New Releases by Audrey Niffenegger

Clare kaj Henry renkontas sin la unuan fojon kiam ŝi aĝas ses kaj li - tridek ses. Ĉe la geedziĝo, ŝi tamen estas dudek du jarojn aĝa, dum li - tridek. Tio eblas nur ĉar Henry moviĝas en la tempo malsame ol ni ĉiuj.

Henry DeTamble lider af en sjælden genetisk sygdom, der gør, at han rejser frem og tilbage i tiden uden selv at have kontrol over det. I løbet af sine tidsrejser møder han pigen Clare, hvis liv han igen og igen glider ind og ud af. Clare følger med tiden ligesom alle andre, mens Henrys kaotiske tilstand gør, at han aldrig ved, om den Clare, han støder på, overhovedet har mødt ham endnu. "Den tidsrejsende kvinde" blander på uforlignelig vis den psykologiske roman med science fiction og krydrer det hele med en god portion romantik. Bogen blev en bestseller i Audrey Niffeneggers hjemland, USA, og er sidenhen blevet oversat til en lang række fremmedsprog. Bogen er tidligere filmatiseret og er blevet lavet til serie i 2022. Aubrey Niffenegger (f. 1963) er en amerikansk forfatter, kunstner og akademiker. Hun debuterede som forfatter i 2003 med romanen "Den tidsrejsendes kvinde", som opnåede enorm succes i store dele af verden. Ved siden af arbejdet som forfatter har Audrey Niffenegger en blomstrende akademisk karriere blandt andet som professor på Columbia College i Chicago.

Levantam-se as cortinas para que aclamados autores e artistas prestem tributo ao legado de Ray Bradbury, um dos maiores escritores de ficção científica de todos os tempos. Criaturas sinistras que espreitam na escuridão! Desaparecimentos misteriosos! Dinossauros! Autômatos que se confundem com seres humanos! Visitantes do espaço sideral! Estranhas visões de outros mundos! Tudo isso e muito mais neste grande espetáculo cheio de assombro, magia e aventura. Vencedora do prêmio Bram Stoker de melhor graphic novel de 2016!

Tegneserie - graphic novel. A quirky, irreverent collection that celebrates and satirizes love of all kinds. With thirteen different vignettes about love, loss, fairies, misbehaviour, regret, wanton wrongheadedness, cats, supernatural exterminators, spies, ghosts, more cats, more fairies, and a handful of ex-boyfriends

Per quale ragione «L’ho sposato, lettore mio» è una delle frasi più celebri e citate della letteratura inglese? La risposta, tutt’altro che ovvia, risiede nel capolavoro da cui è tratta: Jane Eyre (1847), la storia di un’orfana che, grazie alla sola intelligenza e caparbietà, riesce a convolare a nozze con il nobile signor Rochester. Per affermare il suo successo, e il cambiamento della propria condizione sociale, invece di dichiarare «mi ha sposata, lettore mio» – com’era da aspettarsi nella maschilista società vittoriana – Jane dice: «l’ho sposato, lettore mio». Una sfumatura nella forma verbale che ha lo scopo di rimarcare la coscienza femminile della protagonista, e quella dell’autrice Charlotte Brontë, e che si ergerà a manifesto, ispirazione e stimolo per tutte le scrittrici a venire. Quando Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di raccontare una storia ispirata a quella celebre battuta, non l’ha fatto solo per festeggiare i duecento anni della nascita di Charlotte Brontë, ma anche per ridare significato a quelle parole, per renderle di nuovo vive e attuali nella società odierna. «In alcuni racconti sono le nozze stesse a essere drammatiche, a causa di una dolorosa scheggia di vetro in Coppia mista di Linda Grant, o di un mutamento improvviso in Il matrimonio di mia madre di Tessa Hadley, o di un rapporto clandestino durante una cerimonia in Zambia, in Uomini doppi di Namwali Serpell, o di un incontro gotico nel fango della brughiera in Tenersi per mano di Joanna Briscoe», dice Chevalier. In altri, come La prima volta che vidi il tuo viso di Emma Donoghue, la frase di Jane Eyre diventa il trampolino di lancio per viaggiare indietro nel tempo, fino alla Germania di fine Ottocento, dove Miss Hall e Mary Benson, la moglie dell’arcivescovo di Canterbury, si macchiano del peccato di un amore saffico. Se in Lo scambio Audrey Niffenegger colloca Jane nel mondo contemporaneo, in un paese dilaniato dalla guerra, la penna originale ed eccentrica di Helen Dunmore si diverte a raccontare Jane Eyre dal punto di vista della governante ingelosita, mentre Tracy Chevalier – con la maestria che l’ha resa una delle scrittrici più lette e amate d’Italia, «in grado di donare il soffio della vita al romanzo storico» (Independent) – dipinge la relazione sentimentale di una coppia male assortita, «come margherite e gladioli, come pizzo e cuoio». Il risultato è una collezione di ventuno storie d’amore, diversissime per sensibilità, scrittura e intenzioni, che ruotano attorno a una medesima eroina dai mille volti: una donna determinata e coraggiosa, che combatte per vincere i pregiudizi e gli ostacoli della società. E che non ha paura di affermare la propria identità dicendo, a testa alta, con un sorriso affaticato ma fiero: io «l’ho sposato, lettore mio». Ventuno storie per celebrare Charlotte Brontë e Jane Eyre Racconti di: Tracy Chevalier, Tessa Hadley, Sarah Hall, Helen Dunmore, Kirsty Gunn, Joanna Briscoe, Jane Gardam, Emma Donoghue, Susan Hill, Francine Prose, Elif Shafak, Evie Wyld, Patricia Park, Salley Vickers, Nadifa Mohamed, Esther Freud, Linda Grant, Lionel Shriver, Audrey Niffenegger, Namwali Serpell, Elizabeth McCracken

