Most Popular Books by Tony Bennett

The legendary singer reflects on his career, the recurring themes in his life, and the inspiration that shapes his music and his art, in a musical memoir enhanced by reproductions of his own artwork and a CD containing some of the author''s favorite songs.

Tony Bennett is the man Frank Sinatra called ''the best singer in the business'', and whose 1995 Grammy Awards for ''Album of the Year'' and ''Best Traditional Pop Vocal Performance'' for MTV Unplugged moved the New York Times to say, ''Tony Bennett has not just bridged the generation gap, he has demolished it.'' He has legions of fans over a staggeringly large age span and in a recording career spanning five decades he has made 40 albums. His autobiography is rich with the stories of his long career and of the personalities he has known and includes the highs and lows, the successes and excesses of what has ultimately been a blessed life.

Tony Bennett: Life Is A Gift - The Zen Of Bennett is a collection of soulful reflections and philosophies from Tony’s life and career. He shares stories of friends and family and the essential lessons they have taught him. Tony pays tribute to all the remarkable talents he has worked with including Pavarotti, Judy Garland, Cary Grant, Fred Astaire, Count Basie, Louis Armstrong, Aretha Franklin, Barbra Streisand, Paul McCartney, Amy Winehouse, Willie Nelson, Lady Gaga and many others.

“For my money, Tony Bennett is the best singer in the business, the best exponent of a song. He excites me when I watch him. . . . He moves me. He’s the singer who gets across what the composer has in mind, and probably a little more.” — Frank Sinatra “As breezy and meaningful as one of his trademark songs as readers learn about the man by the company he kept and the heroes he worships. Bennett’s ethereal still lifes and landscape paintings adorn this simple yet profound and gracious homage.”— Booklist Tony Bennett was one of our most vibrant musicians ever to grace the stage. In his previous book, Life Is a Gift, Tony reflected on the lessons he learned over the years. In Just Getting Started, he pays homage to the remarkable people who inspired those lessons. In his warm and inviting voice, Tony talks about who and what have enriched his own life, including Charlie Chaplin, Judy Garland, Dr. Martin Luther King, Jr., Cole Porter, Amy Winehouse, Fred Astaire, Lady Gaga, members of his family, significant places, and more. Just Getting Started chronicles the relationship Tony enjoyed with each one of these legends, entertainers, humanitarians, and loved ones, and reveals how the lessons and values they imparted have invaluably shaped his life. As enchanting and unforgettable as his music, Just Getting Started is a beautiful compilation of reflections every Bennett fan will treasure, and a perfect introduction for those just getting to know this remarkable star and humanitarian.

This enhanced digital edition of Life Is a Gift features exclusive new multimedia content, including: Scenes from the new documentary film The Zen of Bennett. Behind-the-scenes footage of Bennett''s recording sessions with Lady Gaga, Amy Winehouse, and John Mayer. Extensive image galleries that feature Tony''s own paintings and sketches. "My given name is Anthony Dominick Benedetto, and Benedetto in Italian means ''the blessed one.'' I couldn''t say it any better than that." —Tony Bennett Legendary singer, artist, and performer, Tony Bennett has been one of the world''s most beloved entertainers for more than six decades. From the 78 to the LP to the digital age, Tony has done it all and is still at the top of his game. In decade after decade, this artistic icon—who has won seventeen Grammys, sung for ten presidents, and performed for royalty—has refused to compromise his vision or values. His unwavering commitment to quality has helped him stay true to his classic sound and is the reason his music continues to endure. Mentored by such legends as Duke Ellington, Frank Sinatra, Ella Fitzgerald, and Nat King Cole, Bennett has only gotten better with age, and his popularity continues to grow as each new generation discovers his timeless songs and incredible voice. In this entertaining and thoughtful memoir, a collection of soulful reflections and philosophies from his life and career, Bennett shares stories of friends and family and the essential lessons they have taught him: of the value of hard work and of creating art that continues to inspire; of perseverance and a dedication to excellence; of the necessity of humility, love, respect, and, most important, gratitude. Bennett cherishes the passion and insatiable thirst for knowledge that have shaped his life and made each day a journey of discovery. He pays tribute to all the remarkable talents he has had the honor to work with and to learn from, including Luciano Pavarotti, Judy Garland, Cary Grant, Fred Astaire, Count Basie, Louis Armstrong, Aretha Franklin, Barbra Streisand, Paul McCartney, Amy Winehouse, Willie Nelson, Lady Gaga, David Hockney, and k.d. lang, to name just a few. A magnificent testament to an extraordinary man and his art, and illustrated with Tony Bennett''s own beautiful hand-drawn artwork, Life Is a Gift is a work that will captivate, delight, and be cherished by music lovers of all ages.

Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is You is an invaluable resource for enthusiasts and an unparalleled guide through Sinatra''s vast musical legacy.

A collection of soulful reflections and philosophies from Tony''s life and career. He shares stories of friends and family and the essential lessons they have taught him. He pays tribute to all the remarkable talents he has worked with including Pavarotti, Judy Garland, Cary Grant, Fred Astaire, Count Basie, Louis Armstrong, Aretha Franklin, Barbra Streisand, Paul McCartney, Amy Winehouse, Willie Nelson, Lady Gaga and many others.

(Piano/Vocal/Guitar Artist Songbook). 24 of the best from the legendary Tony Bennett in vocal transcriptions with piano accompaniment. Songs include: The Best Is Yet to Come * Cheek to Cheek * Don''t Get Around Much Anymore * Fly Me to the Moon (In Other Words) * The Good Life * I Left My Heart in San Francisco * It Had to Be You * Night and Day * Put on a Happy Face * Steppin'' Out with My Baby * Take the "A" Train * Where Do I Begin (Love Theme) * and more.

In a series of richly detailed case studies from Britian, Australia and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organized their collections, and their visitors. Discussing the historical development of museums alongside that of the fair and the international exhibition, Bennett sheds new light upon the relationship between modern forms of official and popular culture. Using Foucaltian perspectives The Birth of the Museum explores how the public museum should be understood not just as a place of instruction, but as a reformatory of manners in which a wide range of regulated social routines and performances take place. This invigorating study enriches and challenges the understanding of the museum, and places it at the centre of modern relations between culture and government. For students of museum, cultural and sociology studies, this will be an asset to their reading list.

Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett''s Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists'' achievements and demanding a new way forward in Marxist criticism. The author first introduces and reviews the work of the Russian Formalists, a group of theorists who made an extraordinarily vital contribution to literary criticism in the decade followig the October Revolution of 1917. Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, literary form and function and literary evolution, Bennett argues that the Formalists'' concerns provided the basis for a radically historical approach to the study of literature. Bennett then turns to the situation of Marxist criticism ad sketches the risks it has run in becoming overly entangled with the concerns of traditional aesthetics. He forcefully argues that through a serious and sympathetic reassessment of the Formalists and their historical approach, Marxist critics might find their way back on to the terrain of politics, where they and theri work belong. Addressing such crucial questions as ''What is literature?'' or ''How should it be studied and to what end?'', Formalism and Marxism explores ideas which should be considered by any student or reader of literature and provides a particular challenge to those interested in Marxist criticism. Now with a new afterword, this classic text still offers the best available starting point for those new to the field, as well as representing a crucial intervention in twentieth-century literary theory.

Contributing to current debates on relationships between culture and the social, and the changing practices of modern museums, this important new work explores how evolutionary museums developed in the USA, UK, and Australia in the late 19th century.

Literature is often defined as a distinct category of writing in terms of particular formal or aesthetic attributes. Tony Bennett suggests that literature be re-defined as an institutionally defined field of textual uses and effects. Charting a course between literary aesthetics and their associated politics, Bennett engages critically with the central concerns of Marxist theoreticians such as Georg Lukacs, Fredric Jameson, Terry Eagleton and Frank Lentricchia. Outside Literature also includes a critique of post-structuralist and postmodernist methodologies which, Bennett suggests, are incapable of supporting anything more than a purely rhetorical politics. Drawing on the work of Foucault, Bennett asserts the need for a more definite enquiry into the institutional regulation of culture, in order that questions of literary and cultural politics be detached from the eviscerating generalities of literary and cultural criticism.

