Most Popular Books by John Singleton

Collected interviews with the director of Boys N the Hood, Poetic Justice, Four Brothers, and other film

This book provides an introduction to band theory and the electronic properties of materials at a level suitable for final-year undergraduates or first-year graduate students. It sets out to provide the vocabulary and quantum-mechanical training necessary to understand the electronic, optical and structural properties of the materials met in science and technology and describes some of the experimental techniques which are used to study band structure today. In order to leave space for recent developments, the Drude model and the introduction of quantum statistics are treated synoptically. However, Bloch''s theorem and two tractable limits, a very weak periodic potential and the tight-binding model, are developed rigorously and in three dimensions. Having introduced the ideas of bands, effective masses and holes, semiconductor and metals are treated in some detail, along with the newer ideas of artificial structures such as super-lattices and quantum wells, layered organic substances and oxides. Some recent `hot topics'' in research are covered, e.g. the fractional Quantum Hall Effect and nano-devices, which can be understood using the techniques developed in the book. In illustrating examples of e.g. the de Haas-van Alphen effect, the book focuses on recent experimental data, showing that the field is a vibrant and exciting one. References to many recent review articles are provided, so that the student can conduct research into a chosen topic at a deeper level. Several appendices treating topics such as phonons and crystal structure make the book self-contained introduction to the fundamentals of band theory and electronic properties in condensed matter physic today.

During the Civil War, John Singleton Mosby led the Forty-third Battalion, Virginia Cavalry, better known as Mosby''s Rangers, in bold and daring operations behind Union lines. Throughout the course of the war, more than 2000 men were members of Mosby''s command, some for only a short time. Mosby had few confidants (he was described by one acquaintance as "a disturbing companion") but became close friends with one of his finest officers, Samuel Forrer Chapman. Chapman served with Mosby for more than two years, and their friendship continued in the decades after the war. Take Sides with the Truth is a collection of more than eighty letters, published for the first time in their entirety, written by Mosby to Chapman from 1880, when Mosby was made U.S. consul to Hong Kong, until his death in a Washington, D.C., hospital in 1916. These letters reveal much about Mosby''s character and present his innermost thoughts on many subjects. At times, Mosby''s letters show a man with a sensitive nature; however, he could also be sarcastic and freely derided individuals he did not like. His letters are critical of General Robert E. Lee''s staff officers ("there was a lying concert between them") and trace his decades-long crusade to clear the name of his friend and mentor J. E. B. Stuart in the Gettysburg campaign. Mosby also continuously asserts his belief that slavery was the cause of the Civil War—a view completely contrary to a major portion of the Lost Cause ideology. For him, it was more important to "take sides with the Truth" than to hold popular opinions. Peter A. Brown has brought together a valuable collection of correspondence that adds a new dimension to our understanding of a significant Civil War figure.

In "Mosby''s War Reminiscences," John Singleton Mosby offers a compelling and introspective account of his experiences as a Confederate cavalry officer during the American Civil War. Written with a blend of vivid storytelling and analytical reflection, this memoir delves into the intricacies of guerrilla warfare, the strategic significance of his operations in Virginia, and the personal conflicts faced by soldiers. Mosby employs a first-person narrative style, capturing the dualities of bravery and fear, loyalty and betrayal, all while situating his recounting within the broader context of a country torn apart by war. John Singleton Mosby, known as the "Gray Ghost" of the Confederacy, was driven by a profound sense of duty and an unwavering loyalty to his cause. His firsthand experiences, coupled with his background as a lawyer and his deep understanding of military tactics, shaped his perspective on the war. Mosby''s role as a commander of the 43rd Battalion Virginia Cavalry further informed his insights, making his reminiscences a critical primary source for understanding the Southern experience during the conflict. For readers interested in a nuanced and personal perspective on the American Civil War, "Mosby''s War Reminiscences" is an invaluable addition to the scholarly exploration of this tumultuous period. Mosby''s articulate reflections not only illuminate the harsh realities of war but also provoke profound considerations on the moral complexities faced by those who fought. This memoir is essential for historians, students, and anyone seeking to grasp the human element behind military strategy.

