Best Selling Books by William Johnston

A Transition to Advanced Mathematics: A Survey Course promotes the goals of a "bridge'''' course in mathematics, helping to lead students from courses in the calculus sequence (and other courses where they solve problems that involve mathematical calculations) to theoretical upper-level mathematics courses (where they will have to prove theorems and grapple with mathematical abstractions). The text simultaneously promotes the goals of a ``survey'''' course, describing the intriguing questions and insights fundamental to many diverse areas of mathematics, including Logic, Abstract Algebra, Number Theory, Real Analysis, Statistics, Graph Theory, and Complex Analysis. The main objective is "to bring about a deep change in the mathematical character of students -- how they think and their fundamental perspectives on the world of mathematics." This text promotes three major mathematical traits in a meaningful, transformative way: to develop an ability to communicate with precise language, to use mathematically sound reasoning, and to ask probing questions about mathematics. In short, we hope that working through A Transition to Advanced Mathematics encourages students to become mathematicians in the fullest sense of the word. A Transition to Advanced Mathematics has a number of distinctive features that enable this transformational experience. Embedded Questions and Reading Questions illustrate and explain fundamental concepts, allowing students to test their understanding of ideas independent of the exercise sets. The text has extensive, diverse Exercises Sets; with an average of 70 exercises at the end of section, as well as almost 3,000 distinct exercises. In addition, every chapter includes a section that explores an application of the theoretical ideas being studied. We have also interwoven embedded reflections on the history, culture, and philosophy of mathematics throughout the text.

William Johnston (1871-1929) wrote this popular book that continues to be widely read today despite its age.

Those stirring times are days of the past, and the unsheathed sword has given place to the ploughshare, but weird pictures of bloodshed among man and beast are indelibly impressed on Jack Lovat''s brain, and his dreams of to-day are often linked with the scenes enacted during the "White Men''s War" beneath the glittering Southern Cross. Jack Lovat was not a Colonial bred and born, for his boyhood had been passed amid the peaceful surroundings of a Highland sheep farm in dear old Scotland. Mr. Lovat, Jack''s father, had been a laird of substantial means, and was descended from a line of ancestors in whose veins coursed a strain of royal blood; but bad times came, and Jack, instead of proceeding to Loretto, took passage as a member of the Lovat family, in a Castle liner bound for Cape Town. Jack was seventeen at the time our story opens. Rather above the middle height, he was broad, and his bronzed features testified to his three years'' sojourn on the South African veldt. The Kaffirs on his father''s ostrich farm, near Orangefontein, had dubbed him "The Strong-armed Baas," only a month later than his advent to the holding locally known as "The Kopje Farm." Pete, the Kaffir who acted as native foreman to Mr. Lovat, declared that "Baas Jack" could fell the biggest ox ever inspanned in a Cape waggon, which of course was an exaggeration of a very bad type, but to which statement Pete and the other "boys" employed on the estate pinned implicit faith. The dogs of war had been let loose in South Africa, but Orangefontein had not been troubled as yet. Ladysmith, Kimberley, and gallant little tin-roofed Mafeking had been besieged and relieved, but round the homes of the settlers near Ookiep and Orangefontein tranquillity reigned...

Through a historical and comparative analysis of modern Japan''s epidemic of tuberculosis, William Johnston illuminates a major but relatively unexamined facet of Japanese social and cultural history. He utilizes a broad range of sources, including medical journals and monographs, archaeological evidence, literary works, ethnographic data, and legal and government documents to reveal how this and similar epidemics have been the result of social changes that accompanied the process of modernization. Johnston also shows the ways in which modern states, private organizations, and individual citizens have responded to epidemics, and in the process reexamines the concept of the epidemic itself, showing that epidemics must be thought of not only in medical and biological terms but in political, social and cultural terms as well.

On March 11, 2011 one of the most powerful earthquakes in recorded history devastated Japan, triggering a massive tsunami and nuclear meltdowns at three reactors in the Fukushima Daiichi Nuclear Power Plant complex in a triple disaster known as 3.11. On five separate journeys, Japanese-born performer and dancer Eiko Otake and historian and photographer William Johnston visited multiple locations across Fukushima, creating 200 transformative color photographs that document the irradiated landscape, accentuated by Eiko''s poses depicting both the sorrow and dignity of the land. The book also includes essays and commentary reflecting on art, disaster, and grief. From the Preface THIS IS A BOOK OF FUKUSHIMA. THIS IS A BOOK OF WAILING AND UPSET, inhabiting time after March 11, 2011 and imagining time before then. This is a book of the irradiated landscape of Fukushima. This is a book of violence, and of disasters, fast and slow. This is a book of people, mountains, fields and the sea. This book is A Body in Fukushima: the body of a performer—an immigrant artist from Japan, and the body of a historian who is also a photographer, and the body of the land itself. We traveled together to Fukushima five times between 2014 and 2019. Eiko performed in the disrupted landscapes. Bill photographed the performances. Together we selected the photographs and writings for this book, and Bill wrote the captions. The year 2021 marks the tenth anniversary of the Fukushima nuclear disaster. The Timeline in the book extends to include a deeper history that is part of this tragedy and this place. And Places Visited shows the coastline where we performed and photographed. We hope that these images allow you to enter Fukushima, to feel and smell it. —EO & WJ

Reprint of the original, first published in 1845. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.