Per festeggiare i 200 anni della nascita di Charlotte Brontë, Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di scrivere una storia ispirata alla celebre battuta di Jane Eyre: «L’ho sposato, lettore mio». Questo racconto fa parte della raccolta dedicata a Charlotte Brontë: L’ho sposato, lettore mio a cura di TRACY CHEVALIER

Selected and introduced by the bestselling author of The Time Traveler’s Wife and Her Fearful Symmetry—including Audrey Niffenegger’s own stunning illustrations for each piece—this is a “spine-tingling” (Chicago Tribune) collection of some of the best ghost stories of all time. From Edgar Allen Poe to Kelly Link, MR James to Neil Gaiman, HH Munro to Audrey Niffenegger herself, Ghostly spans the whole history of the ghost story genre from gothic horror to the modern era. Each story is introduced by Audrey Niffenegger, with short original commentary and background on why she chose to include it. Also included is Niffenegger’s own story, “A Secret Life with Cats.” Perfect for the classic and contemporary ghost story aficionado, this haunting volume showcases the best of the best in the field—including Edgar Allan Poe, Kelly Link, Neil Gaiman, Edith Wharton, P.G. Wodehouse, Ray Bradbury, and so many more. “Audrey Niffenegger is a master of the supernatural…She knows a good horror story when she sees one. Ghostly is her collection of the best of the genre” (Bustle).

This is the future of horror! Editor Jonathan Oliver, fast becoming the most exciting new anthologist of the weird and horrific, here brings together three of his award-winning anthologies for Solaris. Here are House of Fear, Magic and End of the Road, showcasing forty-nine stories by the most important and ground-breaking names in genre fiction, including AUDREY NIFFENEGGER ? CHRISTOPHER PRIEST ? CHRISTOPHER FOWLER ? SARAH PINBOROUGH ? ZEN CHO ? ADAM NEVILL ? LISA TUTTLE ? LAVIE TIDHAR ? ROCHITA LOENEN-RUIZ ? GAIL Z. MARTIN ? DAN ABNETT ? SARAH LOTZ ? STEVE RASNIC AND MELANIE TEM and many more! House of Fear The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Bring horror home with a collection of haunted house stories by some of the finest writers working in the horror genre. Magic: An Anthology of the Esoteric and Arcane They gather in darkness, sharing ancient and arcane knowledge as they manipulate the very matter of reality itself. Spells and conjuration; legerdemain and prestidigitation ? these are the mistresses and masters of the esoteric arts. From otherworldly visions to diabolical political machinations, here you will find a spell for every occasion. End of the Road Each step leads you closer to your destination, but who, or what, can you expect to meet along the way? Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. Strap on your seatbelt, or shoulder your backpack, and wait for that next ride... into darkness.

