New Releases by Art Spiegelman

In this graphic depiction of nuclear devastation, three survivors of the bombing of Hiroshima--Gen, his mother, and his baby sister--face rejection, hunger, and humiliation in their search for a place to live.

In this graphic depiction of nuclear devastation, three survivors of the bombing of Hiroshima--Gen, his mother, and his baby sister--face rejection, hunger, and humiliation in their search for a place to live.

Art Spiegelman est l''auteur de Maus, Un survivant raconte (Flammarion, 1987 et 1992), couronné par le Prix Pulitzer. Les deux volumes de Maus ont été traduits dans dix-huit langues. Art Spiegelman et sa femme Françoise Mouly ont fondé ensemble, puis dirigé de 1980 à 1991, Raw, magazine reconnu et influent consacré à la bande dessinée et au graphisme d''avant-garde. De 1992 à 2002, Art Spiegelman a travaillé comme dessinateur et journaliste au New Yorker, qui, quelques jours après le 11 septembre, a publié sa puissante couverture noir sur fond noir. (Bons Baisers de New York, Flammarion 2003). Les dessins et gravures d''Art Spiegelman ont été exposés dans les musées et galeries du monde entier. Art Spiegelman vit, en dépit de tout, dans le bas de Manhattan avec sa femme et leurs deux enfants, Nadja et Dashiell.

"For years Jack Cole labored dutifully as a cartoonist, comic book illustrator, and Playboy''s premier artist. He was, on the outside, a mild-mannered and easygoing guy. One look at his most famous creation--the manic, surreal Plastic Man--and there is no question that much more lurked in the mind of this tragic artist than anyone suspected. Pulitzer Prize-winning writer and cartoonist Art Spiegelman and renowned graphic designer Chip Kidd pay homage to Plastic Man and his creator, Jack Cole."--Jacket.

''Maus'' nähert sich dem Unbeschreiblichen, dem Mord an Europas Juden, mit den Mitteln des Comic-Strip. ''Maus'' ist Roman und Biographie, Bericht und persönliche Erinnerung - ein bewegendes Kunstwerk.

Un chiot subit plusieurs métamorphoses. Il est d''abord changé en berger par une sorcière, puis en crapaud par une fée, finalement en livre par un méchant magicien. La preuve de tout cela est la laisse au dos du livre. Qui porte une laisse sinon un chien! Amusant, original, le temps de la laisse.

A dog explains how he came to be a book after falling foul of a wizard''s curse, in a book that includes a leash, a wagging tale, and fuzzy endpapers.

A dog explains how he came to be a book after falling foul of a wizard''s curse in a book that includes a leash, a wagging tail and fuzzy endpapers.

Der neugierige kleine Hund verirrt sich bei der Kaninchenjagd im Wald. Er findet Unterschlupf bei einer Hexe ...

The bestselling second installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history''s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

An autobiographical and biographical cartoon in which the author explores his strained relationship with his father, an Auschwitz survivor, while also relating the story of his parent''s experiences as Jews in wartime Poland, as told to him by his dad during a series of conversations they had years later in New York and Vermont.

"Maus raconte la vie de Vladek Spiegelman, rescapé juif des camps nazis, et de son fils, auteur de bandes dessinées, qui cherche un terrain de réconciliation avec son père, sa térrifiante histoire et l''Histoire. Des portes d''Auschwitz aux trottoirs de New York se déroule l''histoire d''une double survie: celle du père, mais aussi celle du fils qui se débat pour survivre au survivant. Ici les nazis sont des chats et les juifs des souris. Oubliez vos préjugés: ces souris-là ont plus à voir avec Kafka ou Orwell qu''avec Tom et Jerry.

The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history''s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

The author-illustrator traces his father''s imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel.

Interview in three sessions, the first (Cavalieri/Spiegelman) before the publication of Raw #1, the second (Cavalieri/Spiegelman/Mouly) before the publication of Raw #2, and the third (Cavalieri/Spiegelman/Mouly/Thompson/Groth) before the publication of Raw #3. Topics covered include Spiegelman''s fan and underground work, editing Arcade the comics revue, his work and consultantship with Topps Bubble Gum, work for Playboy, the history of Maus, and the beginnings of Raw.