Best Selling Books by Margaret Atwood

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

NATIONAL BESTSELLER • From the bestselling author of The Handmaid''s Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction. The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life forms, Ren and Toby will have to decide on their next move, but they can''t stay locked away.

From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented...and becoming whole.

NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE • A modern masterpiece that "reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale. “Atwood’s powers are on full display” (Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood. More than fifteen years after the events of The Handmaid''s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways. With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

In this astonishing tour de force, Margaret Atwood takes the reader back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. In 1843, at the age of sixteen, servant girl Grace Marks was convicted for her part in the vicious murders of her employer and his mistress. Some believe Grace is innocent; others think her evil or insane. Grace herself claims to have no memory of the murders. As Dr. Simon Jordan – an expert in the burgeoning field of mental illness – tries to unlock her memory, what will he find? Was Grace a femme fatale – or a weak and unwilling victim of circumstances? Taut and compelling, penetrating and wise, Alias Grace is a beautifully crafted work of the imagination that vividly evokes time and place. The novel and its characters will continue to haunt the reader long after the final page.

From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood''s Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

From the bestselling author of The Handmaid''s Tale and The Testaments—in the gated community of Consilience, residents who sign a contract will get a job and a lovely house for six months of the year...if they serve as inmates in the Positron prison system for the alternate months. “Captivating...thrilling.” —The New York Times Book Review Stan and Charmaine, a young urban couple, have been hit by job loss and bankruptcy in the midst of nationwide economic collapse. Forced to live in their third-hand Honda, where they are vulnerable to roving gangs, they think the gated community of Consilience may be the answer to their prayers. At first, this seems worth it: they will have a roof over their heads and food on the table. But when a series of troubling events unfolds, Positron begins to look less like a prayer answered and more like a chilling prophecy fulfilled. The Heart Goes Last is a vivid, urgent vision of development and decay, freedom and surveillance, struggle and hope—and the timeless workings of the human heart.

When a Fundamentalist religious group gains power and implements a Fascist government, a social class of handmaids is created. Stripped of her former identity, Offred tells her tale of being reduced to her reproductive capabilities.

The appearance of Margaret Atwood''s first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we''ve come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood''s best and most famous poems, The Circle Game won the 1966 Governor General''s Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.

A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize. Margaret Atwood’s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it. This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again. The narrator of Atwood''s riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake''s high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter.

“Ten days after the war ended, my sister Laura drove a car off a bridge.” Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two, recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on a distant planet. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama that comes together in a brilliant and astonishing final twist.

A breathtaking novel of a woman grappling with the tangled knot of her life—from the bestselling author of The Handmaid''s Tale and The Testaments Disturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman—but above all she must seek release form her haunting memories.

From the #1 New York Times bestselling author of The Handmaid''s Tale In each of these tales Margaret Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity.

From the bestselling author of The Handmaid''s Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.

In Good Bones, first published in 1992, Margaret Atwood has fashioned an enthralling collection of parable, monologue, mini-romance and mini-biography, speculative fiction, prose lyric, outrageous recipe and reconfigured fairy tale, demonstrating yet again the play of an unerring wit overseen by a panoramic intelligence. Good Bones is a cornucopia of good things — precise, witty, wise, and sometimes offbeat Atwood writing, with the funny and the sidelong view of the world which her readers recognize at once.

A marvelous collection of wide-ranging essays from the bestselling author of The Handmaid''s Tale and The Testaments, exploring her lifelong relationship to science fiction—as a reader and as a writer The ebook edition of this title contains over thirty additional, illuminating ebook-exclusive illustrations by the author At a time when the borders between genres are increasingly porous, she maps the fertile crosscurrents of speculative and science fiction, utopias, dystopias, slipstream, and fantasy, musing on the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with SF, from her childhood invention of a race of flying superhero rabbits to her graduate study of its Victorian antecedents to the creation of her own acclaimed novels. Studded with appreciations of such influential writers as Marge Piercy, Ursula K. LeGuin, Kazuo Ishiguro, H. Rider Haggard, Aldous Huxley, H. G. Wells, and Jonathan Swift, In Other Worlds is as humorous and charming as it is insightful and provocative.

Marian has a problem. A willing member of the consumer society in which she lives, she suddenly finds herself identifying with the things being consumed. She can cope with her tidy-minded fiancé, Peter, who likes shooting rabbits. She can cope with her job in market research, and the antics of her roommate. She can even cope with Duncan, a graduate student who seems to prefer laundromats to women. But not being able to eat is a different matter. Steak was the first to go. Then lamb, pork, and the rest. Next came her incapacity to face an egg. Vegetables were the final straw. But Marian has her reasons, and what happens next provides an unusual solution. Witty, subversive, hilarious, The Edible Woman is dazzling and utterly original. It is Margaret Atwood’s brilliant first novel, and the book that introduced her as a consummate observer of the ironies and absurdities of modern life.

