Best Selling Books by Yukio Mishima

The story of a man coming to terms with his homosexuality in traditional Japanese society has become a modern classic.

“A propulsive, madcap story” (The New York Times) about a salaryman who decides to put his life up for sale in the classifieds section of a Tokyo newspaper after a botched suicide attempt. • "An outstanding writer not only of Japan, but of the world." —The Atlantic After salaryman Hanio Yamada puts his life up for sale, interested parties quickly come calling with increasingly bizarre requests. What follows is a madcap comedy of errors, involving a jealous husband, a drug-addled heiress, poisoned carrots—even a vampire. For someone who just wants to die, Hanio can''t seem to catch a break, as he finds himself enmeshed in a continent-wide conspiracy that puts him in the cross hairs of both his own government and a powerful organized-crime syndicate. By turns wildly inventive, darkly comedic, and deeply surreal, in Life for Sale Yukio Mishima stunningly uses satire to explore the same dark themes that preoccupied him throughout his lifetime.

''Was it death he was now waiting for? Or a wild ecstasy of the senses?'' For the young army officer of Yukio Mishima''s seminal story, ''Patriotism, '' death and ecstasy become elementally intertwined. With his unique rigor and passion, Mishima hones in on the body as the great tragic stage for all we call social, ritual, political.

Explores an adolescent''s response to his mother''s love affair with a handsome visitor to Yokohama.

A timeless story of first love set in a remote fishing village in Japan. • "A story that is both happy and a work of art.... Altogether a joyous and lovely thing." —The New York Times A young fisherman is entranced at the sight of the beautiful daughter of the wealthiest man in the village. They fall in love, but must then endure the calumny and gossip of the villagers.

A portrait of a marriage in which lofty principles clash fatally with appetite and ambition—featuring a middle-aged restaurant owner who is "the biggest and the most profound thing Mishima has done so far in an already distinguished career" (The New Yorker). “One of the outstanding writers of the world." —The New York Times For years Kazu has run her fashionable restaurant with a combination of charm and shrewdness. But when the middle-aged entrepreneur falls in love with one of her clients, an aristocratic retired politician, she renounces her business in order to become his wife. In time, however, Kazu decides to resurrect her husband''s political career. She embarks on a series of compromises and evasions that will force her to choose between her marriage and the demands of her irrepressible vitality.

A new selection of Yukio Mishima (author of Spring Snow and The Sailor Who Fell from Grace with the Sea) short stories from the 1960s—his final decade—Voices of the Fallen Heroes offers a unique glimpse into the mind of one of Japan’s greatest writers. In the title story, "Voices of the Fallen Heroes," a séance brings forth the spirits of young officers in the Imperial Army and the kamikaze pilots of World War II, who reproach the Emperor and mourn Japan’s modern decline. In another, Mishima recounts the true story of the time a deranged fan broke into his home at dawn, insisting on meeting the author and imploring him to "tell the truth." Elsewhere, a beautiful youth achieves eternal life through violent murder, and an ill-matched couple seal their fate with a pack of cards, tangled in the web of time and unfulfilled desire. Available in English for the first time, and carefully selected by a team of expert translators, these captivating stories serve as the perfect introduction to Mishima''s work, on the 100th anniversary of his birth.

This is a tale based on the strike which took place in the mid-1950s at Omi Kenshi, a silk manufacturer not far from Tokyo. The events described reflect the management / labour tensions of the period and is a piece of social commentary on the transformation of Japanese business.

Recognized throughout the world for his brilliance as a novelist and playwright, Yukio Mishima is also noted as a master of the short story in his native Japan, where the form is practiced as a major art. Nine of Yukio Mishima’s finest stories were selected by Mishima himself for translation in this book; they represent his extraordinary ability to depict a wide variety of human beings in moments of significance. Often his characters are sophisticated modern Japanese who turn out to be not so liberated from the past as they had thought.

Acclaimed Japanese novelist Yukio Mishima (1925-1970) was also a prolific playwright, penning more than sixty plays, nearly all of which were produced in his lifetime. Hiroaki Sato is the first to translate these plays into English. For this collection he has selected five major plays and three essays Mishima wrote about drama. The title play is a satire that follows the breakdown of friendship between Adolf Hitler and two Nazi officials who were ultimately assassinated under orders from Hitler.

First collection to appear in English for over 20 years.

