New Releases by Lionel Shriver

In a provocative novel addressing contemporary immigration by the sharply observant Lionel Shriver, a New York family takes in a Honduran migrant—who may or may not be the innocent paragon she claims to be. Gloria Bonaventura, a divorced mother of three living with her 26-year-old son Nico in a sprawling house in Brooklyn, decides to participate in a new city program that would pay her to take in a migrant as a boarder. Liberal to the extreme, Gloria is thrilled when sweet, kind, helpful Martine arrives. But Nico is skeptical. A classic live-at-home Gen Zer with no interest in adulthood, Nico resents any interruption of his “hovercraft repose.” As the months go by, Martine endears herself to both Nico’s sisters, while finding her way into Gloria’s heart and even, briefly, Nico’s. But as Martine’s disturbingly dodgy compatriots begin to show up, Nico conceives a dark twin hostile to both his mother’s altruism and the “migrant crisis” in general—and turns out to be anything but a reliable narrator himself. Based loosely on a program New York City Mayor Eric Adams floated but did not initiate, A Better Life is Lionel Shriver at her best: smart, funny, and sensitive to the moral nuances of perhaps the most divisive issue of our times.

"A fantasy that hews uncomfortably close to today’s reality, where facts and the truth are selectively recognized at increasingly subjective whims . . . . The specifics of Mania are the stuff of bleeding satire, but the novel’s guiding concept cuts close to the bone with no anesthesia. Shriver isn’t one to tip-toe around her subjects. She still knows how to poke the bear. In this case, the bear is us.” — Boston Globe Set in a parallel yet all too familiar near past, a brilliant subversive novel about a lifelong friendship threatened by culture wars, from the New York Times bestselling author. In an alternative 2011, the Mental Parity movement takes hold. Americans now embrace the sacred, universal truth that there is no such thing as variable human intelligence. Because everyone is equally smart, discrimination against purportedly dumb people is "the last great civil rights fight." Tests, grades, and employment qualifications are all discarded. Children are expelled for saying the S-word (“stupid”) and encouraged to report parents who use it at home. A college English instructor, the constitutionally rebellious Pearson Converse rejected her restrictive Jehovah’s Witness upbringing as a teenager, and so has an aversion to dogma of any kind. Made impotent in the university classroom, she’s also enraged by the crushing of her exceptionally bright children’s spirits in primary school. Fortunately, she enjoys the confidence of a best friend, a media commentator with whom she can speak frankly about her socially unacceptable contempt for the MP movement. Or at least she thinks she can . . . until one day the political chasm between the two women becomes uncrossable, and a lifelong relationship implodes. With echoes of Philip Roth’s The Human Stain, told in Lionel Shriver’s inimitable and iconoclastic voice, Mania is a sharp, acerbic, and ruthlessly funny book about the road to a delusional, self-destructive egalitarianism that our society is already on.

Una novela feroz y explosiva, repleta de temas candentes, que toma el culto a la forma física como mirador desde el que observar la sociedad americana. Alérgica a toda clase de actividades grupales, Serenata Terpsichore, la protagonista de esta novela, es una artista de voz en off que ha dedicado su vida a hacer ejercicio físico, a correr, a nadar, a montar en bicicleta. Ahora, al cumplir sesenta, tanta actividad le pasa una dolorosa factura en forma de artrosis. Por su parte, Remington Alabaster, su siempre sedentario marido, acaba de ser prejubilado a la fuerza del Departamento de Transportes de Albany tras un confuso enfrentamiento con su nueva jefa, y decide escoger precisamente ese momento para descubrir las bondades de la gimnasia y correr una maratón. Tras apuntarse a la fiebre del fitness, cada vez más presente en el mundo moderno, el una vez moderado Remington se convierte en un narcisista insufrible, y contrata a una estricta (y seductora) entrenadora personal, junto a la que participará en competiciones cada vez más exigentes: después de la maratón, medio Mettleman, el triatlón completo... Tan furiosa como preocupada, Serenata descubrirá que no conviene subestimar la tenacidad de un prejubilado con mucho tiempo libre que se empeña en desafiar a la edad. Astuta y penetrante, en El movimiento del cuerpo a través del espacio la acidez de Lionel Shriver tiene un nuevo objetivo: el culto a la forma física, la entrega desmedida al ejercicio, que sirve de mirador desde el que observar tendencias, fallos y manías de la sociedad norteamericana de nuestros días, con sus tensiones culturales y raciales. Una novela feroz y explosiva, repleta de temas candentes (los sinsabores del envejecimiento, la masculinidad en crisis, las tensiones en la pareja, la corrección política), cuya mirada extremadamente aguda no elude ni una polémica, ni deja un mito sin desmontar.

