New Releases by William Faulkner

William Faulkner''s first novel is one of the most compelling works of American fiction to emerge from the First World War. A wounded veteran''s homecoming is at the center of Faulkner''s first novel. Badly scarred in body and mind, and unable to remember much, Donald Mahon is brought home at the end of the World War I by a fellow soldier and a young war widow they befriend on the train. Mahon''s arrival is a shock to his hometown, however, for he had long since been reported dead. His flighty young fiancee is caught between her revulsion at his condition and her sense of duty, while Mahon''s father greets his unexpected survival first with joy and then with a determined denial of what his grievous injuries mean. As events unfold, alliances are formed and broken, sacrifices are made, and Faulkner deftly invests his heartbreaking tale with some of the deeper themes that would come to mark his later masterpieces.

DigiCat Publishing presents to you this special edition of "The Mansion" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "The Hamlet" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A treasury of literary history featuring caricatures of bohemian life in 1920s New Orleans with captions by William Faulkner. After meeting in the French Quarter, Nobel Prize–winning novelist William Faulkner and renowned silver artist William Spratling shared a house together—and collaborated on a parody volume that offered a witty portrait of the creative denizens of the city, a group that included such future icons as publisher and Broadway producer Horace Liveright, Pulitzer-winning biographer Carl Van Doren,; novelist John Dos Passos, actress and screenwriter Anita Loos, and others. This unique book provides both an enjoyable glimpse into the early lives of prominent literary and artistic figures and a snapshot of New Orleans history.

The Sound and the Fury is a novel by author William Faulkner. It employs several narrative styles, including stream of consciousness.

«La vida no es más que una sombra... Una historia narrada por un necio, llena de ruido y furia, que nada significa.» Macbeth, Shakespeare El ruido y la furia es una obra maestra de la literatura. Relata la degeneración progresiva de la familia Compson, sus secretos y las relaciones de amor y odio que la sostienen y la destruyen. Por primera vez, William Faulkner introduce el monólogo interior y revela los diferentes puntos de vista de sus personajes: Benjy, deficiente mental, castrado por sus propios parientes; Quentin, poseído por un amor incestuoso e incapaz de controlar los celos, y Jason, monstruo de maldad y sadismo. El libro se cierra con un apéndice que descubrirá al lector los entresijos de esta saga familiar de Jefferson, Mississippi, conectándola con otros personajes de Yoknapatawpha, territorio creado por Faulkner como marco de muchas de sus novelas. ENGLISH DESCRIPTION I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools." —from The Sound and the Fury The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character''s voices and actions mesh to create what is arguably Faulkner''s masterpiece and one of the greatest novels of the twentieth century.

“A man is the sum of his misfortunes.” —William Faulkner, The Sound and the Fury William Faulkner’s provocative and enigmatic 1929 novel, The Sound and the Fury, is widely acknowledged as one of the most important English-language novels of the twentieth century. This revised and expanded Norton Critical Edition builds on the strengths of its predecessors while focusing new attention on both the novel’s contemporary reception and its rich cultural and historical contexts. The text for the Third Edition is again that of the corrected text scrupulously prepared by Noel Polk, whose textual note precedes the novel. David Minter’s annotations, designed to assist readers with obscure words and allusions, have been retained. “Contemporary Reception,” new to the Third Edition, considers the broad range of reactions to Faulkner’s extraordinary novel on publication. Michael Gorra’s headnote sets the stage for assessments by Evelyn Scott, Henry Nash Smith, Clifton P. Fadiman, Dudley Fitts, Richard Hughes, and Edward Crickmay. New materials by Faulkner (“The Writer and His Work”) include letters to Malcolm Cowley about The Portable Faulkner and Faulkner’s Nobel Prize for Literature address. “Cultural and Historical Contexts” begins with Michael Gorra’s insightful headnote, which is followed by seven seminal considerations—five of them new to the Third Edition—of southern history, literature, and memory. Together, these works—by C. Vann Woodward, Richard H. King, Richard Gray, William Alexander Percy, Lillian Smith, William James, and Henri Bergson—provide readers with important contexts for understanding the novel. “Criticism” represents eighty-five years of scholarly engagement with The Sound and the Fury. New to the Third Edition are essays by Eric Sundquist, Noel Polk, Doreen Fowler, Richard Godden, Stacy Burton, and Maria Truchan-Tataryn. A Chronology of Faulkner’s life and work is newly included along with an updated Selected Bibliography.

