New York Times Best Seller of Hardcover Graphic Novels

• Scott Pilgrim has faced down six of Ramona Flowers's evil exes. But now that the happy couple is no more, was it even worth it? And if Scott and Ramona aren't together, then why do the ominous messages from Gideon Graves keep coming?
• This the end of the Scott Pilgrim saga like you've never seen it before — in full, glorious color with a bevy of extras! This is truly SCOTT PILGRIM'S FINEST HOUR!

A NEW YORK TIMES BESTSELLER

David Smith is giving his life for his art―literally. Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding what to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier!

This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life…and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.

This Peanuts box set collects the years 1991-1994 of one of the world's most popular newspaper comic strips, complete with a slipcase and available at a bargain price.

Walt Kelly takes on Senator Joseph McCarthy in the form of wildcat “Simple J. Malarkey” (a controversial move at the time) and more in this collection of years 1953-1954 of the seminal mid-century newspaper strip.

• Rick's treaty with Negan and the Saviors is pushed to the limit, as both sides march toward ALL OUT WAR!
• Collects The Walking Dead #109-120.

A Vanity Fair Best Book of 2014
A Kirkus Reviews Best Fiction Book of 2014

When three daunting dolls intersect with one hapless heroine and a hard-boiled private eye, deception, betrayal, and murder stalk every mean street in…Kill My Mother.

Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.

As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband's best friend―an over-the-hill and perpetually soused private eye―Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.

Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.

In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don't make anymore.

• The penultimate Scott Pilgrim full-color hardcover edition is here! There are many questions in Scott Pilgrim's terrible little life. First of all, why did he have to turn twenty-four? Secondly, why do robots keep trying to kill him? And why is Sex Bob-omb falling apart? Why is Ramona acting so weird? And finally, why won't these brilliant and deadly Japanese twins leave him alone? Scott Pilgrim will find the answers to these questions... or die trying!
• Featuring exclusive bonus content and previously unpublished extras you won't find anywhere else in the Universe!

The text of The Truth is a Cave in the Black Mountains was first published in the collection anthology Stories: All New Tales edited by Neil Gaiman and Al Sarrantonio. This gorgeous full-color illustrated book version was born of a unique collaboration between writer Neil Gaiman and artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman's story. In August 2010, The Truth is a Cave in the Black Mountains was performed in the concert hall of the Sydney Opera House to a sold-out crowd—Gaiman read his tale live as Campbell's magnificent artwork was presented, scene-by-scene, on large screens. Narrative and art were accompanied by live music composed and performed especially for the story by the FourPlay String Quartet.

#1 New York Times Bestseller

2014 NATIONAL BOOK AWARD FINALIST

In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.

When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"―with predictable results―the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.

While the particulars are Chast-ian in their idiosyncrasies―an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades―the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.

An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.

A fast-paced semi-memoir about diners, drugs, and California in the 1970s

Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Café, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions.
Over Easy is equal parts time capsule of late 1970s life in California―with its deadheads, punks, disco rollers, casual sex, and drug use―and bildungsroman of a young woman who grows from a naïve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond's chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.