Lionel Shriver met toute son ironie, son acuité et sa tendresse dans cette nouvelle bombe de provocation. Hilarante et touchante, une oeuvre explosive doublée d''une réflexion mordante sur notre rapport à la vieillesse et sur l''art délicat de préparer sa sortie. Pendant dix ans, Kay a assisté son père atteint de la maladie d''Alzheimer. A la mort de ce dernier, le soulagement l''emporte sur la tristesse et une question surgit : comment gérer sa propre fin de vie ? Une discussion avec son mari Cyril, quelques verres de vin et les voici qui en viennent à nouer un pacte. Certes, ils n''ont que cinquante ans, sont en bonne santé et comptent bien profiter encore de leurs proches, mais pas question de faire peser sur ceux-ci et sur la société leur inéluctable déliquescence. C''est décidé, le jour de leurs quatre-vingts ans, Kay et Cyril partiront ensemble. Le temps passe et voici qu''arrive la date fatidique. Une date, douze possibilités et une conclusion : dans la vie, tout est à prendre ou à laisser... [payot.ch]

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver''s expansive work, Abominations reveals this provocative, talented writer at her most assured.

When her father dies, Kay Wilkinson can’t cry. Over ten years, Alzheimer’s had steadily eroded this erudite man into a paranoid lunatic. Surely one’s own father passing should never come as such a relief. Both medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Determined to die with dignity, Cyril makes a modest proposal. To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they’ve both turned eighty. When their deal is sealed, the spouses are blithely looking forward to another three decades together. But then they turn eighty. By turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril. Were they to cut life artificially short, what would they miss out on? Something terrific? Or something terrible? Might they end up in a home? A fabulous luxury retirement village, or a Cuckoo’s Nest sort of home? Might being demented end up being rather fun? What future for humanity awaits—the end of civilization, or a Valhalla of peace and prosperity? What if cryogenics were really to work? What if scientists finally cure aging? Both timely and timeless, Lionel Shriver addresses serious themes—the compromises of longevity, the challenge of living a long life and still going out in style—with an uncannily light touch. Weaving in a host of contemporary issues, from Brexit and mass migration to the coronavirus, Shriver has pulled off a rollicking page-turner in which we never have to mourn perished characters, because they’ll be alive and kicking in the very next chapter.

Un roman explosif sur un couple de sexagénaires en crise et un portrait mordant de nos sociétés obsédées par la santé et le culte du corps. Pathétique... Quand Remington, la soixantaine, annonce à sa femme son ambition de courir le marathon, Serenata n''en revient pas. Lui qui n''a jamais couru plus de dix mètres de la chambre au salon... Est-ce la peur de vieillir ? L''oisiveté de sa retraite forcée ? Peut-être la silhouette très pneumatique de Bambi, sa nouvelle coach ? Ou bien tout simplement le conformisme, ce culte du corps, de la performance, qui règne sur l''époque ? Las, la résolution de Remington n''a rien d''une lubie et leur couple s''essouffle. Chronique d''une vie conjugale en bout de course...

Was, wenn die alten Freunde nicht zur neuen Partnerin passen? Weston liebt Paige, doch als es ans Heiraten geht, verlangt sie von ihm ein Opfer. Er soll sich von seiner langjährigen Freundin – und Ex-Flamme – Jillian lossagen, die Paige schon immer etwas zu einnehmend, zu schillernd, kurz: zu gefährlich fand. Weston setzt sich zur Wehr. Aber beweist das nicht, dass Paige mit ihrer Forderung ins Schwarze trifft? Lionel Shrivers entwaffnender Beziehungsroman über Eifersucht, Vereinnahmung und Vertrauen greift eine Geschichte auf, die so alt ist wie die Liebe selbst. Die Orange-Prize-Autorin arbeitet sich brutal ehrlich und doch humorvoll am wackeligen Konzept Freundschaft ab – und brilliert darin, das unweigerliche Spiel aus Anziehung und Abneigung unter dem literarischen Mikroskop zu sezieren. Eine grandios zugespitzte Dreiecksgeschichte, die jeder Leserin und jedem Leser aus der Seele spricht! »Diese Frau kann einfach keinen Satz schreiben, der nicht intelligent wäre ... Lionel Shriver hat den Blick eines John Updike oder einer Patricia Highsmith.« The Times »Ein kurzes, brutales Juwel von einem Roman.« Evening Standard