The Memoirs of Colonel John S. Mosby: & Pictures From The American Civil War. Authored by John Singleton Mosby, Edited by Charles Wells Russell, Illustrated by

Contains a personal narrative of the experiences and correspondence of Confederate officer John S. Mosby during the U.S. Civil War.

This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.

John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley''s English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. While William L. Pressly gives a balanced, up-to-date exposition of Copley''s English career, Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, in particular detail, and is the author of the catalogue of his major English works. This isa long overdue study of this important painter.

At twenty-four John Singleton became the youngest filmmaker and only African American ever to be nominated for Best Director (and Best Screenplay) for Boyz N the Hood, his debut feature film. Only a year after receiving such sensational acclaim for that debut, Singleton has returned to the Hood. His new film, Poetic Justice, which stars Janet Jackson and features the poetry of Maya Angelou, gives voice to young African-American women.

John McGahern (1934–2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.

Reproduction of the original: Mosby’s War Reminiscences by John Singleton Mosby

"Mosby''s War Reminiscences" is an account of wartime exploits, written by a Confederate army cavalry commander, John S. Mosby. While describing his war experiences, Mosby at the same time wanted to defend the reputation of his commander J.E.B. Stuart, who some partisans of the "Lost Cause" blamed for the Confederacy''s defeat at the Battle of Gettysburg.

Central banks are powerful but poorly understood organisations. In 1900 the Bank of Japan was the only central bank to exist outside Europe but over the past century central banking has proliferated. John Singleton here explains how central banks and the profession of central banking have evolved and spread across the globe during this period. He shows that the central banking world has experienced two revolutions in thinking and practice, the first after the depression of the early 1930s, and the second in response to the high inflation of the 1970s and 1980s. In addition, the central banking profession has changed radically. In 1900 the professional central banker was a specialised type of banker, whereas today he or she must also be a sophisticated economist and a public official. Understanding these changes is essential to explaining the role of central banks during the recent global financial crisis.

Gives details of spiritual and social work among Victorian Aborigines in towns and settlements.

Do you crave a deeper level of friendship? John Singleton''s journey with LifeLine Church reveals the secrets and sacrifices required to truly love one another with the love of Jesus. With over forty years of experience in leading churches in the UK and beyond, John is well able to illustrate the learning he has picked up along the way with real-life stories: some amusing, some ridiculous, all heartfelt. With lessons on thankfulness, integrity, serving, soft-heartedness, hospitality, relationship and much more, this is essential reading for church leaders, planters and anyone keen to take their relationship with God beyond the Sunday meeting. Whether you''re starting a new church or stuck in a rut in your old one, following Jesus Christ is not about a one-off event - it is about journeying together with God. This book follows the journey of a church and its leader as they strive to fulfil their purpose on Earth: to love God, love each other and demonstrate what Jesus is like to the world around them.

A crisis is a period of uncertainty that may or may not lead to disaster, depending in part on the capacity of actors to make sense of what is happening and respond effectively. Disasters in different spheres occur and recur at different speeds and in idiosyncratic ways, but in essence they follow the same pattern. In the wake of the Global Financial Crisis and Eurozone upheavals this timely book argues that the disaster cycle – a framework normally used in the context of natural disasters – is equally applicable to the analysis of other types of catastrophe. Employing a modified version of the disaster cycle framework to compare and analyse a range of catastrophes in different spheres, the author draws on ideas from a variety of disciplines including economics and economic history, disaster studies, management, and political science. This unique comparative approach presents case studies of several important disasters: Hurricane Katrina, the First World War, the depression of the early 1930s, Welsh coal mining accidents, the deadly effects of smoking tobacco, and the Global Financial Crisis and Eurozone catastrophe of the early twenty first century. The author argues that economists and economic policy makers routinely misuse the term crisis to describe episodes that ought to be called disasters. This accessible and fascinating exploration will appeal to students and scholars in economic history, disaster studies, management, public policy, and related disciplines. The comparison of crisis and disaster management is also essential reading for policy makers.