Drawing on the first systematic study of cultural capital in contemporary Britain, Culture, Class, Distinction examines the role played by culture in the relationships between class, gender and ethnicity. Its findings promise a major revaluation of the legacy of Pierre Bourdieu’s account of the relationships between class and culture.

Critical Trajectories: Culture, Society, Intellectuals brings together for the first time writings from one of the leading figures in cultural studies -- Tony Bennett. The selections in the volume span the period from the late 1970s to the present, representing issues of enduring concern in Bennett''s work over this period and throughout his wide-ranging intellectual career. Charts the extensive influence of Bennett’s thinking across the humanities and social sciences - from cultural history to museums and memory, and from Bond and popular culture to cultural policy and governance Tackles some of the most important subjects in cultural studies, including aesthetics, textuality, the intellectual, and the role of cultural history Includes a new introductory essay pinpointing Bennett’s concerns in changing intellectual and political contexts

Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault’s account of the relations between knowledge and power and their role in processes of governing. Within this literature, Tony Bennett’s work stands out as having marked a series of strategic engagements with Foucault’s work to offer a critical genealogy of the public museum, offering an account of its nineteenth-century and early twentieth-century development that has been constantly alert to the politics of museums in the present. Museums, Power, Knowledge brings together new research with a set of essays initially published in diverse contexts, making available for the first time the full range of Bennett’s critical museology. Ranging across natural history, anthropological art, geological and history museums and their precursors in earlier collecting institutions, and spanning the eighteenth to the twenty-first centuries in discussing museum practices in Britain, Australia, the USA, France and Japan, it offers a compelling account of the shifting political logics of museums over the modern period. As a collection that aims to bring together the ‘signature’ work of a museum theorist and historian whose work has long occupied a distinctive place in museum/society debates, Museums, Power, Knowledge will be of interest to researchers, teachers and students working in the fields of museum and heritage studies, cultural history, cultural studies and sociology, as well as museum professionals and museum visitors.

Habit has long preoccupied a wide range of theologians, philosophers, sociologists, psychologists, and neuroscientists. In Habit’s Pathways Tony Bennett explores the political consequences of the varied ways in which habit’s repetitions have been acted on to guide or direct conduct. Bennett considers habit’s uses and effects across the monastic regimens of medieval Europe, in plantation slavery and the factory system, through colonial forms of rule, and within a range of medicalized pathologies. He brings these episodes in habit’s political histories to bear on contemporary debates ranging from its role in relation to the politics of white supremacy to the digital harvesting of habits in practices of algorithmic governance. Throughout, Bennett tracks how habit’s repetitions have been articulated differently across divisions of class, race, and gender, demonstrating that although habit serves as an apparatus for achieving success, self-fulfilment, and freedom for the powerful, it has simultaneously served as a means of control over women, racialized peoples, and subordinate classes.

Making Culture, Changing Society proposes a challenging new account of the relations between culture and society focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture’s action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations. These concerns are illustrated in detailed case studies of how anthropological conceptions of the relations between race and culture have shaped – and been shaped by – the relationships between museums, fieldwork and governmental programmes in early twentieth-century France and Australia. These are complemented by a closely argued account of the relations between aesthetics and governance that, in contrast to conventional approaches, interprets the historical emergence of the autonomy of the aesthetic as vastly expanding the range of art’s social uses. In pursuing these concerns, particular attention is given to the role that the cultural disciplines have played in making up and distributing the freedoms through which modern forms of liberal government operate. An examination of the place that has been accorded habit as a route into the regulation of conduct within liberal social, cultural and political thought brings these questions into sharp focus. The book will be of interest to students and scholars of sociology, cultural studies, media studies, anthropology, museum and heritage studies, history, art history and cultural policy studies.

Cultural diversity, in all its forms, poses a challenge to traditional cultural policy. This report discusses the issues of citizenship and the nature of democratic public policy in culturally diverse societies. It takes a comparative international perspective, and focuses on ethnic-based cultural differences. The report considers five policy contexts which have a significant bearing on the general direction of cultural policy, and identifies four principles of cultural entitlements based on heterogeneity. It recommends a number of steps that the Council of Europe and its member states should take in order to further promote cultural diversity.

