Most Popular Books by john Tenniel

Best known today as the illustrator for Lewis Carroll''s Alice books, John Tenniel was the Victorian era''s chief political cartoonist. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel''s life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theater, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. According to his countrymen Tenniel''s work?and his Punch cartoons in particular?would embody for future historians the "trend and character" of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel''s work, consisting of thirteen independent essays in which the author examines Tenniel''s methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel''s drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel''s work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel''s cartoons depicted the key political questions of his day--the Eastern Question, which brought into opposition the great rivals Gladstone and Disraeli; trade-union issues and franchise reform; Irish resistance to British rule; and Lincoln and the American Civil War?examining their assumptions, devices, and evolving strategies. An appendix identifies some 1,500 unmonogrammed drawings done by Tenniel in his first twelve years on Punch. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist whose adroit adaptations of elements from literature, art, and above all the stage succeeded in mythologizing the world for generations of Britons. Not for sale in the British Commonwealth except Canada Available in the British Commonwealth, excluding Canada, from Lutterworth Press

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A translation of ''Alice''s Adventures in Wonderland'' into Ulster Scots.

In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature. Matte Cover 8.5x11'' Can be used as a coloring book

The first French translation of Alice''s Adventures in Wonderland (there have been no less than seventeen others) was supervised by Lewis Carroll himself. In the opinion of many experts, and countless older and younger French readers, it is still the best. It has a remarkable freshness and originality, and admirably renders the English puns and parodies with French equivalents. "How Doth the Little Crocodile?" for instance, is turned into a parody of La Fontaine, the staple of French lesson books. Carroll picked Henri Bué as translator on the recommendation of Bué''s father, who was an Oxford colleague. The younger Bué was just at the beginning of his career, and Carroll could not have known that he would go on to distinguish himself both as a translator and as an author and editor. Bué worked rapidly, and had the translation done in a couple of months. Carroll, on the other hand, spent another two years making certain of it. He solicited the opinions of many friends to test the puns and verses. The prose he seems to have been able to judge for himself, and he wrote to his publisher that he was highly pleased with it. This reprinting of the first edition is complete with the forty-two Tenniel illustrations that were originally included. 8.5x11'''' Large Print Matte Cover

A delightfully twisted pair of tales published first in 1865 and 1872 respectively, these beloved children''s stories were rife with political satire and social commentary of the day, even as they included friends of the author among the peculiar and anthropomorphic characters. Their nonsensical logic has influenced virtually every author of fantasy since, as well as inspiring countless worlds of wonder and the imagination. They remain as popular, and as profound today as when they first came into print; a feat remarkable in the fact that neither has ever not been available. This edition restores the original illustrations of Sir John Tenniel, a topical cartoonist whose classic caricatures gave us the most memorable depictions of Alice, and her adventures both in Wonderland and Through the Looking Glass. As life imitates art, these exploits came about as a way to entertain a very real little girl named Alice, whose alter ego was very bored, and let her young imagination carry her away...Alice in Wonderland - in which Alice follows a white rabbit in a waistcoat and hurriedly checking a pocket watch down what she believes to be the hole to his burrow. Instead, she falls slowly down a tunnel lined with curious objects, to land softly in a room with doors of different sizes. With the smallest of them behind a curtain before a table upon which sits a golden key and a potion labeled "Drink Me", she makes a fateful decision that leads her into a series of equally improbable and unforgettable situations...Through the Look Glass - in which Alice, now playing with the kitten of her cat in the first book, ponders the reflection in the wall mirror hung above the fireplace. Climbing up the mantle over the hearth, she leans against the glass and in a moment has passed through to its opposite side. Once there, she learns again just how contrary and unpredictable this other world beyond the one we know can be...