New Releases by Margaret Atwood

BESTSELLER DEL NEW YORK TIMES * RECOMENDADO POR JENNA BUSH EN SU CLUB DE LECTURA DEL TODAY SHOW Y EN SU PODCAST READ WITH JENNA En esta brillante secuela de El cuento de la criada, la aclamada autora Margaret Atwood responde a las preguntas que han cautivado a los lectores durante décadas. Novela ganadora del Man Booker Prize 2019 Subo y penetro en la oscuridad del interior; o en la luz.» Cuando las puertas de la furgoneta se cerraron de golpe tras Offred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia quince años después de que Offred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead. «Queridos lectores y lectoras: vuestras preguntas sobre Gilead y su funcionamiento interno han sido la fuente de inspiración de este libro. ¡Bueno, casi todo! La otra es el mundo en el que vivimos.»- Margaret Atwood ENGLISH DESCRIPTION #1 NEW YORK TIMES BESTSELLER - READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY - RECOMMENDED ON THE ''READ WITH JENNA'' PODCAST- WINNER OF THE BOOKER PRIZE The Testaments is a modern masterpiece, a powerful novel that can be read on its own or as a companion to Margaret Atwood''s classic, The Handmaid''s Tale. More than fifteen years after the events of The Handmaid''s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways. With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

El libro de cabecera de una nueva generación. Amparándose en la coartada del terrorismo, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy. En la República de Gilead, el cuerpo de Defred sólo sirve para procrear, tal como imponen las férreas normas establecidas por la dictadura puritana que domina el país. Si Defred se rebela -o si, aceptando colaborar a regañadientes, no es capaz de concebir- le espera la muerte en ejecución pública o el destierro a unas Colonias en las que sucumbirá a la polución de los residuos tóxicos. Así, el régimen controla con mano de hierro hasta los más ínfimos detalles de la vida de las mujeres: su alimentación, su indumentaria, incluso su actividad sexual. Pero nadie, ni siquiera un gobierno despótico parapetado tras el supuesto mandato de un dios todopoderoso, puede gobernar el pensamiento de una persona. Y mucho menos su deseo. Los peligros inherentes a mezclar religión y política; el empeño de todo poder absoluto en someter a las mujeres como paso conducente a sojuzgar a toda la población; la fuerza incontenible del deseo como elemento transgresor: son tan sólo una muestra de los temas que aborda este relato desgarrador, aderezado con el sutil sarcasmo que constituye la seña de identidad de Margaret Atwood. Una escritora universal que, con el paso del tiempo, no deja de asombrarnos con la lucidez de sus ideas y la potencia de su prosa.

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, Fourteen Days is an irresistibly propulsive collaborative novel from the Authors Guild, with an unusual twist: each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice—from Margaret Atwood and Celeste Ng to Tommy Orange and John Grisham. One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs and milk crates and overturned pails. Gradually the tenants—some of whom have barely spoken to each other—become real neighbors. In this Decameron-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming, and ultimately surprising narrative, Fourteen Days reveals how beneath the horrible loss and suffering, some communities managed to become stronger. Includes writing from: Charlie Jane Anders, Margaret Atwood, Joseph Cassara, Jennine Capó Crucet, Angie Cruz, Pat Cummings, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Douglas Preston, Alice Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, Caroline Randall Williams, De’Shawn Charles Winslow, and Meg Wolitzer!

INSTANT #1 NATIONAL BESTSELLER Named a Best Book of 2023 by the Globe and Mail and Indigo A dazzling collection of fifteen short stories from Margaret Atwood, the internationally acclaimed, award-winning author of The Handmaid''s Tale and The Testaments. Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after. Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

Quinze anys després dels fets d''"El conte de la Serventa", el règim teocràtic de la República de Galaad, tot i haver entrat en decadència, s''aferra al poder. Les vides de tres dones radicalment diferents convergeixen en aquest moment crucial; dues han crescut a bandes oposades de la frontera, l''una a Galaad, com a filla d''un Senyor d''alt rang, i l''altra al Canadà, on participa en les manifestacions contra la dictadura i en segueix amb horror les notícies a la televisió. Les veus d''aquestes dues noies, pertanyents a la primera generació que assoleix la majoria d''edat sota el nou ordre, s''entreteixeixen amb una tercera, la d''una còmplice del règim, el poder de la qual es fonamenta en els secrets que ha anat guardant amb el pas del temps. I quan, a la fi, la veritat surti a la llum, totes tres hauran d''acceptar qui són realment i decidir fins on estan disposades a arribar per defensar les seves conviccions. En "Els testaments" Margaret Atwood torna a endinsar-se en l''univers galaadià, que tants lectors ha fascinat al llarg dels anys, per revelar-nos amb sagacitat i perícia narrativa l''entramat profund d''una societat on, malgrat el règim del terror, s''ha encès l''espurna de l''esperança. PREMI MAN BOOKER 2019 "Margaret Atwood en la seva màxima esplendor. Tothom hauria de llegir Els testaments". Los Angeles Times