This is the wise, unsettling, drastic story of three women whose lives share a common wound: Zenia, a woman they first met as university students in the sixties. Zenia is smart and beautiful, by turns manipulative, vulnerable – and irresistible. She has entered into their separate lives to ensnare their sympathy, betray their trust, and exploit their weaknesses. Now Zenia, thought dead, has suddenly reappeared. In this richly layered narrative, Atwood skilfully evokes the decades of the past as she retraces three women’s lives, until we are back in the present – where it’s yet to be discovered whether Zenia’s “pure, free-wheeling malevolence” can still wreak havoc. The Robber Bride reports from the farthest reaches of the sex wars and is one of Margaret Atwood’s most intricate and subversive novels yet.

In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works. The word "utopia" comes from Thomas More’s book of the same name—meaning "no place" or "good place,”" or both. In "Dire Cartographies," from the essay collection In Other Worlds, Atwood coins the term "ustopia,”" which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. Following her intellectual journey and growing familiarity with ustopias fictional and real, from Atlantis to Avatar and Beowulf to Berlin in 1984 (and 1984), Atwood explains how years after abandoning a PhD thesis with chapters on good and bad societies, she produced novel-length dystopias and ustopias of her own. "My rules for The Handmaid’s Tale were simple," Atwood writes. "I would not put into this book anything that humankind had not already done, somewhere, sometime, or for which it did not already have the tools." With great wit and erudition, Atwood reveals the history behind her beloved creations.

Celebrated as a major novelist throughout the English-speaking world, Atwood has also written eleven volumes of poetry. Houghton Mifflin is proud to have published SELECTED POEMS, 1965-1975, a volume of selections from Atwood''s poetry of that decade.

Two children rejoice in their home up in a tree, free from parental guidance and earthbound concerns. But when beavers gnaw their ladder into matchsticks, the children aren''t sure they want to be "quite so alone. Playful, whimsical, and wry, the story is vintage Atwood. Long out of print, "Up in the Tree was first published in 1978. Because it was considered too expensive and risky to publish a children''s book in Canada, Atwood not only wrote and illustrated the book, but hand-lettered the type. This facsimile edition captures all the charm of the original, and makes a thoughtful gift for Atwood fans as well as for young readers.

As portrayed in Homer''s Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus'' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer''s original story, inexplicably hangs Penelope''s twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada''s National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.

Atwood''s first new fiction publication since The Testaments, this deeply personal collection includes a stunning sequence that follows a married couple as they travel the road together, the moments big and small that make up a long life of love -- and what comes after The stories explore the full warp and weft of experience, from two best friends disagreeing about their shared past, to the right way to stop someone from choking; from a daughter determining if her mother really is a witch, to what to do with inherited relics such as World War II parade swords. They feature beloved cats, a confused snail, Martha Gellhorn, George Orwell, philosopher-astronomer-mathematician Hypatia of Alexandria, a cabal of elderly female academics, and an alien tasked with retelling human fairy tales. The glorious range of Atwood''s creativity and humanity is on full beam in these tales, which by turns delight, illuminate and quietly devastate. ''Gripping... a writer in full possession of her powers'' Financial Times ''These reflections on marriage, mortality and many-tentacled aliens show Atwood''s mastery of the short form'' Guardian ''She''s Margaret Atwood, and she can do anything'' Ann Patchett ''There is no greater living writer'' Daily Telegraph ''The outstanding novelist of our age'' Sunday Times ''A living legend'' New York Times Book Review

Selected Poems 2 is an essential collection from the critically acclaimed, bestselling author Margaret Atwood, tracing her work from 1976-1986. Celebrated as a major novelist throughout the English-speaking world, Margaret Atwood is also one of our most significant contemporary poets. Selected Poems 2 presents her work in the decade following 1976—important years of change and new themes in her poetry. It includes selections from Two-Headed Poems (1978), True Stories (1981), Interlunar (1984), and prose poems from Murder in the Dark (1983). As in her fiction, Atwood ruminates on oppression and injustice and on the genders and their discontents, but beyond these surface dissonances we hear the music of compassion and fellowship and love. “Marked by an unflinching inspection of the world” (New York Times Book Review), Selected Poems 2 contains some of Atwood’s most extraordinary writing and is sure to captivate readers for years to come.

When first published in 1972, Survival was considered the most startling book ever written about Canadian literature. Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: "What have been the central preoccupations of our poetry and fiction?" Her answer is "survival and victims." Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives. This new edition features a foreword by the author.

#1 NEW YORK TIMES BESTSELLER • An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. Includes an introduction by Margaret Atwood. In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic. Look for The Testaments, the sequel to The Handmaid’s Tale

Poems stress the need to recognize the crimes of repressive regimes, the redeeming power of friendship, the unreliability of perception, and the mystery of nature