New Releases by john Tenniel

In the vibrant anthology ''Mr. Punch''s Railway Book,'' a vivid tapestry of humor and social commentary is woven through the works of illustrious illustrators and satirists from the 19th and early 20th centuries. This collection encapsulates a dynamic period in British history, exploring the societal implications of the railway''s expansion with wit and artistic flair. The anthology is remarkable for its range of artistic stylesfrom the detailed pen-and-ink drawings of Charles Keene to the whimsical caricatures of John Tenniel, offering readers a panoramic view of Victorian and Edwardian attitudes towards progress and change. The featured works stand as monuments to the eras complex relationship with modernity, highlighting both the excitement and anxieties brought on by technological advancement. The contributing artists, including George Du Maurier, Phil May, and Edward Tennyson Reed, among others, were central figures in the golden age of British magazine illustration, notably within the pages of ''Punch,'' a publication synonymous with satirical commentary on contemporary life. Their collective output encapsulates the fervor of the Industrial Revolution and its repercussions on English society, culture, and humor. These artists, with their diverse backgroundsfrom journalism to theatrecontributed to a powerful commentary on the evolving landscape of their time, thus aligning this collection with significant cultural and literary movements of the era. ''Mr. Punch''s Railway Book'' is a compelling invitation to readers seeking to immerse themselves in the rich tapestry of 19th and early 20th-century British satire. Beyond its historical significance, the anthology offers an unparalleled window into the social psyche of an era transfixed by the marvels of steam and speed. For students of literature, history, and illustration, the collection presents a unique study in the intersection of art, technology, and society. Its enduring appeal lies not only in its humor but in its ability to foster a dialogue between the past and the present, encouraging a deeper appreciation for the transformative power of the railwayand of satire itself.

In ''Mr. Punch on Tour: The Humour of Travel at Home and Abroad,'' the anthology delves into the comedic intricacies of journeying, providing a rich tapestry of laughs that span across continents. The collection features a diverse array of satirical illustrations and narratives that range from the gently amusing to the sharply critical. Notably, the anthology showcases an engaging variety of literary styles, blending wit with a keen observation of the human condition as it confronts the peculiarities and unexpected challenges of travel. This collection stands out for its ability to weave together the distinct voices of some of the most influential figures in the world of British illustration and satire from the late 19th to early 20th centuries, each contributing uniquely to the theme of travel humor. The contributing artists, including the likes of George Du Maurier and John Tenniel, were titans in their field, each bringing a distinctive perspective shaped by their involvement in significant cultural and literary movements of their time. Their collective works present a panoramic view of travel''s humorous side, capturing the zeitgeist of an era where travel abroad became increasingly accessible, thus reflecting broader societal shifts and the quirks of different cultures through a comedic lens. ''Mr. Punch on Tour'' is a must-read for anyone intrigued by the intersection of humor, travel, and historical perspective. It offers readers a splendid opportunity to explore a wide range of comedic styles and thematic explorations under the unifying topic of travel. The anthology not only promises a journey through the lighter side of travel but also serves as a fascinating historical document that captures the imaginations and societal observations of some of the era''s most esteemed illustrators and satirists. This collection is an insightful, entertaining exploration of the world as seen through the whimsical eyes of its contributors, appealing to both aficionados of historical satire and casual readers seeking amusement and cultural insight.

Alice''s Adventures in Wonderland - A Coloring BookDescend into Wonderland and create your own visions out of Lewis Carroll''s imagination!Images from Sir John Tenniel, the original illustrator, have been expanded for your coloring pleasure.42 Original black and white expanded images, ready for your hand to elevate them.Quotations from Alice''s Adventures in Wonderland, by Lewis Carroll, accompany each image.Ample room for your own sketches, doodles and notes.All classic characters included.Bring Alice, the White Rabbit, the Cheshire Cat, the Duchess, King and Queen of Hearts, Caterpillar, Mad Hatter, March Hare, Dormouse, Gryphon, Mock Turtle, Father William, and many more to life!Wonderful for all ages!

