New Releases by Edward Marshall

Reprint of the original, first published in 1882.

The indelible deeds and actions of the men of the Volunteer Cavalry This account of the services of the famous, ''Rough Riders'' was written by Edward Marshall, a journalist of the New York Journal who accompanied the Rough Riders into battle and, indeed, was seriously wounded and incapacitated in consequence. Raised in 1898 the regiment saw action in Cuba during The Spanish-American War, though as infantry. Theodore Roosevelt (originally second in command) became its famous commanding officer. As most readers interested in this subject are aware, the original plan for the regiment was to recruit frontiersmen from the Western states, but its ranks soon attracted volunteers from the Eastern states including members of high society who were also accomplished horsemen, fine shots and keen for combat. The Rough Riders saw their share of action, but are principally remembered for their dashing assault on San Juan Hill. The affair conjured an iconic image of the emergent United States of America as it entered the world stage of politics and power in the spirit of what had formed the nation. Theodore Roosevelt became an abiding national hero. This fascinating history of The Rough Riders is accompanied in this Leonaur edition by an account of their famous charge written by Roosevelt based on his own experiences.

The Old Flute-Player is a compelling anthology that immerses readers in an exploration of the multifaceted nature of human experience through the prism of music''s universal language. The collection artfully weaves together tales that span a range of literary styles, from evocative prose to poetic musings, each piece resonating with the overarching theme of musicality and its profound influence on personal and collective identity. Amidst the rich tapestry of stories and essays, certain pieces stand out for their poignant reflections on nostalgia and creativity, inviting readers to ponder the deep connection between melody and memory. Edward Marshall and Charles Turner Dazey have curated a remarkable ensemble of works that reflect a variety of backgrounds, each contributing a unique voice to the anthology''Äôs central theme. The contributors hail from diverse literary traditions and historical contexts, their collective experiences and insights forming a mosaic that enriches the reader''s understanding of music as a transformative force. The anthology finds its place within the cultural movements that celebrate the arts, making it a timely reflection on the role of music in shaping cultural narratives and personal journeys. The Old Flute-Player is an indispensable resource for those seeking to engage with the power of music across an array of perspectives and styles. The anthology offers a valuable opportunity for readers to deepen their appreciation of the arts, and to explore the intricate dialogues established between the varied contributions within its pages. As a compendium of thoughtfully selected works, it encourages its audience to examine the interplay between past and present, fiction and reality, enriching their literary landscape with each turn of the page.

The present book offers a collection of articles and writings which detail aspects of the theme of finding meaning in suffering as a perspective available through Viktor E. Frankl''s Logotherapy and Existential Analysis. It is comprised of selected articles which illustrate dimensions of finding meaning in unavoidable suffering. --By unavoidable suffering we mean that suffering which can not be cured or lifted because it is not possible to avoid it by some means that would be otherwise the first meaningful response to it. Through meaning-centered lenses, the book intends to highlight how understanding the unfolding of meaning in our lives can be part of a historical and biographical exploration; how Viktor Frankl himself experienced and responded to suffering in his life; how his system of meaning-centered psychotherapy responds to aspects of suffering universally confronting humanity; and how, through the freedom of will of each individual, a unique and meaningful answer can be searched for, found, and actualized.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1899 Edition.

No matter where you are in your career, you''ve probably dealt with some form of organizational change. Change can be a frightening prospect, and if you do not handle it correctly, it can lead to derailment. To be a successful leader, you must learn to adapt to a wide variety of situations, opportunities, and environments. This guidebook will show you how change affects you, your thoughts, and your emotions. It will give you tools and strategies that will allow you to take action not just to survive change, but to thrive in it.

If one wants to begin to understand the GULAG, he would read anyone of at least 131 books such as; - My twenty-two prisons and My Escape from Solovetski, 1929, by Bezonov, Eliuriai Dimitrevich - Red Gaols, a Woman''s Experiences in Russian Prisons, 1935, by author did not want to be identified. - Prisoner of the OGPU, 1935, by Kitechin, George. - An Account of the Construction of the New Canal between the White Sea and the Baltic Sea, 1935, by Maxim Gorky, and 30 writers. Many people refer to the book The Gulag Archipelago, 1974, by Solzenitsyn, I., as "the" book on the GULAG partly from his experience and research thereof. The author started with a simple expression written about John W. Adkins: "He left home at an early age, and never returned home age". There was literally no information about him. Most people, familiar with my work, have been totally amazed at the amount of the information, documents, obtained by the author from the archives on one individual. After many years of work, the author did not want to leave this material to just a research project sitting on the bookshelf.

Starring in the school play means hard work, and being left in charge means keeping the class under control. Fox thinks there''s nothing to it. And, when he''s put to the test, will Fox retreat? Never! Full color.

Fox is all ready for another exciting week. Will he get to go on a field trip, play games, and read books? Or will he have to eat tuna and wear a tie? The inimitable Fox has a different adventure for every day of the week in this Easy-to-Read paperback picture book.

Hoping to scare away Spider''s little brother, Willy, Lolly, Spider, and Sam each tell a spooky story—but then Willy has a story of his own to tell!

For use in schools and libraries only. For children who are ready for longer sentences and more lines of print per page. These stories are richer and include a growing vocabulary.

Illustrated by the Caldecott Honor winner James Marshall, this Halloween story is sure to entertain! When the thing from outer space visits earth, it is taken first for a trick-or-treater and then for a robot in this hilarious picture book.

In three separate episodes Fox wants to play with his friends, but duty, in one form or another, always interferes.

Mom is cramping Fox''s style. First he has to babysit for his little sister Louise. Then he has to do the shopping. Can Fox do it all and still remain the fastest fox on wheels? Gangway!

Fox is on a roll in the love department. First he falls for Raisin, then for Millie, Rosa, Lola—and then Raisin again. Can Fox handle this much love?

Starring in the school play means hard work, and being left in charge means keeping the class under control. Fox thinks there''s nothing to it. And, when he''s put to the test, will Fox retreat? Never!

Three friends relax after their picnic lunch by each telling his or her best story.