Best Selling Books by Christopher Hitchens

Whether you''re a lifelong believer, a devout atheist, or someone who remains uncertain about the role of religion in our lives, this insightful manifesto will engage you with its provocative ideas. With a close and studied reading of the major religious texts, Christopher Hitchens documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope''s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix. In the tradition of Bertrand Russell''s Why I Am Not a Christian and Sam Harris''s The End of Faith, Christopher Hitchens makes the ultimate case against religion.

"Just as the necessary qualification for a good liar is a good memory, so the essential equipment of a would-be lie detector is a good timeline, and a decent archive." In No One Left to Lie To, a New York Times bestseller, Christopher Hitchens casts an unflinching eye on the Clinton political machine and offers a searing indictment of a president who sought to hold power at any cost. With blistering wit and meticulous documentation, Hitchens masterfully deconstructs Clinton''s abject propensity for pandering to the Left while delivering to the Right, and he argues that the president''s personal transgressions were ultimately inseparable from his political corruption. Hitchens questions the president''s refusals to deny accusations of rape by reputable women and lambasts, among numerous impostures, his insistence on playing the race card, the shortsightedness of his welfare bill, his ludicrous war on drugs, and his abandonment of homosexuals in the form of the Defense of Marriage Act. Opportunistic statecraft, crony capitalism, "divide and rule" identity politics, and populist manipulations-these are perhaps Clinton''s greatest and most enduring legacies.

#1 New York Times bestselling author and finalist for the National Book Award — one of the most admired and controversial public intellectuals of our time — shares his personal life story. Most who have observed Christopher Hitchens over the years would agree that he possesses a ferocious intellect and is unafraid to tackle the most contentious subjects. Now 60, English-born and American by adoption; all atheist and partly Jewish; bohemian (even listing "drinking" along with "disputation" as "hobbies" in Who''s Who), he has held to a consistent thread of principle whether opposing war in Vietnam or supporting intervention in Iraq. As a foreign correspondent in some of the world''s nastiest places, a lecturer and teacher and an esteemed literary critic, Hitchens manifests a style that is at once ironic, witty, and tough-minded. A legendary bon vivant with an unquenchable thirst for literature, he has sometimes ridiculed those who claim that the personal is political, though he has often seemed to illustrate that very idea. Readers will find that his own many opposites attract, as do his many sketches of friendship and ex-friendship, from Martin Amis to Noam Chomsky. Condemned to be able to see both sides of any argument, Christopher Hitchens has contradictions that contain their own multitudes.

''For the sake of argument, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.''. The global turmoil of the last few years has severely tested every analyst and commentator. Few have written with such insight as Christopher Hitchens about the large events - or with such discernment and with about the small tell-tale signs of a disordered culture. For the Sake of Argument ranges from the political squalor of Washington, as a beleaguered Bush administration seeks desperately to stave off disaster and Clinton prepares for power, to the twilight of Stalinism in Prague; from the Jewish quarter of Damascus in the aftermath of the Gulf War to the embattled barrios of Central America and the imperishable resistance of Saralevo, as a difficult peace is negotiated with ruthless foes. Hitchens'' unsparing account of Western realpolitik in the end shows it to rest on delusion as well as deception. The reader will find in these pages outstanding essays on political asassination in America as well as a scathing review of the evisceration of politics by pollsters and spin-doctors. Hitchens'' knowledge of the tortuous history of revolutions in the twentieth century helps him to explain both the New York intelligentsia''s flirtation with Trotskyism and the frailty of Communist power structures in Eastern Europe. Hitchens'' pointed reassessments of Graham Greene, P.G. Wodehouse and C.L.R. James, or his riotous celebration of drinkiny and smoking, display an engaging enthusiasm and an acerbic wit. Equally entertaining is his unsparing rogues'' gallery, which gives us unforgettable portraits of the lugubrious ''Dr''Kissinger, the comprehensively reactionary ''Mother'' Teresa, the preposterous Paul Johnson and the predictable P.J. O''Rourke.