Lionel Shriver aplica su sagaz, irónica y feroz mirada al formato breve. Su primera e imprescindible colección de cuentos. Un regalo de boda muy personal se convierte en una fuente de disputas; un árbol enfrenta a dos vecinos, que se verán arrastrados por una hostilidad creciente; un treintañero se resiste a abandonar el hogar familiar; un cartero espía las cartas que reparte; una cooperante en Kenia vive una aventura inesperada; un padre y un hijo se ven envueltos en una situación complicada en un aeropuerto; una pareja se enreda en una trifulca por la compra de una casa; un fugado de la justicia se harta del paraíso en el que se ha escondido; dos mujeres extranjeras se cruzan en Belfast en pleno conflicto... Los variopintos personajes que pueblan los cuentos de Lionel Shriver viven situaciones tensas provocadas por la fijación por la propiedad. Por el empeño de poseer bienes inmobiliarios, objetos o personas. Como es habitual en la autora, las situaciones cotidianas pueden desbordarse en cualquier momento, y las personas en apariencia más cabales son perfectamente capaces de perder los papeles hasta límites insospechados. Un abanico de parejas, padres e hijos, vecinos y familias se ven sometidos a una montaña rusa de engaños, obsesiones, miedos, deseos y desencuentros. Con su sagacidad –y afilado estilete– de costumbre, Shriver escruta y radiografía la sociedad contemporánea en estos cuentos que pueden ser al mismo tiempo desoladores y descacharrantes, hirientes y poéticos, virulentos y profundos. En la brevedad del relato la autora no pierde ni un ápice de su mordiente: la condensa en un elixir irresistible.

In Lionel Shriver’s entertaining send-up of today’s cult of exercise—which not only encourages better health, but now like all religions also seems to promise meaning, social superiority, and eternal life—an aging husband’s sudden obsession with extreme sport makes him unbearable. After an ignominious early retirement, Remington announces to his wife Serenata that he’s decided to run a marathon. This from a sedentary man in his sixties who’s never done a lick of exercise in his life. His wife can’t help but observe that his ambition is “hopelessly trite.” A loner, Serenata disdains mass group activities of any sort. Besides, his timing is cruel. Serenata has long been the couple’s exercise freak, but by age sixty, her private fitness regimes have destroyed her knees, and she’ll soon face debilitating surgery. Yes, becoming more active would be good for Remington’s heart, but then why not just go for a walk? Without several thousand of your closest friends? As Remington joins the cult of fitness that increasingly consumes the Western world, her once-modest husband burgeons into an unbearable narcissist. Ignoring all his other obligations, he engages a saucy, sexy personal trainer named Bambi, who treats Serenata with contempt. When Remington sets his sights on the legendarily grueling triathlon, MettleMan, Serenata is sure he’ll end up injured or dead. And even if he does survive, their marriage may not. The Motion of the Body Through Space is vintage Lionel Shriver written with psychological insight, a rich cast of characters, lots of verve and petulance, an astute reading of contemporary culture, and an emotionally resonant ending.

Etats-Unis, 2029. Le pays traverse une crise sans précédent. Les ressources naturelles sont épuisées, la dette nationale a explosé, le cours du dollar s''est effondré. On rationne l''eau, un chou se négocie à quarante dollars. Douglas, le nonagénaire fondateur de la dynastie Mandible, vit encore confortablement grâce à son immense fortune. Mais ses deux petites filles ont beaucoup de mal à boucler les fins de mois, sans parler de financer les études de leurs enfants. Soudain, le Président déclare la faillite nationale. Face à l''apocalypse, les Mandible se réunissent dans un petit appartement de Brooklyn... pour survivre, ou pour y régler leurs comptes ?

