New Releases by J. M. Coetzee

The Pole tells the story of Witold Walczykiewicz, a vigorous, white-haired pianist who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert. Although Beatriz, who is married, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into his world. As he sends her letters, extends countless invitations to travel, and even visits her husband''s summer home in Mallorca, their unlikely relationship blossoms, though only on her terms. As the power struggle between them intensifies -- Is it Beatriz who limits their passion by controlling her emotions? Or is it Witold, trying to force into life his dream of love? Evocative of Joyce''s ''The Dead,'' The Pole is a haunting work, evoking the ''inexhaustible palette of sensations, from blind love to compassion'' (El País) typical of Coetzee''s finest novels.

One of Vanity Fair''s "Best Books of the Fall" From the Nobel Prize-winning author of Disgrace, a psychologically probing, compulsively readable novel about love and the mutability of human relationships. Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential—and provocative—authors of our time. With characteristic insight and a “brittle wit that forces our attention on the common terrors we don’t want to think about” (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself. Exacting yet unpredictable, pithy yet complex, Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his “gleaming dentures,” she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz’s terms. The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers—even “a Pole, a man of seventy, a vigorous seventy,” and a stultified “banker’s wife who occupies her days in good works”—can suddenly change everything. Reminiscent of James Joyce’s “The Dead” in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the “inexhaustible palette of sensations, from blind love to compassion” (Berna González Harbour, El País) typical of Coetzee’s finest novels.

The final volume of Nobel Prize winner J. M. Coetzee’s essays on celebrated writers.

The first of three volumes featuring Nobel Prize winner J. M. Coetzee''s essays on some of the world’s most celebrated writers.

Continuing Text’s re-release of J. M. Coetzee’s revered works with stylish new covers, Slow Man is a modern classic by the great Nobel Prize winner accompanied by an introduction from author and critic, Andrew Fuhrmann.

A NEW YORK TIMES NOTABLE BOOK OF 2020 After The Childhood of Jesus and The Schooldays of Jesus, the Nobel Prize-winning author completes his haunting trilogy with a new masterwork, The Death of Jesus In Estrella, David has grown to be a tall ten-year-old who is a natural at soccer, and loves kicking a ball around with his friends. His father Simón and Bolívar the dog usually watch while his mother Inés now works in a fashion boutique. David still asks many questions, challenging his parents, and any authority figure in his life. In dancing class at the Academy of Music he dances as he chooses. He refuses to do sums and will not read any books except Don Quixote. One day Julio Fabricante, the director of a nearby orphanage, invites David and his friends to form a proper soccer team. David decides he will leave Simón and Inés to live with Julio, but before long he succumbs to a mysterious illness. In The Death of Jesus, J. M. Coetzee continues to explore the meaning of a world empty of memory but brimming with questions.

A fascinating collection of essays on literary subjects ranging from Daniel Defoe to Samuel Beckett by a Nobel and Booker Prize-winning writer Late Essays gathers together J.M. Coetzee’s literary essays from 2006 to 2017. The subjects covered in this stunning collection range from Daniel Defoe in the early eighteenth century to Coetzee’s contemporary Philip Roth. Coetzee has had a long-standing interest in German literature and here he engages with the work of Goethe, Hölderlin, Kleist and Walser. There are four fascinating essays on fellow Nobel laureate Samuel Beckett and he looks at the work of three Australian writers: Patrick White, Les Murray and Gerald Murnane. There are essays too on Tolstoy’s great novella The Death of Ivan Ilyich, on Flaubert’s masterpiece Madame Bovary, and on the Argentine modernist Antonio Di Benedetto.

"J.M. Coetzee''s vision goes to the nerve center of being."—Nadine Gordimer The revolutionary first fiction by Nobel Prize Winner, J.M. Coetzee A shattering pair of novellas in the tradition of Conrad''s Heart of Darkness, Dusklands probes the links between the powerful and the powerless. "Vietnam Project" is narrated by a researcher investigating the effectiveness of United States propaganda and psychological warfare in Vietnam. The question of power is also explored in "The Narrative of Jacobus Coetzee," the story of an eighteenth-century Boer frontiersman who vows revenge on the Hottentot natives because they have failed to treat him with the respect that he thinks a white man deserves. With striking intensity, J. M. Coetzee penetrates the twilight land of obsession, charting the nature on colonization as it seeks, in 1970 as in 1760, to absorb the wilds into the Western dusklands. 2024 is the 50th Anniversary of the publication of Dusklands

J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. In the fall of 1869 Fyodor Mikhailovich Dostoevsky, lately a resident of Germany, is summoned back to St. Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson''s landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel''s life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson''s ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

