New Releases by J. M. Coetzee

One of Vanity Fair''s "Best Books of the Fall" From the Nobel Prize-winning author of Disgrace, a psychologically probing, compulsively readable novel about love and the mutability of human relationships. Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential—and provocative—authors of our time. With characteristic insight and a “brittle wit that forces our attention on the common terrors we don’t want to think about” (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself. Exacting yet unpredictable, pithy yet complex, Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his “gleaming dentures,” she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz’s terms. The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers—even “a Pole, a man of seventy, a vigorous seventy,” and a stultified “banker’s wife who occupies her days in good works”—can suddenly change everything. Reminiscent of James Joyce’s “The Dead” in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the “inexhaustible palette of sensations, from blind love to compassion” (Berna González Harbour, El País) typical of Coetzee’s finest novels.

Nobel Laureate J. M. Coetzee reaffirms his place as one of the English language’s most acclaimed authors with this fascinating examination of life, death and animals

The first of three volumes featuring Nobel Prize winner J. M. Coetzee''s essays on some of the world’s most celebrated writers.

Âgé de 52 ans et deux fois divorcé, David Lurie enseigne la poésie romantique et la communication à l''université du Cap. Encore jeune de corps et de cœur, ce Don Juan du campus se laisse aller à un dernier élan de désir, d''amour peut-être. Mais la petite étudiante se moque bien de Wordworth et de Byron et l''aventure tourne mal. Convaincu de harcèlement sexuel, David Lurie démissionne. Réfugié auprès de sa fille Lucy, dans une ferme isolée, il tente de retrouver un sens au seul lien qui compte encore à ses yeux. Mais les temps ont changé. La fracture sociale est arrivée jusqu''au cœur de ce pays et la violence n''épargne pas les campagnes. L''idylle pastorale tourne au cauchemar. Aussi sombre que magnifique, l''élégie cynique de J. M. Coetzee jette une lumière glacée et crépusculaire sur la nation arc-en-ciel et consigne l''avènement d''un nouvel âge de fer L''oeuvre de J. M. Coetzee a été récompensée par le prix Nobel de littérature en 2003.

Un spécialiste américain de la guerre psychologique transcende ses rancœurs et ses angoisses en concevant un vaste plan macabre pour remporter la victoire pendant la phase 1973 de la guerre du ViêtNam, et en arrive à commettre un acte de violence odieux. C''est un cheminement identique qui amène un Boer à imaginer l''extermination des Noirs qu''il rencontre lors de son expédition vers le nord en 1760, après s''être vengé, dans un déferlement de violence et de meurtre, des Hottentots qui l''avaient humilié. Dans ces deux courts romans, son premier ouvrage romanesque publié en Afrique du Sud en 1947, l''auteur explore avec détachement en apparence ironique, glacial, et déjà une étonnante maîtrise technique l''âme de deux personnages mégalomanes, à la frontière où l''on rencontre l''autre et où on l''extermine, exprimant ainsi la mort et la folie qu''on a peur de détecter en soi. L''oeuvre de J. M. Coetzee a été récompensée par le prix Nobel de littérature en 2003.

J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. In the fall of 1869 Fyodor Mikhailovich Dostoevsky, lately a resident of Germany, is summoned back to St. Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson''s landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel''s life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson''s ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. J. M. Coetzee, one of the greatest living writers in the English language, has crafted a deeply moving tale of love and mortality in his new book, Slow Man. When photographer Paul Rayment loses his leg in a bicycle accident, he is forced to reexamine how he has lived his life. Through Paul''s story, Coetzee addresses questions that define us all: What does it mean to do good? What in our lives is ultimately meaningful? How do we define the place we call "home"? In his clear and uncompromising voice, Coetzee struggles with these issues and offers a story that will dazzle the reader on every page.

Une ferme isolée en Afrique du Sud, au coeur du veld. Un père et sa fille y vivent loin de toute civilisation. Murée dans sa laideur et sa virginité, Magda ressent à l''égard de son père, autoritaire et morose, une haine amoureuse nourrie de rêveries et de fantasmes. Lorsque le père met dans son lit la jeune épouse d''Hendrik, le contremaître noir, Magda, en proie à une jalousie délirante, le tue sans tout à fait le vouloir et l''enterre secrètement. Elle tombe alors sous l''emprise d''Hendrik qui la viole et vient la soumettre toutes les nuits, avant de s''enfuir dans la crainte d''être accusé de meurtre. Restée seule, Magda erre dans un étrange pays entre le réel et ses hallucinations. Elle meurt, bras en croix, face au ciel, dans son jardin désertique, hérissé de pierres. Le verbe illuminé de Magda, d''une force poétique qui emporte tout sur son passage, la torpeur étouffante des jours et des nuits, la violence et la peur au centre de ce huis-clos tragique créent un climat auquel il est difficile d''échapper. C''est celui des relations de maître à esclave, des rapports entre Blancs et Noirs. Dans ce premier roman, J. M. Coetzee a su, avec une folle assurance et un oeil infaillible, faire d''une histoire d''amour et de vengeance le miroir de l''expérience coloniale. L''oeuvre de J. M. Coetzee a été récompensée par le prix Nobel de littérature en 2003.

