New Releases by William Gibson

El futuro ya está aquí, y no es un juego. Flynne Fisher vive en una zona rural de una América futura, donde los empleos son escasos, a menos que te dediques a la fabricación ilegal de drogas, algo que ella evita a toda costa. Su hermano Burton vive, o lo intenta, de la subvención que la Administración de Veteranos le otorga por daños neurológicos sufridos en la unidad de Rehabilitación Táctica del cuerpo de élite de los Marines. Flynne intenta sobrevivir con lo que gana trabajando en una cadena de montaje de productos en impresión 3D. Aunque gana más dinero como jugadora de un juego online, donde juega en nombre de un hombre rico. Wilf Netherton vive en Londres, setenta y pico años después, en medio de una lenta apocalipsis. Pero las cosas parecen bastante estables por ahora. Wilf es un reputado publicista, con cierto toque romántico, nostálgico e inadaptado que contrasta con la sociedad en la que vive, en la que los viajes al pasado son simplemente un pasatiempo. Burton ha estado trabajando secretamente en un proyecto online para garantizar la seguridad en un juego ambientado en un mundo virtual que se parece vagamente a Londres, pero con un aire aún más extraño. Flynne y Wilf están a punto de conocerse. ENGLISH DESCRIPTION The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she''s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines'' elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she''s had to let the shooter games go. Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren''t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton''s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He''s got Flynne taking over shifts, promised her the game''s not a shooter. Still, the crime she witnesses there is plenty bad. Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf''s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.

The first-draft Alien screenplay by William Gibson, the founder of cyberpunk, turned into a novel by Pat Cadigan, the Hugo Award-Winning “Queen of Cyberpunk.” William Gibson’s never-before-adapted screenplay for the direct sequel to Aliens, revealing the fates of Ripley, Newt, the synthetic Bishop, and Corporal Hicks. When the Colonial Marines vessel Sulaco docks with space station and military installation Anchorpoint, a new form of Xenomorph appears. Written by Hugo Award-winning novelist and “Queen of Cyberpunk” Pat Cadigan, based on Gibson’s never-produced first draft. The Sulaco—on its return journey from LV-426—enters a sector controlled by the “Union of Progressive Peoples,” a nation-state engaged in an ongoing cold war and arms race. U.P.P. personnel board the Sulaco and find hypersleep tubes with Ripley, Newt, and an injured Hicks. A Facehugger attacks the lead commando, and the others narrowly escape, taking what remains of Bishop with them. The Sulaco continues to Anchorpoint, a space station and military installation the size of a small moon, where it falls under control of the military’s Weapons Division. Boarding the Sulaco, a team of Colonial Marines and scientists is assaulted by a pair of Xenomorph drones. In the fight Ripley''s cryotube is badly damaged. It’s taken aboard Anchorpoint, where Ripley is kept comatose. Newt and an injured Corporal Hicks are awakened, and Newt is sent to Gateway Station on the way to Earth. The U.P.P. sends Bishop to Anchorpoint, where Hicks begins to hear rumors of experimentation—the cloning and genetic modification of Xenomorphs. The kind of experimentation that could yield a monstrous hybrid, and perhaps even a Queen. ALIEN 3 TM & © Twentieth Century Films. All rights reserved.

"Verity Jane, gifted app-whisperer, has been out of work since her exit from a brief but problematic relationship with a Silicon Valley billionaire. Then she signs the wordy NDA of a dodgy San Francisco start-up, becoming the beta tester for their latest product: a digital assistant, accessed through a pair of ordinary-looking glasses. "Eunice," the disarmingly human AI in the glasses, soon manifests a face, a fragmentary past, and an unnervingly canny grasp of combat strategy. Verity, realizing that her cryptic new employers don''t yet know this, instinctively decides that it''s best they don''t. Meanwhile, a century ahead, in London, in a different timeline entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His employer, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice have become her current project. Wilf can see what Verity and Eunice can''t: their own version of the jackpot, just around the corner. And something else too: the roles they both may play in it"--

This is the official adaptation of the original screenplay for Alien 3, written by William Gibson, the award-winning science fiction author of the cyberpunk cult classic Neuromancer. You''ll see familiar characters and places--but not all is the same in this horrifying Cold War thriller! After the deadly events of the film Aliens, the spaceship Sulaco carrying the sleeping bodies of Ripley, Hicks, Newt, and Bishop are intercepted by the Union of Progressive Peoples. What the U.P.P forces don''t expect is another deadly passenger that is about to unleash chaos between two governmental titans intent on developing the ultimate cold war weapon of mass destruction. Collects William Gibson''s Alien 3 #1-5.

