New Releases by Elizabeth McCracken

“Una specie di Tersicore” è la miniatura di un amore: una coppia di persone timidissime che si innamorano da lontano e non sanno stare vicine. “Giulietta” è il mondo visto dagli scaffali di una biblioteca: frequentatori abituali, nuovi arrivi, fatti anomali, persino un omicidio (la bibliotecaria nasconde qualcosa). In “Beni immobili” un giovane studioso in lutto per l’improvvisa scomparsa della moglie decide di riammobiliare la loro casa in affitto nel Maine. Nel sorprendente “Folgorazione”, una famiglia prende la decisione donchisciottesca di fuggire a Parigi per un’estate e dare così una scossa alla vita della ribelle figlia adolescente, che finisce comunque per fare un colpo di testa. Nove storie intrise di umorismo ed empatia, personaggi vividissimi che confermano l’unicità dello stile di Elizabeth McCracken.

Named a Top Ten Best Book of the Year by Time and People Named a Best Book of the Year by: Washington Post * Kirkus Reviews * New Yorker * Chicago Public Library * NPR * Oprah Daily * Philadelphia Enquirer A taut, groundbreaking, and highly acclaimed novel from bestselling and award-winning author Elizabeth McCracken, about a writer’s relationship with her larger-than-life mother—and about the very nature of writing, memory, and art Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she finds herself reflecting on her mother’s life and their relationship. Thoughts of the past meld with questions of the future: Back in New England, the family home is now up for sale, its considerable contents already winnowed. The narrator, a writer, recalls all that made her complicated mother extraordinary—her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties—and finds herself wondering how her mother had endured. Even though she wants to respect her mother’s nearly pathological sense of privacy, the woman must come to terms with whether making a chronicle of this remarkable life constitutes an act of love or betrayal. The Hero of This Book is a searing examination of grief and renewal, and of a deeply felt relationship between a child and her parents. What begins as a question of filial devotion ultimately becomes a lesson in what it means to write. At once comic and heartbreaking, with prose that delights at every turn, this is a novel of such piercing love and tenderness that we are reminded that art is what remains when all else falls away.

LONGLISTED FOR THE NATIONAL BOOK AWARD AND THE STORY PRIZE Award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to date In these stories, the mysterious bonds of family are tested, transformed, fractured, and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

Rentrée littéraire 2020. 1900, Massachusetts. Le gardien du cimetière de la petite ville de Salford découvre une femme inconsciente près d''une tombe. Elle n''a dans son sac qu''une boule de bowling, une quille et sept kilos d''or. Très vite secourue par le gardien et un médecin de passage, la mystérieuse Bertha Truitt décide de rester à Salford. À la surprise de tous, elle ouvre un bowling qui devient rapidement le principal point de rencontre de Salford, y compris pour les femmes. Mais quand Bertha meurt dans un terrible accident, son passé refait soudain surface. Un jeune inconnu affirme en effet être son fils et revendique l''héritage du bowling... Avec Le Bowling du Point du Jour, Elizabeth McCracken nous offre un grand roman américain, porté par une écriture malicieuse et peuplé d''excentriques aux destinées surprenantes.

The singular, enchanting debut story collection from Elizabeth McCracken, now back in print as part of Ecco’s “Art of the Story” series, and with a new introduction from the author Called “astonishingly assured” by The Guardian, the nine stories that make up Elizabeth McCracken’s debut story collection deal with oddball characters doing their very best to forge connections with those around them. In “It’s Bad Luck to Die” a woman marries an older tattoo artist and finds comfort in agreeing to act as a canvas for his most elaborate work. “Some Have Entertained Angels, Unaware” follows a young girl as she comes face to face with a cast of eccentrics her recently-widowed father has invited to live in their expansive but dilapidated home. And in the title story, a young man and his wife are perplexed when an outspoken old woman shows up on their doorstep for a visit, claiming to be a distant aunt, even though she can’t be traced on a family tree. At once captivating and offbeat, Here’s Your Hat What’s Your Hurry is a dazzling showcase of the early years of Elizabeth McCracken’s prodigious talent.

