New Releases by W. E. B. Du Bois

This book is a biography of John Brown, an American abolitionist leader who as he first reached national prominence for his radical abolitionism and fighting in Bleeding Kansas, was eventually captured and executed for a failed incitement of a slave rebellion at Harpers Ferry preceding the American Civil War.

This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868-1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression. Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

The Souls of Black Folk, published in 1903, is one of the most prominent pieces of sociological American literature, and one of the most important pieces of African-American literature. Previously published in Atlantic Monthly, the work is a collection of essays compiled by W.E.B Du Bois in the late 19th and early 20th Centuries.

Do you want to know how African Americans felt in the 20th century? If so, then this is a must read, this book was written by one of the most influential African Americans from the 20th century. The Souls of Black Folks is an essay fiction book written by W. E. B. Du Bois. This novel focuses on the struggles of African American post slavery in the early 20th century.The Souls of Black Folk is an essay novel written by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature. The book contains several essays on race, some of which the magazine Atlantic Monthly had previously published.

"The problem of the Twentieth Century is the problem of the color-line." The landmark book about being black in America.When first published in 1903, W.E.B. Du Bois''s The Souls of Black Folk struck like a thunderclap, quickly establishing itself as a work that wholly redefined the history of the black experience in America. It had a galvanizing effect on the conversation about race in America--and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the "soul" of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.

This book is the PhD dissertation of W. E. B Du Bois, the famous African-American author of 20th century. Based upon the study of various sources like, national, State, and colonial statutes, Congressional documents, reports of societies, personal narratives, etc. he has done a meticulous study of the African-American Slave Trade to USA from 1638-1870. In his view, the question of the suppression of the slave-trade is so intimately connected with the questions as to its rise, the system of American slavery, and the whole colonial policy of the eighteenth century, that it is difficult to isolate it. Yet, Du Bois has done an excellent research into the background of America''s most turbulent and often neglected past. Read on!

"A founding text of the civil rights movement." -Robert McCrum ; The Guardian The Souls of Black Folk is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature. The book contains several essays on race, some of which the magazine Atlantic Monthly had previously published. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology. In The Souls of Black Folk, Du Bois used the term "double consciousness", perhaps taken from Ralph Waldo Emerson ("The Transcendentalist" and "Fate"), applying it to the idea that black people must have two fields of vision at all times. They must be conscious of how they view themselves, as well as being conscious of how the world views them. Matte Cover 8.5x11'''' Large Print

This classic groundbreaking work of American literature first published in 1903 is a cornerstone of African-American literary history and a seminal work in the field of sociology.

The Negro Problem. The Negro Problem is a collection of essays by prominent Black American writers, such as W.E.B. Du Bois and Paul Laurence Dunbar, edited by Booker T. Washington, and published in 1903. It covered such topics as law, education, disenfranchisement, and Black Americans'' place in American society. Like much of Washington''s own work, the tone of the book was that Black Americans'' status in the U.S. was a matter of personal responsibility, but also confronted issues of legal and social racism. While this represented the point of view of the authors at the time, some - Du Bois, for example - would later revise their stance to consider the effects of systemic and institutional racism. Washington and Du Bois were again reunited in the 1907 collection, The Negro in the South.

The Conservation of Races By W. E. B. Du Bois

These are the things of which men think, who live: of their own selves and the dwelling place of their fathers; of their neighbors; of work and service; of rule and reason and women and children; of Beauty and Death and War. To this thinking I have only to add a point of view: I have been in the world, but not of it. I have seen the human drama from a veiled corner, where all the outer tragedy and comedy have reproduced themselves in microcosm within. From this inner torment of souls the human scene without has interpreted itself to me in unusual and even illuminating ways. For this reason, and this alone, I venture to write again on themes on which great souls have already said greater words, in the hope that I may strike here and there a half-tone, newer even if slighter, up from the heart of my problem and the problems of my people.Between the sterner flights of logic, I have sought to set some little alightings of what may be poetry. They are tributes to Beauty, unworthy to stand alone; yet perversely, in my mind, now at the end, I know not whether I mean the Thought for the Fancy-or the Fancy for the Thought, or why the book trails off to playing, rather than standing strong on unanswering fact. But this is alway-is it not?-the Riddle of Life.Many of my words appear here transformed from other publications and I thank the Atlantic, the Independent, the Crisis, and the Journal of Race Development for letting me use them again.

