New Releases by Andrew Motion

This book is made up of fifteen poems that Andrew Motion has written since moving from England to the United States in 2015. It is full of the shock and wonder of such a move, the new seeing and the sadness and the joy. Dazzling in its range of settings and themes, the poems take shape in an equally wide variety of forms as the book takes up haunting questions of home and belonging. Fog and ocean, love and loss. In the first section of the book, a consideration of place is often linked to pressing ecological issues of our day. In the second, poems about childhood and family intertwine with complicated meditations on generation, inheritance, and independence. And in the long and moving final poem, the jewel of the collection, a startling autobiographical narrative uncovers the poet''s preoccupation with human transience, a preoccupation that binds the whole collection together. Waders is lithe and stunning, a treasure of a book from one of the finest poets writing today.

''A tremendous sentimental education of a book ... a literary adventure ... chosen with a scholarly discernment mixed with a wild-card flair ... fascinating and unignorable'' Kate Kellaway, Observer (Poetry Book of the Month) ''If you have any weakness at all for poetry, this book will draw you in, then devastate you'' Susie Goldsbrough. The Times Elegy is among the world''s oldest forms of literature. Born in Ancient Greece, practised by the Romans, revitalized by the poets of the Renaissance and continuing down to the present day, it speaks eloquently and affectingly of the experience of loss and the yearning for consolation. It gives shape and meaning to memories too painful to contemplate, and answers our desire to fix in words what would otherwise slip our grasp. In The Penguin Book of Elegy, Andrew Motion and Stephen Regan trace the history of this tradition, from its Classical roots in the work of Theocritus, Virgil and Ovid down to modern compositions exploring personal tragedy and collective grief by such celebrated voices of the twentieth and twenty-first centuries as Dylan Thomas, Elizabeth Bishop, Linton Kwesi Johnson and Denise Riley. The only comprehensive anthology of its kind in the English language, The Penguin Book of Elegy is a profound and moving compendium of the fundamentally human urges to remember and honour the dead, and to give comfort to those who survive them.

A tender, revelatory memoir featuring many of the major figures in British poetry, from a former Poet Laureate.

From an extraordinary poetic career and including new and previously uncollected poems, this selection draws together work that in a variety of ways offers intimate reflections on memory and the cost of human experience.

Randomly Moving Particles is built from two long poems that form its opening and close, connected by three shorter pieces. The title poem, in a kaleidoscope of compelling scenes, engages with subjects that include migration, placement, loss, space exploration, and current British and American politics. It is a clarifying action and reaction between terra and solar system, mundanity and possibility, taking us from the grit of road surfaces to the distant glimpses of satellites. The final poem, “How Do the Dead Walk,” combines mythic reach with acute observation of the familiar, in order to address issues of contemporary violence. It is altogether more dreamlike, even in its tangibly military moments, grasping as it does at phantoms and intermediate plains. Andrew Motion’s expansive new poetry collection is direct in its emotional appeal and ambitious in its scope, all while retaining the cinematic vision and startling expression that so freshly lit the lines of his last, Essex Clay.

Salt Water is Andrew Motion''s most ambitious collection, yet also his most accessible. The first part refines the narrative and lyric skills for which he is well-known, combining intense personal concerns with themes which are more expansive and social. Family and loved ones appear in the company of historical and legendary figures; private dramas raise large general issues. But there is concentration as well as diversity. From the Orford Merman of the title poem, to an elegy written for a friend who died on the Marchioness, to the vivid prose meditation of the second part, written when Andrew Motion retraced the voyage that John Keats made by sea from London to Naples in the autumn of 1820, the book insistently and brilliantly elaborates images of water. It is the element which facilitates a rich interweaving of past and present, of re-enacted experience and the poignant suspension of the lived-in moment.

Motion''s sixth poetry collection - a profound and tender exploration of ''marriage'' - reissued as part of the poetry typographic series.