A sweeping and enchanting new novel from the widely beloved, award-winning author Elizabeth McCracken about three generations of an unconventional New England family who own and operate a candlepin bowling alley From the day she is discovered unconscious in a New England cemetery at the turn of the twentieth century—nothing but a bowling ball, a candlepin, and fifteen pounds of gold on her person—Bertha Truitt is an enigma to everyone in Salford, Massachusetts. She has no past to speak of, or at least none she is willing to reveal, and her mysterious origin scandalizes and intrigues the townspeople, as does her choice to marry and start a family with Leviticus Sprague, the doctor who revived her. But Bertha is plucky, tenacious, and entrepreneurial, and the bowling alley she opens quickly becomes Salford’s most defining landmark—with Bertha its most notable resident. When Bertha dies in a freak accident, her past resurfaces in the form of a heretofore-unheard-of son, who arrives in Salford claiming he is heir apparent to Truitt Alleys. Soon it becomes clear that, even in her death, Bertha’s defining spirit and the implications of her obfuscations live on, infecting and affecting future generations through inheritance battles, murky paternities, and hidden wills. In a voice laced with insight and her signature sharp humor, Elizabeth McCracken has written an epic family saga set against the backdrop of twentieth-century America. Bowlaway is both a stunning feat of language and a brilliant unraveling of a family’s myths and secrets, its passions and betrayals, and the ties that bind and the rifts that divide.

"From the day she is discovered unconscious in a New England cemetery at the turn of the twentieth century -- nothing but a bowling ball, a candlepin, and fifteen pounds of gold on her person --Bertha Truitt is an enigma to everyone in Salford, Massachusetts. She has no past to speak of, or at least none she is willing to reveal, and her mysterious origin scandalizes and intrigues the townspeople, as does her choice to marry and start a family with Leviticus Sprague, the doctor who revived her. But Bertha is plucky, tenacious, and entrepreneurial, and the bowling alley she opens quickly becomes Salford''s most defining landmark -- with Bertha its most notable resident. When Bertha dies in a freak accident, her past resurfaces in the form of a heretofore-unheard-of son, who arrives in Salford claiming he is heir apparent to Truitt Alleys. Soon it becomes clear that, even in her death, Bertha''s defining spirit and the implications of her obfuscations live on, infecting and affecting future generations through inheritance battles, murky paternities, and hidden wills." -- Amazon.com.

Opowiadania Elizabeth McCracken to dziewięć mocnych, intensywnych historii, zaprawionych charakterystycznym humorem, empatią oraz lirycznym stylem. Czytelnik prowadzony jest pośród kruchej przestrzeni pomiędzy miłością a samotnością. W uniwersum McCracken ból w sercu zawsze przeplata się z zaczarowanymi chwilami radości, które przypominają nam o cudzie życia. Śmiech dziecka, papuga mówiąca z okropnym francuskim akcentem to przebłyski ciepła na tle dotkliwych wydarzeń. Śmierć, kalectwo, niepokojące myśli czy przemoc - to tylko niektóre tematy, które porusza McCracken. Choć nie rozpieszcza czytelnika, podsuwając mu szczęśliwe i oczywiste zakończenia, nie sposób oderwać się od tej hipnotyzującej lektury. To cudownie ekscentryczny, poruszający i orzeźwiający zbiór opowieści ___ Oszałamiająco piękna... Genialnie poruszająca... Stale migocze w niej czysta radość i zdumiewająca magia, a cięty humor działa jak sygnał SOS – wołanie pomocy, kiedy toniesz w mgle zagubienia. – "Los Angeles Time" Piękny twór upleciony z humoru, empatii oraz unikatowej i magicznej mocy malowania słowem jest jest namacalnym dowodem na to, że proza Elizabeth McCracken powinna być uznana za wyśmienitą. – "The New York Times Reviews"

A short story by Elizabeth McCracken from the collection Reader, I Married Him: Stories inspired by Jane Eyre.