DOKONALÝ PSYCHOLOGICKÝ THRILLER, KRUTÝ A DOJEMNÝ ZÁROVEŇ... Před dvěma lety Kevin, syn Evy Khatchadourianové, zavraždil sedm svých spolužáků ze střední školy, zaměstnance školní jídelny a oblíbenou učitelku angličtiny. V době činu mu bylo teprve patnáct let, takže dostal velmi mírný trest, který si nyní odpykává ve vězení pro mladistvé na severu státu New York. Eva v dopisech bývalému manželovi Franklinovi líčí historii Kevinova dětství a dospívání. V obavách, že synovu povahu ovlivnila vlastními omyly a nedostatky, se zpovídá ze svých rozpolcených pocitů, vztahu k mateřství a rovněž ke Kevinovi samotnému. Přitom se ptá, jak velký podíl má na celé tragédii ona sama. Lionel Shriver předkládá čtenáři naléhavý, strhující a zneklidňující příběh hrůzného masakru, klade znepokojivé a závažné otázky, na které neexistují jednoduché odpovědi, a v závěru svého strhujícího psychologického thrilleru zasadí čtenáři jednu nečekanou ránu. ________ „Lionel Shriver má přesně spočítané riziko, s nímž příběh vystavěla. A její risk se vyplácí, když se jí daří precizně zahrát na strunu velmi křehké intimity.“ – Wall Street Journal

‘Voor wie deze auteur nog steeds niet heeft ontdekt, is deze virtuoze verhalenbundel een ideaal instapmoment.’ – VPRO Gids In ‘Bezit’ van Lionel Shriver maakt een vrouw een zeer persoonlijk huwelijkscadeau voor haar beste vriend – om vervolgens te ontdekken dat diens jaloerse verloofde haar uit hun leven wil bannen. Een man van middelbare leeftijd die onder het juk van zijn vader leeft, komt erachter dat de veiligheidscontrole op het vliegveld niet de beste plek is om eindelijk eens op je strepen te gaan staan. De ooit hartstochtelijke relatie van een artistiek stel uit Brooklyn wordt verwoest door hun aankoop van een bouwvallig huis. Worden eigendomsverhoudingen de grote politieke en maatschappelijke kwestie van de eenentwintigste eeuw? Bestsellerauteur Shrivers track record als haarscherpe, visionaire schrijver doet vermoeden van wel.

USA im Jahr 2029. Der Dollar ist kollabiert und durch eine Reservewährung ersetzt. Wasser ist kostbar geworden. Und Florence Mandible und ihr dreizehnjähriger Sohn Willing essen seit viel zu langer Zeit nur Kohl. Dass es Florence trotz guter Ausbildung so schwer haben würde, ihr Leben zu meistern, hätte niemand aus der Familie gedacht. Doch als die Mandibles alles verlieren und in einem Park Unterschlupf suchen müssen, sind es nicht die Erwachsenen, sondern Willing, der mit Pragmatismus, Weitsicht und notfalls auch krimineller Entschlossenheit dem Mandible-Clan wieder auf die Beine hilft ... Scharfsinnig und ironisch erzählt Lionel Shriver von den Konsequenzen von Globalisierung und Nationalismus – eine beängstigende Zukunftsvision und ein komischer, liebevoller, fesselnder Familienroman.

" Nous ne sommes qu''à douze ans du futur tel que nous le présente Lionel Shriver. Son nouveau roman, satirique et ébouriffant d''intelligence, est certes classique, en ceci qu''il sert de véhicule à une enquête politique et sociale, mais n''en reste pas moins extrêmement troublant. " The New York Times Nous sommes en 2029, les États-Unis traversent une crise sans précédent. Les désastres écologiques successifs ont vidé le pays de ses ressources naturelles. La dette nationale a explosé, la Banque centrale n''arrive plus à produire assez de billets, le dollar dévisse, remplacé sur les marchés internationaux par une devise sino-russe. Jadis superpuissance, les États-Unis sont devenus un État paria, au grand bonheur de Poutine, bien entendu toujours au pouvoir. Comme toutes les familles américaines, les Mandible tirent le diable par la queue. Un chou se négocie à quarante dollars, la viande n''est plus qu''un lointain souvenir, l''eau se fait rare, même le papier-toilette est rationné. Ils tiennent encore, ont toujours un toit sur la tête, ça pourrait être pire... C''est alors que le Président déclare le pays en faillite. L''or des particuliers est réquisitionné, salaires et pensions sont gelés, les comptes sont vidés. Soudain, pour les Mandible, il ne s''agit plus de débrouillardise mais bien de survie. Combien de temps avant que la solidarité ne laisse place à la colère, à la haine ? Combien de temps avant que la famille ne s''écroule, comme le reste du monde qui l''entoure ?