"Andrew Motion''s prose memoir, In the Blood (2006), was widely acclaimed, praised as ''an act of magical retrieval'' (Daily Telegraph) and ''a hymn to familial love'' (Independent). Now, having left UK shores and the bounds of his laureateship, Motion looks back once more to recreate a stunning biographical sequel - but this time, in verse.Essex Clay rekindles, expands and gives a tragic resonance to subjects that have haunted Andrew Motion throughout his writing life. In the first part he tells the story of his mother''s riding accident, long unconsciousness and slow death; in the second he remembers the end of his father''s much longer life; in the third he describes an encounter that deepens the poem''s tangled themes of loss and memory and retrieval. Although the prevailing mood of the poem has a Tennysonian sweep and melancholy, its wealth of vivid physical details and its narrative momentum make it as compelling as a fast-paced novel: a settling of accounts which admits that final resolutions are impossible." --Publisher.

From England’s former Poet Laureate, a collection of selected poetry spanning his celebrated career, presented for the first time by an American publisher Andrew Motion has said, “I want my writing to be as clear as water. I want readers to see all the way through its surfaces into the swamp." Though the territory of his exploration may be murky and mired—the front lines of war, political entanglements, romantic longing, and human suffering—Motion’s conversational tone and lyrical style make for clear, bold poems that speak to contradictions at the heart of the human condition. Whether underground in an urban metro, in the poet’s home, on the steps leading up to Anne Frank’s annex, or wading in the Norfolk broads, Motion’s richly imagined landscapes contain unspoken mysteries underneath the poet’s candor. In the tradition of English pastoral poetry that includes Ted Hughes, Seamus Heaney, and William Wordsworth, these poems skate over sweeping empires and plumb emotional depths, settling in a meditative, understated register. As an introduction to one of England’s most lauded living poets, English Elegies offers a moving depiction of this writer’s career as a chronicler of modernity’s pitfalls and triumphs.

The stunning new sequence of poems from former poet laureate Andrew Motion.

Twelve poems, each printed in color ink on a bookmark and signed and numbered by the poet.

Poetry by Heart - based on the hugely successful nationwide schools competition, 200 magical poems to learn by heart ''The poems we learn stay with us for the rest of our lives. They become personal and invaluable, and what''s more they are free gifts - there for the taking'' Simon Armitage Two years ago former Poet Laureate Andrew Motion had the idea of setting up Poetry by Heart - a nationwide annual competition for secondary schools which asked contestants to learn two or three poems and be judged on their recitations, first at school level, then regional, then in a national final held at London''s National Portrait Gallery. It''s proved a huge success, with hundreds of schools participating in the first year, and numbers up by 20% in the second. Coinciding with the start of the third year of competition, and published on National Poetry Day whose theme coincidentally in 2014 is Recitation, this Poetry by Heart anthology brings together the pool of poems - 200 altogether - from which contestants make their choices. Specially picked by Motion and his three co-editors, these poems make up a treasure house - of almost-unknown poems and familiar poems from the mainstream; love poems and war poems; funny poems and heartbroken poems; poems that recreate the world we know and poems written on the dark side of the moon. And all chosen with a view to their being recited out loud. From William Wordsworth to Wilfred Owen, Emily Brontë to Elizabeth Bishop this wonderfully enjoyable anthology will be enjoyed by all ages and includes the best poets from the past to the present day. In a groundbreaking feature, the book includes QR codes which allow readers to use their mobile phones to listen to recordings of the poems - many of them specially recorded by the poets themselves. Sir Andrew Motion was Poet Laureate from 1999 till 2009, and is Professor of Creative Writing at Royal Holloway College, London. Jean Sprackland''sTilt won the Costa Poetry award in 2008. She is a Reader in Poetry at Manchester Metropolitan University. Julie Blake is co-Founder and Director of The Full English, an organization based in Bristol which provides support to teachers of English Literature. Mike Dixon is an educational consultant specializing in English in the classroom.