Full of sexual torment, jealousy, and impossible-to-resolve longing, this novel from “one of the outstanding writers of the world" (The New York Times) presents a riveting portrait of the corrosive power of frustrated desire. The protaganist is Etsuko, a young widow whose philandering husband died horribly from typhoid. After moving into the house of her father-in-law, her misery deepens as she numbly submits to the old man''s advances. But soon Etsuko falls in love with the young servant, Saburo. Tormented by his indifference yet invigorated by her anguish, she makes one last, catastrophic, bid for his attentions.

From one of Japan''s greatest modern writers comes an exquisitely disturbing novel of sexual combat and concealed passion, a work that distills beauty, longing, and loathing into an intoxicating tale. • “One of the outstanding writers of the world.” —The New York Times An aging, embittered novelist sets out to avenge himself on the women who have betrayed him. He finds the perfect instrument in Yuichi, a young man whose beauty makes him irresistible to women but who is just discovering his attraction to other men. As Yuichi''s mentor presses him into a loveless marriage and a series of equally loveless philanderings, his protégé enters the gay underworld of postwar Japan where Yuichi is defenseless as any of the women he preys upon.

The third novel in the masterful tetralogy, The Sea of Fertility, in which a brilliant lawyer will go to nearly any length to discover whether a young Thai princess is in fact the reincarnated spirit of his childhood friend. • “Surpassingly chilling, subtle, and original.” —The New York Times Here, Shigekuni Honda continues his pursuit of the successive reincarnations of Kiyoaki Matsugae, his childhood friend. Travelling in Thailand in the early 1940s, Shigekuni Honda, now a brilliant lawyer, is granted an audience with a young Thai princess—an encounter that radically alters the course of his life. In spite of all reason, he is convinced she is the reincarnated spirit of his friend Kiyoaki. As Honda goes to great lengths to discover for certain if his theory is correct, The Temple of Dawn becomes the story of one man’s obsessive pursuit of a beautiful woman and his equally passionate search for enlightenment.

For the first time in English, a glittering novella about stardom from “one of the greatest avant-garde Japanese writers of the twentieth century” (Judith Thurman, The New Yorker) Winner of the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature All eyes are on Rikio. And he likes it, mostly. His fans cheer, screaming and yelling to attract his attention—they would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells “action”; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Being a star, constantly performing, being watched and scrutinized as if under a microscope, is often a drag. But so is life. Written shortly after Yukio Mishima himself had acted in the film “Afraid to Die,” this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams. With exquisite, vivid prose, Star begs the question: is there any escape from how we are seen by others?

The novel is loosely based on the burning of the Reliquary (or Golden Pavilion) of Kinkaku-ji in Kyoto by a young Buddhist acolyte in 1950. The pavilion, dating from before 1400, was a national monument that had been spared destruction many times throughout history, and the arson shocked Japan. The story is narrated by Mizoguchi, the disturbed acolyte in question, who is afflicted with a stutter, and who recounts his obsession with beauty and the growth of his urge to destroy it. The novel also includes one of Mishima''s most memorable characters, Mizoguchi''s club-footed, deeply cynical friend Kashiwagi, who gives his own highly individual twist to various Zen parables (koan).--Wikipedia.

Set in rural Japan shortly after World War II, this gripping novel tells the story of a strange and utterly absorbing love triangle that leads to psychological self-entrapment, seduction, and murder. • “A compelling tale of love and violence.” —The Washington Post “Mishima is a giant.... One of the most acclaimed writers of the 20th century.” —The New York Times Book Review Translated into English for the first time, this novel is about an affair gone wrong between a former university student, Kōji; his would-be mentor, the eminent literary critic Ippei Kusakado; and Ippei''s beautiful, enigmatic wife, Yūko. When brought face-to-face with one of Ippei''s many marital indiscretions, Kōji finds his growing desire for Yūko compels him to action in a way that changes all three of their lives profoundly. Originally published in 1961 and now available in English for the first time, The Frolic of the Beasts is a haunting examination of the various guises we assume throughout our lives.

Part autobiography and part reflections on his personal search for identity, Sun and Steel provides a fascinating insight into the complex mind of this spectacularly gifted author. In it Mishima traces his tortuous path from a sensitive, introverted childhood to creative maturity as acclaimed novelist, playwright and self-proclaimed conscience of postwar Japan. A powerful work of art in itself, Sun and Steel also provides a key to understanding his other works.