Una distopía inquietante y llena de salvaje ironía sobre el hundimiento del dólar y el desmoronamiento de Estados Unidos, contada a través de una familia a la que se le acaba el sueño americano. Estados Unidos, 2029. Un siglo después, ha vuelto a suceder. El dólar se desploma, la inflación se dispara, el país se dirige hacia la bancarrota. Y la familia Mandible, protagonista de esta sagaz y feroz novela distópica que, llevándonos al futuro, nos habla de realidades muy reconocibles, va a padecer las consecuencias. Prósperos y sofisticados, aunque también disfuncionales, los Mandible esperan la herencia del nonagenario patriarca. Pero como fallece en plena crisis, la lluvia de millones con la que contaban hijos y nietos se disipa en el aire. Y los miembros de esta familia de clase alta se ven envueltos en situaciones para ellos inauditas: Carter, incapaz de afrontar el pago de la residencia de su senil madrastra, se ve obligado a acogerla en su casa; Avery se indigna porque ya no puede permitirse comprar aceite de oliva; su hermana Florence tiene que alojar a familiares que se han quedado sin hogar en su pequeño apartamento; a Nollie, escritora que ha vivido felizmente expatriada en París, no le queda más remedio que regresar a un país que le resulta irreconocible... Sólo la generación más joven, representada por el adolescente Willing, bicho raro y economista autodidacta, es capaz de buscar salidas imaginativas a la crisis. Lionel Shriver, con su colmillo retorcido y su mala baba marca de la casa, mueve con habilidad a unos personajes desbordados por la situación, a los que retrata con mirada penetrante y humor salvaje. Y nos presenta unos Estados Unidos en los que el sueño americano muestra su lado más oscuro: las vallas fronterizas ya no sirven para evitar que entren inmigrantes, sino para que los ciudadanos no escapen; algún estado declara su independencia; el presidente –de nombre latino– decide crear una nueva moneda para sustituir al desmoronado dólar...

From the award-winning novelist and short story writer, Lionel Shriver, comes a literary gem, a story about love and the power of a gift.

Nadat het familiefortuin door een nationale crisis in rook is opgegaan breekt voor de familie Mandible een onzekere tijd aan. Lukt het de Mandibles deze crisis te overleven? We schrijven 2029. In een speciale tv-uitzending deelt de Amerikaanse president zijn staatsburgers mee wat niemand ooit voor mogelijk had gehouden: het land kan zijn torenhoge schulden niet meer afbetalen. De tikkende tijdbom is afgegaan, de almachtige dollar is niets meer waard. Dit nieuws is in eerste instantie een ver-van-mijn-bedshow voor Florence Mandible, die met haar vriend en dertienjarige zoon in Brooklyn woont. Maar in korte tijd zet de nationale financiële crisis zich onverbiddelijk om in een persoonlijke. Grootvaders fortuin, waarop Florence, haar ouders en haar broers en zussen al jaren zinspelen, gaat in rook op. Er is geen tijd voor teleurstelling: Florence moet zorgen dat zij, en met haar de hele familie, deze grootste financiële crisis aller tijden overleeft.

With dry wit and psychological acuity, this near-future novel explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family. Down-to-earth and perfectly realistic in scale, this is not an over-the-top Blade Runner tale. It is not science fiction. In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation. The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival. Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets. The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.

A short story by Lionel Shriver from the collection Reader, I Married Him: Stories inspired by Jane Eyre.