Le futur de l’humanité se joue dans son passé 2016. Suite aux mauvaises décisions de ses dirigeants, la planète entière est devenue un enfer radioactif. Le dernier espoir de l’humanité a un nom : le Splitter, une colossale machine à remonter le temps conçue pour changer le cours de l’histoire. À moins que les paradoxes temporels qu’elle risque de produire n’aboutissent à un désastre plus terrible encore... Alors qu’une lutte de pouvoir s’immisce pour le contrôle du Splitter dans le présent, en 1945, l’agent du renseignement de la Royal Air Force Naomi Givens enquête sur des faits troublants et leurs répercussions sur sa réalité... Découvrez le premier comics de William Gibson, auteur culte de science-fiction, dessiné par le grand Butch Guice ! Entre uchronie apocalyptique et thriller militaire, Archangel nous propulse dans un voyage aux multiples temporalités et nous fait retrouver les thématiques littéraires chères à l’auteur du Neuromancien.

The Long Eighteenth Century was the Age of Revolutions, including the first sexual revolution. In this era, sexual toleration began and there was a marked increase in the discussion of morality, extra-marital sex, pornography and same-sex relationships in both print and visual culture media. William Gibson and Joanne Begiato here consider the ways in which the Church of England dealt with sex and sexuality in this period. Despite the backdrop of an increasingly secularising society, religion continued to play a key role in politics, family life and wider society and the eighteenth-century Church was still therefore a considerable force, especially in questions of morality. This book integrates themes of gender and sexuality into a broader understanding of the Church of England in the eighteenth century. It shows that, rather than distancing itself from sex through diminishing teaching, regulation and punishment, the Church not only paid attention to it, but its attitudes to sex and sexuality were at the core of society''s reactions to the first sexual revolution.

De tweede cyberpunkroman van Gibson speelt zich tien jaar na het driemaal bekroonde Zenumagiër af in de supersnelle hightechsamenleving van ontzagwekkende metropolen, van alles en iedereen beheersende multinationals, op de meest linkse van de tienbaans snelwegen, waar één fout voldoende is om de gebruiker levenslang te ontregelen. In die wereld proberen een freelance huurling, een uitgerangeerde galerie-eigenaar en een zogenaamde computercowboy niet alleen te overleven, maar ook de beste te worden in wat ze doen en succes te behalen. Zinderende spanning, actie en intrige maken Biochips tot een doolhof waarin de lezer tot de laatste bladzijde wil verdwalen.

William Gibson returns with his first novel since 2010''s New York Times-bestselling Zero History. Where Flynne and her brother, Burton, live, jobs outside the drug business are rare. Fortunately, Burton has his veteran''s benefits, for neural damage he suffered from implants during his time in the USMC''s elite Haptic Recon force. Then one night Burton has to go out, but there''s a job he''s supposed to do--a job Flynne didn''t know he had. Beta-testing part of a new game, he tells her. The job seems to be simple: work a perimeter around the image of a tower building. Little bug-like things turn up. He''s supposed to get in their way, edge them back. That''s all there is to it. He''s offering Flynne a good price to take over for him. What she sees, though, isn''t what Burton told her to expect. It might be a game, but it might also be murder.

NEW YORK TIMES bestseller • 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. The millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich—or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash. . . . Praise for Virtual Light “Both exhilarating and terrifying . . . Although considered the master of ''cyberpunk'' science fiction, William Gibson is also one fine suspense writer.”—People “A stunner . . . A terrifically stylish burst of kick-butt imagination.”—Entertainment Weekly “Convincing . . . frightening . . . Virtual Light is written with a sense of craft, a sense of humor and a sense of the ultimate seriousness of the problems it explores.”—Chicago Tribune “In the emerging pop culture of the information age, Gibson is the brightest star.”—The San Diego Union-Tribune

William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive. Enter Gibson''s unique world—lyric and mechanical, sensual and violent, sobering and exciting—where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated universe known as cyberspace. Into this world comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled . . . or even known. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes . . . or so they think.

A wide ranging new history of a key period in the history of the church in England, from the ''Glorious Revolution'' of 1688-89 to the Great Reform Act of 1832. This was a tumultuous time for both church and state, when the relationship between religion and politics was at its most fraught. This book presents evidence of the widespread Anglican commitment to harmony between those of differing religious views and suggests that High and Low Churchmanship was less divergent than usually assumed.

