Most Popular Books by Walter Jerrold

In "Hampton Court," Walter Jerrold intricately weaves history and architecture with a narrative style that is both engaging and informative. This work offers a detailed exploration of the iconic Hampton Court Palace, delving into its rich tapestry of royal associations, architectural marvels, and lush gardens. Jerrold employs vivid descriptions and a journalistic approach, immersing readers in the context of the Tudor dynasty and the palace''s evolution over the centuries. The prose reflects a deep appreciation for historical detail, making it a quintessential read for those interested in Britain''s heritage. Walter Jerrold was a prolific writer and historian, whose affinity for the British landscape and its history is evident in his body of work. His keen interest in architecture and the lives of historical figures led him to investigate prominent sites across England. Jerrold''s experiences as a travel writer and historian informed his ability to blend meticulous research with accessible storytelling, making historical narratives relatable and engaging. "Hampton Court" is a must-read for history enthusiasts, architecture aficionados, and anyone captivated by England''s regal past. Jerrold''s authoritative yet inviting voice makes the pages come alive, ensuring readers leave with a profound understanding of the palace''s significance in British history.

INTRODUCTION THE very title "Nursery Rhymes," which has come to be associated with a A great body of familiar verse, is in itself sufficient evidence ot how that verse has been passed down from generation to generation. Some pieces date, perhaps, from hundreds of years ago, and had been repeated thousands of times betore they were printed. There are not wanting learned tolk who tell us that there was once, in Britain, a King Cole, and that the only relic of his reign which we have is the verse in which he is shown calling for his pipe, his bowl, and his fiddlers three. Such wise people forget that pipes were not smoked here before the days of Queen Elizabeth, and that fiddles were not known before the sixteenth century. It is certain, however, that some ot these rhymes were familiar in those great days; Shakespeare seems to reter to one

The Big Book of Fairy Tales holds true to the rule, that sometimes – the oldest fairy tales are the best! Here is a collection of some of the finest stories from around the globe, including classics from Arabian Nights such as ‘Aladdin’ and ‘Sinbad the Sailor’, Hans Christian Andersen’s best work with ‘The Ugly Ducking’, ‘Little Tin Soldier’ and ‘The Little Match girl’ as well as the archetypal tales from Charles Perrault including ‘Blue Beard’, ‘Beauty and the Beast’ and ‘Puss in Boots.’ Other tales with less well known literary lineages, such as ‘Dick Whittington’ and ‘Jack and the Beanstalk’ are also encompassed for the reader’s enjoyment. These stories in this Big Book of Fairy Tales are accompanied by a set of dazzling illustrations from a true master of the ‘Golden Age of Illustration’ – Charles Robinson (1870-1937). An active painter in his own right, and brother of the famous Thomas and William Heath Robinson, his illustrations still delight both young and old over a century later. Robinson started his illustrative career with 100 pen and ink drawings for A Child’s Garden of Verses (1895). The book was an instant hit, and from that point onwards, Robinson continued to illustrate fairy tales and children’s books – with his characteristic style of subtle line, combined with delicate watercolours. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.

“Doctor Foster went to Glo’ster, In a shower of rain; He stepped in a puddle right up to his middle, And never went there again.” A bumper crop of nursery rhymes for the delight of the very young. In his Introduction, Jerrold explains how his selection was based on earlier collections made by John Newbery, Joseph Ritson and James Orchard Halliwell. He goes on to add, “ Students divide our rhymes into narrative pieces, historical folk-lore, game rhymes, counting-out rhymes, jingles, fragments, etcetera, but for the children for whom and by whom they are remembered, and for whom they are here collected and pictured anew, they are just — Nursery Rhymes.”

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1920 Edition.

Explore the delightful world of literary mimicry with Walter Jerrold''s "A Century of Parody and Imitation." This collection offers a fascinating journey through the art of parody, showcasing a range of satirical essays and humorous imitations. Delve into a century''s worth of wit and observe how writers have playfully engaged with each other''s styles and themes. More than just humor, this volume provides insightful literary criticism, analyzing the techniques and targets of successful parodies. Discover the subtle nuances that elevate imitation to an art form. "A Century of Parody and Imitation" is an essential resource for anyone interested in the history of satire, literary analysis, and the enduring power of wit. A carefully prepared print republication of a timeless classic. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Travel back in time to the 1700s and become immersed in the clever and witty verbal exchanges of the era''s elite. From aristocrats to statesmen, this anthology compiles some of the most notable bon-mots of the age of Enlightenment. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Among those of our great men who, born in humble circumstances and unfurnished with the benefits of early education, have yet secured for themselves honourable positions in the history of the world''s progress, Michael Faraday holds a remarkable place. Born the son of a journeyman blacksmith, Michael yet gained for himself a conspicuous position among the very first scientists of his day, and at the time of his death was acknowledged as one of the leading philosophersÑelectriciansÑchemistsÑof this nineteenth century. Our interest in a great man makes us always interestedÊalso in his familyÑwe become anxious to know who and what he was apart from that which has made him great. Who were his parents? from where did they come? what were they like? what did they do? and a number of similar questions are at once started as soon as we commence considering the lives of our "great and good." In the case of Faraday we have only scanty information as to his family, but thus much we have gleaned:Ñ During the whole of last century there was living in or near the village of Clapham, in Yorkshire, a family of the name of Faraday. Between the years 1708 and 1730 the Clapham parish register shows us that "Richard Faraday, stonemason, tiler, and separatist," recorded the births of ten children, and it is probable that he had in his large family yet another son, Robert. Whether, however, Robert was his son or only his nephew is a matter of doubt, but it is known of him that he married Elizabeth Dean, the possessor of a small though comfortable house called Clapham Wood Hall, and that he was the father of ten children, one of whom, James, was born in 1761, and became the father of Michael Faraday.