core techniques of “classic” OpenGL graphics programming, from drawing in space to geometric transformations, from lighting to texture mapping. The authors cover newer OpenGL capabilities, including OpenGL 2.1’s powerful programmable pipeline, vertex and fragment shaders, and advanced buffers. They also present thorough, up-to-date introductions to OpenGL implementations on multiple platforms, including Windows, Mac OS X, GNU/Linux, UNIX, and embedded systems. Coverage includes · An entirely new chapter on OpenGL ES programming for handhelds · Completely rewritten chapters on OpenGL for Mac OS X and GNU/Linux · Up-to-the-minute coverage of OpenGL on Windows Vista · New material on floating-point color buffers and off-screen rendering · In-depth introductions to 3D modeling and object composition · Expert techniques for utilizing OpenGL’s programmable shading language · Thorough coverage of curves, surfaces, interactive graphics, textures, shadows, and much more · A fully updated API reference, and an all-new section of full-color images You’ll rely on this book constantly—whether you’re learning OpenGL for the first time, deepening your graphics programming expertise, upgrading from older versions of OpenGL, or porting applications from other environments. Now part of the OpenGL Technical Library—The official knowledge resource for OpenGL developers The OpenGL Technical Library provides tutorial and reference books for OpenGL. The Library enables programmers to gain a practical understanding of OpenGL and shows them how to unlock its full potential. Originally developed by SGI, the Library continues to evolve under the auspices of the OpenGL Architecture Review Board (ARB) Steering Group (now part of the Khronos Group), an industry consortium responsible for guiding the evolution of OpenGL and related technologies.

This study examines the structure, process and forms of retaliation in contemporary urban America where street criminals employ it instead of recourse to the criminal justice system. It explores retaliation from a first hand perspective, based on interviews with currently active street criminals rather than prisoners.

Richard Wright''s devastating autobiography of his childhood and youth in the Jim Crow South His training by his elders was strict and harsh to prepare him for the "white world" which would be cruel. Their resentment of those trying to escape the common misery made his future seem hopeless. It was necessary to grow up restrained and submissive in southern white society and to endure torment and abuse. Wright tells of his mental and emotional struggle to educate himself, which gave him a glimpse of life''s possibilities and which led him to his triumphant decision to leave the South behind while still a teenager to live in Chicago and fulfill himself by becoming a writer.

Wright presents a compelling story of a black man''s attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes. As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright''s second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright''s construction of the criminal mind as intelligent, introspective, and transformative." In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad.

12 Million Black Voices, first published in 1941, combines Wright''s prose with startling photographs selected by Edwin Rosskam from the Security Farm Administration files compiled during the Great Depression. The photographs include works by such giants as Walker Evans, Dorothea Lange, and Arthur Rothstein. From crowded, rundown farm shacks to Harlem storefront churches, the photos depict the lives of black people in 1930s America—their misery and weariness under rural poverty, their spiritual strength, and their lives in northern ghettos. Wright''s accompanying text eloquently narrates the story of these 90 pictures and delivers a powerful commentary on the origins and history of black oppression in this country. Also included are new prefaces by Douglas Brinkley, Noel Ignatiev, and Michael Eric Dyson. "Among all the works of Wright, 12 Million Black Voices stands out as a work of poetry, ... passion, ... and of love."—David Bradley "A more eloquent statement of its kind could hardly have been devised."—The New York Times Book Review

Includes a brief biography of the author, thematic and structural analysis of the work, critical views, and an index of themes and ideas.

"Richard Wright" (1908-1960) was one of the landmark authors of twentieth-century American literature as well as one of the most formidable and eloquent black voices of his day. In nearly 900 pages the editors have collected his most essential and evocative writing: essays like "Black Power" and "Pagan Spain"; selections from his autobiography Black Boy; most of the photographs and the complete text of Wright''s folk history of the African-American experience 12 Million Black Voices; representative criticism, articles, letters, and poetry; the complete novellas "The Man Who Lived Underground" and "Big Black Good Man"; and generous excerpts from novels like Uncle Tom''s Children, Native Son, The Outsider, The Long Dream, Savage Holiday, and Lawd Today. The result is a beautifully wrought miniature panorama of the career of a writer whose immense talent was matched only by his humanity.

"Johnny, you''re leaving us tonight . . . " Fifteen-year-old Johnny Gibbs does, well in school, respects his teachers, and loves his family. Then suddenly, with a few short words, his idyllic life is shattered. He learns that the family he has loved all his life is not his own, but a foster family. And now he is being sent to live with someone else. Shocked by the news, Johnny does the only thing he can think of: he runs. Leaving his childhood behind forever, Johnny takes to the streets where he learns about living life--the hard way. Richard Wright, internationally acclaimed author of Black Boy and Native Son, gives us a coming-of-age story as compelling today as when it was first written, over fifty years ago. ‘Johnny Gibbs arrives home jubilantly one day with his straight ‘A’ report card to find his belongings packed and his mother and sister distraught. Devastated when they tell him that he is not their blood relative and that he is being sent to a new foster home, he runs away. His secure world quickly shatters into a nightmare of subways, dark alleys, theft and street warfare. . . . Striking characters, vivid dialogue, dramatic descriptions, and enduring themes introduce a enw generation of readers to Wright’s powerful voice.’—SLJ. Notable 1995 Children''s Trade Books in Social Studies (NCSS/CBC)

This indispensable work urging removal of the color barrier remains one of the key commentaries on the question of race in the modern era. First published in 1956, it arose from Richard Wright''s participation in a global conference held in Bandung, Indonesia, in April 1955. With this report of what occurred at Bandung Wright takes a central spot on the international stage and serves as a harbinger of worldwide social and political change. He exhorts Western nations, largely responsible for the poverty and ignorance in their former colonies, to destroy racial impediments and to work with the leadership of the new nations in moving toward modernization and industrialization under a free democratic system rather than under Communist totalitarianism. With this book, Wright became a precursor to the era of multiculturalism and an advocate for global transformation.

Wright''s dazzling novel of murder & misadventure.

Back in its original unabridged form, a novel of Depression-era Chicago.

A black author''s assault upon a society that transforms self-destructiveness into an art.

Collection of interviews revealing Wright''s racial experience and the themes and techniques of his own work.

In the powerful tradition of Native Son, Richard Wright''s last novel is a stirring story of racial prejudice in the South.

"White Man, Listen! is a collection of the best of Richard Wright''s lectures on race, politics, and other matters close to the acclaimed novelist and essayist''s heart, which he delivered in Europe between 1950 and 1956"--Back cover.