Most Popular Books by Art Spiegelman

The bestselling second installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history''s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history''s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

The definitive edition of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history''s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

The creator of the Pulitzer Prize-winning Maus explores the comics form ... and how it formed him! This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist''s evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents'' memories of Auschwitz on his own son. The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist''s comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story "Ace Hole-Midget Detective." Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir.

A richly illustrated book in which leading cultural critics, authors, and academics reflect on the radical achievement and innovation of Art Spiegelman''s Pulitzer Prize-winning masterpiece Maus ''The most affecting and successful narrative ever done about the Holocaust'' Wall Street Journal ___________________________________________________________________________ It is hard to overstate Art Spiegelman''s effect on postwar American culture. The Pulitzer Prize-winning author is one of our most influential contemporary artists, and his masterpiece Maus has shaped the fields of literature, history, and art. Collecting responses to the work that confirm its unique and terrain-shifting status, Maus Now is a new collection of essays that sees writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approaching the complexity of Maus from a wide range of viewpoints and traditions. Offering translations of important French, Hebrew, and German essays on Maus for the first time, this collection edited by American literary scholar Hillary Chute - an expert on comics and graphic narratives - assembles the world''s best writing on this classic work of graphic testimony. ___________________________________________________________________________ ''The first masterpiece in comic book history'' The New Yorker on Maus ''No summary can do justice to Spiegelman''s narrative skill'' Adam Gopnik on Maus ''Like all great stories, it tells us more about ourselves than we could ever suspect'' Philip Pullman on Maus

NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

"For years Jack Cole labored dutifully as a cartoonist, comic book illustrator, and Playboy''s premier artist. He was, on the outside, a mild-mannered and easygoing guy. One look at his most famous creation--the manic, surreal Plastic Man--and there is no question that much more lurked in the mind of this tragic artist than anyone suspected. Pulitzer Prize-winning writer and cartoonist Art Spiegelman and renowned graphic designer Chip Kidd pay homage to Plastic Man and his creator, Jack Cole."--Jacket.

Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

"Designed with Mr. Spiegelman’s help, [Co-Mix] has the tall, narrow proportions of Raw...its images form a chronological sampling of Mr. Spiegelman’s extraordinary imagination, including his precocious early work, underground comics, preparatory notes and sketches for Maus, indelible covers for The New Yorker, lithographic efforts and much else."—New York Times In an art career that now spans six decades, Art Spiegelman has been a groundbreaking and influential figure with a global impact. His Pulitzer Prize-winning holocaust memoir Maus established the graphic novel as a legitimate form and inspired countless cartoonists while his shorter works have enormously expanded the expressive range of comics. Co-Mix: A Retrospective of Comics, Graphics, and Scraps is a comprehensive career overview of the output of this legendary cartoonist, showing for the first time the full range of a half-century of relentless experimentation. Starting from Spiegelman''s earliest self-published comics and lavishly reproducing graphics from a host of publications both obscure and famous, Co-Mix provides a guided tour of an artist who has continually reinvented not just comics but also made a mark in book and magazine design, bubble gum cards, lithography, modern dance, and most recently stained glass. By showing all facets of Spiegelman''s career, the book demonstrates how he has persistently cross-pollinated the worlds of comics, commercial design, and fine arts. Essays by acclaimed film critic J. Hoberman and MoMA curator and Dean of the Yale University School of Art Robert Storr bookend Co-Mix, offering eloquent meditations on an artist whose work has been genre-defining.

What’s got a tail and just wants to go home with you, but will never make a mess on the carpet, or smell like, well, wet dog? Through the power of a wizard’s magic comes a book that isn’t a book—it’s a DOG! We promise. Have you ever seen a book that barks? How about a dog with pages? For all the kids who keep asking for a dog and don''t seem to appreciate their books enough, we have the perfect solution. Pulitzer Prize-winner Art Spiegelman, the author of Maus and Jack and the Box, has conjured up a winning mix of dog and hardcover picture book, complete with fuzzy, cuddly pages, a tail, a sturdy cotton leash, and so much more. Bring this lovable pooch into your family and he’s sure to become a kid''s—or reader’s—best friend!

In his first new book of comics since the Pulitzer-Prize winning Maus, Art Spiegelman gives us a deeply personal, politically charged, graphically and emotionally stunning account of the events and aftermath of September 11, 2001. In a large, two-page-spread format that echoes the scale of the earliest newspaper comics, Spiegelman conveys--through his singular artistry, his outrage and wit--the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

Jack, a bunny, receives a Jack-in-the-box as a present and, as they play together, the toy performs antics and gives Jack some unexpected surprises.

"Spiegelman''s drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord." - The New York Times Art Spiegelman''s sinister and witty black-and-white drawings give charged new life to Joseph Moncure March''s Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets. Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

First-ever collection of America''s underground pornographic comics from the 1930s to the 1950s. Known as Tijuana Bibles, these highly explicit comic books constitute a fascinating view of the unknown, erotic America of that turbulent era. day I think these little comics are everything pornography ought to be - dirty, antisocial, funny, borderline psychotic. What an art form!'' - P.J. O''Rourke ''Charming and evocative, these artefacts present a little-known cultural history'' - the New Yorker

The reissue of this classic manga''s first volume has impeccable timing. It recounts the bombing of Hiroshima from the perspective of a young boy, Gen, and his family. But the book''s themes (the physical and psychological damage ordinary people suffer from war''s realities) ring chillingly true today. Despite its harrowing nature, this work is invaluable for the lessons it offers in history, humanity and compassion. Published to coincide with the 60th anniversary of the Hiroshima bombing.

Using comic book format, the author chronicles his father''s experience of the Holocaust and its impact on this family.

A story of a Jewish survivor of Hitler''s Europe and his son, a cartoonist who tries to come to terms with his father''s story and history itself.

When magic touches an old peach tree, strange things start happening. A giant peach grows as large as a house, and when James crawls inside, the adventure begins. Lane Smith has created wonderful new illustrations based on the characters in the new full-l