The provocative Booker Prize winning novel from Nobel laureate, J.M. Coetzee "Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we''ve finished reading it." —The New Yorker At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy''s smallholding. David''s visit becomes an extended stay as he attempts to find meaning in his one remaining relationship. Instead, an incident of unimaginable terror and violence forces father and daughter to confront their strained relationship and the equallity complicated racial complexities of the new South Africa. 2024 marks the 25th Anniversary of the publication of Disgrace

The idea of human cruelty to animals so consumes novelist Elizabeth Costello in her later years that she can no longer look another person in the eye: humans, especially meat-eating ones, seem to her to be conspirators in a crime of stupefying magnitude taking place on farms and in slaughterhouses, factories, and laboratories across the world. Costello''s son, a physics professor, admires her literary achievements, but dreads his mother’s lecturing on animal rights at the college where he teaches. His colleagues resist her argument that human reason is overrated and that the inability to reason does not diminish the value of life; his wife denounces his mother’s vegetarianism as a form of moral superiority. At the dinner that follows her first lecture, the guests confront Costello with a range of sympathetic and skeptical reactions to issues of animal rights, touching on broad philosophical, anthropological, and religious perspectives. Painfully for her son, Elizabeth Costello seems offensive and flaky, but—dare he admit it?—strangely on target. In this landmark book, Nobel Prize–winning writer J. M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello’s own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. Literature, philosophy, performance, and deep human conviction—Coetzee brings all these elements into play. As in the story of Elizabeth Costello, the Tanner Lecture is followed by responses treating the reader to a variety of perspectives, delivered by leading thinkers in different fields. Coetzee’s text is accompanied by an introduction by political philosopher Amy Gutmann and responsive essays by religion scholar Wendy Doniger, primatologist Barbara Smuts, literary theorist Marjorie Garber, and moral philosopher Peter Singer, author of Animal Liberation. Together the lecture-fable and the essays explore the palpable social consequences of uncompromising moral conflict and confrontation.

J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. J.M. Coetzee: What relationship do I have with my life history? Am I its conscious author, or should I think of myself as simply a voice uttering with as little interference as possible a stream of words welling up from my interior? Arabella Kurtz: One way of thinking about psychoanalysis is to say that it is aimed at setting free the narrative or autobiographical imagination. The Good Story is a fascinating dialogue about psychotherapy and the art of storytelling between a writer with a long-standing interest in moral psychology and a psychotherapist with training in literary studies. Coetzee and Kurtz consider psychotherapy and its wider social context from different perspectives, but at the heart of both of their approaches is a concern with narrative. Working alone, the writer is in control of the story he or she tells. The therapist, on the other hand, collaborates with the patient in developing an account of the patient''s life and identity that is both meaningful and true. In a meeting of minds that is illuminating and thought-provoking, the authors discuss both individual psychology and the psychology of the group: the school classroom, gangs and the settler nation, in which the brutal deeds of ancestors are accommodated into a national story. Drawing on great writers like Cervantes and Dostoevsky and psychoanalysts like Freud and Melanie Klein, Coetzee and Kurtz explore the human capacity for self-examination, our wish to tell our own life stories and the resistances we encounter along the way.

Un frammento drammatico della vita di Dostoevskij sullo sfondo della Russia prerivoluzionaria, attraverso la straordinaria scrittura del Nobel sudafricano.

«Un vero evento letterario». «The New York Times Book Review» «Una storia di profonda bellezza, chiarezza ed eloquenza, che raggiunge a tratti una nobiltà biblica». «Chicago Tribune Book World»

From the Nobel Prize–winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace. Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels. Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simón, vows to look after the boy. When the boat docks, David and Simón are issued new names, new birthdays, and virtually a whole new life. Strangers in a strange land, knowing nothing of their surroundings, nor the language or customs, they are determined to find David’s mother. Though the boy has no memory of her, Simón is certain he will recognize her at first sight. “But after we find her,” David asks, “what are we here for?” An eerie allegorical tale told largely through dialogue, The Childhood of Jesus is a literary feat—a novel of ideas that is also a tender, compelling narrative. Coetzee’s many fans will celebrate his return while new readers will find The Childhood of Jesus an intriguing introduction to the work of a true master.

“[A] civilized discourse between two cultivated and sophisticated men. . . . It’s a pleasure to be in their company.”—Michael Dirda, The Washington Post “An extended meditation on the processes of friendship, [Here and Now] has something substantive to offer.”—The New York Times Book Review After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their delight in each other’s friendship on every page.