Accounting for Tastes was the most systematic and substantial study of Australian cultural tastes, preferences and activities ever published. Taking its inspiration from Pierre Bourdieu''s work, this 1999 book examines the relationships between the patterns of participation in the different fields of cultural practice in Australia, and analyses trends of consumption and choice that Australians make in their everyday lives. The book contains detailed examinations of people''s cultural choices through a large-scale survey and interviews. It also examines the influence of American culture on Australian choices, and the way work cultures and cultures of friendship affect how Australians choose to spend their leisure time. Accounting for Tastes makes a substantial contribution to the empirical and policy-oriented social inquiry into questions of cultural practices and preferences.

The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l''Homme''s 1930s fieldwork missions in French Indo-China to the influence of Franz Boas''s culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.

Frank Sinatra was an entertainer of mesmerizing talent, charisma and style. As well as being one of the bestselling musical artists of all time, he was an Academy Award-winning actor who starred in over sixty movies, and a cultural icon of seismic influence. Created in close collaboration with the Sinatra family and Frank Sinatra Enterprises, this momentous book captures the man in public and private, with exclusive unseen photographs and memorabilia from the family archives, as well as the most iconic images, outtakes and contact sheets from celebrated photo shoots. In candid accounts from his closest friends and associates, a portrait emerges of a man who was intensely loyal to his friends, enthusiastically devoted to charity and who demonstrated exceptional stamina and resilience in a career that spanned an incredible six decades. The result is a captivating tribute to one of the best-loved performers the world has ever known, in a large-format presentation every bit as swanky and swoonsome as the man himself.

Employment relations is concerned with the relationship between employees and their employers - one of the most important aspects of an HR role. Managing Employment Relations will give students a thorough grounding in the processes, context and practical application of employment relations and the skills they need for a successful career in HR. Covering everything from the legal aspects of employment relations, essential policies, strategies and the changing social context to conflict resolution, mediation, employee engagement and workplace discipline, Managing Employment Relations is an indispensable guide. With brand new content on gig economy workers, supporting diversity in the workplace, individual and group policies and the need for greater transparency in the employer-employee relationship, this book is a comprehensive guide to the theory and practice of employment relations. Mapped to the CIPD Level 7 module in employment relations and full of case studies and exercises to help students understand the practical application of the core topics, this is an essential textbook for postgraduate HR students and practitioners in an employment relations role. Online resources include a lecturer guide, lecture slides, sample essay questions and additional case studies for students and lecturers as well as annotated weblinks.

Fields, Capitals, Habitus provides an insightful analysis of the relations between culture and society in contemporary Australia. Presenting the findings of a detailed national survey of Australian cultural tastes and practices, it demonstrates the pivotal significance of the role culture plays at the intersections of a range of social divisions and inequalities: between classes, age cohorts, ethnicities, genders, city and country, and the relations between Indigenous and non-Indigenous Australians. The book looks first at how social divisions inform the ways in which Australians from different social backgrounds and positions engage with the genres, institutions and particular works of culture and cultural figures across six cultural fields: the visual arts, literature, music, heritage, television and sport. It then examines how Australians’ cultural preferences across these fields interact within the Australian ‘space of lifestyles’. The close attention paid to class here includes an engagement with role of ‘middlebrow’ cultures in Australia and the role played by new forms of Indigenous cultural capital in the emergence of an Indigenous middle class. The rich survey data is complemented throughout by in-depth qualitative data provided by interviews with survey participants. These are discussed more closely in the final part of the book which explores the gendered, political, personal and community associations of cultural tastes across Australia’s Anglo-Celtic, Italian, Lebanese, Chinese and Indian populations. The distinctive ethical issues associated with how Australians relate to Indigenous culture are also examined. In the light it throws on the formations of cultural capital in a multicultural settler colonial society, Fields, Capitals, Habitus makes a landmark contribution to cultural capital research.