A collection of New York Times bestselling author William Gibson’s articles and essays about contemporary culture—a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture... Though best known for his fiction, William Gibson is as much in demand for his cutting-edge observations on the world we live in now. Originally printed in publications as varied as Wired, the New York Times, and the Observer, these articles and essays cover thirty years of thoughtful, observant life, and are reported in the wry, humane voice that lovers of Gibson have come to crave. “Gibson pulls off a dazzling trick. Instead of predicting the future, he finds the future all around him, mashed up with the past, and reveals our own domain to us.”—The New York Times Book Review

Praise for the author: ''Gibson''s well written and well-documented account of James and the bishops will surely become the new standard authority on these "implausible revolutionaries" for many decades.'' Barbara Brandon Schnorrenberg, Anglican and Episcopal History In 1660, England emerged from the devastation of the Civil Wars and restored the king, Charles II, to the throne. Over the next 190 years Britain would establish itself as the leading nation in the world - the centre of a burgeoning empire, at the forefront of the Enlightenment and the driving force behind the Industrial Revolution. However, radical change also brought with it anxiety and violence. America was lost in the War of Independence and calls for revolution at home were never far from the surface of everyday life. In this vivid and convincing overview of the era in which Britain transformed the world and was itself remade, leading historian of the period William Gibson also looks at the impact of this revolutionary change on the ordinary citizens of Britain. This is the third book in this wonderfully concise four-volume Brief History of Britain which brings together leading historians to tell the story of Britain from the Norman Conquest of 1066 right up to the present day. Combining the latest research with accessible and entertaining story-telling, it is the ideal introduction to British history for students and general readers.

Hollis Henry never intended to work for global marketing magnate Hubertus Bigend again. But now she’s broke, and Bigend has just the thing to get her back in the game... Milgrim can disappear in almost any setting, and his Russian is perfectly idiomatic—so much so that he spoke it with his therapist in the secret Swiss clinic where Bigend paid for him to be cured of his addiction... Garreth doesn''t owe Bigend a thing. But he does have friends from whom he can call in the kinds of favors powerful people need when things go sideways... They all have something Bigend wants as he finds himself outmaneuvered and adrift, after a Department of Defense contract for combat-wear turns out to be the gateway drug for arms dealers so shadowy they can out-Bigend Bigend himself. “Zero History is [Gibson’s] best yet, a triumph of science fiction as social criticism and adventure.”—BoingBoing.net

Working with Qualitative Data provides a practical and accessible introduction to how to develop and apply strategies for the analysis of qualitative data by exploring the ways in which analysis is related to all aspects of research. By situating analysis in the context of the whole research process, this book helps the reader to introduce an analytical component to every stage of doing research: from designing a project, reviewing the literature, through the various stages of gathering data, to the process of writing-up. Through practical examples the book maps out strategies for developing analytic frameworks in relation to all aspects of research, and demonstrates the ways in which such frameworks can be used in relation to various sorts of data. In contrast to existing qualitative data analysis texts, this book offers a unified approach to the process of analysis within qualitative research. It will be of great use to students and researchers across the full range of social, health and education sciences.

NO ONE COULD REACH HER Twelve-year-old Helen Keller lived in a prison of silence and darkness. Born deaf, blind, and mute, with no way to express herself or comprehend those around her, she flew into primal rages against anyone who tried to help her, fighting tooth and nail with a strength born of furious, unknowing desperation. Then Annie Sullivan came. Half-blind herself, but possessing an almost fanatical determination, she would begin a frightening and incredibly moving struggle to tame the wild girl no one could reach, and bring Helen into the world at last....

“Powerfully and persuasively . . . Gibson tells us why we were in Vietnam . . . a work of daring brilliance—an eye-opening chronicle of waste and self-delusion.” —Robert Olen Butler In this groundbreaking book, James William Gibson shatters the misled assumptions behind both liberal and conservative explanations for America’s failure in Vietnam. Gibson shows how American government and military officials developed a disturbingly limited concept of war—what he calls “technowar”—in which all efforts were focused on maximizing the enemy’s body count, regardless of the means. Consumed by a blind faith in the technology of destruction, American leaders failed to take into account their enemy’s highly effective guerrilla tactics. Indeed, technowar proved woefully inapplicable to the actual political and military strategies used by the Vietnamese, and Gibson reveals how US officials consistently falsified military records to preserve the illusion that their approach would prevail. Gibson was one of the first historians to question the fundamental assumptions behind American policy, and The Perfect War is a brilliant reassessment of the war—now republished with a new introduction by the author. “This book towers above all that has been written to date on Vietnam.” —LA Weekly