J. M. Coetzee, Premi Nobel de Literatura 2003, és, a parer de molts, l''escriptor més important dels nostres temps. Poques vegades havia parlat de si mateix fins que el 1997 va sorprendre tothom amb Infantesa, el primer lliurament d''una ficció autobiogràfica que van seguir Joventut i Temps d''estiu.Per primera vegada, presentem en un sol volum la trilogia d''aquestes ficcions autobiogràfiques, les Escenes de la vida a províncies, revisades per l''autor, que posen en relleu la relació inquietant entre la realitat de la vida i la ficció dels llibres i conformen un magnífic retrat de l''artista. L''obra comença en una petita vila de la Sud-àfrica dels anys quaranta: un noi intenta trobar el seu lloc al món sota la tutela d''un pare distant i una mare que l''estima incondicionalment. Ja de jove, estudia matemàtiques a Ciutat del Cap, escriu poesia i viatja a Europa amb pretensions artístiques. La realitat, però, l''obliga a tocar de peus a terra i a treballar com a programador informàtic. La seva vida d''adult la coneixem gràcies al seu biògraf, un tal Mr. Vincent, que reconstrueix la vida del novel·lista en què s''ha convertit J. M. Coetzee passats els anys.

The Nobel Prize–winning author''s brilliant trilogy of fictionalized memoirs—now available in one volume for the first time. J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. Few writers have won as much critical acclaim and as many admirers in the literary world as J. M. Coetzee. Yet the celebrated author rarely spoke of himself until the 1997 arrival of Boyhood, a masterly and evocative tale of a young writer''s beginnings. Continuing with the fiercely tender Youth and the innovative Summertime, Scenes from Provincial Life is a heartbreaking and often very funny portrait of the artist by one of the world''s greatest writers.

"Not since Disgrace, has he written with such urgency and feeling." -The New Yorker J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. Nobel Prize-winning author J. M. Coetzee''s new book follows a young biographer as he works on a book about the late writer, John Coetzee. The biographer embarks on a series of interviews with people who were important to Coetzee during the period when he was "finding his feet as a writer"-in his thirties and sharing a run-down cottage in the suburbs of Cape Town with his widowed father. Their testimonies create an image of an awkward, reserved, and bookish young man who finds it difficult to connect with the people around him. An innovative and inspired work of fiction-incisive, elegant, and often surprisingly funny- Summertime allows one of the most revered writers of our time to imagine his own life with a critical and unsparing eye.

A modern classic by Nobel Laureate J. M. Coetzee, now a major motion picture starring Robert Pattinson and Johnny Depp For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire whose servant he is. When interrogation experts arrive, however, he finds himself jolted into sympathy with their victims—until their barbarous treatment of prisoners of war finally pushes him into a quixotic act of rebellion, and thus into imprisonment as an enemy of the state. Waiting for the Barbarians, J. M. Coetzee’s third novel, which won the James Tate Black Memorial Prize, is an allegory of the war between oppressor and oppressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that elevate their own survival above justice and decency.

Diary of a Bad Year takes on the world of politics—a new topic for Coetzee—and explores the role of the writer in our times with an extraordinary moral compass. J.M. Coetzee''s latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. J.M. Coetzee once again breaks literary ground with Diary of a Bad Year, a book that is, in the words of its protagonist, a response to the present in which I find myself. Aging author Senor C has been commissioned to write a series of essays entitled Strong Opinions, of which he has many. After hiring a beautiful young typist named Anya, the two embark on a relationship that will have a profound impact on them both especially when Alan, Anya''s no-good boyfriend, develops designs on Senor C''s bank account. Told in these three voices simultaneously, Coetzee has created any entirely new way of telling a story, and nothing less than an involving, argumentative, moving novel (The New Yorker).