Per quale ragione «L’ho sposato, lettore mio» è una delle frasi più celebri e citate della letteratura inglese? La risposta, tutt’altro che ovvia, risiede nel capolavoro da cui è tratta: Jane Eyre (1847), la storia di un’orfana che, grazie alla sola intelligenza e caparbietà, riesce a convolare a nozze con il nobile signor Rochester. Per affermare il suo successo, e il cambiamento della propria condizione sociale, invece di dichiarare «mi ha sposata, lettore mio» – com’era da aspettarsi nella maschilista società vittoriana – Jane dice: «l’ho sposato, lettore mio». Una sfumatura nella forma verbale che ha lo scopo di rimarcare la coscienza femminile della protagonista, e quella dell’autrice Charlotte Brontë, e che si ergerà a manifesto, ispirazione e stimolo per tutte le scrittrici a venire. Quando Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di raccontare una storia ispirata a quella celebre battuta, non l’ha fatto solo per festeggiare i duecento anni della nascita di Charlotte Brontë, ma anche per ridare significato a quelle parole, per renderle di nuovo vive e attuali nella società odierna. «In alcuni racconti sono le nozze stesse a essere drammatiche, a causa di una dolorosa scheggia di vetro in Coppia mista di Linda Grant, o di un mutamento improvviso in Il matrimonio di mia madre di Tessa Hadley, o di un rapporto clandestino durante una cerimonia in Zambia, in Uomini doppi di Namwali Serpell, o di un incontro gotico nel fango della brughiera in Tenersi per mano di Joanna Briscoe», dice Chevalier. In altri, come La prima volta che vidi il tuo viso di Emma Donoghue, la frase di Jane Eyre diventa il trampolino di lancio per viaggiare indietro nel tempo, fino alla Germania di fine Ottocento, dove Miss Hall e Mary Benson, la moglie dell’arcivescovo di Canterbury, si macchiano del peccato di un amore saffico. Se in Lo scambio Audrey Niffenegger colloca Jane nel mondo contemporaneo, in un paese dilaniato dalla guerra, la penna originale ed eccentrica di Helen Dunmore si diverte a raccontare Jane Eyre dal punto di vista della governante ingelosita, mentre Tracy Chevalier – con la maestria che l’ha resa una delle scrittrici più lette e amate d’Italia, «in grado di donare il soffio della vita al romanzo storico» (Independent) – dipinge la relazione sentimentale di una coppia male assortita, «come margherite e gladioli, come pizzo e cuoio». Il risultato è una collezione di ventuno storie d’amore, diversissime per sensibilità, scrittura e intenzioni, che ruotano attorno a una medesima eroina dai mille volti: una donna determinata e coraggiosa, che combatte per vincere i pregiudizi e gli ostacoli della società. E che non ha paura di affermare la propria identità dicendo, a testa alta, con un sorriso affaticato ma fiero: io «l’ho sposato, lettore mio». Ventuno storie per celebrare Charlotte Brontë e Jane Eyre Racconti di: Tracy Chevalier, Tessa Hadley, Sarah Hall, Helen Dunmore, Kirsty Gunn, Joanna Briscoe, Jane Gardam, Emma Donoghue, Susan Hill, Francine Prose, Elif Shafak, Evie Wyld, Patricia Park, Salley Vickers, Nadifa Mohamed, Esther Freud, Linda Grant, Lionel Shriver, Audrey Niffenegger, Namwali Serpell, Elizabeth McCracken

Per festeggiare i 200 anni della nascita di Charlotte Brontë, Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di scrivere una storia ispirata alla celebre battuta di Jane Eyre: «L’ho sposato, lettore mio». Questo racconto fa parte della raccolta dedicata a Charlotte Brontë: L’ho sposato, lettore mio a cura di TRACY CHEVALIER

WINNER OF THE STORY PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY NEWSDAY NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • San Francisco Chronicle • O: The Oprah Magazine • The Miami Herald • Publishers Weekly • Kirkus Reviews Look for special features inside. Join the Random House Reader’s Circle for author chats and more. From the author of the beloved novel The Giant’s House—finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior. In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers. Praise for Thunderstruck & Other Stories “Restorative, unforgettable . . . a powerful testament to the scratchy humor and warm intelligence of McCracken’s writing.”—Sylvia Brownrigg, The New York Times Book Review (Editor’s Choice) “[A] bewitching and wise collection . . . playful, even joyful.”—O: The Oprah Magazine “Stunningly beautiful . . . brilliantly moving . . . Moments of joy and pure magic flicker and pitch-perfect humor acts as a furtive SOS signal through the fog of loss.”—Los Angeles Times “Each of Thunderstruck’s nine stories is a storm: delightful and destructive, packed with electricity, fascinating to watch unfold.”—Salon “The stories here are brilliant, funny and heartbreaking. . . . Elizabeth McCracken is a national treasure.”—Paul Harding, The Wall Street Journal “Pure delight: one lyrical, impeccably constructed sentence after another.”—Chicago Tribune “Beautifully wrought . . . As painstaking as a watchmaker, McCracken disassembles life down to its smallest parts.”—The Boston Globe

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"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child. This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don''t -- but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on. With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.

