Most Popular Books by Rabindranath Tagore

This Volume Is A Collection Of Different Genres Of Writings ý Six Prose Works Including The Hibbert Lectures, The Religion Of Man, A Large Number Of Lectures And Addresses On Various Issues, Public Statements And Messages, And Conversations With Some Of The Eminent Persons Of This Century ý Einstein, Croce, Rolland And Gandhi.

The Home and the World (1916) is a novel by Bengali author Rabindranath Tagore. Written after Tagore received the 1913 Nobel Prize in Literature, the novel dramatizes the Swadeshi movement for Indian independence from British rule. Through the lens of one family, Tagore illuminates the conflict between Western culture and Indian nationalism while exploring the complex relationships of men and women in modern India. Concerned for his wife, who spends most of her days inside, Nikhil, an educated aristocrat, brings Bimala to a political rally. There, they hear the magnanimous revolutionary Sandip speak out against British imperialism and call for Indian independence. Although Nikhil remains passive, if not indifferent, regarding British rule, Bimala, who comes from a poor family, reaches a political awakening of her own. When Nikhil and Bimala invite Sandip to stay as a guest at their home, Bimala moves further away from her traditional role as a wife and begins to develop romantic feelings for the radical figure. Aware of his growing influence, Sandip places himself between Nikhil and his wife while secretly attempting to convince Bimala to use her husband’s wealth to support the Swadeshi cause. The Home and the World is a masterful novel that explores the personal behind the political, inserting the lives of individuals into history’s great wheel without losing sight of humanity. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore’s The Home and the World is a classic of Indian literature reimagined for modern readers.

Unlike previous Tagore collections that focus on a single genre, Dutta and Robinson''s anthology offers a full range of Tagore''s talents--a play, poems, songs, a novel, selections from his memoirs, travel writings, and essays--in one graceful volume.

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.

A selection of some 350 letters spanning Nobel prize-winning writer Rabindranath Tagore''s entire life - the first to be available to English readers.

The Post Office (1914) is a play by Rabindranath Tagore. Published following his ascension to international fame with the 1912 Nobel Prize in Literature, the play was introduced to an international audience by W. B. Yeats. When the Irish poet discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. Brought to Dublin’s Abbey Theatre in 1913, The Post Office remains one of Tagore’s most influential literary works. “The doctor says all the organs of his little body are at loggerheads with each other, and there isn''t much hope for his life. There is only one way to save him and that is to keep him out of this autumn wind and sun.” Under doctor’s orders, Amal is confined to his uncle’s home and courtyard, encouraged in his studies despite his desire to experience the world beyond books. Standing at the front gate, he watches life pass him by along the road, speaking with whoever will stop to listen. When construction begins on a new post office nearby, Amal dreams of one day serving as a messenger for the king. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore’s The Post Office is a classic of Indian literature reimagined for modern readers.

Gitanjali (1912) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore and published with a groundbreaking introduction by Irish poet W. B. Yeats, Gitanjali is the collection that earned Tagore the 1912 Nobel Prize in Literature. When Yeats discovered Tagore''s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. For the Irish poet, Tagore''s poems were at once deeply personal and essentially universal, like a secret kept by all and shared regardless: "I have carried the manuscript of these translations about with me for days, reading it in railway trains, or on the top of omnibuses and in restaurants, and I have often had to close it lest some stranger would see how much it moved me." Whether or not we admit it, his words never fail to remind us: to be human is to be vulnerable. "Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new." The essence of Gitanjali is humility. Written following the deaths of his wife and two children, the collection unites poetry and prayer in search of peace. Grounded in Hindu tradition, his poems remain recognizable to readers of all faiths and nations. His subjects are love and loss, life and death, belief and despair. Through them, he approaches truth. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore''s Gitanjali is a classic of Indian literature reimagined for modern readers.

Stray Birds (1916) is a collection of poems by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, Stray Birds is a powerful collection of short poems by a master of Indian literature. “Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.” The poems of Stray Birds are a masterclass in clarity and concision. Like birds themselves, they flutter across the sky of the page before passing beyond the limit of sight. In prayer, in celebration, and in evocations of the natural world, Tagore comes as close to the truth as possible, catching a glimpse before it can fly away forever: “Let me live truly, my Lord, so that death to me become true.” In plainspoken language, Tagore gives voice to the soul. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore’s Stray Birds is a classic of Indian literature reimagined for modern readers.