Per quale ragione «L’ho sposato, lettore mio» è una delle frasi più celebri e citate della letteratura inglese? La risposta, tutt’altro che ovvia, risiede nel capolavoro da cui è tratta: Jane Eyre (1847), la storia di un’orfana che, grazie alla sola intelligenza e caparbietà, riesce a convolare a nozze con il nobile signor Rochester. Per affermare il suo successo, e il cambiamento della propria condizione sociale, invece di dichiarare «mi ha sposata, lettore mio» – com’era da aspettarsi nella maschilista società vittoriana – Jane dice: «l’ho sposato, lettore mio». Una sfumatura nella forma verbale che ha lo scopo di rimarcare la coscienza femminile della protagonista, e quella dell’autrice Charlotte Brontë, e che si ergerà a manifesto, ispirazione e stimolo per tutte le scrittrici a venire. Quando Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di raccontare una storia ispirata a quella celebre battuta, non l’ha fatto solo per festeggiare i duecento anni della nascita di Charlotte Brontë, ma anche per ridare significato a quelle parole, per renderle di nuovo vive e attuali nella società odierna. «In alcuni racconti sono le nozze stesse a essere drammatiche, a causa di una dolorosa scheggia di vetro in Coppia mista di Linda Grant, o di un mutamento improvviso in Il matrimonio di mia madre di Tessa Hadley, o di un rapporto clandestino durante una cerimonia in Zambia, in Uomini doppi di Namwali Serpell, o di un incontro gotico nel fango della brughiera in Tenersi per mano di Joanna Briscoe», dice Chevalier. In altri, come La prima volta che vidi il tuo viso di Emma Donoghue, la frase di Jane Eyre diventa il trampolino di lancio per viaggiare indietro nel tempo, fino alla Germania di fine Ottocento, dove Miss Hall e Mary Benson, la moglie dell’arcivescovo di Canterbury, si macchiano del peccato di un amore saffico. Se in Lo scambio Audrey Niffenegger colloca Jane nel mondo contemporaneo, in un paese dilaniato dalla guerra, la penna originale ed eccentrica di Helen Dunmore si diverte a raccontare Jane Eyre dal punto di vista della governante ingelosita, mentre Tracy Chevalier – con la maestria che l’ha resa una delle scrittrici più lette e amate d’Italia, «in grado di donare il soffio della vita al romanzo storico» (Independent) – dipinge la relazione sentimentale di una coppia male assortita, «come margherite e gladioli, come pizzo e cuoio». Il risultato è una collezione di ventuno storie d’amore, diversissime per sensibilità, scrittura e intenzioni, che ruotano attorno a una medesima eroina dai mille volti: una donna determinata e coraggiosa, che combatte per vincere i pregiudizi e gli ostacoli della società. E che non ha paura di affermare la propria identità dicendo, a testa alta, con un sorriso affaticato ma fiero: io «l’ho sposato, lettore mio». Ventuno storie per celebrare Charlotte Brontë e Jane Eyre Racconti di: Tracy Chevalier, Tessa Hadley, Sarah Hall, Helen Dunmore, Kirsty Gunn, Joanna Briscoe, Jane Gardam, Emma Donoghue, Susan Hill, Francine Prose, Elif Shafak, Evie Wyld, Patricia Park, Salley Vickers, Nadifa Mohamed, Esther Freud, Linda Grant, Lionel Shriver, Audrey Niffenegger, Namwali Serpell, Elizabeth McCracken

Per festeggiare i 200 anni della nascita di Charlotte Brontë, Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di scrivere una storia ispirata alla celebre battuta di Jane Eyre: «L’ho sposato, lettore mio». Questo racconto fa parte della raccolta dedicata a Charlotte Brontë: L’ho sposato, lettore mio a cura di TRACY CHEVALIER

A new edition of one of bestselling author Lionel Shriver’s early novels, reissued 25 years after first publication—an engrossing commentary on the intersection of politics and human relationships, set in turbulent Northern Ireland. For ten years, Estrin Lancaster has fled Philadelphia. From the Philippines to Berlin, she’s been a traveler without a destination, an expatriate without a motherland. In each of the cities Estrin favors, she manages an apartment, a job, a lover, and never tarries past the first signs of ennui. Her latest destination is Belfast, in Northern Ireland. After twenty years of ritualized violence, this city, too, is exhausted—a town where when one more bomb explodes in the city center, old ladies blow the dust off their treacle cakes and count their change. Here the lanky and spiteful Farrell O’Phelan, former purveyor of his own bomb-disposal service, technically Catholic but everyone’s aggravation, wrangles through the maze of factions in the North by despising every side. Farrell’s affair with the curious Estrin is nonetheless a meeting of two loners; like hers, Farrell’s marathoning around the planet has become a running in place. In deadlocked Northern Ireland, it has become harder and harder to believe that anything is happening at all. A grand tragi-comedy—one of the earliest displays of the ambition and intelligence that has since earned Lionel Shriver worldwide acclaim—Ordinary Decent Criminals is about conflict groupies, people terrified of domesticity, who stir up anguish in their lives and their countries to avoid the greater horror of what lies closest to home.

