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The #1 International Bestseller

This beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.

“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they'd read a hundred Holocaust stories or none.”—Graeme Simsion, internationally-bestselling author of The Rosie Project

In April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.

Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.

One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.

A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

A single mother's life is turned upside down when her best friend vanishes in this chilling debut thriller in the vein of Gone Girl and The Girl on the Train—now a major motion picture from Lionsgate starring Anna Kendrick, Blake Lively, and Henry Golding, and directed by Paul Feig

“Debut-novelist Darcey Bell ramps up suspense with authority in this domestic thriller, in which actions seem as inevitable as they are chilling. The audience that made Gone Girl a publishing sensation is likely to take to this one, too.”—Booklist (starred review)

It starts with a simple favor—an ordinary kindness mothers do for one another. When glamorous Emily asks Stephanie to pick up her son after school, Stephanie happily says yes. Emily has a life that would make any woman jealous. She is the perfect mother with a dazzling career working for a famous fashion designer in Manhattan. Stephanie, a widow with a son in kindergarten, lonely in their Connecticut suburb, turns to her daily blog for connection and validation. Stephanie imagines Emily to be her new confidante and is shocked when Emily suddenly disappears without a trace, leaving her son and husband with no warning.

Stephanie knows something is terribly wrong. Unable to keep away from the grieving family, she soon finds herself entangled with Sean, Emily's handsome, reticent British husband. But she can't ignore the nagging feeling that he's not being honest with her about Emily's disappearance. Is Stephanie imagining things? How well did she really know her “best” friend? 

Stephanie begins to see that nothing—not friendship, love, or even an ordinary favor—is as simple as it seems.

A Simple Favor exposes the dark underbelly of female friendship in this taut, unsettling, and completely absorbing story that holds you in its grip until the final page.

The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment's calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and tour de force. It is Margaret Atwood at her best.