Otherworldly, provocative, and strange, Awake in the Dream World channels the looming, historical grimness of the classic fairy tale, illuminating the dichotomy between the real and imagined through the context of fantasy, and bringing to life a macabre ensemble of folkloric characters. Awake in the Dream World is a mid-career retrospective of artist and author Audrey Niffenegger (The Time Traveler''s Wife, bestselling novel turned feature film), reflecting her talent for cultivating a captivating narrative exclusively through pictures and her own confrontations with life, mortality, and magic. Niffenegger''s fantastical body of work is reminiscent of renowned pen and ink predecessors such as Edward Gorey, Aubrey Beardsley, Egon Schiele, Edward Dulac, and Horst Janssen, but with a brutally honest and unapologetically strange female perspective that touches upon the universal trials of life-death and decay, love, jealousy, redemption, and the inevitability of change. Her works on paper, lithographs, and aquatints reflect the often surreal narratives of her artist''s books. Through self-portraiture, Niffenegger reveals her own self-assurance and whimsy alongside anxiety and loneliness, probing darker corners of the human heart and mind, often exploring the hopeless struggle with what Shakespeare called "this bloody tyrant, Time." Essays by Audrey Niffenegger, National Museum of Women in the Arts Curator of Book Arts Krystyna Wasserman, and Art Institute of Chicago Curator and School of the Art Institute Professor Mark Pascale explore the artist''s influences and work. Published in conjunction with the June 21-November 10, 2013 exhibition at the National Museum of Women in the Arts.

A postman who encounters a fledgling raven while on the edge of his route decides to bring her home. The unlikely couple falls in love and conceives a child--an extraordinary raven girl trapped in a human body. Betwixt and between, she reluctantly grows into a young woman, until one day she meets an unorthodox doctor who is willing to change her.

They gather in darkness, sharing ancient and arcane knowledge as they manipulate the very matter of reality itself. Spells and conjuration; legerdemain and prestidigitation – these are the mistresses and masters of the esoteric arts. From the otherworldly visions of Conan Doyle''s father in Audrey Niffenegger''s ''The Wrong Fairy'' to the diabolical political machinations of Dan Abnett''s ''Party Tricks'', here you will find a spell for every occasion. Jonathan Oliver, critically acclaimed editor of The End of The Line and House of Fear, has brought together sixteen extraordinary writers for this collection of magical tales. Within you will find works by Audrey Niffenegger, Sarah Lotz, Will Hill, Steve Rasnic and Melanie Tem, Liz Williams, Dan Abnett, Thana Niveau, Alison Littlewood, Christopher Fowler, Storm Constantine, Lou Morgan, Sophia McDougall, Gail Z. Martin, Gemma Files and Robert Shearman.

Antológiánk u200blapjain korunk angolszász spekulatív irodalmának legnagyobb alakjai tisztelegnek a közelmúltban elhunyt Mester előtt történeteikkel, melyek hol felemelőek, hol borongósak, hol szentimentálisak, hol hátborzongatóak, de valamennyi új és új kaland a képzelet határtalan birodalmában. NEIL GAIMAN (Sandman; Amerikai istenek) • MARGARET ATWOOD (Guvat és Gazella; A szolgálólány meséje) • JAY BONANSINGA (Száguldás a halálba; Agyrém) • SAM WELLER • DAVID MORRELL (Rambo; Settenkedők) • THOMAS F. MONTELEONE • LEE MARTIN • JOE HILL (A szív alakú doboz; Szarvak) • DAN CHAON • JOHN MCNALLY • JOE MENO • ROBERT MCCAMMON (Csak az enyém) • RAMSEY CAMPBELL • MORT CASTLE • ALICE HOFFMAN (Hetedik mennyország; Átkozott boszorkák) • JOHN MACLAY • JACQUELYN MITCHARD (Az óceán mélye) • GARY BRAUNBECK • BONNIE JO CAMPBELL • AUDREY NIFFENEGGER (Az időutazó felesége) • CHARLES YU • JULIA KELLER • DAVE EGGERS (Ahol a vadak várnak; Az árvízi csónakos) • BAYO OJIKUTU • KELLY LINK (Különb dolgok is) • HARLAN ELLISON

La Valentina i la Julia, dues germanes bessones adolescents i inseparables que viuen amb els seus pares als Estats Units, reben una estranya herència d''una tia de la qual només han sentit a parlar però que mai no han arribat a conèixer. Es tracta de l''enigmàtica germana bessona de la seva mare, amb qui fa més de vint anys que no tenen cap mena de contacte.El testament és clar i taxatiu: la Valentina i la Julia heretaran el pis de la tia, situat en un edifici victorià a la vora d''un dels cementiris més antics de Londres, però només si hi van a viure durant un any sencer... i amb una altra condició: que la seva mare no hi fiqui mai els peus.Mortes de curiositat, les dues noies marxen a Londres i s''introdueixen en un univers desconegut on el fantasma de la seva tia sembla que habiti cada racó de la casa, on es diria que les parets amaguen secrets insondables, i els estrafolaris veïns, foscos misteris.Soles, la Valentina i la Julia es deixaran seduir per aquest ambient perillosament romàntic i correran el risc de submergir-se en un món d''on resulta molt difícil tornar a sortir.