2017 Reprint of 1899 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. The Philadelphia Negro is a sociological study of African Americans in Philadelphia written by W. E. B. Du Bois. Commissioned by the University of Pennsylvania and published in 1899 with the intent of identifying social problems present in the African American community, it was the first sociological case study of a black community in the United States and one of the earliest examples of sociology as a statistically based social science. Du Bois began to gather information for the study in August 1896. He deduced that, "the Negro problem looked at in one way is but the old-world questions of ignorance, poverty, crime, and the dislike of the stranger." He supports these claims with a statistical breakdown of the lives of African-Americans, their neighborhoods, incomes, etc. More than one hundred years after its original publication, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship--the kind of work that, in contemplating social reality, helps to change it.

After four centuries of bondage, the nineteenth century marked the long-awaited release of millions of black slaves. Subsequently, these former slaves attempted to reconstruct the basis of American democracy. W. E. B. Du Bois, one of the greatest intellectual leaders in United States history, evaluates the twenty years of fateful history that followed the Civil War, with special reference to the efforts and experiences of African Americans. Du Bois''s words best indicate the broader parameters of his work: "the attitude of any person toward this book will be distinctly influenced by his theories of the Negro race. If he believes that the Negro in America and in general is an average and ordinary human being, who under given environment develops like other human beings, then he will read this story and judge it by the facts adduced." The plight of the white working class throughout the world is directly traceable to American slavery, on which modern commerce and industry was founded, Du Bois argues. Moreover, the resulting color caste was adopted, forwarded, and approved by white labor, and resulted in the subordination of colored labor throughout the world. As a result, the majority of the world''s laborers became part of a system of industry that destroyed democracy and led to World War I and the Great Depression. This book tells that story.

First published in 1903, this groundbreaking work is a cornerstone of African American literary history and a foundational text in the field of sociology. In these fourteen essays, W. E. B. Du Bois introduces and explores the concept of "double-consciousness"--a term he uses to describe the experience of living as an African American and having a "sense of always looking at one''s self through the eyes of others." Though an examination of Black life in post-Civil War America, The Souls of Black Folk has had a lasting impact on civil rights and the discussion of race in the United States. Revised edition: Previously published as The Souls of Black Folk, this edition of The Souls of Black Folk (AmazonClassics Edition) includes editorial revisions.