“McCracken mixes the proper amount of lunacy with exactly the right amount of sorrow. The blend is reminiscent of such late-20th-century treasures as The Accidental Tourist, The World According to Garp, or A Confederacy of Dunces.”—Denver Post The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt– the “over-tall” eleven-year-old boy who’s the talk of the town–walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who’s ever really understood her, and as he grows– six foot five at age twelve, then seven feet, then eight–so does her heart and their most singular romance. Praise for The Giant''s House “Remarkable . . . McCracken has wit and subtlety to burn, as well as an uncanny ability to tap into the sadness that runs through the center of her characters’ worlds. This book is so lovely that, when you’re reading, you’ll want to sleep with it under your pillow.”—Salon A true marvel . . . thoroughly enjoyable from its unlikely beginning to its bittersweet end. . . McCracken knows all kinds of subtle, enticing secrets of the heart and conveys them in silky, transparent language.”—San Francisco Chronicle “Lovely . . . a tribute to the quiet passion of people trapped in isolation.”—Los Angeles Times “Fascinating . . . The reader finds herself entangled, body and soul, in this tender and endlessly strange novel, which is in all senses a hymn to human growth gone haywire and to a love so big it can’t hold its own magnificent limbs upright.”—Elle “Such is the incantatory power of McCracken’s eccentric tale that by its close we are completely in the grip of its strangely conceived ardor. . . . McCracken is as original a writer as they come. . . . I fell in love.”—Daphne Merkin, The New Yorker

Purchase one of 1st World Library''s Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - One day several years ago, when Mr. Lowes Dickinson''s statement that he had found no conversation and - worse still - no conversationalists in America was fresh in our outraged minds, I happened to meet an English woman who had spent approximately the same amount of time in our country as had Mr. Lowes Dickinson. "What has been your experience?" I anxiously asked her. "Is it true that we only ''talk''? Can it really be that we never ''converse''?" "Dear me, no!" she exclaimed with gratifying fervor. "You are the most delightful conversationalists in the world, on your own subject -"

By turns graceful and knowing, funny and moving, Niagara Falls All Over Again is the latest masterwork by National Book Award finalist and author of The Giant’s House, Elizabeth McCracken. Spanning the waning years of vaudeville and the golden age of Hollywood, Niagara Falls All Over Again chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend ... and straight man to the fat guy in baggy pants who utterly transforms his life. To the paying public, Mose Sharp was the arch, colorless half of the comedy team Carter and Sharp. To his partner, he was charmed and charming, a confirmed bachelor who never failed at love and romance. To his father and sisters, Mose was a prodigal son. And in his own heart and soul, he would always be a boy who once had a chance to save a girl’s life — a girl who would be his first, and greatest, loss. Born into a Jewish family in small-town Iowa, the only boy among six sisters, Mose Sharp couldn’t leave home soon enough. By sixteen Mose had already joined the vaudeville circuit. But he knew one thing from the start: “I needed a partner,” he recalls. “I had always needed a partner.” Then, an ebullient, self-destructive comedian named Rocky Carter came crashing into his life — and a thirty-year partnership was born. But as the comedy team of Carter and Sharp thrived from the vaudeville backwaters to Broadway to Hollywood, a funny thing happened amid the laughter: It was Mose who had all the best lines offstage. Rocky would go through money, women, and wives in his restless search for love; Mose would settle down to a family life marked by fragile joy and wrenching tragedy. And soon, cracks were appearing in their complex relationship ... until one unforgivable act leads to another and a partnership begins to unravel. In a novel as daring as it is compassionate, Elizabeth McCracken introduces an indelibly drawn cast of characters — from Mose’s Iowa family to the vagabond friends, lovers, and competitors who share his dizzying journey — as she deftly explores the fragile structures that underlie love affairs and friendships, partnerships and families. An elegiac and uniquely American novel, Niagara Falls All Over Again is storytelling at its finest — and powerful proof that Elizabeth McCracken is one of the most dynamic and wholly original voices of her generation.