"Once upon a time, there was a little girl called Alice: and she had a very curious dream. Would you like to hear what it was that she dreamed about? Well, this was the first thing that happened. A White Rabbit came running by, in a great hurry; and, just as it passed Alice, it stopped, and took its watch out of its pocket."

The first French translation of Alice''s Adventures in Wonderland (there have been no less than seventeen others) was supervised by Lewis Carroll himself. In the opinion of many experts, and countless older and younger French readers, it is still the best. It has a remarkable freshness and originality, and admirably renders the English puns and parodies with French equivalents. "How Doth the Little Crocodile?" for instance, is turned into a parody of La Fontaine, the staple of French lesson books. Carroll picked Henri Bué as translator on the recommendation of Bué''s father, who was an Oxford colleague. The younger Bué was just at the beginning of his career, and Carroll could not have known that he would go on to distinguish himself both as a translator and as an author and editor. Bué worked rapidly, and had the translation done in a couple of months. Carroll, on the other hand, spent another two years making certain of it. He solicited the opinions of many friends to test the puns and verses. The prose he seems to have been able to judge for himself, and he wrote to his publisher that he was highly pleased with it. This reprinting of the first edition is complete with the forty-two Tenniel illustrations that were originally included. 8.5x11'''' Large Print Matte Cover

In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature. Matte Cover 8.5x11'' Can be used as a coloring book

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Alice in Wonderland Coloring book

Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice''s Adventures in Wonderland (1865). Set some six months later than the earlier book, Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. Through the Looking-Glass includes such celebrated verses as "Jabberwocky" and "The Walrus and the Carpenter," and the episode involving Tweedledum and Tweedledee. The mirror which inspired Carroll remains displayed in Charlton Kings. Chapter One - Looking-Glass House: Alice is playing with a white kitten (whom she calls "Snowdrop") and a black kitten (whom she calls "Kitty")-the offspring of Dinah, Alice''s cat in Alice''s Adventures in Wonderland-when she ponders what the world is like on the other side of a mirror''s reflection. Climbing up on the fireplace mantel, she pokes at the wall-hung mirror behind the fireplace and discovers, to her surprise, that she is able to step through it to an alternative world. In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky," whose reversed printing she can read only by holding it up to the mirror. She also observes that the chess pieces have come to life, though they remain small enough for her to pick up.Chapter Two - The Garden of Live Flowers: Upon leaving the house (where it had been a cold, snowy night), she enters a sunny spring garden where the flowers have the power of human speech; they perceive Alice as being a "flower that can move about." Elsewhere in the garden, Alice meets the Red Queen, who is now human-sized, and who impresses Alice with her ability to run at breathtaking speeds. This is a reference to the chess rule that queens are able to move any number of vacant squares at once, in any direction, which makes them the most "agile" of pieces...... Sir John Tenniel (27 July 1819 - 25 February 1914) was an English illustrator, graphic humourist, and political cartoonist whose work was prominent during the second half of the 19th century. Tenniel was knighted by Victoria for his artistic achievements in 1893. Tenniel is most noted for being the principal political cartoonist for Britain''s Punch magazine for more than 50 years, and he was the artist who illustrated Lewis Carroll''s Alice''s Adventures in Wonderland (1865) and Through the Looking-Glass, and What Alice Found There (1871)... Charles Lutwidge Dodgson (27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice''s Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky," and the poem The Hunting of the Snark, all examples of the genre of literary nonsense. He is noted for his facility at word play, logic and fantasy. There are societies in many parts of the world dedicated to the enjoyment and promotion of his works and the investigation of his life.