Darkwater - Voices from within the Veil. W.E.B. DU BOIS Darkwater: Voices From Within the Veil is a literary work by W.E.B. Du Bois. Published in 1920, the text incorporates autobiographical information as well as essays, spirituals, and poems that were all written by Du Bois himself. Several of its essays are personal in nature, with obvious emotional rhetoric. The style maintains a religious tone and his spirituality is a common thread in many of the individual essays. Described in varying tones of black and brown, a Christ-like figure of racial hope is prevalent, signifying the coming moment of racial confrontation and eventual salvation. This figure is one which Du Bois characterizes as the bearer of eternal freedom from discrimination, poverty, and from the color line itself. The stories within Darkwater also revolve around discontent with the way that democracy was viewed and handled among people of different ethnic, racial, and social groups. The chapter structure of Darkwater follows a consistent pattern of a narrative section and a poetic section, both within one chapter. The narrative sections are frequently autobiographical or are otherwise works of speculative fiction. In this text Du Bois compiles previously written works from The Atlantic, the Independent, The Crisis, and The Journal of Race Development. In his chapter called "The Damnation of Women," Du Bois seeks to elevate women by acknowledging their labor in the home, the workplace and the black church. The chapter has been described as one of the first proto-feminist analyses by a male intellectual. In the chapter, Du Bois gives the black mother even more glorification for her role as child bearer. He calls for women to seek a life of economic independence, and argues that women have a right to control their own bodies and reproductive choices. Yet in his description of women he often describes their physical traits first such as his description of journalist Mary Shadd Cary whom Du Bois described as a "ravishing dream-born beauty." I believe in God, who made of one blood all nations that on earth do dwell. I believe that all men, black and brown and white, are brothers, varying through time and opportunity, in form and gift and feature, but differing in no essential particular, and alike in soul and the possibility of infinite development. Especially do I believe in the Negro Race: in the beauty of its genius, the sweetness of its soul, and its strength in that meekness which shall yet inherit this turbulent earth. I believe in Pride of race and lineage and self: in pride of self so deep as to scorn injustice to other selves; in pride of lineage so great as to despise no man''s father; in pride of race so chivalrous as neither to offer bastardy to the weak nor beg wedlock of the strong, knowing that men may be brothers in Christ, even though they be not brothers-in-law. I believe in Service--humble, reverent service, from the blackening of boots to the whitening of souls; for Work is Heaven, Idleness Hell, and Wage is the "Well done!" of the Master, who summoned all them that labor and are heavy laden, making no distinction between the black, sweating cotton hands of Georgia and the first families of Virginia, since all distinction not based on deed is devilish and not divine. I believe in the Devil and his angels, who wantonly work to narrow the opportunity of struggling human beings, especially if they be black; who spit in the faces of the fallen, strike them that cannot strike again, believe the worst and work to prove it, hating the image which their Maker stamped on a brother''s soul.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literary importance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects of democracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Dusk of Dawn, published in 1940, is an explosive autobiography of the foremost African American scholar of his time. Du Bois writes movingly of his own life, using personal experience to elucidate the systemic problem of race. He reflects on his childhood, his education, and his intellectual life, including the formation of the NAACP. Though his views eventually got him expelled from the association, Du Bois continues to develop his thoughts on separate black economic and social institutions in Dusk of Dawn. Readers will find energetic essays within these pages, including insight into his developing Pan-African consciousness. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Kwame Anthony Appiah, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. John Brown is W. E. B. Du Bois''s groundbreaking political biography that paved the way for his transition from academia to a lifelong career in social activism. This biography is unlike Du Bois''s earlier work; it is intended as a work of consciousness-raising on the politics of race. Less important are the historical events of John Brown''s life than the political revelations found within the pages of this biography. At the time that he wrote it in 1909, Du Bois had begun his transformation into the most influential civil rights leader of his time. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Paul Finkelman, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. One of the most neglected and obscure books by W. E. B. Du Bois, In Battle for Peace frankly documents Du Bois''s experiences following his attempts to mobilize Americans against the emerging conflict between the United States and the Soviet Union. A victim of McCarthyism, Du Bois endured a humiliating trial-he was later acquitted-and faced political persecution for over a decade. Part autobiography and part political statement, In Battle for Peace remains today a powerful analysis of race in America. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Manning Marable, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois''s lifelong mission to bring to light the truths of Black history and expose the African peoples'' noble heritage. W. E. B. Du Bois writes extensively about the color line, which he believed at the time of publication to be the defining problem of the twentieth century. In 1946, following the Holocaust, Du Bois revised his arguments, reshaping them into the narrative we find in The World and Africa. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. DuBois''s sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. The Suppression of the African Slave Trade to the United States of America, 1638-1870, W. E. B. Du Bois''s groundbreaking monograph, recounts the moral failures and missed opportunities of the American Revolution and the consequences of compromising with slavery. As Du Bois''s first published work and doctoral dissertation, Suppression lays the groundwork for his early commitment to the study of the African American experience. At the time of its publication in 1896, Du Bois''s monograph was at the forefront of developments in historiography, embodying a new, empirical approach to history. Suppression is integral to understanding Du Bois''s early theories and his evolution into a leading scholar and activist. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Saidiya Hartman, this edition is essential for anyone interested in African American history.

The present volume is quite different from the other two autobiographies by Du Bois not only because of its additional two-decade span, and the significantly altered outlook of its author, but also because in it—unlike the others—he seeks, as he writes, "to review my life as frankly and fully as I can." Of course, with the directness and honesty which so decisively characterized him, he reminds the reader of this book of the intense subjectivity that inevitably permeates autobiography; hence, he writes, he offers this account of his life as he understood it and as he—would like others to believe—it to have been. Certainly, while Dr. Du Bois was deep in his ninth decade when he died, longevity was the least remarkable feature of his life. As editor, author, lecturer, scholar, organizer, inspirer, and fighter, he was among the most consequential figures of the twentieth century. Necessarily, therefore, the full and final accounting of that life and his times becomes an indispensable volume.

A strong plea for the higher education of the Negro, which those who are interested in the future of the freedmen cannot afford to ignore. Prof. DuBois produces ample evidence to prove conclusively the truth of his statement that "to attempt to establish any sort of a system of common and industrial school training, without first providing for the higher training of the very best teachers, is simply throwing your money to the winds."

In her perceptive introduction to this edition, Irene Diggs sets this classic autobiography against its broad historical context and critically analyzes its theoretical and methodological significance.

First published in 1896, The Suppression of the African Slave Trade remains the standard work on the efforts made in the United States, from 1638 to 1870, to limit and suppress the trade in slaves between Africa and America. In the foreword to this new edition, John Hope Franklin, James B. Duke Professor of History Emeritus, and professor of legal history at Duke University, explains the attitude toward slavery at the time Du Bois wrote his book, gives a brief background of Du Bois''s growth as an educator and writer, and examines the methods Du Bois used to write the book. Those doing work on th subject of American slavery will find this volume an important source book.