The final installment of the masterful tetralogy, The Sea of Fertility, finds Shigekuni Honda an elderly wealthy man in the 1960s, adopting a teenage orphan whom he is convinced is the reincarnation of his childhood friend. • "One of the best final scenes in the history of the novel.” —David Mitchell, The New York Times Book Review Honda, now an aged and wealthy man, once more encounters a person he believes to be a reincarnation of his friend, Kiyoaki Matsugae—this time restored to life as a teenage orphan, Tōru. Adopting the boy as his heir, Honda quickly finds that Tōru is a force to be reckoned with. The final novel of this celebrated tetralogy weaves together the dominant themes of the previous three novels in the series: the decay of Japan’s courtly tradition; the essence and value of Buddhist philosophy and aesthetics; and, underlying all, Mishima’s apocalyptic vision of the modern era.

The second novel in the masterful tetralogy, The Sea of Fertility—and “a modern masterpiece” (The Baltimore Sun)—narrated by a judge in Osaka who believes he has met the successive reincarnation of his childhood friend Kiyoaki Matsugae. In 1932, Shigekuni Honda has become a judge in Osaka. Convinced that a young rightist revolutionary, Isao, is the reincarnation of his friend Kiyoaki, Honda commits himself to saving the youth from an untimely death. Isao, driven to patriotic fanaticism by a father who instilled in him the ethos of the ancient samurai, organizes a violent plot against the new industrialists who he believes are usurping the Emperor’s rightful power and threatening the very integrity of the nation. Runaway Horses is the chronicle of a conspiracy — a novel about the roots and nature of Japanese fanaticism in the years that led to war.

Irresistible to women, the beautiful, young Yuichi embarks on a loveless marriage while he enters a homosexual underworld during postwar Japan.

Five No plays—one of the great art forms that has fascinated people throughout the world—from one of Japan''s outstanding post-war writers. • "Mishima''s is a wonderful, astonishing, and frightening creative energy." —The New York Times Magazine The late Yukio Mishima infused new life into the form by using it for plays that preserve the style and inner spirit of No and are at the same time so modern, so direct, and intelligible that they could, as he suggested, be played on a bench in Central Park. Here are five of his No plays, stunning in their contemporary nature and relevance—and finally made available again for readers to enjoy.

The Osugi family have come to a realization. Each of them hails from a different planet. Father from Mars, mother from Jupiter, son from Mercury and daughter from Venus. Already seen as oddballs in their small Japanese town in the 1960s, this extra-terrestrial knowledge brings them closer together; they climb mountains to wait for UFOs, study at home together and regard their human neighbours with a kindly benevolence. But Father, Juichiro, is worried about the bomb. He writes letters to Khrushchev, trying to warn everyone he can of the terrible threat. After all, humans may be terribly flawed, but aren''t they worth saving? He sends out a coded message in the newspaper to find other aliens. But there are other extra-terrestrials out there, ones who do not look so kindly on the flaws and foibles of humans. And a charming young man, who claims to be from Venus too, tempts daughter Akiko away from the family . . .

Mizoguchi—yang gagap—adalah seorang anak pendeta di sebuah kuil kecil dekat Tanjung Nariru. Sejak kecil, ayahnya selalu menceritakan tentang keindahan Kuil Emas dan menginginkan agar ia menjadi seorang pendeta di kuil tersebut. Setelah ayahnya meninggal, ia dititipkan kepada Kepala Pendeta Kuil Emas untuk dijadikan murid dan calon pendeta. Namun, ketika Mizoguchi tinggal di kuil itu, apa yang dibayangkannya tentang kuil itu tak sebanding dengan kenyataannya. Ia hidup dengan kekecewaannya dan ia mulai memikirkan hal-hal negatif tentang kehidupan. Sosoknya yang negatif itu diimbangi oleh sosok positif dari Tsurukawa, yang periang dan murni. Selama menempuh pendidikan di universitas, selain bersahabat dengan Tsurukawa, ia juga bersahabat dengan Kashiwagi yang malah membawanya pada pikiran dan perilaku buruk. Perilaku buruknya semakin bertambah ketika Tsurukawa meninggal. Kehidupannya semakin kacau, ia berkelana sepanjang hari untuk mencari jati diri dan muncullah ide untuk membakar Kuil Emas. Keputusannya ini merupakan bentuk protes karena kekecewaannya pada Kepala Pendeta, Kuil Emas dan kehidupan di sekelilingnya yang dirasakan tak sepaham dengan pikirannya terhadap keindahan itu sendiri. Menurutnya, setelah menghanguskan Kuil Emas ia akan merasakan keindahan yang sesungguhnya.