New Releases by Paul Auster

From award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series, The New York Trilogy, a postmodern take on detective and noir fiction. In 1985, Paul Auster''s City of Glass was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in The Norton Anthology of Postmodern Fiction. But City of Glass was only the first novel in a series of books, Auster''s acclaimed New York Trilogy, and graphic novel readers have been waiting for years for the other two tales to be translated into comics. Now the wait is over. The New York Trilogy is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpration of detective and mystery fiction, each book explores various philosophical themes. In City of Glass, an author of detective fiction investigates a murder and descends into madness. Ghosts features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist’s downfall. And in The Locked Room, another author is experiencing writer’s block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel. Paul Karasik, the mastermind behind the three adaptations, art directed all three books. City of Glass is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume, Ghosts, is illustrated by New Yorker cover artist, Lorenzo Mattotti, and The Locked Room is adapted and drawn by Karasik himself. These adaptations take Auster’s sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.

An intimate and astonishing rumination on gun violence in America from one of our greatest living writers and “genuine American original” (The Boston Globe) Paul Auster Paul Auster was a crack marksman as a kid, and like most American boys of his generation he grew up playing with toy six-shooters and mimicking the gun-slinging cowboys in B-Westerns. But he also knows how families can be wrecked by a single act of gun violence: His grandmother shot and killed his grandfather when his father was just six years old. Now, at this time of intense national discord, no issue divides Americans more deeply than the debate about guns. There are currently more guns than people in the United States, and every day more than one hundred Americans are killed by guns and another two hundred are wounded. These numbers are so large, so catastrophic, so disproportionate to what goes on elsewhere, that one must ask why. Why is America so different—and why are we the most violent country in the Western world? In this short, searing book, Auster traces centuries of America’s use and abuse of guns, through the colonial prehistory of the Republic, armed conflict against the native population, the forced enslavement of millions, and the mass shootings that dominate the current news cycle. He examines the embattled gun-control and anti-gun-control camps, frames gun violence as a public health issue, and investigates the details of one horrific incident– including the perpetrator’s unchecked purchase of the gun he used and the suffering of a bystander-turned-hero. Filled with haunting photographs by Spencer Ostrander that document the abandoned sites of more than thirty mass shootings, Bloodbath Nation is an unflinching work about guns in America that asks: What kind of society do we want to live in?

A LOS ANGELES TIMES BOOK PRIZE WINNER A BOSTON GLOBE BEST BOOK OF 2021 Booker Prize-shortlisted and New York Times bestselling author Paul Auster''s comprehensive, landmark biography of the great American writer Stephen Crane. With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight. Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death. In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it.

An Updated Collection of Nonfiction, including the seminal work The Invention of Solitude, from Man Booker Prize Finalist Paul AusterPaul Auster has spent his fifty-year writing career examining what it means to be truly alive. And now, for the first time ever, in this newly self-curated collection, Auster stitches together various autobiographical writings to lay bare the trajectory of both his personal life and sense of self.From his breakout memoir, The Invention of Solitude, which solidified Auster''s reputation as a canonical voice in American letters, to excerpts from his later memoirs, Winter Journal and Report from the Interior, readers are ushered into the inner workings of Auster''s self-development. His sweeping recollection winds through the halls of Columbia University during the turbulent 1960s and into life as a young poet-turned-novelist, then dives headfirst into the realities that accompany aging today. Along the way, Auster continually challenges the notion of what autobiography can be, inverting the form through fragmentation and, ultimately, illustrating firsthand the brilliance behind "one of the great writers of our time" (San Francisco Chronicle).

An inside look into Paul Auster''s art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer''s art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster''s work and about the art of writing generally. It is a book that''s full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America''s most productive and successful writers, through all twenty-one of Auster''s narrative works and the themes and obsessions that drive them.