Journalist Christopher Hitchens examines events leading up to the partition of Cyprus and its legacy. He argues that the intervention of four major foreign powers Turkey, Greece, Britain, and the United States turned a local dispute into a major disaster. In a new Afterword, Hitchens reviews the implications of Cyprus''s applications for European Union membership and more.

On June 8, 2010, while on a book tour for his bestselling memoir, Hitch-22, Christopher Hitchens was stricken in his New York hotel room with excruciating pain in his chest and thorax. As he would later write in the first of a series of award-winning columns for Vanity Fair, he suddenly found himself being deported "from the country of the well across the stark frontier that marks off the land of malady." Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis. Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this riveting account of his affliction, Hitchens poignantly describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of death. Mortality is the exemplary story of one man''s refusal to cower in the face of the unknown, as well as a searching look at the human predicament. Crisp and vivid, veined throughout with penetrating intelligence, Hitchens''s testament is a courageous and lucid work of literature, an affirmation of the dignity and worth of man.

"All first-rate criticism first defines what we are confronting," the late, great jazz critic Whitney Balliett once wrote. By that measure, the essays of Christopher Hitchens are in the first tier. For nearly four decades, Hitchens has been telling us, in pitch-perfect prose, what we confront when we grapple with first principles-the principles of reason and tolerance and skepticism that define and inform the foundations of our civilization-principles that, to endure, must be defended anew by every generation. "A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts. Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan. Hitchens''s directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.

"This debate appeared originally in Christianity today, and is re-printed in this format with permission"--T.p. verso.

The Elgin Marbles, designed and executed by Phidias to adorn the Parthenon, are some of the most beautiful sculptures of ancient Greece. In 1801 Lord Elgin, then British ambassador to the Turkish government in Athens, had pieces of the frieze sawn off and removed to Britain, where they remain, igniting a storm of controversy which has continued to the present day. In the first full-length work on this fiercely debated issue, Christopher Hitchens recounts the history of these precious sculptures and forcefully makes the case for their return to Greece. Drawing out the artistic, moral, legal and political perspectives of the argument, Hitchens''s eloquent prose makes The Elgin Marbles an invaluable contribution to one of the most important cultural controversies of our times.

"I did not, I wish to state, become a journalist because there was no other ''profession'' that would have me. I became a journalist because I did not want to rely on newspapers for information." Love, Poverty and War: Journeys and Essays showcases America''s leading polemicist''s rejection of consensus and cliché whether he''s reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.

''Thomas Carlyle wrote of his Cromwellthat he had had to drag him out from under a mound of dead dogs and offal before being able to set him up as a figure worthy of biography. This is not a biography, but I sometimes feel as if George Orwell requires extricating from under a pile of saccharine tablets and moist hankies . . .'' There can be few writers in the world today with a better claim to have inherited Orwell''s role than Christopher Hitchens with his unique ability to spot bullshit and enrage those in power. Orwell''s Victoryis a spectacularly written, aggressive, brilliant defence of one of the handful of modern writers whose view of the world has become if anything even more essential in the half century since his death.

The seminal, uncollected essays—lauded as “dazzling” (The New York Times Book Review)—by the late Christopher Hitchens, author of the #1 New York Times bestseller God Is Not Great, showcase the notorious contrarian’s genius for rhetoric and his sharp rebukes to tyrants and the ill-informed everywhere. For more than forty years, Christopher Hitchens delivered essays to numerous publications on both sides of the Atlantic that were astonishingly wide-ranging and provocative. His death in December 2011 from esophageal cancer prematurely silenced a voice that was among the most admired of contemporary voices—writers, readers, pundits and critics the world over mourned his loss. At the time of his death, Hitchens left nearly 250,000 words of essays not yet published in book form. “Another great book of essays from a writer who we wish were still alive to produce more copy” (National Review), And Yet… ranges from the literary to the political and is a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Orhan Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written, yielding “a bounty of famous scalps, thunder-blasted targets, and a few love letters from the notorious provocateur-in-chief’s erudite and scathing assessments of American culture” (Vanity Fair). Often prescient, always pugnacious, formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, he remains, “America’s foremost rhetorical pugilist” (The Village Voice).