Isaac McCaslin is obsessed with hunting down Old Ben, a mythical bear that wreaks havoc on the forest. After this feat is accomplished, Isaac struggles with his relationship to nature and to the land, which is complicated when he inherits a large plantation in Yoknapatawapha County. “The Bear” is included in William Faulkner’s novel, Go Down, Moses. Although primarily known for his novels, Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun." HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South''s traditions.

NOBEL PRIZE WINNER • Family drama and the legacy of slavery haunt this epic tale of an enigmatic stranger in Jefferson, Mississippi—from one of the most acclaimed writers of the twentieth century. One of The Atlantic’s Great American Novels of the Past 100 Years “Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, a man who comes to the South in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”

“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing.” —William Faulkner Winner of the National Book Award Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels.

This novel won both the Pulitzer Prize and the National Book Award in 195. An allegorical story of World War I, set in the trenches in France and dealing ostensibly with a mutiny in a French regiment, it was originally considered a sharp departure for Faulkner. Recently it has come to be recognized as one of his major works and an essential part of the Faulkner oeuvre. Faulkner himself fought in the war, and his descriptions of it "rise to magnificence," according to The New York Times, and include, in Malcolm Cowley''s words, "some of the most powerful scenes he ever conceived."

One of Faulkner''s comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family''s retainers, to steal his grandfather''s car and make a trip to Memphis. The Priests'' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba''s bordello in Memphis. From there a series of wild misadventures ensues--involving horse smuggling, trainmen, sheriffs'' deputies, and jail.

"The Bear, " "The Old People, " "A Bear Hunt, " "Race at Morning"--some of Nobel Prize-winning author William Faulkner''s most famous stories are collected in this volume--in which he observed, celebrated, and mourned the fragile otherness that is nature, as well as the cruelty and humanity of men. "Contains some of Faulkner''s best work."

From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, The Sound and the Fury, Light in August, and Absalom, Absalom! William Faulkner was a master of the short story. Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury. They explore many of the themes found in the novels and feature characters of small-town Mississippi life that are uniquely Faulkner’s. In “A Rose for Emily,” the first of his stories to appear in a national magazine, a straightforward, neighborly narrator relates a tale of love, betrayal, and murder. The vicious family of the Snopes trilogy turns up in “Barn Burning,” about a son’s response to the activities of his arsonist father. And Jason and Caddy Compson, two other inhabitants of Faulkner’s mythical Yoknapatawpha County, are witnesses to the terrorizing of a pregnant black laundress in “That Evening Sun.” These and the other stories gathered here attest to the fact that Faulkner is, as Ralph Ellison so aptly noted, “the greatest artist the South has produced.” Including these stories: “Barn Burning” “Two Soldiers” “A Rose for Emily” “Dry September” “That Evening Sun” “Red Leaves” “Lo!” “Turnabout” “Honor” “There Was a Queen” “Mountain Victory” “Beyond” “Race at Morning”

Reprinted from Collected Stories of William Faulkner, by permission of Random House, Inc.

In 1925 William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans. He had published a volume of poetry ("The Marble Faun"), had written a few book reviews, and had contributed sketches to the University of Mississippi student newspaper. He had served a stint in the Royal Canadian Air Corps and while working in a New Haven bookstore had become acquainted with the wife of the writer Sherwood Anderson. In his first six months in New Orleans, where the Andersons were living, Faulkner made his initial foray into serious fiction writing. Here in one volume are the pieces he wrote while in the French Quarter. These were published locally in the "Times-Picayune" and in the "Double Dealer," a "little magazine" based in New Orleans. "New Orleans Sketches" broadcasts seeds that would take root in later works. In their themes and motifs these sketches and stories foreshadow the intense personal vision and style that would characterize Faulkner''s mature fiction. As his sketches take on parallels with Christian liturgy and as they portray such characters as an idiot boy similar to Benjy Compson, they reveal evidence of his early literary sophistication. In praise of "New Orleans Sketches" Alfred Kazin wrote in the "New York Times Book Review" that "the interesting thing for us now, who can see in this book the outline of the writer Faulkner was to become, is that before he had published his first novel he had already determined certain main themes in his work." In his trail-blazing introduction Carvel Collins, often called "Faulkner''s best-informed critic," illuminates the period when the sketches were written as the time that Faulkner was making the transition from poet to novelist. "For the reader of Faulkner," Paul Engle wrote in the "Chicago Tribune," "the book is indispensable. Its brilliant introduction . . . is full both of helpful information . . . and of fine insights." "We gain something more than a glimpse of the mind of a young genius asserting his power against a partially indifferent environment," states the "Book Exchange" (London). "The long introduction . . . must rank as a major literary contribution to our knowledge of an outstanding writer: perhaps the greatest of our times." Carvel Collins (1912-1990), one of the foremost authorities on Faulkner''s life and works, served on the faculties of Harvard University, Massachusetts Institute of Technology, Swarthmore College, and the University of Notre Dame, where he was the first to teach a course devoted to Faulkner''s writing.

