New Releases by Yann Martel

NOW ON BROADWAY The international bestseller and modern classic of adventure, survival, and the power of storytelling is now an award-winning play. After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan--and a 450-pound Royal Bengal tiger. Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true? Life of Pi is at once a realistic, rousing adventure and a meta-tale of survival that explores the transformative nature of fiction. It''s a story, as one character puts it, to make you believe in God.

"Life of Pi will make you believe in the power of theatre" (Times). After a cargo ship sinks in the middle of the vast Pacific Ocean, there are five survivors stranded on a lifeboat - a hyena, a zebra, an orangutan, a Royal Bengal tiger, and a sixteen year-old boy named Pi. Time is against them, nature is harsh, who will survive? Based on one of the most extraordinary and best-loved works of fiction - winner of the Man Booker Prize, selling over fifteen million copies worldwide - and featuring breath-taking puppetry and state-of-the-art visuals, Life of Pi is a universally acclaimed, smash hit adaptation of an epic journey of endurance and hope. Adapted by acclaimed playwright Lolita Chakrabarti, this edition was published to coincide with the West End premiere in November 2021.

NEW YORK TIMES BESTSELLER • “Fifteen years after The Life of Pi, Yann Martel is taking us on another long journey. Fans of his Man Booker Prize–winning novel will recognize familiar themes from that seafaring phenomenon, but the itinerary in this imaginative new book is entirely fresh. . . . Martel’s writing has never been more charming.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR In Lisbon in 1904, a young man named Tomás discovers an old journal. It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure. Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest. Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion. The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul. Praise for The High Mountains of Portugal “Just as ambitious, just as clever, just as existential and spiritual [as Life of Pi] . . . a book that rewards your attention . . . an excellent book club choice.”—San Francisco Chronicle “There’s no denying the simple pleasures to be had in The High Mountains of Portugal.”—Chicago Tribune “Charming . . . Most Martellian is the boundless capacity for parable. . . . Martel knows his strengths: passages about the chimpanzee and his owner brim irresistibly with affection and attentiveness.”—The New Yorker “A rich and rewarding experience . . . [Martel] spins his magic thread of hope and despair, comedy and pathos.”—USA Today “I took away indelible images from High Mountains, enchanting and disturbing at the same time. . . . As whimsical as Martel’s magic realism can be, grief informs every step of the book’s three journeys. In the course of the novel we burrow ever further into the heart of an ape, pure and threatening at once, our precursor, ourselves.”—NPR “Refreshing, surprising and filled with sparkling moments of humor and insight.”—The Dallas Morning News “We’re fortunate to have brilliant writers using their fiction to meditate on a paradox we need urgently to consider—the unbridgeable gap and the unbreakable bond between human and animal, our impossible self-alienation from our world.”—Ursula K. Le Guin, The Guardian “[Martel packs] his inventive novel with beguiling ideas. What connects an inept curator to a haunted pathologist to a smitten politician across more than seventy-five years is the author’s ability to conjure up something uncanny at the end.”—The Boston Globe “A fine home, and story, in which to find oneself.”—Minneapolis Star Tribune

Adventure novel on human-animal relationships.

A compendium of 101 book recommendations from Booker Prize–winning author Yann Martel (Life of Pi) to Prime Minister Stephen Harper—each with an accompanying letter, together probing the question: what sort of mind, nourished by what, do we want our leaders to have? Politely and unfailingly, every two weeks for almost four years, Yann Martel sent Canadian Prime Minister Stephen Harper a book and accompanying letter. He completed the project in 2011 with 101 book recommendations. Now, from the mailbox of the Prime Minister’s Office to your bookshelf comes a list of essential reading for all Canadians. This largely one-sided correspondence from the “loneliest book club in the world” (Stephen Harper never personally responded to Yann Martel’s gifts) is a valuable compendium for bibliophiles and those who follow the Canadian political scene. Smart, subversive, signed, sealed, and now available to you . . . even if your address is not 80 Wellington Street.

A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight.

After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra with a broken leg, a female orang-utan - and a 450-pound Royal Bengal tiger. Since it was first published in 2002, Life of Pi has entered mainstream consciousness and remains one of the most extraordinary works of fiction in recent years. In October 2005 Canongate launched a competition with The Times to find an artist to illustrate Yann Martel''s international bestseller. Soon the competition expanded as the Globe and Mail and The Age newspapers also launched a search in Canada and Australia. From thousands of entries, Croatian artist Tomislav Torjanac was chosen as the illustrator for this new edition of Life of Pi. Now readers can enjoy this extraordinary tale with his glorious colour illustrations.