* * * Shortlisted for the Man Booker Prize * * * Named a Best Book of the Year by The Washington Post, The New York Times Book Review, NPR, The Globe and Mail, Kirkus Reviews, Huffington Post, and The Spectator UK “An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes.”—Tom Perrotta, The New York Times Book Review “A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey.”—NPR New York Times Bestseller, Los Angeles Times Bestseller, Boston Globe Bestseller, National Indiebound Bestseller Paul Auster’s greatest, most heartbreaking and satisfying novel—a sweeping and surprising story of birthright and possibility, of love and of life itself. Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on. As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

Efter et langt sygdomsforløb lider forfatteren Sidney Orr af skriveblokering. En ny notesbog sætter ham i gang med en historie, der tilsyneladende får skæbnesvanger indflydelse på hans liv. Forfatteren Sidney Orr er langsomt ved at komme sig efter en alvorlig sygdom. Under en af sine daglige spadsereture i kvarteret, hvor han bor, går han helt tilfældigt ind i en papirvareforretning, hvor han bliver fristet til at købe en blå notesbog. Denne i sig selv banale hændelse bliver starten på en række begivenheder, som ændrer tilværelsen afgørende for Sidney Orr og de mennesker, der står ham nærmest. Paul Austers Orakelnat er en fortælling om historien i historien, en slags "kinesisk æske-roman". "Paul Auster har aldrig været bedre end i ''Orakel nat'' ... Det er Auster på de høje nagler, og ''Orakel nat'' skal - jeg mener: SKAL – læses af alle, der både vil tænke og bevæges." - Bo Kampmann Walther i Kristeligt Dagblad "Der er ikke én god fortælling, men hundredevis af små gode historier, anekdoter og dokumenter (f.eks. en side fra en polsk telefonbog fra 1937), der spejler og infilterer bogens overordnede kammerspil ... Man får fornemmelsen af at være vidne til et frydefuldt litterært trylleri. Men det er ikke bar underholdning. Under overfladen er det brændende alvor for Auster." - Karsten R. S. Ifversen i Politiken

Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior. In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . . From his baby''s-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster''s moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone''s story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

For the first time in one volume, two existential classics by internationally bestselling novelist Paul Auster. Day/Night brings together two metaphysical novels that mirror each other and are meant to be read in tandem: two men, each confined to a room, one suddenly alert to his existence, the other desperate to escape into sleep. In Travels in the Scriptorium, elderly Mr. Blank wakes in an unfamiliar cell, with no memory of who he is or how he got there. He must use the few objects he finds and the information imparted by the day''s string of visitors to cobble together an idea of his identity. In Man in the Dark, another old man, August Brill, suffering from insomnia, struggles to push away thoughts of painful personal losses by imagining what might have been. Who are we? What is real and not real? How does the political intersect with the personal? After great loss, why are some of us unable to go on? "One of America''s greats" (Time Out – Chicago) and "a descendant of Kafka and Borges," (Booklist) Auster explores in these two small masterpieces some of our most pressing philosophical concerns.

“[A] civilized discourse between two cultivated and sophisticated men. . . . It’s a pleasure to be in their company.”—Michael Dirda, The Washington Post “An extended meditation on the processes of friendship, [Here and Now] has something substantive to offer.”—The New York Times Book Review After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their delight in each other’s friendship on every page.

Interviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies

Facing his sixty-forth winter, internationally acclaimed novelist Paul Auster decides to write a journal as he sees himself aging in ways he never imagined. Compellingly written, and with dreamlike logic and urgency, the autobiographical fragments and meditations produce an extraordinary mosaic of a life. Weaving together vividly detailed stories, Auster illuminates how each small incident comes to signify a whole. Also, there are two recurring moments: one of bodily terror -- his panic attack following his mother''s death in 2002; the other of joy -- his experience watching a dance piece in 1978 which releases him from writer''s block just prior to his father''s death. It was his father''s death that began his first equally unconventional and internationally celebrated memoir, The Invention of Solitude, published thirty years ago. Now, Auster has included an unforgettable portrait of his mother. Winter Journal is a surprising and moving meditation on time, the body, the weight of memory, a long and fulfilling marriage (with author Siri Hustvedt), and language itself by one of the most interesting and elegant writers writing today, and one with a devoted following.

''I was twelve years old the first time I walked on water . . .'' So begins Mr Vertigo, the story of Walt, an irrepressible orphan from the Mid-West. Under the tutelage of the mesmerising Master Yehudi, Walt is taken back to the mysterious house on the plains to prepare not only for the ability to fly, but also for the stardom that will accompany it. At the same time a delighted race through 1920s Americana and a richly allusive parable, Mr Vertigo is a compelling, magical novel - a work of true originality by a writer at the height of his powers. ''A virtuoso piece of storytelling by a master of the modern American fable.'' The Independent

''One day there is life . . . and then, suddenly, it happens there is death.'' So begins Paul Auster''s moving and personal meditation on fatherhood. The first section, ''Portrait of an Invisible Man'', reveals Auster''s memories and feelings after the death of his father. In ''The Book of Memory'' the perspective shifts to Auster''s role as a father. The narrator, ''A'', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.