Julio de 1802. En las marismas de la orilla oriental del Támesis se levanta La Hispaniola, la posada de Jim Hawkins y su hijo. El joven Jim se pasa los días vagando por el estuario envuelto en la bruma, haciendo recados para su padre y escuchando sus relatos en la bodega: historias de aventuras en alta mar, de maldiciones, asesinatos y venganzas, un tesoro enterrado... y de un hombre con una pata de palo. Una noche, una joven misteriosa llamada Natty llega con una petición para Jim de su padre, John Silver el Largo. Envejecido y débil, pero conservando todavía una extraña fuerza, el pirata propone que Jim y Natty zarpen hacia la isla del tesoro en busca de la fortuna oculta del capitán Flint. A tal propósito, Silver ya ha fletado un barco y ha contratado a una curtida tripulación, cuyo capitán sólo espera el mapa, que permanece guardado bajo llave en La Hispaniola. A toda prisa, huyendo de Londres, Jim y Natty parten tras los pasos de sus padres, y su vacilante amistad va estrechándose día tras día. Pero la emoción de la odisea en el océano deja paso al terror cuando el Nightingale llega a su destino porque parece que la isla del tesoro no está tan deshabitada como en el pasado...

Andrew Motion''s new book opens with a sequence of war poems (first published as the pamphlet Laurels and Donkeys, on Armstice Day 2010), drawing on soldiers'' experiences of war from 1914 until today - beginning with a story about Siegfried Sassoon and moving via World War Two and Korea to the recent conflicts in Iraq and Afghanistan. Many of the poems are in the voices of combatants, others are based on memories of the poet''s father, who landed at D-day and fought in France and Germany. The poems combine understatement with a clear-eyed and unswerving candour. The Customs House has other rooms: a group of topographies, mapping moments in a marriage against the contingencies of place and family history; and several ''found poems'', in which the poet collaborates with his source, mixing what is there already with what is about to be there: whether a remarkable sonnet sequence on the last days of the Baroque genius Francesco Borromini, or in other poems a richly imagined extrapolation from the silent premises of a painting.

Luglio 1802. Sulle rive paludose del Tamigi sorge l’Hispaniola, la locanda di Jim Hawkins e suo figlio. Il giovane Jim passa le sue giornate vagando per l’estuario, obbedendo agli ordini del padre e ascoltandolo parlare di avventure in alto mare, maledizioni, omicidi, rapine, vendetta, e di un uomo con una gamba di legno. Una notte una fanciulla misteriosa di nome Natty arriva in barca portando a Jim una richiesta da parte di Long John Silver, suo padre. Vecchio e debole, ma ancora dotato di un irresistibile potere, il pirata vuole che Jim e Natty tornino all’Isola del Tesoro in cerca dell’argento nascosto dal capitano Flint. Silver ha armato una barca e messo insieme un equipaggio. È tutto pronto: manca solo la mappa dell’isola. Per ottenerla è indispensabile la complicità di Jim, che, attratto dal richiamo dell’ignoto e dal fascino di Natty, tradisce il padre e parte di nascosto dopo avergli sottratto il prezioso documento. Jim e Natty ripercorrono così le tracce della grande avventura dei genitori, e la loro strana amicizia cresce di giorno in giorno sulle onde dell’oceano. Ma il fascino del viaggio cede il passo al terrore quando, approdati all’isola, scoprono che non è disabitata come credevano. Nobili marinai, pirati assassini, storie d’amore, eroismo e ineffabile crudeltà: Ritorno all’Isola del Tesoro è un’avventura appassionante, degno seguito del capolavoro di Robert Louis Stevenson, raccontata con maestria da un grande scrittore e resa in italiano dalla traduzione d’autore di Michele Mari.

