Most Popular Books by Hunter S. Thompson

"Hunter S. Thompson is to drug-addled, stream-of-consciousness, psycho-political black humor what Forrest Gump is to idiot savants." --The Philadelphia Inquirer Since his 1972 trailblazing opus, Fear and Loathing on the Campaign Trail, Hunter S. Thompson has reported the election story in his truly inimitable, just-short-of-libel style. In Better than Sex, Thompson hits the dusty trail again--without leaving home--yet manages to deliver a mind-bending view of the 1992 presidential campaign--in all of its horror, sacrifice, lust, and dubious glory. Complete with faxes sent to and received by candidate Clinton''s top aides, and 100 percent pure gonzo screeds on Richard Nixon, George Bush, and Oliver North, here is the most true-blue campaign tell-all ever penned by man or beast. "[Thompson] delivers yet another of his trademark cocktail mixes of unbelievable tales and dark observations about the sausage grind that is the U.S. presidential sweepstakes. Packed with egocentric anecdotes, musings and reprints of memos, faxes and scrawled handwritten notes (Memorable." --Los Angeles Daily News "What endears Hunter Thompson to anyone who reads him is that he will say what others are afraid to (.[He] is a master at the unlikely but invariably telling line that sums up a political figure (.In a year when all politics is--to much of the public--a tendentious and pompous bore, it is time to read Hunter Thompson." --Richmond Times-Dispatch "While Tom Wolfe mastered the technique of being a fly on the wall, Thompson mastered the art of being a fly in the ointment. He made himself a part of every story, made no apologies for it and thus produced far more honest reporting than any crusading member of the Fourth Estate (. Thompson isn''t afraid to take the hard medicine, nor is he bashful about dishing it out (.He is still king of beasts, and his apocalyptic prophecies seldom miss their target." --Tulsa World "This is a very, very funny book. No one can ever match Thompson in the vitriol department, and virtually nobody escapes his wrath." --The Flint Journal

The 50th-anniversary edition of the classic, savagely comic account of a trip to Las Vegas that came to represent what happened to America in the 1960s—and a founding document of “gonzo journalism”—featuring the original artwork by Ralph Steadman and a new introduction by Caity Weaver First published in Rolling Stone magazine in 1971, Fear and Loathing in Las Vegas is told through Hunter S. Thompson’s story of an assignment he undertook with his attorney to visit Las Vegas and “check it out.” The book stands as the final word on the highs and lows of that decade, one of the defining works of our time, and a stylistic and journalistic tour de force. As Christopher Lehmann-Haupt wrote in The New York Times, it has “a kind of mad, corrosive prose poetry that picks up where Norman Mailer’s An American Dream left off and explores what Tom Wolfe left out.” This 50th-anniversary Modern Library edition features Ralph Steadman’s original drawings, a new introduction by New York Times writer Caity Weaver, and three companion pieces selected by Thompson: “Jacket Copy for Fear and Loathing in Las Vegas,” “Strange Rumblings in Aztlan,” and “The Kentucky Derby Is Decadent and Depraved.”

In 1971, the outlandish originator of gonzo journalism, Hunter S. Thompson (1937-2005) commandeered the international literary limelight with his best-selling, comic masterpiece Fear and Loathing in Las Vegas. Following his 1966 debut Hell''s Angels, Thompson displayed an uncanny flair for inserting himself into the epicenter of major sociopolitical events of our generation. His audacious, satirical, ranting screeds on American culture have been widely read and admired. Whether in books, essays, or collections of his correspondence, his raging and incisive voice and writing style are unmistakable. Conversations with Hunter S. Thompson is the first compilation of selected personal interviews that traces the trajectory of his prolific and much-publicized career. These engaging exchanges reveal Thompson''s determination, self-indulgence, energy, outrageous wit, ire, and passions as he discusses his life and work. Beef Torrey is the editor of Conversations with Thomas McGuane and co-editor of the forthcoming Jim Harrison: A Comprehensive Bibliography. Kevin Simonson has been published in SPIN, Rolling Stone, Village Voice, and Hustler.

Hunter S. Thompson was so outside the box, a new word was invented just to define him: Gonzo. He was a journalist who mocked all the rules, a hell-bent fellow who loved to stomp on his own accelerator, the writer every other writer tried to imitate. In these brutally candid and very funny interviews that range across his fabled career, Thompson reveals himself as mad for politics, which he thought was both the source of the country’s despair and, just maybe, the answer to it. At a moment when politics is once again roiling America, we need Thompson’s guts and wild wisdom more than ever.

From the bestselling author of Fear and Loathing in Las Vegas, the legendary Hunter S. Thompson’s second volume of the “Gonzo Papers” is back. Generation of Swine collects hundreds of columns from the infamous journalist’s 1980s tenure at the San Francisco Examiner. Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Dr. Thompson is at his apocalyptic best―covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP''s obsession with drugs and drug abuse; while at the same time capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, and CNN―24 hours of mainline news. Showcasing his inimitable talent for social and political analysis, Generation of Swine is vintage Thompson―eerily prescient, incisive, and enduring.

Rolling Stone''s editors compile highlights of Hunter''s illustrious career—articles he published for them in his 35-plus years as a contributor.

A collection of outrageous and brilliant interviews with the author of "Fear and Loathing in Las Vegas," selected and edited by his widow, Anita Thompson.