The “cool and scary”(San Francisco Chronicle) New York Times bestseller from the author of Pattern Recognition and Neuromancer. • spook (spo͞ok) n.: A specter; a ghost. Slang for “intelligence agent.” • country (ˈkən-trē) n.: In the mind or in reality. The World. The United States of America, New Improved Edition. What lies before you. What lies behind. • spook country (spo͞ok ˈkən-trē) n.: The place where we all have landed, few by choice. The place we are learning to live. Hollis Henry is a journalist, on investigative assignment for a magazine called Node, which doesn’t exist yet. Bobby Chombo apparently does exist, as a producer. But in his day job, Bobby is a troubleshooter for military navigation equipment. He refuses to sleep in the same place twice. He meets no one. And Hollis Henry has been told to find him... “A devastatingly precise reflection of the American zeitgeist.”—The Washington Post Book World

“Pattern Recognition is William Gibson’s best book since he rewrote all the rules in Neuromancer.”—Neil Gaiman, author of American Gods “One of the first authentic and vital novels of the 21st century.”—The Washington Post Book World The accolades and acclaim are endless for William Gibson''s coast-to-coast bestseller. Set in the post-9/11 present, Pattern Recognition is the story of one woman''s never-ending search for the now... Cayce Pollard is a new kind of prophet—a world-renowned “coolhunter” who predicts the hottest trends. While in London to evaluate the redesign of a famous corporate logo, she’s offered a different assignment: find the creator of the obscure, enigmatic video clips being uploaded to the internet—footage that is generating massive underground buzz worldwide. Still haunted by the memory of her missing father—a Cold War security guru who disappeared in downtown Manhattan on the morning of September 11, 2001—Cayce is soon traveling through parallel universes of marketing, globalization, and terror, heading always for the still point where the three converge. From London to Tokyo to Moscow, she follows the implications of a secret as disturbing—and compelling—as the twenty-first century promises to be...

Best-known for his seminal sf novel Neuromancer, William Gibson is actually best when writing short fiction. Tautly-written and suspenseful, Burning Chrome collects 10 of his best short stories with a preface from Bruce Sterling, now available for the first time in trade paperback. These brilliant, high-resolution stories show Gibson''s characters and intensely-realized worlds at his absolute best, from the chip-enhanced couriers of "Johnny Mnemonic" to the street-tech melancholy of "Burning Chrome."

“The ferociously talented Gibson delivers his signature mélange of technopop splendor and post-industrial squalor” (Time) in this New York Times bestseller that features his hero from Idoru... Colin Laney, sensitive to patterns of information like no one else on earth, currently resides in a cardboard box in Tokyo. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Tokyo; he will not see this thing himself. Something is about to happen in San Francisco. The mists make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his imagination. And Rei Toi, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she’s working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible...

(Applause Books). The rise of Golda Meir from impoverished Russian schoolgirl to Prime Minister of Israel is one of the most amazing stories of the 20th century. Now her life has been transformed into a one-woman play of overwhelming power and triumph by William Gibson, author of The Miracle Worker . Golda''s Balcony earned actress Tovah Feldshuh a 2003 Drama Desk award. "Enlightening ... Now, hearing from someone who was there at the birth of the country, who sacrificed to make that happen, helps remind us where the Middle East standoff came from and why it never seems to end." The New York Times "A valentine to the famously tough prime minister." New York Post

"Colin Layne habite un carton dans les couloirs du métro à Tokyo, en partie détruite par un séisme et reconstruite grâce aux nanotechnologies. Son don et son expérience du réseau lui permettent, en s''immergeant dans les flux de données en transit sur la toile, de déchiffrer intuitivement les évènements en devenir.« Sans quitter les rives de la cyberculture, dont il fut un des pionniers, William Gibson renouvelle le genre avec ce roman, qui, sur fond de fracture sociale, navigue entre thriller et romance. » Frédérique Roussel, Libération"

In 1855 London, a steam driven calculator heralds a new age of information as everything from fast food to credit cards turns the Victorian Era into a bizarre modern-day world. "Bursting with the kind of demented speculation and obsessive detailing that has made both Gibson''s and Sterling''s work stand out in the past".--San Francisco Chronicle.

William Gibson continues the visionary Sprawl Trilogy that began with Neuromancer in this frighteningly probable parable of the future. A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he’s recovering from: to get a defecting chief of R&D—and the biochip he’s perfected—out intact. But this proves to be of supreme interest to certain other parties—some of whom aren’t remotely human....