Most Popular Books by Bruno MUNARI

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children’s books, advertising, cars and chairs – these are just some of the subjects to which he turns his illuminating gaze.

This quirky handbook of Italian gestures, first published in 1958 by renowned Milanese artist and graphic designer Bruno Munari, will help the phalange-phobic decipher the unspoken language of gestures--a language not found in any dictionary. Photos.

In this imaginative ABC, acclaimed artist, designer and children''s author, Bruno Munari shows how fun letters can be. From an Ant on an Apple to a Blue Butterfly to a Cat in a Cage, Munari pairs words in whimsical ways until Fly frees itself from its page, lands on the Hat, buzzes near the Ice Cream and provides the final sound for Zzzzz.

A long-overdue English translation of Munari''s seminal tract on the everyday value of architecture and design education The first ever English translation of Bruno Munari''s Design and Visual Communication(1968) fills a gap in Munari''s output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life. Published in 1968 after Munari was invited to the Carpenter Center at Harvard as a successor to György Kepes, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow''s world. Accompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari''s call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published. Bruno Munari(1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

Introduces a number of animals at the zoo.

A playful and vibrant guide to drawing the sun In Drawing the Sun, Bruno Munari suggests: "When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ballpoint pens--you can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn."

Bruno Munari investigates the design elements of the square and its use in designs as diverse as churches, monuments, games and fonts. He investigates the meaning of the square as the idea of enclosure, home and settlement as well as the interesting permutations that can be achieved from the monotonous repetition of four sides.

For Drawing a Tree, Bruno Munari proposes: "When drawing a tree, always remember that every branch is more slender than the one that came before. Also note that the trunk splits into two branches, then those branches split in two, then those in two, and so on, and so on, until you have a full tree, be it straight, squiggly, curved up, curved down, or bent sideways by the wind."

Bruno Munari (1907-98) was an artist & graphic designer who transformed childlike impulses into effective design. 490 illustrations

Artwork by Bruno Munari.

In the early 1960s Italian design legend Bruno Munari published his visual case studies on shapes: Circle, Square, and, a decade later, Triangle. Using examples from ancient Greece and Egypt, as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari invests the three shapes with specific qualities: the circle relates to the divine, the square signifies safety and enclosure, and the triangle provides a key connective form for designers. One of the great designers of the twentieth century, Munari contributed to the fields of painting, sculpture, design, and photography while teaching throughout his seventy-year career. After World War II he began to focus on book design, creating children''s books known for their simplicity and playfulness.

The journey of a birthday gift and the different means of transport it must use to reach its destination. But what''s inside? Again, a tale that winds through pages of different sizes.

Text and photographs introduce a variety of stones and suggest pictures to paint on them.

This is the third book in the series created by Munari in 1945. It is a lively book where illustrations and short sentences chase one another across large coloured pages and small hidden inserts. As often happens in real life, animals dream of being other animals in a humorous and entertaining circle.

In 1942, the artist, writer, product designer, architect, graphic designer, illustrator, educator and philosopher Bruno Munari created an enormously successful and utterly charming book called Le Macchine di Munari. Faithfully reprinted here, it contains instructions for building the most fantastical of mechanical structures, including a machine for taming alarm clocks, a lizard-driven engine for tired tortoises, a mechanism for sniffing artificial flowers, a humiliator for mosquitoes, a machine for playing the pipe even when you are not home, a machine for seeing the dawn before anyone else and a tail wagger for dogs.

Along with the circle and the square, the equilateral triangle is one of the three basic forms, and is suitable to be combined in modular frameworks to generate a structured field in which endless other combinatorial forms may be constructed.

This children''s book was written and drawn by Munari in 1958. It tells the story of a frog named Romilda whose love of jumping from one thing to another leads her into a series of unlikely and entertaining adventures ...

Tiré du site Internet de Corraini: ""It''s mother''s day, it''s father''s day, today is spring, it''s little brother''s first birthday, the next-door neighbour gets married ! Every occasion is good to offer a flower. [...] But what really matters is the love with which a little daisy, a lavender sprig or some moss are chosen, that one there in particular and not that other one." (From the text) The creation of floral arrangements aims to transmit a message through a life (the plant) which is expression of silence. The one who gives and receives a flower should be able to compose and interpret this living silence, that tries to express life through another type of life. It''s not meant to be a difficult or intricate purpose, but on the contrary a natural gesture which doesn''t need money but love and inventiveness. Munari shows here many examples of such an inventiveness, not to be merely copied but as a suggestion to freely invent many other ones. The series "workshop", which is focused on the imagination and the active involvement of children and adults, includes now a new book."

An alphabet book by this graphic designer.