In this book, an unnamed reporter for a local newspaper, tries to understand a trio of flyers on the barnstorming circuit.

An essential collection of William Faulkner''s mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner''s Nobel Prize acceptance speech, a review of Hemingway''s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay "On Criticism" and the beguiling "Note on A Fable." It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner''s brilliant non-fiction work, and a rare look into the life of an American master.

The Reivers: A Reminiscence, published in 1962, is the last novel by the American author William Faulkner. The bestselling novel was awarded the Pulitzer Prize for Fiction in 1963. Faulkner previously won this award for his book A Fable, making him one of only four authors to be awarded it more than once. Unlike many of his earlier works, it is a straightforward narration and eschews the complicated literary techniques of his more well known works. It is a picaresque novel, and as such may seem uncharacteristically lighthearted given its subject matter. For these reasons, The Reivers is often ignored by Faulkner scholars or dismissed as a lesser work. In the early 20th century, an 11-year-old boy named Lucius Priest (a distant cousin of the McCaslin/Edmonds family Faulkner wrote about in Go Down, Moses) somewhat unwittingly gets embroiled in a plot to go to Memphis with dimwitted family friend and manservant Boon Hogganbeck. Boon steals (reives, thereby becoming a reiver) Lucius'' grandfather''s car, one of the first cars in Yoknapatawpha County. They discover that Ned McCaslin, a black man who works with Boon at Lucius'' grandfather''s stables, has stowed away with them (Ned is also a blood cousin of the Priests). When they reach Memphis, Boon and Lucius stay in a boarding-house (brothel). Miss Reba, the madam, and Miss Corrie, Boon''s favorite girl, are appalled to see that Boon has brought a child. In fact, Corrie''s nephew Otis, an ill-mannered and off-putting boy about Lucius'' age, is already staying there. In the evening, Otis reveals that Corrie (whose real name is Everbe Corinthia) used to prostitute herself in their old town, and he would charge men to watch her through a peephole. Outraged at his conduct, Lucius fights Otis, who cuts his hand with a pocketknife. Boon breaks up the fight but Everbe is so moved by Lucius'' chivalry that she decides to stop whoring. Later, Ned returns to the boarding-house and reveals he traded the car for a supposedly lame racehorse. Corrie, Reba, Ned, Boon and Lucius hatch a scheme to smuggle the horse by rail to a nearby town, Parsham, to race a horse it has lost to twice already. Ned figures that everyone in town will bet against the horse and he can win enough money to buy back the car; he claims to have a secret ability to make the horse run. Corrie uses another client who works for the railroad, Sam, to get them and the horse on a night train. In town, Ned takes Lucius to stay with a black family while they practice for the horse race. Unfortunately, the local lawman named Butch finds them out and attempts to extort sexual favors from Corrie to look the other way. Reba is able to send him away by claiming she will reveal to the town that he intentionally ordered two prostitutes, angering his constituency.

An assortment of perverse characters act out this dramatic story of the kidnapping of a Mississippi debutante.

This is the second volume of Faulkner''s trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South. Like its predecessor The Hamlet and its successor The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes'' ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and of profundity. "From the Paperback edition.

Intruder in the Dust is a novel about an African American farmer accused of murdering a Caucasian man. Nobel Prize-winning American author William Faulkner published it in 1948. The novel focuses on Lucas Beauchamp, a black farmer accused of murdering a white man. He is exonerated through the efforts of black and white teenagers and a spinster from a long-established Southern family. It was written as Faulkner''s response as a Southern writer to the racial problems facing the South.[citation needed] Intruder in the Dust is notable for its use of stream of consciousness style of narration. The novel also includes lengthy passages on the Southern memory of the Civil War, one of which Shelby Foote quoted in Ken Burns'' documentary The Civil War. The characters of Lucas Beauchamp and his wife, Molly, first appeared in Faulkner''s collection of short fiction, Go Down, Moses. A story by Faulkner, "Lucas Beauchamp," was published in 1999. Intruder in the Dust was turned into a film of the same name directed by Clarence Brown in 1949 after MGM paid film rights of $50,000 to Faulkner. The film was shot in Faulkner''s home town of Oxford, Mississippi.