LONGLISTED FOR THE MAN BOOKER PRIZE A NEW YORK MAGAZINE BEST BOOK OF THE YEAR From the Nobel Prize-winning author J. M. Coetzee, the haunting sequel to The Childhood of Jesus, continuing the journey of Davíd, Simón, and Inés. The Death of Jesus is forthcoming from Viking. “When you travel across the ocean on a boat, all your memories are washed away and you start a completely new life. That is how it is. There is no before. There is no history. The boat docks at the harbour and we climb down the gangplank and we are plunged into the here and now. Time begins.” Davíd is the small boy who is always asking questions. Simón and Inés take care of him in their new town, Estrella. He is learning the language; he has begun to make friends. He has the big dog Bolívar to watch over him. But he’ll be seven soon and he should be at school. And so, with the guidance of the three sisters who own the farm where Simón and Inés work, Davíd is enrolled in the Academy of Dance. It’s here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. But it’s here, too, that he will make troubling discoveries about what grown-ups are capable of. In this mesmerizing allegorical tale, Coetzee deftly grapples with the big questions of growing up, of what it means to be a “parent,” the constant battle between intellect and emotion, and how we choose to live our lives.

A modern classic by Nobel Laureate J.M. Coetzee. His latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. For decades the Magistrate has been a loyal servant of the Empire, running the affairs of a tiny frontier settlement and ignoring the impending war with the barbarians. When interrogation experts arrive, however, he witnesses the Empire''s cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state. J. M. Coetzee''s prize-winning novel is a startling allegory of the war between opressor and opressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency. Mark Rylance (Wolf Hall, Bridge of Spies), Ciro Guerra and producer Michael Fitzgerald are teaming up to to bring J.M. Coetzee''s Waiting for the Barbarians to the big screen.

The provocative Booker Prize winning novel from Nobel laureate, J.M. Coetzee "Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we''ve finished reading it." —The New Yorker At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy''s smallholding. David''s visit becomes an extended stay as he attempts to find meaning in his one remaining relationship. Instead, an incident of unimaginable terror and violence forces father and daughter to confront their strained relationship and the equallity complicated racial complexities of the new South Africa. 2024 marks the 25th Anniversary of the publication of Disgrace

The idea of human cruelty to animals so consumes novelist Elizabeth Costello in her later years that she can no longer look another person in the eye: humans, especially meat-eating ones, seem to her to be conspirators in a crime of stupefying magnitude taking place on farms and in slaughterhouses, factories, and laboratories across the world. Costello''s son, a physics professor, admires her literary achievements, but dreads his mother’s lecturing on animal rights at the college where he teaches. His colleagues resist her argument that human reason is overrated and that the inability to reason does not diminish the value of life; his wife denounces his mother’s vegetarianism as a form of moral superiority. At the dinner that follows her first lecture, the guests confront Costello with a range of sympathetic and skeptical reactions to issues of animal rights, touching on broad philosophical, anthropological, and religious perspectives. Painfully for her son, Elizabeth Costello seems offensive and flaky, but—dare he admit it?—strangely on target. In this landmark book, Nobel Prize–winning writer J. M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello’s own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. Literature, philosophy, performance, and deep human conviction—Coetzee brings all these elements into play. As in the story of Elizabeth Costello, the Tanner Lecture is followed by responses treating the reader to a variety of perspectives, delivered by leading thinkers in different fields. Coetzee’s text is accompanied by an introduction by political philosopher Amy Gutmann and responsive essays by religion scholar Wendy Doniger, primatologist Barbara Smuts, literary theorist Marjorie Garber, and moral philosopher Peter Singer, author of Animal Liberation. Together the lecture-fable and the essays explore the palpable social consequences of uncompromising moral conflict and confrontation.

J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. J.M. Coetzee: What relationship do I have with my life history? Am I its conscious author, or should I think of myself as simply a voice uttering with as little interference as possible a stream of words welling up from my interior? Arabella Kurtz: One way of thinking about psychoanalysis is to say that it is aimed at setting free the narrative or autobiographical imagination. The Good Story is a fascinating dialogue about psychotherapy and the art of storytelling between a writer with a long-standing interest in moral psychology and a psychotherapist with training in literary studies. Coetzee and Kurtz consider psychotherapy and its wider social context from different perspectives, but at the heart of both of their approaches is a concern with narrative. Working alone, the writer is in control of the story he or she tells. The therapist, on the other hand, collaborates with the patient in developing an account of the patient''s life and identity that is both meaningful and true. In a meeting of minds that is illuminating and thought-provoking, the authors discuss both individual psychology and the psychology of the group: the school classroom, gangs and the settler nation, in which the brutal deeds of ancestors are accommodated into a national story. Drawing on great writers like Cervantes and Dostoevsky and psychoanalysts like Freud and Melanie Klein, Coetzee and Kurtz explore the human capacity for self-examination, our wish to tell our own life stories and the resistances we encounter along the way.