Quan el fotògraf Paul Rayment perd una cama en un accident de bicicleta, la seva solitària vida canvia de manera irrevocable. Amb tossuderia, rebutjant una pròtesi, Paul torna al seu apartament de solter a Adelaida, incòmode per la seva nova situació de dependència dels altres. Entre successius atacs de desesperació i resignació, Paul comença a repassar els seus seixanta anys de vida, però aviat s’anima en enamorar-se de la Marijana, la infermera croata pràctica i realista que lluita per pujar la seva família en una terra estrangera. Mentre Paul pensa com conquistar el seu cor, el visita la misteriosa escriptora Elizabeth Costello, que el desafia a prendre un paper actiu en la seva pròpia vida.A Home lent, la veu clara i inflexible de J.M. Coetzee ofereix una meditació profunda sobre el que ens fa humans, sobre què vol dir fer-se gran, i reflexiona sobre com hem viscut les nostres vides. Una història profundament commovedora sobre l’amor i la mortalitat que sorprèn el lector a cada pàgina. J. M. Coetzee (Ciutat del Cap, 1940) va estudiar ciències informàtiques i filologia a Sud-àfrica i als Estats Units. La seva primera novel·la va ser Dusklands, seguida d’In the Heart of the Country, que va guanyar el premi literari més important de Sud-àfrica, el CNA. És autor també d’Esperant els bàrbars —guardonada amb el CNA, el Geoffrey Faber Memorial Prize i el James Tait Black Memorial Prize—, Vida i època de Michael K (Booker Prize i Prix Étranger Fémina), The Master of Petersburg, Les vides dels animals, Desgràcia (Booker Prize), L’Edat de ferro (Premi Llibreter 2003) i Elizabeth Costello, i és autor dels llibres de memòries Boyhood: Scenes from Provincial Life i Youth. A J. M. Coetzee li van concedir el Jerusalem Prize l’any 1987, el Lannan de Ficció el 1998 i, recentment, el Premi Nobel de Literatura 2003 en reconeixement a una llarga trajectòria d’una qualitat literària indiscutible.

A los cincuenta y dos años, David Lurie tiene poco de lo que enorgullecerse. Con dos divorcios a sus espaldas, apaciguar el deseo es su única aspiración; sus clases en la universidad son un mero trámite para él y para los estudiantes. Cuando se destapa su relación con una alumna, David, en un acto de soberbia, preferirá renunciar a su puesto antes que disculparse en público. Rechazado por todos, abandona Ciudad del Cabo y va a visitar la granja de su hija Lucy. Allí, en una sociedad donde los códigos de comportamiento, sean de blancos o de negros, han cambiado; donde el idioma es una herramienta viciada que no sirve a este mundo naciente, David verá hacerse añicos todas sus creencias en una tarde de violencia implacable. Una historia profunda, extraordinaria, que por momentos atenaza el corazón, y es siempre, hasta el final, subyugante: Desgracia, que obtuvo el prestigioso premio Booker, no dejará indiferente al lector.

The narrator, a student in 1950s South Africa, plots an escape from his native country, from the stifling love of his mother, from a father whose failures haunt him - and from what he is sure is impending revolution. However, arriving at last in London, he begins the dark pilgrimage of an outsider.

La novela está dirigida por un escritor, Elizabeth Costello, que, como Coetzee, se está preparando para una serie de conferencias y charlas sobre los temas filosóficos y éticos que rodean a nuestro tratamiento de animales. En un juego entre ficción y realidad, la teoría y la práctica cotidiana, Coetzee conduce al lector a través de preguntas sobre la vida y la razón. La prosa de fuego de Elizabeth Costello, radical vegetariano, hace una analogía entre la masacre de ganado y el Holocausto nazi. La resistencia a sus ideas comienzan en ambiente familiar. Alojado en la casa de su hijo, ella tiene que luchar contra sus convicciones a la del día a día de la familia.

Coetzee shares his boyhood north of Cape Town, South Africa, including his relationship with his parents, his first encounters with literature, his awakening of sexual desire, his growing awareness of apartheid, and his abiding love of the veld.

The two novellas that make up Dusklands probe the link between the powerful and the powerless. The first story looks at the effects of psychological warfare in the Vietnam War, and the second story examines racism in 18th century South Africa.

Auf den ersten Blick scheint dieser Roman nichts mit Schwarzafrika zu tun zu haben. Susan Barton, von meuternden Matrosen auf einer Insel irgendwo im Atlantik ausgesetzt, trifft auf Robinson und Freitag. Doch anders als in dem berühmten Roman von Defoe gibt es auf der Insel keine Abenteuer zu bestehen, gibt es keine wilden Tiere und keine Kannibalen. Robinson, bei Coetzee ein alter Mann, ist nicht sonderlich erfolgreich bei der Feldbestellung. Er konnte Freitag auch nichts beibringen, denn Freitag war stumm. Schließlich wird das Trio gerettet (Robinson hat gar keine Lust mehr, in die Zivilisation zurückzukehren und stirbt auf der Rückreise nach London). Susan Barton, in Begleitung von Freitag, will jetzt vom Schriftsteller Foe ihre Geschichte aufschreiben lassen, die Geschichte der ''ersten englischen Schiffbrüchigen''. Mr. Foe hat als professioneller Schreiber freilich ganz andere Vorstellungen von der (Aus-)Gestaltung der Geschichte als die Erzählerin. Eigentliche Hauptperson ist Freitag, der wichtigste Zeuge, der steht aber nicht zur Verfügung, er kann nicht sprechen. Ihm hatte man - wie den Schwarzen in Südafrika - die Sprache gestohlen.

A coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays attempt to understand the passion that plays itself out in acts of silencing and censoring and argue that a destructive dynamicof belligerence and escalation tends to overtake the rivals in any field ruled by censorship.