A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors. Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more. With stories by: Joyce Carol Oates, Margaret Atwood (poems), Valerie Martin, Aimee Bender, Edwidge Danticat, Sheila Kohler, S.A. Solomon, S.J. Rozan, Lucy Taylor, Cassandra Khaw, Bernice L. McFadden, Jennifer Morales, Elizabeth McCracken, Livia Llewellyn, Lisa Lim, and Steph Cha. Praise for Cutting Edge “The indefatigable Joyce Carol Oates gathers a strong list of names . . . . Emerging and established authors provide attention-grabbing short works: especially notable are Edwidge Danticat''s story on the quotidian horror of domestic violence, Bernice L. McFadden’s comic take on the appropriation of racial friendship, and Lisa Lim’s illustrations of a grotesque marriage.” —Alfred Hitchcock Mystery Magazine “But of course, in the end, it isn''t the themes or the innovations on the format of the short story anthology that make the tales collected in Cutting Edge most “feel” as if you were reading Joyce Carol Oates herself. It is the writing. The tight plots and fresh, flowing prose that go about their business until—snap!—the story’s well-oiled mousetrap does its job.” —New York Journal of Books “The 15 stories and six poems in this slim yet weighty all-original noir anthology . . . are razor-sharp and relentless in their portrayal of life, offering snapshots of dysfunction, everyday toil, and brief joy. It is unusual, however, in its scope, zeroing in not only on what the female characters endure but what they dish out . . . . Each story sears but does not cauterize, leaving protagonists and readers raw . . . . Fans of contemporary crime fiction won’t want to miss this one.” —Publishers Weekly

From the Booker Prize-winning author of The Handmaid''s Tale, comes the complete collection of the #1 New York Times bestselling graphic novel from Margaret Atwood! Internationally best-selling and respected novelist Margaret Atwood and acclaimed artist Johnnie Christmas collaborate for one of the most highly anticipated comic book and literary events! A genetic engineer caught in the middle of a chemical accident all of a sudden finds himself with superhuman abilities. With these new powers he takes on the identity of Angel Catbird and gets caught in the middle of a war between animal/human hybrids. What follows is a humorous, action-driven, educational, and pulp- inspired superhero adventure--with a lot of cat puns. Includes previously unpublished art by Margaret Atwood. Collects Angel Catbird volumes 1-3

NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle

From the bestselling author of The Handmaid''s Tale and The Testaments—in the gated community of Consilience, residents who sign a contract will get a job and a lovely house for six months of the year...if they serve as inmates in the Positron prison system for the alternate months. “Captivating...thrilling.” —The New York Times Book Review Stan and Charmaine, a young urban couple, have been hit by job loss and bankruptcy in the midst of nationwide economic collapse. Forced to live in their third-hand Honda, where they are vulnerable to roving gangs, they think the gated community of Consilience may be the answer to their prayers. At first, this seems worth it: they will have a roof over their heads and food on the table. But when a series of troubling events unfolds, Positron begins to look less like a prayer answered and more like a chilling prophecy fulfilled. The Heart Goes Last is a vivid, urgent vision of development and decay, freedom and surveillance, struggle and hope—and the timeless workings of the human heart.

In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works. The word “utopia” comes from Thomas More’s book of the same name—meaning “no place” or “good place,” or both. In “Dire Cartographies,” from the essay collection In Other Worlds, Atwood coins the term “ustopia,” which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. Following her intellectual journey and growing familiarity with ustopias fictional and real, from Atlantis to Avatar and Beowulf to Berlin in 1984 (and 1984), Atwood explains how years after abandoning a PhD thesis with chapters on good and bad societies, she produced novel-length dystopias and ustopias of her own. “My rules for The Handmaid’s Tale were simple,” Atwood writes. “I would not put into this book anything that humankind had not already done, somewhere, sometime, or for which it did not already have the tools.” With great wit and erudition, Atwood reveals the history behind her beloved creations.

From the bestselling author of The Handmaid''s Tale and The Testaments—a thrilling, funny, and thought-provoking collection of stories that affirms Atwood as our greatest creator of worlds—and as an incisive chronicler of our darkest impulses. “Alphinland,” the first of three loosely linked tales, introduces us to a fantasy writer who is guided through a stormy winter evening by the voice of her late husband. In “Lusus Naturae,” a young woman, monstrously transformed by a genetic defect, is mistaken for a vampire. And in the title story, a woman who has killed four husbands discovers an opportunity to exact vengeance on the first man who ever wronged her. Stone Mattress is a collection of unforgettable tales that reveal the grotesque, delightfully wicked facets of humanity.