Femme d''affaires accomplie, mariée et belle-mère de deux ados, Pandora n''a pas vu son frère Edison depuis quatre ans quand elle accepte de l''héberger. A son arrivée à l''aéroport, c''est le choc : Pandora avait quitté un jeune prodige du jazz, séduisant et hâbleur, elle découvre un homme obèse, négligé, capricieux et compulsif. Alors qu''elle l''accueille chez elle, les tensions montent entre lui et son mari, mince et sportif. Prenant des distances avec sa famille, elle choisit de l''aider à perdre du poids en lui faisant suivre un régime très rigoureux. Mais encore faudrait-il qu''Edison veuille s''en sortir.

Short story writers often say that, for maximum dramatic effect, you should arrive fashionably late to a scene. After years of living in the literary wilderness, it seems the short story’s own moment has finally arrived. The last twelve months have marked an extraordinary year for the form. The Nobel Prize for Literature, the Man Booker International Prize, the Folio Prize and the Independent Foreign Fiction Prize were all awarded to short story writers. The shortlist for the BBC National Short Story Award 2014 captures the spirit of this mood and the short story’s knack for cutting straight to the action, the all-important moment of change. The five stories on this year’s shortlist were chosen by a panel of judges that included: poet and novelist Adam Foulds; author, illustrator and performer Laura Dockrill; editor Philip Gwyn Jones; BBC Editor of Books Di Speirs; and the broadcaster Alan Yentob, who chaired the panel and introduces this collection.

Irina and Lawrence are two Americans who live in London. He is an expert in international relations. She is a children''s book illustrator. They always have dinner with their friend Ramsey Acton to celebrate his birthday. At the dinner Irina discovers that she never really knew Ramsey, and what was supposed to be an innocuous evening becomes a parting of the waters.

Featuring: Lisa Blower, Lavinia Greenlaw, Sarah Hall, Lionel Shriver and Lucy Wood. Edgar Allan Poe once claimed the greatest literary works were those that could be read ’in one sitting’. ‘Brevity must be in direct ratio of the intensity of the intended effect,’ he argued, once the effect has been established, of course. The stories shortlisted for the BBC National Short Story Award 2013 all use brevity with striking results, whether presenting a complex family history through the snapshots of a time-honoured, annual holiday, or using the form of a letter to demonstrate that a life mourned by a solitary woman is worth no less than one mourned by a nation. Each story sparks into life instantly and, like a struck match, leaves a vivid impression of its characters burning on the retina, long after the story has concluded. The landscapes they play out in also make their mark – from the panic-stricken streets of New York on 9/11, to the eerie quiet of a wood on the outskirts of a city, the haunted corners of an old Cornish house, to the rubble of a bombed-out office block in a country at war with itself. This year’s shortlist was drawn up by a panel of judges that included novelists Deborah Moggach, Mohsin Hamid and Peter Hobbs, as well as BBC Editor of Readings, Di Speirs, and the broadcaster Mariella Frostrup, who chaired the panel and who also introduces the collection.

Pandora é uma empreendedora bem-sucedida que vive em Iowa com o marido, Fletcher, um homem de temperamento irritadiço, que nunca consegue relaxar. Edison, irmão de Pandora, antes um conhecido pianista de jazz em Nova York, está completamente falido, sem ter onde morar. Contrariando o marido, Pandora envia uma passagem aérea para o irmão e abre sua casa para hospedá-lo. Depois de quatro anos sem se encontrarem, ela quase não o reconhece quando vai buscá-lo no aeroporto e depara com um homem mais de cem quilos acima do peso. Em casa, os hábitos desleixados de Edison criam um enorme desconforto para Fletcher, até que Pandora decide se comprometer com o emagrecimento do irmão e abdica de tudo para ajudá-lo./span Construído com a inteligência e a força impactante de Lionel Shriver, Grande irmão é um livro sobre um assunto ao mesmo tempo social e dolorosamente íntimo. Shriver mostra, sem rodeios, como a obesidade grave pode atingir uma família de modo devastador e nos faz questionar se é possível proteger as pessoas que amamos delas mesmas. “Grande irmão tem a força necessária para dominar seus leitores. Uma história de peso que causa grande impacto.” The New York Times “Shriver explora de forma brilhante a força dos laços fraternos em contraste com as amarras muitas vezes frágeis do casamento.” Booklist