Following on from Stranger Shores, which contained J.M. Coetzee''s essays from 1986 to 1999, Inner Workings gathers together his literary essays from 2000 to 2005. Of the writers discussed in the first half of the book, several - Italo Svevo, Joseph Roth, Bruno Schulz, Sandor Marai - lived through the Austro-Hungarian fin de siècle and felt the influence of Schopenhauer, Nietzsche and Freud. Coetzee further explores the work of six of twentieth-century German literature''s greatest writers: Robert Musil, Robert Walser, Walter Benjamin (the Arcades Project), Joseph Roth, Gunter Grass, W.G. Sebald, and the poet Paul Celan in his ''wrestlings with the German language''. There is an essay on Graham Greene''s Brighton Rock and on the short fiction of Samuel Beckett, a writer whom Coetzee has long admired. American literature is strongly represented from Walt Whitman, through William Faulkner, Saul Bellow and Arthur Miller to Philip Roth. Coetzee rounds off the collection with essays on three fellow Nobel laureates: Nadine Gordimer, Gabriel García Márquez and V.S. Naipaul.

From the Nobel Prize–winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace. Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels. Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simón, vows to look after the boy. When the boat docks, David and Simón are issued new names, new birthdays, and virtually a whole new life. Strangers in a strange land, knowing nothing of their surroundings, nor the language or customs, they are determined to find David’s mother. Though the boy has no memory of her, Simón is certain he will recognize her at first sight. “But after we find her,” David asks, “what are we here for?” An eerie allegorical tale told largely through dialogue, The Childhood of Jesus is a literary feat—a novel of ideas that is also a tender, compelling narrative. Coetzee’s many fans will celebrate his return while new readers will find The Childhood of Jesus an intriguing introduction to the work of a true master.

“[A] civilized discourse between two cultivated and sophisticated men. . . . It’s a pleasure to be in their company.”—Michael Dirda, The Washington Post “An extended meditation on the processes of friendship, [Here and Now] has something substantive to offer.”—The New York Times Book Review After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their delight in each other’s friendship on every page.

The Nobel Prize–winning author''s brilliant trilogy of fictionalized memoirs—now available in one volume for the first time. J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. Few writers have won as much critical acclaim and as many admirers in the literary world as J. M. Coetzee. Yet the celebrated author rarely spoke of himself until the 1997 arrival of Boyhood, a masterly and evocative tale of a young writer''s beginnings. Continuing with the fiercely tender Youth and the innovative Summertime, Scenes from Provincial Life is a heartbreaking and often very funny portrait of the artist by one of the world''s greatest writers.

This brilliant new work of fiction from the Nobel Prize-winning author of "Disgrace" and "Diary of a Bad Year" allows Coetzee to imagine his own life, revealing painful moral struggles and attempts to come to grips with what it means to care for another human being.

Novel based on the relations between a father and his daughter in South Africa.

It also changes the course of Anya''s relationship with Alan, the successful, swaggering man whom she lives with - and who has designs on Senor C''s bank account."--BOOK JACKET.

Moral and creative courage marks these new stories from young writers of the SADC region - They say what they want and confront what they must, unconstrained by past notions of what can or should be voiced.

A beautiful collector''s edition of J. M. Coetzee''s Nobel Prize lecture In his acceptance speech for the 2003 Nobel Prize in Literature, J. M. Coetzee delivered an intriguing and enigmatic short story, "He and His Man." The story features Robinson Crusoe, long after his return from the island, reflecting on death and spectacle, writing and allegory, solitude and sociability, as he searches his mind for some true understanding of the "man" who writes of and for him. In the spare and powerful prose for which Coetzee is renowned, The Nobel Lecture in Literature, 2003 is a provocative testament to the uncompromising vision of one of the world''s most profound writers.

Booker Prize winner Coetzee has crafted an unusual and deeply affecting tale of an Australian novelist whose life is revealed through a series of eight formal addresses.

The narrator, a student in 1950s South Africa, plots an escape from his native country, from the stifling love of his mother, from a father whose failures haunt him - and from what he is sure is impending revolution. However, arriving at last in London, he begins the dark pilgrimage of an outsider.