New Releases by DuBose Heyward

Porgy is a novel written by the American author DuBose Heyward and published by the George H. Doran Company in 1925. The novel tells the story of Porgy, a crippled street beggar living in the black tenements of Charleston, South Carolina, in the 1920s. The character was based on Charlestonian Samuel Smalls.[1] In some of the novel''s passages, black characters speak in Gullah, a creole language that had developed among enslaved African Americans during the slavery years on the Sea Islands. The novel was adapted for a 1927 play of the same name by Heyward and his wife, playwright Dorothy Heyward. Even before completing the play, Heyward was in discussions with composer George Gershwin for an operatic version of his novel. This was produced in 1935 as Porgy and Bess (renamed to distinguish it from the play. (wikipedia.org)

Mother Cottontail''s twenty-one children learn to take care of their home and each other so she can do a very important job: Delivering Easter eggs to children around the world!

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The country bunny''s twenty-one children help her to become an Easter Bunny.

DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson''s introduction relates aspects of Heyward''s life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward''s poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward''s fiction includes the stories "The Brute" and The Half Pint Flask and excerpts from the novels Porgy, Mamba''s Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses.

This classically illustrated picture book shows a sun-drenched slice of life for a family in the Southern countryside, inspired by the folk opera Porgy and Bess. A black family soaks up the sun, splashing in the pond, baking apple pie, and raising their voices in song at church.

Performances of the New York Production of "Porgy and Bess", presented by Peter Klien and Andrew McKinnon, directed by Will Roberson, choreography by Kevin Jeff, music directors: Richard Cordova and Stefan Kozinski, conductors: Richard Cordova and Stefan Kozinski, scenic design by James Fouchard, lighting design by John McLain, costume design by Candace Donnelly [sic], additional costume design by Yolan Pinter, producers: Peter Klien and William McKinnon - program list numerous cast members, main performers are: Stephen Finch, Brian R. Gibson, Alvy Powell, Samuel Stevenson, Elizabeth Graham, La-Rose Saxon, Jerris Cates, Karen Wilbanks and Cedric Cannon.

The unbeatable Gershwin melodies and rhythms provide great rewards for duo pianists! This arrangement by Percy Grainger sends one great tune flying to another and another, creating a fantasy-like medley. This is a full-bodied work for accomplished pianists, and a wonderful treat for discriminating performers and audiences.

Booklet issued to accompany the recording of the 1976 production.

Letter (1940 June 9) from Heyward in Hendersonville (N.C.) to Robert N.S. Whitelaw in Charleston (S.C.) mainly concerns Heyward''s salary for lecturing at the acting school at the Dock Street Theatre (Charleston, S.C.); and a letter (n.d.) from Heyward to Whitelaw expresses sympathy for a financial "mess" and asks "why does the theatre have to breed so many litters of headaches?"

Artist turns commercial due to wife''s urging and must conquer inner conflict.

A novel about South Carolina before the Civil War.