Selected Poems 2 is an essential collection from the critically acclaimed, bestselling author Margaret Atwood, tracing her work from 1976-1986. Celebrated as a major novelist throughout the English-speaking world, Margaret Atwood is also one of our most significant contemporary poets. Selected Poems 2 presents her work in the decade following 1976—important years of change and new themes in her poetry. It includes selections from Two-Headed Poems (1978), True Stories (1981), Interlunar (1984), and prose poems from Murder in the Dark (1983). As in her fiction, Atwood ruminates on oppression and injustice and on the genders and their discontents, but beyond these surface dissonances we hear the music of compassion and fellowship and love. “Marked by an unflinching inspection of the world” (New York Times Book Review), Selected Poems 2 contains some of Atwood’s most extraordinary writing and is sure to captivate readers for years to come.

In 1966, before they were international sensations, Margaret Atwood and Charles Pachter teamed up to create Speeches for Doctor Frankenstein — now a unique piece of cultural history and available for the first time as an enhanced eBook for iPad. In this imaginative work, only existing as an artist book of fifteen copies until recently, Charles Pachter set the poetry of Margaret Atwood to his beautiful and whimsical artwork. Produced originally on handmade paper made with materials found around his house, this is a rare piece of art that should be read by anyone interested in the origins of these two great artists. This work is now exclusively available for the iPad as an enhanced eBook, and features an introduction by Margaret Atwood, video interviews with Charles Pachter, and an audio narration of Margaret Atwood reading the poems. When you load this enhanced eBook in iBooks, you will find a speaker icon in the info bar at the top of the screen, which is where you can access the enhanced features of this eBook. For the optimal reading experience, turn on these features by tapping on the speaker, turning on the soundtrack, setting pages to turn automatically and tap "Start Reading." For a more traditional reading experience, turn these elements off and change the settings to turn the pages manually. This enhanced eBook contains high-resolution images and embedded audio and video. Depending on the speed of your internet connection this book may take up to 25 minutes to download. Rest assured, it is worth the wait!

When first published in 1972, Survival was considered the most startling book ever written about Canadian literature. Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: "What have been the central preoccupations of our poetry and fiction?" Her answer is "survival and victims." Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives. This new edition features a foreword by the author.

An original and compelling work in which Margaret Atwood passes one woman’s bizarre life through the prism of her unique literary vision. The shy, awkward wife of a perpetual radical, Joan Foster is a formerly obese woman whose delicate equilibrium is threatened by the fact that the several lives she has lived separately and secretly are coming together and will be exposed. She is newly and notoriously famous as a bestselling author; she writes gothic novels under a nom de plume; she is having a hidden affair. Love, fear, understanding, suspense, sensuality, and humour—there is hardly an emotional current that is not touched in Lady Oracle, and with a depth, vitality, and wit that are rare in any time.

Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. By turns disquieting, humorous, compassionate, haunting and mordant, Cat’s Eye is vintage Atwood.

“Ten days after the war ended, my sister Laura drove a car off a bridge.” Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two, recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on a distant planet. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama that comes together in a brilliant and astonishing final twist.

From the bestselling author of The Handmaid''s Tale and The Testaments—one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony—university classmates decades ago—were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives. A brilliantly inventive fabulist, Zenia had a talent for exploiting her friends’ weaknesses, wielding intimacy as a weapon and cheating them of money, time, sympathy, and men. But one day, five years after her funeral, they are shocked to catch sight of Zenia: even her death appears to have been yet another fiction. As the three women plot to confront their larger-than-life nemesis, Atwood proves herself a gleefully acute observer of the treacherous shoals of friendship, trust, desire, and power.

The bestselling author of The Handmaid''s Tale and The Testaments "uses her powerful gifts of language and observation to delineate both the misunderstandings between men and women and the everyday sadnesses and comforts of love” (The New York Times). In each of these stories Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity.

A series of the author''s essays explores essential truths about the modern world and the her personal relationship with the science-fiction genre, in a volume that is complemented by key reviews and three unpublished Ellmann Lectures.

In Good Bones, first published in 1992, Margaret Atwood has fashioned an enthralling collection of parable, monologue, mini-romance and mini-biography, speculative fiction, prose lyric, outrageous recipe and reconfigured fairy tale, demonstrating yet again the play of an unerring wit overseen by a panoramic intelligence. Good Bones is a cornucopia of good things — precise, witty, wise, and sometimes offbeat Atwood writing, with the funny and the sidelong view of the world which her readers recognize at once.

