2013 High school summer reading list-Fiction

"This is Beautiful Music for Ugly Children, on community radio 90.3, KZUK. I'm Gabe. Welcome to my show."

My birth name is Elizabeth, but I'm a guy. Gabe. My parents think I've gone crazy and the rest of the world is happy to agree with them, but I know I'm right. I've been a boy my whole life.

When you think about it, I'm like a record. Elizabeth is my A side, the song everybody knows, and Gabe is my B side―not heard as often, but just as good.

It's time to let my B side play.

Winner of the 2014 Stonewall Book Award for Children's and Young Adult Literature.

Praise:
“Every so often a book comes along that is so sharp, so moving, so real, and so good, you want to press it into everyone's hands and say, Read this! READ THIS!”―Courtney Summers, author of Cracked Up to Be and This is Not a Test

Dream Jordan is back with a follow-up to the acclaimed Hot Girl

Kate is devastated to find herself back in a group home after a peaceful year of living with her loving foster parents, Lynn and Ted. The fantasy life of having the perfect family has come to an abrupt end and Kate's reeling from having to return to the place she's fought so hard to avoid. Sad and lonely, Kate soon falls prey to the dangerous affections of Percy, a good looking but shady young man. He treats her well at first, manipulating her already broken heart, and soon a cycle of controlling and abusive behavior begins. Now Kate finds herself trapped and unable to be the strong, independent girl she's tried her whole life to be. But this Brooklyn-born girl is never one to let a bad situation keep her down for too long. Told in Kate's sassy, witty voice, Bad Boy is all about staying strong and remaining true to yourself even when it seems like the whole world is out to get you.

Dawn, June 6, 1944. Off the Normandy coast 6,500 ships carry 150,000 Allied troops. This is D-Day, the long-awaited Allied invasion of German-occupied Europe. The Allies will storm five beaches. One is code-named Juno Beach. Here, 14,500 Canadians will land on a five-mile stretch of sand backed by three resort towns. The beach is heavily protected by a seawall, barbed wire, underwater obstacles and hundreds of mines. Behind these defenses a heavily armed German force waits inside thick concrete pillboxes and deep trenches that bristle with machineguns and artillery pieces.
   About 3,500 Canadians will lead the way. The fate of the invasion is in their hands. They either break the German defenses or die trying. Piling out of small, frail landing craft, they struggle through bullet- and shell-whipped water to gain the sand. And the bloody battle for Juno Beach begins.
   With his trademark you-are-there style, acclaimed military historian Mark Zuehlke plunges readers into a vivid and powerful account of the day-long battle that put the Allies on the march toward victory in World War II.

Garth Nix, bestselling author of the Keys to the Kingdom series and Shade's Children, combines space opera with a coming-of-age story in his YA novel A Confusion of Princes.
 
Superhuman. Immortal. Prince in a Galactic Empire. There has to be a catch….
 
Khemri learns the minute he becomes a Prince that princes need to be hard to kill—for they are always in danger. Their greatest threat? Other Princes. Every Prince wants to become Emperor and the surest way to do so is to kill, dishonor, or sideline any potential competitor. There are rules, but as Khemri discovers, rules can be bent and even broken.
 
There are also mysteries. Khemri is drawn into the hidden workings of the Empire and is dispatched on a secret mission. In the ruins of space battle, he meets a young woman, called Raine, who challenges his view of the Empire, of Princes, and of himself. But Khemri is a Prince, and even if he wanted to leave the Empire behind, there are forces there that have very definite plans for his future.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia.

Weaving together the story of an escaped slave in the pre–Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.

Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.

In Beatrice Prior's dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can't have both. So she makes a choice that surprises everyone, including herself.

During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles alongside her fellow initiates to live out the choice they have made. Together they must undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them all, Tris must determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes exasperating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers unrest and growing conflict that threaten to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

Debut author Veronica Roth bursts onto the YA scene with the first book in the Divergent series—dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.

Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?

Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn't rely on it, because it's not guaranteed and it's not permanent and it's not sufficient. So work hard, fall in love with the writing—the characters, the story, the words, the themes—and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don't warp you, and when the bad things hit you, you don't fall apart.

Q: You're a young author--is it your current adult perspective or not-so-recent teenage perspective that brought about the factions in the development of this story? Do you think that teens or adults are more likely to fit into categories in our current society?

Roth: Other aspects of my identity have more to do with the factions than my age. The faction system reflects my beliefs about human nature—that we can make even something as well-intentioned as virtue into an idol, or an evil thing. And that virtue as an end unto itself is worthless to us. I did spend a large portion of my adolescence trying to be as “good” as possible so that I could prove my worth to the people around me, to myself, to God, to everyone. It's only now that I'm a little older that I realize I am unable to be truly “good” and that it's my reasons for striving after virtue that need adjustment more than my behavior. In a sense, Divergent is me writing through that realization—everyone in Beatrice's society believes that virtue is the end, the answer. I think that's a little twisted.

I think we all secretly love and hate categories—love to get a firm hold on our identities, but hate to be confined—and I never loved and hated them more than when I was a teenager. That said: Though we hear a lot about high school cliques, I believe that adults categorize each other just as often, just in subtler ways. It is a dangerous tendency of ours. And it begins in adolescence.

Q: If you could add one more faction to the world within Divergent, what would it be?

Roth: I tried to construct the factions so that they spanned a wide range of virtues. Abnegation, for example, includes five of the traditional “seven heavenly virtues:” chastity, temperance, charity, patience, and humility. That said, it would be interesting to have a faction centered on industriousness, in which diligence and hard work are valued most, and laziness is not allowed. They would be in constant motion, and would probably be happy to take over for the factionless. And hard-working people can certainly take their work too far, as all the factions do with their respective virtues. I'm not sure what they would wear, though. Overalls, probably.

Q: What do you think are the advantages, if any, to the society you've created in Divergent?

Roth: All the advantages I see only seem like advantages to me because I live in our current society. For example, the members of their society don't focus on certain things: race, religion, sexual orientation, political affiliation, etc. I mean, a world in which you look different from the majority and no one minds? That sounds good to me. But when I think about it more, I realize that they're doing the exact same thing we do, but with different criteria by which to distinguish ourselves from others. Instead of your skin color, it's the color of your shirt that people assess, or the results of your aptitude test. Same problem, different system.

Q: What book are you currently reading and how has it changed you, if at all?

Roth: I recently finished Imaginary Girls by Nova Ren Suma, which I would call “contemporary with a paranormal twist,” or something to that effect. It's about a girl whose sister has a powerful kind of magnetism within the confines of a particular town, and how their love for each other breaks some things apart and puts other things back together. It was refreshing to read a young adult book that is about sisterhood instead of romance. It's one of those books that makes you love a character and then hate a character and then love them again—that shows you that people aren't all good or all bad, but somewhere in between. Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.

In A Killing in the Hills, a powerful, intricate debut from Pulitzer Prize-winning journalist Julia Keller, a mother and a daughter try to do right by a town and each other before it's too late.

What's happening in Acker's Gap, West Virginia? Three elderly men are gunned down over their coffee at a local diner, and seemingly half the town is there to witness the act. Still, it happened so fast, and no one seems to have gotten a good look at the shooter. Was it random? Was it connected to the spate of drug violence plaguing poor areas of the country just like Acker's Gap? Or were Dean Streeter, Shorty McClurg, and Lee Rader targeted somehow?

One of the witnesses to the brutal incident was Carla Elkins, teenaged daughter of Bell Elkins, the prosecuting attorney for Raythune County, WV. Carla was shocked and horrified by what she saw, but after a few days, she begins to recover enough to believe that she might be uniquely placed to help her mother do her job.

After all, what better way to repair their fragile, damaged relationship? But could Carla also end up doing more harm than good―in fact, putting her own life in danger?