Yann Martel’s astonishing novel begins with a successful writer attempting to publish his latest book, made up of a novel and an essay. Henry plans for it to be a “flip book” that the reader can start at either end, reading the novel or the essay first, because both pieces are equally concerned with representations of the Holocaust. Faced with severe and categorical rejection, Henry gives up hope. He abandons writing, moves with his wife to a foreign city, joins a community theatre, becomes a waiter in a chocolatería. But then he receives a package containing a scene from a play, photocopies from a short story by Flaubert—about a man who hunts animals down relentlessly—and a short note: “I need your help.” Intrigued, Henry tracks down his correspondent, and finds himself in a strange part of the city, walking past a stuffed okapi into a taxidermist’s workshop. The taxidermist—also named Henry—says he has been working on his play, A 20th-Century Shirt, for most of his life, but now he needs Henry’s help to describe his characters: the play’s protagonists are a stuffed donkey and a howler monkey named Beatrice and Virgil, respectively, and Henry’s successful book was in part about animals. And though his new acquaintance is austere, abrupt and almost unearthly, Henry the writer is drawn more and more deeply into Henry the taxidermist’s uncompromising world. Beatrice & Virgil gradually grows into something more, a shattering and ultimately transfixing work that asks searching questions about the nature of our understanding of history, the meaning of suffering and the value of art. As we are drawn deeper into their disturbing moral fable, the relationship between the two faltering writers named Henry becomes more and more complex until it can only be resolved in an explosive, unexpected catastrophe.

Destiny can take many shapes. For Henry, a writer struggling to finish a book about the Holocaust, it arrives in the form of a puzzling envelope from a stranger. The envelope takes him into a taxidermist''s workshop. Filled with lovingly preserved animals from all corners of the globe, this place is unlike anywhere he has ever been.

Henry mottar et brev fra en eldre taksidermist og dras samtidig inn i en gåte han ikke kan la være å løse. Lenger og lenger inn i verdenen til denne fremmede og beregnende mannen, trekkes han samtidig inn i livene til et esel og en ape, Beatrice og Vergil, og reisen de foretar sammen. Yann Martel er forfatteren av Historien om PI, som han fikk Man Booker Prize for i 2002.

“I know you’re very busy, Mr. Harper. We’re all busy. But every person has a space next to where they sleep, whether a patch of pavement or a fine bedside table. In that space, at night, a book can glow. And in those moments of docile wakefulness, when we begin to let go of the day, then is the perfect time to pick up a book and be someone else, somewhere else, for a few minutes, a few pages, before we fall asleep.” From the author of Life of Pi comes a literary correspondence—recommendations to Canada’s Prime Minister of great short books that will inspire and delight book lovers and book club readers across our nation. Every two weeks since April 16th, 2007, Yann Martel has mailed Stephen Harper a book along with a letter. These insightful, provocative letters detailing what he hopes the Prime Minister may take from the books—by such writers as Jane Austen, Gabriel Garcia Marquez and Stephen Galloway—are collected here together. The one-sided correspondence (Mr. Harper’s office has only replied once) becomes a meditation on reading and writing and the necessity to allow ourselves to expand stillness in our lives, even if we’re not head of government.

“My vision of the illustrated edition of Life of Pi is based on paintings from a first person’s perspective—Pi’s perspective. The interpretation of what Pi sees is intermeshed with what he feels and it is shown through [the] use of colors, perspective, symbols, hand gestures, etc.” — Tomislav Torjanac The modern classic and international bestseller is now brought to splendid, eye-popping life with forty beautiful illustrations from artist Tomislav Torjanac. After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger. Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional—but is it more true? Life of Pi is at once a realistic, rousing adventure and a meta-tale of survival that explores the redemptive power of storytelling and the transformative nature of fiction. It''s a story, as one character puts it, to make you believe in God.

Written earlier in Martel''s career, these four unforgettable tales are as moving as they are thought-provoking, as inventive in form as they are timeless.

The appearance of a young storyteller with a unique voice is cause for celebration. This memorable debut from Booker prize winner Martel, originally published in 1993, was hailed for its power and elegance on both sides of the Atlantic. Dealing with such themes as storytelling and illness, war and music, death and bureaucracy, science and sex, these tales are moving and thought-provoking, as inventive in form as they are timeless in content. They display that startling mix of dazzle and depth that have made Yann Martel an international phenomenon. This edition features three of the stories from the original edition, including the remarkable novella The Facts Behind the Helsinki Roccamatios, which won the prestigious Journey Prize, as well as three stories never before published in Britain. As a collection it looks set to further Martel''s reputation as one of the most interesting writers working in the world today.

The son of a zookeeper, Pi Patel has an encyclopedic knowledge of animal behavior and a fervent love of stories. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes. The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true?