''A bald summary does no justice to the subtlety and exceptional lucidity of a book which turns the bland, familiar, intrinsically worthy stuff of so many fictional family sagas into a biographical triumph.'' Observer''Motion has given us an exemplary piece of research, and a comparison of three eras that is of compelling interest, not least in showing what damage one generation does to the next.'' Sunday Times''The story of the three Lamberts is as cruel and horrifying as any Greek tragedy. What it may lack in grandeur it makes up for in being true and recent. Its portrayal of the way in which the Lamberts instinctively yet unintentionally assisted in the destruction of their own offspring makes for truly compulsive reading.'' Harpers and Queen

When Edward Thomas died at Arras in 1917 few people thought of him as a poet. Yet in the two years before his death, after a lifetime writing prose, Thomas wrote some of the most enduring poems of his day: poems of war, nature, friendship, despair and exultation. Andrew Motion''s pioneering study of Thomas'' life and achievement is scholarly yet utterly absorbing, combining an account of his struggles as a writer with perceptive readings of individual poems. Andrew Motion''s books include a biography, The Lamberts, George, Constant and Kil, and several prize-winning collections of poetry, the most recent of which is Love in a Life. He is currently writing the authorized biography of Philip Larkin.

In his first collection since being appointed Poet Laureate, Andrew Motion negotiates the very space of poetry, moving between private and public realms, pondering each from the other''s borders. In the opening series of idylls he conjures the expeditionary narratives of a rural childhood, in scenes as precisely remembered as they are irretrievable. Elsewhere he reconsiders moments from the Victorian past from reticent and surprising angles, and elsewhere again he tackles distinctly contemporary themes and situations. The final section of the book contains a number of elegies and love poems, written in a variety of lyric forms, which provoke concerns that are among the most critical in poetry: What is public art? To whom do our most private sentiments belong?

In this book Andrew Motion has made his own choice from his outstandingly fine and varied body of work. Dramatic monologues, elegies, poems of social and political observation, love lyrics - all are part of this important poet''s repertoire. Andrew Motion''s concern for the extremes of human experience and the artistic integrity that insists on his addressing the reader with maximum clarity and impact are consistent features of a career otherwise remarkable for its imaginative range and technical versatility.

This volume brings together two long poems. ''Lines of Desire'' tells the story of an individual in crisis, under pressure from past and present events. ''Joe Soap'' combines narrative and lyric forms to trace a historical pattern reaching from the First World War to contemporary apocalypse. Both are remarkable additions to an important body of work.

Andrew Motion''s new collection offers a ground-breaking variety of lyrics, love poems & elegies, in which private domains of feeling infer other lives & a shared humanity - exploring how people cope with threats to & in the world around them, as soldiers, lovers, artists, writers & citizens.

A richly varied and rewarding collection of Andrew Motion''s best critical writings.

William Barnes was born in 1801 near Sturminster Newton in Dorset, of a farming family. He learned Greek, Latin and Music, taught himself wood-engraving, and in 1823 became a schoolmaster in Mere. Among his best-known books of poetry are Poems of Rural Life in the Dorset Dialect (1844) and Hwomely Rhymes (1859).

Eschewing the confessional or critical tone of some memoirs, and the investigatory or elucidatory approaches of others, Motion strives to recreate the voice and vision of the boy he once was, taking care not to sully or distort with hindsight what is felt to be still very much alive in memory. Whether recounting his first time salmon fishing in Scotland with his father, the horrors of prep school at the young age of seven, or his discovery of Thomas Hardy and Bob Dylan, Motion imbues his recollections with the quicksilver emotions of the boy he was and the perceptions of the poet he will be; readers of Motion''s poetry will recognize many of these experiences as the antecedents of the poems. Yet this memoir is far more than a guide to the life behind the poems; it is a stand against the ineluctability of time''s passing, an insistence that what has been "felt in the blood, and felt along the heart," as in the book''s title and epigraph from Wordsworth, can be neither taken from us nor los