A celebration of Percy Shelley''s assertion that ''poets are the unacknowledged legislators of the world'', these thirty-plus essays on writers from Oscar Wilde to Salman Rushdie dispel the myth of politics as a stone tied to the neck of literature; Norman Podhoretz''s ''bloody crossroads''. Instead Hitchens argues that when all parties in the state were agreed on a matter, it was the individual pens that created the space for a true moral argument.

In this unique biography of Thomas Jefferson, leading journalist and social critic Christopher Hitchens offers a startlingly new and provocative interpretation of our Founding Father. Situating Jefferson within the context of America''s evolution and tracing his legacy over the past two hundred years, Hitchens brings the character of Jefferson to life as a man of his time and also as a symbolic figure beyond it. Conflicted by power, Jefferson wrote the Declaration of Independence and acted as Minister to France yet yearned for a quieter career in the Virginia legislature. Predicting that slavery would shape the future of America''s development, this professed proponent of emancipation elided the issue in the Declaration and continued to own human property. An eloquent writer, he was an awkward public speaker; a reluctant candidate, he left an indelible presidential legacy. Jefferson''s statesmanship enabled him to negotiate the Louisiana Purchase with France, doubling the size of the nation, and he authorized the Lewis and Clark expedition, opening up the American frontier for exploration and settlement. Hitchens also analyzes Jefferson''s handling of the Barbary War, a lesser-known chapter of his political career, when his attempt to end the kidnapping and bribery of Americans by the Barbary states, and the subsequent war with Tripoli, led to the building of the U.S. navy and the fortification of America''s reputation regarding national defense. In the background of this sophisticated analysis is a large historical drama: the fledgling nation''s struggle for independence, formed in the crucible of the eighteenth-century Enlightenment, and, in its shadow, the deformation of that struggle in the excesses of the French Revolution. This artful portrait of a formative figure and a turbulent era poses a challenge to anyone interested in American history -- or in the ambiguities of human nature.

"Hitchens presents a George Orwell fit for the twenty-first century." --Boston Globe In this widely acclaimed biographical essay, the masterful polemicist Christopher Hitchens assesses the life, the achievements, and the myth of the great political writer and participant George Orwell. True to his contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture toward which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell''s moral outlook remains indispensable in a world that has undergone vast changes in the seven decades since his death. Combining the best of Hitchens'' polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world.

Thomas Paine''s "Rights of Man" has been celebrated, criticized, maligned, suppressed, and co-opted, but Hitchens marvels at its forethought and revels in its contentiousness. In this book, he demonstrates how Paine''s book forms the philosophical cornerstone of the U.S.

From bestselling author and provocateur Christopher Hitchens, the classic guide to the art of principled dissent and disagreement In Letters to a Young Contrarian, bestselling author and world-class provocateur Christopher Hitchens inspires the radicals, gadflies, mavericks, rebels, and angry young (wo)men of tomorrow. Exploring the entire range of "contrary positions"—from noble dissident to gratuitous nag—Hitchens introduces the next generation to the minds and the misfits who influenced him, invoking such mentors as Emile Zola, Rosa Parks, and George Orwell. As is his trademark, Hitchens pointedly pitches himself in contrast to stagnant attitudes across the ideological spectrum. No other writer has matched Hitchens''s understanding of the importance of disagreement—to personal integrity, to informed discussion, to true progress, to democracy itself.