''Drink Me!'' is one of the ''Alice in Wonderland Chalkboard Notebook Journal - Blue Collection'' stationery series. This 6" x 9" notebook has a chic, matte-finish cover featuring a white illustration of Alice from ''Alice in Wonderland'' holding a bottle with the words ''Drink Me!'' on a blue chalkboard background. The elegant journal consists of 100 ruled pages of cream paper and is a great addition to anyone''s stationery collection. - Makes a great personal journal for writing down your daily thoughts or for jotting down notes and ideas. - 100 lined, opaque, cream pages. - 6"x9" 15.2cm wide x 22.9 cm high. - Smooth paper that is perfect for pens or pencils. - A great gift for any ''Alice in Wonderland'' fan. - Great for journaling or can be used as a blank diary. - A wonderful back to school supply - exercise book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the first book to be printed in Lingua Franca Nova, a creole-like auxiliary language with a simple and logical grammar, created by Dr. C. George Boeree of Shippensburg University, Pennsylvania, starting in 1965. Inspired by the historical Lingua Franca that was once used around the Mediterranean, it draws its vocabulary from Catalan, French, Italian, Portuguese, and Spanish.

"Alice''s Adventures in Wonderland" estas somera rakonto, unue publikigita de Lewis Carroll (plumnomo de Charles Lutwidge Dodgson) en julio 1865. Multaj el la personoj kaj aventuroj en tiu libro bazi as sur ludkartaro, ekzemple la malbonhumora Re ino de Keroj. "Through the Looking-Glass and What Alice Found There," alimane, estas vintra rakonto, unue publikigita de Carroll en decembro 1871, en kiu la plejmulto de la personaro kaj aventuroj bazi as sur akludo. (Du personoj el la unua historio, la Marta Leporo kaj la apelisto, denove aperas en la dua sub aspekto de mesa istoj de la Blanka Re o, Haigha kaj Hatta.) En "Through the Looking-Glass" Carroll anka pli celas al plena aj legantoj ol en sia anta a libro, uzante pli da vortludado kaj logikaj paradoksoj. e la fino de tiu i libro oni anka trovos la "subpremitan" epizodon "La Vespo en Peruko." Carroll originale intencis ke i tio estu parto de apitro VIII de "Through the Looking-Glass," sed li forigis in nelonge anta publikigado pro la instigo de John Tenniel, ilustristo de la unuaj eldonoj de amba verkoj. La Esperanta traduko de "Through the Looking-Glass" de Donald Broadribb estis unue eldonita de Bookleaf Publishing (Beverley, Okcidenta A stralio) en 1996, sub la titolo "Tra la Spegulo kaj kion Alico trovis tie." i tiu verko de Broadribb restas la sola kompleta Esperanta traduko de "Through the Looking-Glass," kvankam aliuloj estas tradukintaj kelkajn el la unuopaj poemoj en la libro, plej notinde "Jabberwocky," kiu ekzistas en ne malpli ol kvar Esperantaj versioj krom tiu de Broadribb. i tiuj kvar tradukoj aperas i-volume en apendicoj post "La Vespo en Peruko." -- "Alice''s Adventures in Wonderland" is a summer tale, published by Lewis Carroll (pen-name of Charles Lutwidge Dodgson) for the first time in July 1865. Many of the characters and adventures in that book are based on a pack of playing cards, such as the ill-tempered Queen of Hearts. "Through the Looking-Glass and What Alice Found There," on the other hand, is a winter tale, first published by Carroll in December 1871, in which most of the characters and adventures are based on the game of chess. (Two characters from the first tale, the March Hare and the Hatter, reappear in the second in the guise of the White King''s messengers, Haigha and Hatta.) "Through the Looking-Glass" is also more a book for adults than than its predecessor, featuring more word-play and logical paradoxes. At the end of the book you will also find the "suppressed" episode "The Wasp in a Wig." This was originally intended to be part of Chapter VIII of "Through the Looking-Glass," but Carroll omitted it shortly before publication at the urging of John Tenniel, who illustrated the first editions of both books. Donald Broadribb''s Esperanto translation of "Through the Looking-Glass" was first published by Bookleaf Publishing (Beverley, Western Australia) in 1996, under the title "Tra la Spegulo kaj kion Alico trovis tie." To date Broadribb''s work remains the only Esperanto translation of Carroll''s sequel, though several of the individual poems in "Through the Looking-Glass" have been translated by others, most notably "Jabberwocky," which exists in no fewer than four Esperanto versions besides Broadribb''s. These four translations are presented in this volume as appendices following "The Wasp in a Wig."

