Most Popular Books by John Singleton

Collected interviews with the director of Boys N the Hood, Poetic Justice, Four Brothers, and other film

John McGahern (1934–2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.

"Mosby''s War Reminiscences" is an account of wartime exploits, written by a Confederate army cavalry commander, John S. Mosby. While describing his war experiences, Mosby at the same time wanted to defend the reputation of his commander J.E.B. Stuart, who some partisans of the "Lost Cause" blamed for the Confederacy''s defeat at the Battle of Gettysburg.

This book traces how the nature of competition in this sector has evolved during the last two hundred years and how and why the locus of competitive advantage in textiles and apparel has moved from country to country since 1945.

This textbook attempts to reveal in a quantitative and fairly rigorous fashion how band theory leads to the everyday properties of materials.

John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley''s English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. While William L. Pressly gives a balanced, up-to-date exposition of Copley''s English career, Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, in particular detail, and is the author of the catalogue of his major English works. This isa long overdue study of this important painter.

Contains a personal narrative of the experiences and correspondence of Confederate officer John S. Mosby during the U.S. Civil War.

The Memoirs of Colonel John S. Mosby: & Pictures From The American Civil War. Authored by John Singleton Mosby, Edited by Charles Wells Russell, Illustrated by

At twenty-four John Singleton became the youngest filmmaker and only African American ever to be nominated for Best Director (and Best Screenplay) for Boyz N the Hood, his debut feature film. Only a year after receiving such sensational acclaim for that debut, Singleton has returned to the Hood. His new film, Poetic Justice, which stars Janet Jackson and features the poetry of Maya Angelou, gives voice to young African-American women.

Reproduction of the original: Mosby’s War Reminiscences by John Singleton Mosby

This book details General Jeb Stuart''s actions during the Gettysburg Campaign.

Central banks are powerful but poorly understood organisations. In 1900 the Bank of Japan was the only central bank to exist outside Europe but over the past century central banking has proliferated. John Singleton here explains how central banks and the profession of central banking have evolved and spread across the globe during this period. He shows that the central banking world has experienced two revolutions in thinking and practice, the first after the depression of the early 1930s, and the second in response to the high inflation of the 1970s and 1980s. In addition, the central banking profession has changed radically. In 1900 the professional central banker was a specialised type of banker, whereas today he or she must also be a sophisticated economist and a public official. Understanding these changes is essential to explaining the role of central banks during the recent global financial crisis.

"Mosby''s War Reminiscences" is an account of wartime exploits, written by a Confederate army cavalry commander, John S. Mosby. While describing his war experiences, Mosby at the same time wanted to defend the reputation of his commander J.E.B. Stuart, who some partisans of the "Lost Cause" blamed for the Confederacy''s defeat at the Battle of Gettysburg.

Do you crave a deeper level of friendship? John Singleton''s journey with LifeLine Church reveals the secrets and sacrifices required to truly love one another with the love of Jesus. With over forty years of experience in leading churches in the UK and beyond, John is well able to illustrate the learning he has picked up along the way with real-life stories: some amusing, some ridiculous, all heartfelt. With lessons on thankfulness, integrity, serving, soft-heartedness, hospitality, relationship and much more, this is essential reading for church leaders, planters and anyone keen to take their relationship with God beyond the Sunday meeting. Whether you''re starting a new church or stuck in a rut in your old one, following Jesus Christ is not about a one-off event - it is about journeying together with God. This book follows the journey of a church and its leader as they strive to fulfil their purpose on Earth: to love God, love each other and demonstrate what Jesus is like to the world around them.

A crisis is a period of uncertainty that may or may not lead to disaster, depending in part on the capacity of actors to make sense of what is happening and respond effectively. Disasters in different spheres occur and recur at different speeds and in idiosyncratic ways, but in essence they follow the same pattern. In the wake of the Global Financial Crisis and Eurozone upheavals this timely book argues that the disaster cycle – a framework normally used in the context of natural disasters – is equally applicable to the analysis of other types of catastrophe. Employing a modified version of the disaster cycle framework to compare and analyse a range of catastrophes in different spheres, the author draws on ideas from a variety of disciplines including economics and economic history, disaster studies, management, and political science. This unique comparative approach presents case studies of several important disasters: Hurricane Katrina, the First World War, the depression of the early 1930s, Welsh coal mining accidents, the deadly effects of smoking tobacco, and the Global Financial Crisis and Eurozone catastrophe of the early twenty first century. The author argues that economists and economic policy makers routinely misuse the term crisis to describe episodes that ought to be called disasters. This accessible and fascinating exploration will appeal to students and scholars in economic history, disaster studies, management, public policy, and related disciplines. The comparison of crisis and disaster management is also essential reading for policy makers.

Bonded Leather binding