Christopher Hitchens''s personally curated New York Times bestselling anthology of the most influential and important writings on atheism, including original pieces by Salman Rushdie and Ian McEwan From the #1 New York Times best-selling author of God Is Not Great, a provocative and entertaining guided tour of atheist and agnostic thought through the ages--with never-before-published pieces by Salman Rushdie, Ian McEwan, and Ayaan Hirsi Ali.Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices--past and present--that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you''ll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they''re all set in context and commented upon as only Christopher Hitchens--"political and literary journalist extraordinaire" (Los Angeles Times)--can. Atheist? Believer? Uncertain? No matter: The Portable Atheist will speak to you and engage you every step of the way.

In 2007, Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett filmed a landmark discussion about modern atheism. The video went viral. Now in print for the first time, the transcript of their conversation is illuminated by new essays from three of the original participants and an introduction by Stephen Fry. At the dawn of the new atheist movement, the thinkers who became known as “the four horsemen,” the heralds of religion''s unraveling—Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett—sat down together over cocktails. What followed was a rigorous, pathbreaking, and enthralling exchange, which has been viewed millions of times since it was first posted on YouTube. This is intellectual inquiry at its best: exhilarating, funny, and unpredictable, sincere and probing, reminding us just how varied and colorful the threads of modern atheism are. Here is the transcript of that conversation, in print for the first time, augmented by material from the living participants: Dawkins, Harris, and Dennett. These new essays, introduced by Stephen Fry, mark the evolution of their thinking and highlight particularly resonant aspects of this epic exchange. Each man contends with the most fundamental questions of human existence while challenging the others to articulate their own stance on God and religion, cultural criticism, spirituality, debate with people of faith, and the components of a truly ethical life. Praise for The Four Horsemen “This bracing exchange of ideas crackles with energy. It’s fascinating to watch four first-class minds explore a rugged intellectual terrain. . . . The text affords a different, more reflective way of processing the truly vital exchange of ideas. . . . I commend the book to those seeking an honest reckoning with their religion—and those curious about how the world looks from a rigorously naturalistic and atheistic point of view.”—Pittsburgh Post-Gazette “The full, electrifying transcript of the one and only conversation between the quartet of luminaries dubbed the ‘four horsemen’ of the New Atheism, which took place in Washington, D.C., in 2007. Among the vast range of ideas and questions they discuss: Is it ever possible to win a war of ideas? Is spirituality the preserve of the religious? And, are there any truths you would rather not know?”—The Bookseller (UK) (starred review)

As the Duke and Duchess of Sussex bring renewed focus to the monarchy, now is the perfect time to re-examine Christopher Hitchens’s powerful polemic. In this scathing essay, Christopher Hitchens looks at the relationship of the press and the public to the royal family, unpacking the tautology and contradictory arguments that prop it up. In his inimitable style, Hitchens argues that our desire not to profane or disturb the monarchy is a failure of reason and a confusion of reality. Fealty to the magic of monarchy stops us looking objectively at our own history and hinders open-minded criticism of our present. It is time we outgrew it. With the recent birth of royal baby Archie, during a time of austerity and national inequality, Hitchens’s 10,000-word critique is even more relevant today than when it was first published in 1990. ''Christopher is one of the most terrifying rhetoricians that the world has yet seen'' Martin Amis

Hitchens examines the dynamics of the relationship between America and Britain--the political ties and its many cultural manifestations--and explains why it still persists.

This selection of interviews showcases the remarkable career of one of this generation’s greatest and most divisive thinkers—featuring a foreword by Stephen Fry. “ . . . pulls together some of Hitchens’s greatest dialogues, each sparkling with intelligence and wit.” —New York Times Book Review If someone says I’m doing this out of faith, I say, Why don’t you do it out of conviction? One of his generation’s greatest public intellectuals, and perhaps its fiercest, Christopher Hitchens was a brilliant interview subject. This collection—which spans from his early prominence as a hero of the Left to his controversial support for the wars in Iraq and Afghanistan toward the end of his life—showcases Hitch’s trademark wit on subjects as diverse as his mistrust of the media, his love of literature, his dislike of the Clintons, and his condemnation of all things religious. Beginning with an introduction and tribute from his longtime friend Stephen Fry, this collection culminates in Hitchens’s fearless final interview with Richard Dawkins, which shows a man as unafraid of death as he was of everything in life.