An intensely romantic story that unfolds in the beautiful hill station of Shillong in north-eastern India, The Last Poem (Shesher Kavita) is considered by many to be Rabindranath Tagore''s finest prose work. Amit Ray travels to Shillong to escape from the drudgery of his middle-class existence, and finds himself ensnared instead in a web of passion andpoetry with the elegant and enigmatic Lavanya. As the protagonists grow closer to each other in this unconventional love story, they also discover themselves - their strengths, their ambitions, their flaws, their follies.

In ''My Reminiscences'', the illustrious and erudite Rabindranath Tagore invites readers into his poetic world, reflecting the consummate blend of personal anecdote and philosophical insight that characterizes his oeuvre. This memoir, interwoven with aesthetic elegance and profound simplicity, offers a window into the formative years of the Nobel laureate. Notably, it demonstrates Tagore''s literary style, which is deeply rooted in the rich cultural tapestry and the literary renaissance of Bengal''s intellectual elite. ''My Reminiscences'' not only stands as a testament to Tagore''s developmental journey into the literary giant he became but also offers indispensable commentary on the literary pulse of pre-independence India. Rabindranath Tagore, a polymath and a cultural beacon of early 20th century Bengal, endows ''My Reminiscences'' with the vibrancy of his sage-like insight and creative prowess. Tagore''s legacy as a poet, writer, and philosopher was informed by his profound engagement with the socio-political climate of his time and his travels around the world. His introspective exploration in his memoir demonstrates the introspection that led him to pen works which resonate with universal themes of humanity, nature, and existential musings. The insights woven into the pages of ''My Reminiscences'' stem from a mind steeped in both the wisdom of ancient traditions and the tumultuous changes of modernity. ''My Reminiscences'' is recommended to discerning readers who appreciate literary memoirs as well as those fascinated by the interplay of memory, culture, and the creative process. Tagore''s personal recollections are imbued with the intellectual depth and lyrical beauty that define his larger body of work, promising not merely an account of his life but a poignant narrative journey enriched by his philosophical reflections. It is a compelling read for anyone who wishes to delve into the life and mind of one of the profoundest literary figures of the 20th century, whose works continue to inspire and enlighten.

The King of the Dark Chamber (1918) is a play by Rabindranath Tagore. Translated into English by Tagore after he received the 1913 Nobel Prize in Literature, The King of the Dark Chamber is a symbolic drama exploring themes of faith, power, citizenship, and love. Part meditation on human government, part reflection on humanity’s connection to god, Tagore’s play is a masterpiece of Indian literature. “My faith is, to go on obeying the King—it does not matter whether he is a real one or a pretender. What do we know of Kings that we should judge them! It is like throwing stones in the dark—you are almost sure of hitting your mark. I go on obeying and acknowledging—if it is a real King, well and good: if not, what harm is there?” What is the nature of kingship? If a nation is prosperous, and its people happy, should they question their ruler? Such questions abound in The King of the Dark Chamber, a symbolic story of a King who rules through absence alone. While he is more widely known as a poet, Tagore was also a gifted playwright who used the stage to explore timeless, universal themes. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore’s The King of the Dark Chamber is a classic of Indian literature reimagined for modern readers.

The Complete Works of Rabindranath Tagore presents a comprehensive anthology of the creative genius who was the first Asian laureate of the Nobel Prize in Literature. This volume encapsulates Tagore''s profound explorations of human experience through poetry, prose, and plays, merging lyrical beauty with philosophical depth. His literary style, marked by rich imagery and emotional resonance, transcends cultural boundaries, engaging themes of love, nature, and the quest for self-identity. Within the context of the early 20th-century literary movements, Tagore''s works reflect both the influence of Romanticism and Indian cultural heritage, making a significant impact on the modern literary canon. Rabindranath Tagore (1861-1941), a polymath and visionary, drew inspiration from the social, political, and spiritual upheavals of his time. Growing up in a progressive intellectual family in Kolkata, India, he engaged with Western literature while remaining deeply attuned to Bengali traditions. This duality in his creative upbringing fostered a unique voice that sought to bridge Eastern and Western philosophies, resulting in a body of work that continues to resonate globally. This anthology is an essential read for anyone interested in the evolution of modern literature and the exploration of universal themes. Tagore''s ability to articulate the intricacies of the human condition makes this collection not only a treasure for literary scholars but also an inspiring gateway for contemporary readers seeking profound engagement with life''s mysteries.