Chosen by Paul Auster out of the four thousand stories submitted to his radio programme on National Public Radio, these 180 stories provide a wonderful portrait of America in the twentieth century. The requirement for selection was that each of the stories should be true, and each of the writers should not have been previously published. The collection that has emerged provides a richly varied and authentic voice for the American people, whose lives, loves, griefs, regrets, joys and sense of humour are vividly and honestly recounted throughout, and adeptly organised by Auster into themed sections. The section composed of war stories stretches as far back as the Civil War, still the defining moment in American history; while the sequence of ''Meditations'' conclude the volume with a true and abiding sense of transcendence. The resultant anthology is both an enduring hymn to the strange everyday of contemporary American life and a masterclass in the art of storytelling.

The expanded edition of an essential collection of writings, essays, and interviews from Paul Auster, one of the finest thinkers and stylists in contemporary letters. The celebrated author of The New York Trilogy, The Book of Illusions, and 4 3 2 1 presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including his "breathtaking memoir" (Financial Times), The Invention of Solitude. Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster''s own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).

With uncompromising insight, Auster reinvents the coming-of-age story and takes readers into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power.

Originally published: New York: Henry Holt, 2003.

A Picador Paperback Original Written and directed by Paul Auster, the screenplay for The Inner Life of Martin Frost, starring David Thewlis, Irene Jacob, Michael Imperioli, and Sophie Auster. From The New York Trilogy to The Book of Illusions and 4 3 2 1, Paul Auster, one of America''s most spectacularly inventive novelists, established him as an award-winning filmmaker as well, with Smoke, Blue in the Face, and Lulu on the Bridge. Here, The Inner Life of Martin Frost brings together his talents as a novelist and filmmaker with a work that is tender, moving, and funny. Searching for solitude, the writer Martin Frost borrows a friend''s country house. Waking up one morning, he is shocked to find a nearly naked young woman beside him in bed. She also has a key to the house and claims to be the owner''s niece. Martin''s initial annoyance at Claire''s intrusion is rapidly forgotten as he falls passionately in love with her. Even when it is revealed that Claire is not who she claims to be, their idyllic passion continues—until she suddenly falls ill. The Inner Life of Martin Frost is based on an imaginary film that appears in the author''s novel The Book of Illusions. Unlike the fictional Hector Spelling''s "lost" 1946 black and white film of the same title, Auster''s luminous celebration of the mysteries of love, art, and the imagination was released in 2007.

In this rich and emotionally charged work, a man''s obsession with a silent film star sends him on a journey into a shadowy world of lies, illusions, and unexpected love.

Contains: The red notebook -- Why write? -- Accident report -- It don''t mean a thing.

The story of a manual Olympia typewriter, more than 25 years old, and the agent of transmission for the work of one of the most varied and critically acclaimed contemporary authors. Also the story of a relationship, between Auster, his typewriter, and the artist Sam Messer, who, as Auster writes, ''has turned an inanimate object into a being with a personality and a presence in the world.'' Written in Auster''s discerning prose and illustrated with Messer''s obsessive drawings and paintings, this book will stun fans and fine-book lovers alike. 30 pages in full-colour.

By turns poignant and comic, Paul Auster''s memoir is essentially an autobiography about money--and what it means not to have any. From the streets of New York and Paris to the rural roads of upstate New York, the author treats readers to a series of remarkable adventures and unforgettable encounters, as he attempts to survive on nothing. 3-color insert.

The insider''s guide and perfect companion to the new film starring Harvey Keitel, Mira Sorvino, and Vanessa Redgrave--the romantic story of two lonely, mismatched strangers, transformed into soul mates by the uncanny power of a phosphorescent stone. 40 photos.

A collection of interviews and essays in which the American writer Paul Auster reflects on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity.

Acclaimed author Paul Aster shows the reader how his short story metamorphosed into a feature film starring William Hurt, Harvey Keitel, Forest Whitaker and Stockard Channing. The book includes the short story, photos, conversations with the actors and Auster, and follows the process of a germ of an idea being brought to fruition.