Dancing Girls is Margaret Atwood’s highly praised first collection of short fiction. In it she explores the dark intricacies of the mind, the complexities of human relationships, and the clashes between cultures. In the stories, the mundane and the bizarre intersect in unexpected ways: ex-wives indulge in an odd feast at a psychiatrist’s funeral; a young student is pursued by an obsessed immigrant; an old woman stores up supplies against an impending cataclysm. The fourteen stories range in setting from Canada to England, from Mexico to the United States, and portray characters who touch us and arouse in us compassion and understanding. In this astonishing collection, Margaret Atwood maps human motivation we scarcely know we have.

Part detective novel, part psychological thriller, Surfacing is the story of a young woman who returns to northern Quebec, to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realize that going home means entering not only another place, but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she discovers that what she is really searching for is her own past. Permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose, Surfacing has grown in reputation as a novel unique in modern literature for its mythic exploration of one woman’s spiritual pilgrimage.

Marian has a problem. A willing member of the consumer society in which she lives, she suddenly finds herself identifying with the things being consumed. She can cope with her tidy-minded fiancé, Peter, who likes shooting rabbits. She can cope with her job in market research, and the antics of her roommate. She can even cope with Duncan, a graduate student who seems to prefer laundromats to women. But not being able to eat is a different matter. Steak was the first to go. Then lamb, pork, and the rest. Next came her incapacity to face an egg. Vegetables were the final straw. But Marian has her reasons, and what happens next provides an unusual solution. Witty, subversive, hilarious, The Edible Woman is dazzling and utterly original. It is Margaret Atwood’s brilliant first novel, and the book that introduced her as a consummate observer of the ironies and absurdities of modern life.

From the Booker Prize–winning author of Oryx and Crake, the first book in the MaddAddam Trilogy, and The Handmaid’s Tale. Internationally acclaimed as ONE OF THE BEST BOOKS OF THE YEAR by, amongst others, the Globe and Mail, the New York Times, the New Yorker, and the Village Voice In a world driven by shadowy, corrupt corporations and the uncontrolled development of new, gene-spliced life forms, a man-made pandemic occurs, obliterating human life. Two people find they have unexpectedly survived: Ren, a young dancer locked inside the high-end sex club Scales and Tails (the cleanest dirty girls in town), and Toby, solitary and determined, who has barricaded herself inside a luxurious spa, watching and waiting. The women have to decide on their next move—they can’t stay hidden forever. But is anyone else out there?

A l’occasion d’une rétrospective de son travail dans une galerie, Elaine Risley, une artiste-peintre controversée, retourne à Toronto sur les lieux de son enfance. Hier puritaine et grise, aujourd’hui éclatante de la lumière des néons, la ville provoque chez Elaine un choc qui fait rejaillir les souvenirs de son enfance. Pendant la semaine qu’elle y passe, l’attention d’Elaine, et celle du roman, se concentre sur le passé et sur l’introspection. Et aux milieu des images diverses qui remontent à la surface de sa mémoire, revient celle qui a peut-être le plus pesé sur son destin : l’image de Cordelia, son amie d’enfance, sa tourmenteuse, son double. Entre passé et présent, la vie de la narratrice se dévoile et l’on suit les premières années de son arrivée à Toronto. Là, Elaine rencontre Carole, Grace et Cordelia. Ensemble, les petites filles mettent en place un monde à elles, loin des préoccupations des adultes et où se jouent des tragédies silencieuses, des drames étouffés. Puis les années passent et Elaine continue son chemin, mais garde en elle le souvenir de cette période étrange, où s’enracine sa mémoire et ses oublis, et qui est le terreau dans lequel s’inscrit son art. Avec ce magnifique roman de formation, Margaret Atwood fait tourner devant nous son oeil de chat, cette bille fétiche, où se trouve reflétée la vie de toutes les femmes, de toutes les petites filles qu’elles ont été.

From the bestselling author of The Handmaid''s Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.

In Homer''s account, Penelope''s story is the salutary tale of the constant wife. It is she who rules Odysseus''s kingdom of Ithaca during his twenty-year absence at the Trojan War; she who raises their wayward son and fends off over a hundred insistent suitors. When Odysseus finally returns – having vanquished monsters, slept with goddesses and endured many other well-documented hardships – he kills the suitors and also, curiously twelve of Penelope''s maids. In a splendid contemporary twist, Margaret Atwood tells the story through Penelope and her twelve hanged maids, asking: ''What led to the hanging of the maids, and what was Penelope really up to?'' It''s a dazzling, playful retelling, as wise and compassionate as it is haunting; as wildly entertaining as it is disturbing.