e-artnow presents to you this unique poetry collection: My Golden Bengal (Amar Shonar Bangla) The Morning Song of India (Jana Gana Mana) Gitanjali The Gardener Fruit-Gathering The Crescent Moon: The Home On The Seashore The Source Baby''s Way The Unheeded Pageant Sleep-Stealer The Beginning Baby''s World When And Why Defamation The Judge Playthings The Astronomer Clouds And Waves The Champa Flower Fairyland The Land Of The Exile The Rainy Day Paper Boats The Sailor The Further Bank The Flower-School The Merchant Sympathy Vocation Superior The Little Big Man Twelve O''clock Authorship The Wicked Postman The Hero The End The Recall The First Jasmines The Banyan Tree Benediction The Gift My Song The Child-Angel The Last Bargain Stray Birds Lover''s Gift and Crossing The Fugitive Kacha and Devayani Ama and Vinayaka The Mother''s Prayer Somaka and Ritvik Karna and Kunti The Child Songs of Kabir My Reminiscences – Autobiography

Selection of significant passages from diaries, letters, and books of travel.

The Hungry Stones, and Other Stories is a collection of short stories written by Rabindranath Tagore, the celebrated Indian poet, philosopher, and Nobel laureate. Tagore''s short stories are known for their deeply evocative themes, vivid imagery, and insights into the human condition. This collection typically features a selection of his most compelling and thought-provoking short stories. The stories cover a diverse range of themes, often delving into human emotions, societal norms, love, loss, spirituality, and the complexities of relationships. They are typically set in various social and cultural contexts, offering a glimpse into Indian society during the time in which Tagore lived.

It is the story of the rich Mahendra and his simple, demure, beautiful wife Asha. Their cosy domestic scenario undergoes great upheaval with the introduction of the vivacious Binodini, a young widow who comes to live with them. A compelling portrayal of the complexity of relationship, it is a landmark novel by the Nobel prize-winning author.

The poet Kablr, a selection from whose songs is here for the first time offered to English readers, is one of the most interesting personalities in the history of I ndian mysticism. Born in or near Benares, of Mohammedan parents, and probably about the year 1440, he became in early life a disciple of the celebrated Hindu ascetic Ramananda. Ramananda had brought to Northern India the religious revival which Ramanuja, the great twelfth-century reformer of Brahmanism, had initiated in the South...

Man''s history is being shaped according to the difficulties it encounters. These have offered us problems and claimed their solutions from us, the penalty of non-fulfilment being death or degradation. Copyright © Libri GmbH. All rights reserved.

This vintage volume comprises the English translation of Rabindranath Tagore''s ''Gitanjali'', a collection of one-hundred-and-three poems first published by the ''India Society of London'' in 1912. This beautiful collection, translated by Tagore himself, is sure to be enjoyed by a wide range of poetry-lovers, and is a veritable must-read for anyone unfamiliar with the seminal work of Tagore. Rabindranath Tagore was a Bengali polymath who single-handedly reformed Bengali literature and music through ''Contextual Modernism'' in the late-nineteenth and early-twentieth centuries. Many antiquarian books such as this are increasingly rare and expensive, and it is with this in mind that we are republishing this vintage book now in an affordable, modern edition complete with a new prefatory biography of the author.

Rabindranath Tagore was the most significant literary figure of Bengali literature. As a poet, novelist, musician, and playwright, Tagore reshaped Bengali literature and music in the late 19th and early 20th centuries. " The Home and the World" is a novel from 1916 that illustrates the struggle Tagore had within himself, between Western cultural ideas and the revolution against those very ideas. The work was a great success worldwide and was among those selected in a list by "The Telegraph" as one of the top 10 greatest Asian novels of all time. A highly noteworthy achievement, though not extraordinary for a writer who, in 1915, was awarded the Nobel Prize in Literature.

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.

Gora (1910) is Tagore''s fifth novel and is generally considered his masterpiece. With its epic dimensions and the broad canvas of the social, cultural, religious and political life of the nineteenth century urban middle class Bengal, it was a landmark in the history of the Bengali novel

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.