Een jonge vrouw trouwt met een man die in perioden van stress naar andere tijden wordt verplaatst.

One night, a young woman encounters a mysterious bookmobile that holds every book she has ever read, and when it disappears, she sets out on an obsessive quest to find it again and reconnect with her past.

Elspeth ist zwar tot, der Leichnam liegt auf dem Londoner Highgate-Friedhof, doch ihr Geist bleibt zu Hause. Nach und nach kann sie sich ihrem geliebten Robert und den Zwillingstöchtern ihrer Zwillingsschwester, denen Elspeth ihre Wohnung vererbt hat, mitteilen und deren Leben beeinflussen.

Яркая, экспрессивная, и в то же время необыкновенно тонкая и изящная проза автора открывает читателю скрытый мир человеческих чувств и эмоций

When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt, only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers--with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another. They are twenty. . The girls move to Elspeth''s flat, which borders Highgate Cemetery in London. They come to know the building''s other residents. There is Martin, a brilliant and charming crossword puzzle setter suffering from crippling Obsessive Compulsive Disorder; Marjike, Martin''s devoted but trapped wife; and Robert, Elspeth''s elusive lover, a scholar of the cemetery. As the girls become embroiled in the fraying lives of their aunt''s neighbors, they also discover that much is still alive in Highgate, including--perhaps--their aunt, who can''t seem to leave her old apartment and life behind.. Niffenegger weaves a captivating story in Her Fearful Symmetry about love and identity, about secrets and sisterhood, and about the tenacity of life--even after death..

Four thousand copies of this signed limited Collector''s Edition with a cover painting by the author and special design elements were printed in September 2009. Audrey Niffenegger''s spectacularly compelling second novel opens with a letter that alters the fate of every character. Julia and Valentina Poole are semi-normal American twenty-year-olds with seemingly little interest in college or finding jobs. Their attachment to one another is intense. One morning the mailman delivers a thick envelope to their house in the suburbs of Chicago. From a London solicitor, the enclosed letter informs Valentina and Julia that their English aunt Elspeth Noblin, whom they never knew, has died of cancer and left them her London apartment. There are two conditions to this inher- itance: that they live in it for a year before they sell it and that their parents not enter it. Julia and Valentina are twins. So were the estranged Elspeth and Edie, their mother. The girls move to Elspeth''s flat, which borders the vast and ornate Highgate Cemetery, where Christina Rossetti, George Eliot, Radclyffe Hall, Stella Gibbons and Karl Marx are buried. Julia and Valentina come to know the living residents of their building. There is Martin, a brilliant and charming crossword-puzzle setter suffering from crippling obsessive compulsive disorder; Marijke, Martin''s devoted but trapped wife; and Robert, Elspeth''s elusive lover, a scholar of the cemetery. As the girls become embroiled in the fraying lives of their aunt''s neighbors, they also discover that much is still alive in Highgate, including -- perhaps -- their aunt. Author of one of the most beloved first novels in recent years, Niffenegger returns with an unnerving, unforgettable and enchanting ghost story, a novel about love and identity, secrets and sisterhood and the tenacity of life -- even after death.

Artists'' books have emerged over the last 25 years as the quintessential contemporary art form, addressing subjects as diverse as poetry and politics, incorporating a full spectrum of artistic media and bookmaking methods, and taking every conceivable form. Female painters, sculptors, calligraphers, and printmakers, as well a growing community of hobbyists, have played a primary role in developing this new mode of artistic expression. The Book as Art presents more than 100 of the most engaging women''s artist books created by major fine artists such as Meret Oppenheim, May Stevens, Kara Walker, and Renee Stout and distinguished book artists such as Susan King, Ruth Laxson, Claire Van Vliet, and Julie Chen. Culled from over 800 unique or limited-edition volumes held by the National Museum of Women in the Arts, these books explore the form as a container for ideas. Descriptions of the works are accompanied by colorful illustrations and reflections by their makers, along with essays by leading scholars and a lively introduction by the most famous book artist in our culture, best-selling author Audrey Niffenegger. The exquisitely crafted objects in the The Book as Art are sure to provoke unexpected and surprising conclusions about what constitutes a book. The Book as Art accompanies the exhibition of the same name at the Museum of Women in the Arts in Washington, D.C., beginning in October 2006.

如果生命是一场旅行,亨利的旅程肯定比常人的更加迂回,患有慢性时间错位症的他,会不知不觉地游离在时间之间。他以为他在二十八岁时是第一次遇到二十岁的克莱尔,而克莱尔却说:“我从小就认识你了”......