A delightfully twisted pair of tales published first in 1865 and 1872 respectively, these beloved children''s stories were rife with political satire and social commentary of the day, even as they included friends of the author among the peculiar and anthropomorphic characters. Their nonsensical logic has influenced virtually every author of fantasy since, as well as inspiring countless worlds of wonder and the imagination. They remain as popular, and as profound today as when they first came into print; a feat remarkable in the fact that neither has ever not been available. This edition restores the original illustrations of Sir John Tenniel, a topical cartoonist whose classic caricatures gave us the most memorable depictions of Alice, and her adventures both in Wonderland and Through the Looking Glass. As life imitates art, these exploits came about as a way to entertain a very real little girl named Alice, whose alter ego was very bored, and let her young imagination carry her away...Alice in Wonderland - in which Alice follows a white rabbit in a waistcoat and hurriedly checking a pocket watch down what she believes to be the hole to his burrow. Instead, she falls slowly down a tunnel lined with curious objects, to land softly in a room with doors of different sizes. With the smallest of them behind a curtain before a table upon which sits a golden key and a potion labeled "Drink Me", she makes a fateful decision that leads her into a series of equally improbable and unforgettable situations...Through the Look Glass - in which Alice, now playing with the kitten of her cat in the first book, ponders the reflection in the wall mirror hung above the fireplace. Climbing up the mantle over the hearth, she leans against the glass and in a moment has passed through to its opposite side. Once there, she learns again just how contrary and unpredictable this other world beyond the one we know can be...

"Alice''s Adventures in Wonderland" is a summer tale published by Lewis Carroll (Charles Lutwidge Dodgson) for the first time in July 1865. Nicholas Williams translated this into Irish under the title "Eachtrai Eilise i dTir na nIontas" (Evertype 2007). Many of the characters and adventures in that book belong to a pack of cards. "Lastall den Scathan agus a bhFuair Eilis Ann Roimpi"-a winter tale-is Williams'' Irish translation of "Through the Looking-Glass and What Alice Found There," which Carroll first published in December 1871. Its characters and adventures are based on a game of chess. This book contains the famous illustrations of Sir John Tenniel, which first appeared in the original English edition. -- Sceal samhraidh ata in "Alice''s Adventures in Wonderland" a d''fhoilsigh Lewis Carroll (Charles Lutwidge Dodgson) den chead uair i mi Iuil 1865. D''fhoilsigh Nicholas Williams leagan Gaeilge de faoin teideal "Eachtrai Eilise i dTir na nIontas" (Evertype 2007). Is le paca cartai a bhaineann roinnt mhaith de charachtair agus d''eachtrai an leabhair sin. Sceal geimhridh ata sa sceal seo "Lastall den Scathan agus a bhFuair Eilis Ann Roimpi" agus is e an t-aistriuchan e a rinne Williams ar "Through the Looking-Glass and What Alice Found There" a cheadfhoilsigh Carroll i mi na Nollag 1871. Ar chluiche fichille a bunaiodh formhor da bhfuil sa dara sceal seo. Feictear sa leagan Gaeilge na learaidi cailiula a rinne Sir John Tenniel don chead eagran Bearla.

Durch ein Kaninchenloch gelangt Alice in ein seltsames Land, in dem alles anders funktioniert, als sie es gewohnt ist.

In his satires of the medieval revival in Punch in the 1850s, Tenniel deyeloped a purely visual, gestural, historicist burlesque that parodied the revival but was also a genuine adaptation of historical forms to a contemporary context. He created a traditionalistic cosmos in which the past permeated and enriched the present - culminating in the great high satire of his Alice work; a triumph of English common sense.

In his perilous journey home after the Trojan War, Odysseus must pass through the land of the Cyclopes, encounter Circe the Enchantress, and face the terrible Charybdis and the six headed serpent Scylla.

This book explores the work of Sir John Tenniel, the artist who illustrated the first editions of Lewis Carroll''s best-known works. Although Tenniel and Carroll parted ways after publication of Through the Looking-Glass, the artist''s designs fixed in the public''s mind images of Carroll''s characters that thrive down to the present day.