In The Trial of Henry Kissinger, Christopher Hitchens shifts focus from Pinochet, Milosevic, Hussein, and Kim Jong-il to a man seemingly lauded and revered by the American people for what are undeniably war crimes: Henry Kissinger. Forget the regular cadre of war criminals that pollute our news headlines day in and day out; we need look no further than America''s own celebrated leaders for a war criminal whose offenses rival those of the most heinous dictators in recent history: Henry Kissinger. Employing evidence based on firsthand testimony, unpublished documents, and new material uncovered by the Freedom of Information Act, and using only what would hold up in international courts of law, The Trial of Henry Kissinger outlines worldwide atrocities authorized by the former secretary of state—among them "conspiracy to commit murder, kidnap, and torture." With the precision and tenacity reminiscent of a prosecutor presenting his case, Hitchens offers readers an unrepentant, honest portrait of Kissinger, and implores governments around the world, including our own, to swiftly bring him to justice.

Three of the most provocative and thought-provoking works of the great Christopher Hitchens, now available in one volume. god Is Not Great This provocative international bestseller is the ultimate case against religion. In a series of acute readings of the major religious texts, Christopher Hitchens demonstrates the ways in which religion is man-made, dangerously sexually repressive and distorts the very origins of the cosmos. Above all, Hitchens argues that the concept of an omniscient God has profoundly damaged humanity, and proposes that the world might be a great deal better off without ''him''. Hitch-22 The hilarious and provocative bestselling memoirs of our greatest contrarian are by turns, moving and funny, charming and infuriating, enraging and inspiring. It is an indispensable companion to the life and thought of our pre-eminent political writer. Arguably For forty years, Christopher Hitchens was at the epicentre of the battle of letters in Britain & America. Throughout his life he shone the light of reason and truth into the eyes of charlatans and hucksters, exposing falsehood and decrying hypocrisy wherever he found it. Arguably collects Hitchens'' writing on politics, literature and religion when he was at the zenith of his career.

Intellectual juggernaut and staunch atheist Christopher Hitchens goes head-to-head with former British Prime Minister Tony Blair, one of the Western world’s most openly devout political leaders, on the highly charged topic of religion. Few world leaders have had a greater hand in shaping current events than Blair; few writers have been more outspoken and polarizing than Hitchens. In this edition of The Munk Debates -- Canada’s premier international debate series -- Hitchens and Blair square off on the contentious questions that continue to dog the topic of religion in our globalized world: How does faith influence our actions? What is the role of people of faith in the public sphere? Is religious doctrine rigid, or should we allow for flexibility in our interpretations? This exclusive debate, which played out to a sold-out audience, is now available in print form, along with candid interviews with Hitchens and Blair. Sharp, provocative, and thoroughly engrossing, Hitchens vs. Blair is a rigorous and electrifying intellectual sparring match on the oldest question: Is religion a force for good in the world?

In this outstanding collection, essayist Christopher Hitchens''s works are shared–a must-have for Hitchens completists seeking a further understanding of his brilliant mind. Anthologized here for the first time, A Hitch in Time is a choice selection of Christopher Hitchens’s finest reviews, diary entries, and essays–along with a smattering of ferocious letters. A Hitch in Time is a banquet of entertaining stories ranging from his thoughts on Salman Rushdie to being spanked by Margaret Thatcher in The House of Lords, and the night he took his son to the Oscars. Along with an introduction by James Wolcott, A Hitch in Time recaptures the brilliance of Hitchens–barnstorming, cauterizing, and ultimately uncontainable.