Features all of the zany, hallucinogenic wordplay and feral artwork for which the Hunter S. Thompson/Ralph Steadman duo became known and loved.

Sports, politics, and sex collide in Hunter S. Thompson s wildly popular ESPN.com columns. From the author of "Fear and Loathing in Las Vegas" and father of Gonzo journalism comes "Hey Rube." Insightful, incendiary, outrageously brilliant, such was the man who galvanized American journalism with his radical ideas and gonzo tactics. For over half a century, Hunter S. Thompson devastated his readers with his acerbic wit and uncanny grasp of politics and history. His reign as "The Unabomber of contemporary letters" ("Time") is more legendary than ever with "Hey Rube." Fear, greed, and action abound in this hilarious, thought-provoking compilation as Thompson doles out searing indictments and uproarious rants while providing commentary on politics, sex, and sports at times all in the same column. With an enlightening foreword by ESPN executive editor John Walsh, critics'' favorites, and never-before-published columns, "Hey Rube" follows Thompson through the beginning of the new century, revealing his queasiness over the 2000 election ("rigged and fixed from the start"); his take on professional sports (to improve Major League Baseball "eliminate the pitcher"); and his myriad controversial opinions and brutally honest observations on issues plaguing America including the Bush administration and the inequities within the American judicial system. "Hey Rube" gives us a lasting look at the gonzo journalist in his most organic form unbridled, astute, and irreverent."

The first volume of the Gonzo papers shows the brilliant, ranting observations and cultural commentary of Thompson at his best.

Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction. “California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.” Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.

Here, for the first time, is the private and most intimate correspondence of one of America''s most influential and incisive journalists--Hunter S. Thompson. In letters to a Who''s Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez--not to mention his mother, the NRA, and a chain of newspaper editors--Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.

Many had questioned the probability that Hunter S. Thompson would ever write a memoir. But the enigmatic legend of letters bucked the odds, resulting in a hilarious account of the making of the Gonzo journalist.

An almost unnaturally poignant love story from the father of “Gonzo” journalism and Fear and Loathing in Las Vegas Hunter S. Thompson. What makes the romantic short story Screwjack so touching, for all its queerness, is the aching melancholy in its depiction of the modern man''s burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Hunter S. Thompson’s most searing and unnaturally poignant love story, Screwjack is simultaneously eerie and feverish, debauched and affecting. Never before—and perhaps never since—has modern man’s melancholia been so vividly revealed in one powerful story.

Capturing the essence of Hunter S. Thompson’s “Gonzo” style, short story Mescalito details his dark and miserably comic first mescaline drug trip. First published in Songs of the Doomed, Mescalito suggests the nascent ideas and energy of Thompson’s seminal work on the ‘60s experience, Fear and Loathing in Las Vegas. "We live in a jungle of pending disasters," the author warns. Alone in a hotel room in Los Angeles in February, 1969, Thompsons’ alter-ego Duke sustains a fever-pitched bout of paranoia so dark and depraved, it would make most mortals run fast―and far―from this kind of suicidal experimentation.

The noted journalist and political and social commentator recalls significant moments in his life and in the country''s life

Enhanced by new biographical material, a visual biography collects the gonzo journalist''s photography and archives, featuring many photographs taken by Thompson himself, accompanied by writings and memorabilia.

‘We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, “I feel a bit lightheaded; maybe you should drive ...”’

The irreverent writer''s long lost novel, written before his nonfiction became popular, chronicles a journalist''s enthusiastic, drunken foray through 1950s San Juan.

From the king of “Gonzo” journalism and bestselling author who brought you Fear and Loathing in Las Vegas comes another astonishing volume of letters by Hunter S. Thompson, featuring a new introduction from award-winning author and staff writer at The New Yorker Jon Lee Anderson. Brazen, incisive, and outrageous as ever, this second volume of Thompson’s private correspondence is the highly anticipated follow-up to The Proud Highway. When that first book of letters appeared in 1997, Time pronounced it "deliriously entertaining"; Rolling Stone called it "brilliant beyond description"; and The New York Times celebrated its "wicked humor and bracing political conviction." Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado; creating the seminal road book Fear and Loathing in Las Vegas; twisting political reporting to new heights for Rolling Stone; and making sense of it all in the landmark Fear and Loathing on the Campaign Trail ''72. To read Thompson''s dispatches from these years—addressed to the author''s friends, enemies, editors, and creditors, and such notables as Jimmy Carter, Tom Wolfe, and Kurt Vonnegut—is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.

This first volume of the Fear and Loathing Letters begins with a high school essay written in 1955 - when Hunter S. Thompson was a wise (perhaps too wise) teenager in Louisville - and takes us through 1967, when the publication of Hell''s Angels made the author an international celebrity (and nearly resulted in his death). In the intervening years, Thompson''s prolific and often profound correspondence gives us an unforgettable vista of the America of the Eisenhower and Kennedy years as well as an authoritative introduction to the cultural revolution of the sixties. With a vicious eye for detail, a rude wit, and a brutal take on any and all pretenders, Thompson''s missiles pierce pomposity and rattle the soul. Whether written to his mother, Virginia, or to such luminaries as Charles Kuralt, Philip Graham, Norman Mailer, Tom Wolfe, Carey McWilliams, Lyndon Johnson, and Joan Baez, the letters represent the evolution of an American original, a singular voice defying an era of banality.