For half a century, the United Nations building in New York has been the focus of international inspiration. Its podium has seen petitioners for peace, for independence, for justice. Its murals and statuary express the loftiest ideals. Born of World War II and the struggle against fascism, the UN has been the parent body of many small states, and an arena for the peaceful composition of disputes between the powers. Yet, under its flag, wars have been fought and imperfect compromises brokered. The high language of its universal declarations on human rights and dignities has become cheapened by cynicism. Its servants and institutions have been exposed to decay and corruption. Meanwhile, the filiations of power and alignment which created the world body have been radically altered, while the hierarchy of the UN itself has not. These and other ironies and contradictions are visible in the Headquarters Building on the East River of Manhattan.a building that enshrined the most optimistic elements of modernism in design and symbolized them in function but which was also, from the first, an occasion of dispute between the Rockefellers and Le Corbusier and thus, indirectly, between two conceptions of world order. In a series of photographs, Adam Bartos affirms the beauty of the UN.s modern architecture, while capturing the wear and tear of an idealism thwarted by decades of diplomatic compromise. The text, by Christopher Hitchens, explores the themes of utopia and the limits of governmental good intentions. In a striking series of colour photographs, Adam Bartos affirms the beauty of the UN.s modern architecture while capturing the wear and tear of an idealism thwarted by decades of diplomatic compromise. The accompanying text, written with characteristic wit and acuity by Christopher Hitchens, explores the themes of Utopia and the limits of governmental good intentions.

''I suppose that, if this collection has a point, it is the desire of one individual to see the idea of confrontation kept alive'' -- Christopher Hitchens Christopher Hitchens is widely recognized as having been one of the liveliest and most influential of contemporary political analysts. Prepared for the Worst is a collection of the best of his essays of the 1980s published on both sides of the Atlantic. These essays confirmed his reputation as a bold commentator combining intellectual tenacity with mordant wit, whether he was writing about the intrigues of Reagan''s Washington, a popular novel, the work of Tom Paine, the man George Orwell, or reporting (with sympathy as well as toughness) from Beirut or Bombay, Warsaw or Managua. Hitchens writes clearly, from a well-stocked mind, and is free of the cant that affects many political journalists. - Publishers Weekly

De politieke gebeurtenissen op Cyprus vooral rond de Turkse militaire invasie in 1974

Waar de journalist Christopher Hitchens ook optreedt, er is rumoer. Hij zoekt de controverse op, neemt geen blad voor de mond, en gaat alle hypocrisie te lijf. Hij is een beruchte bon-vivant en staat bekend om zijn liefde voor literatuur en alcohol. Als buitenlandcorrespondent verbleef hij op de gevaarlijkste plekken ter wereld. Deze militante atheïst en bohemien werpt op elk onderwerp dat hij aansnijdt een nieuw en onverwacht licht. Of hij nu schrijft over de oorlog in Vietnam, de seksuele escapades op Engelse jongensinternaten, Bob Dylan of de interventie in Irak, zijn oorspronkelijke geest weet steeds weer verbanden bloot te leggen die het onderwerp losweken van elke gemeenplaats. In Hitch 22 maakt deze criticaster met het vlijmscherpe intellect je deelgenoot van zijn levensgeschiedenis, een geschiedenis van uitersten.

The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens. The opening of the New Acropolis Museum emphatically trumps the British Museum''s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.

This title brings together Hitchens'' most vigorous and memorable interventions in the debate that followed publication of ''God is Not Great'', including ''Why Religion Poisons Everything'', ''Is Islam a Religion of Peace?'' and ''The Tyranny of Censorship''. It also includes celebrations of the pleasures of drinking, and of the writers whose lives and work most influenced his own. No matter the subject, all of Hitchens'' arguments ultimately point to the same end: freedom from tyranny in any and all forms.

Explores the special relationship between the United States and Great Britain