New Releases by Tom Wolfe

A sprawling collection of essays about the subcultures of the 1960s by Tom Wolfe, the revolutionary journalist and novelist When Tom Wolfe smashed his way onto the literary scene in 1965 with The Kandy-Kolored Tangerine-Flake Streamline Baby, he transformed reporting in American popular culture. For his next project, Wolfe traveled from La Jolla to London in search of new lifestyles. The result is The Pump House Gang (published simultaneously with The Electric Kool-Aid Acid Test in 1968): a collection of essays that chronicles life at the end of the 1960s, written with all the panache and perceptiveness that made Wolfe one of our greatest American journalists. Running throughout The Pump House Gang is a central theme of Wolfe’s writing: status. In pieces about Hugh Hefner, Natalie Wood, and a gang of affluent teenage surfers, among others, Wolfe discusses the 1960s phenomenon of retreating from conventional social hierarchies, which he calls “starting your own league.” Dancers, motorcyclists, lumpen-dandies, and stay-at-homes—everybody’s doing it. Except for die-hards in the crumbling old social worlds of New York and London, where the confusion is so great that nobody can tell whether this is really the path to the top they’ve taken or just the service elevator. Dazzlingly brilliant as a stylist, daringly provocative as a commentator, and always entertaining, in The Pump House Gang, Wolfe is thoroughly, completely himself.

Un roman à couper le souffle sur le monde de la télévision et la mort annoncée de notre civilisation bien-pensante. À la base militaire de Fort Bragg, en Caroline du Nord, un jeune soldat homosexuel a été battu à mort dans les toilettes d''un bar, et les trois rangers coupables de l''agression sont restés impunis. Mais s''en mêle l''obstiné Irv Durtscher, producteur d''une émission de télévision à succès qui va introduire caméras cachées et micros espions sur les lieux du crime et recruter une strip-teaseuse thaïlandaise... Dans ce court roman à la fois truculent et mordant, c''est notre société du spectacle qui se trouve férocement démontée et mise en pièces par Tom Wolfe. " Un roman de Tom Wolfe, c''est comme tenter de faire entrer tout ce qui caractérise les États-Unis de la fin du XXe siècle dans un même livre. " Dominique Lebel, L''Actualité

Men first flew into space in 1961, but until now few people have had a sense of the most engrossing side of that adventure: namely, the perceptions and goals of the astronauts themselves, aloft and during certain remarkable odysseys on earth.

The maestro storyteller and reporter provocatively argues that what we think we know about speech and human evolution is wrong. "A whooping, joy-filled and hyperbolic raid on, of all things, the theory of evolution." (Dwight Garner, New York Times) Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey that is sure to arouse widespread debate. THE KINGDOM OF SPEECH is a captivating, paradigm-shifting argument that speech--not evolution--is responsible for humanity''s complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.

These stories highlight the inventors, racers, and show-winners from both past and present who have made hot rodding the art it is today! Hot rods are built for speed and each is a unique creation reflecting its builder''s vision. The Hot Rod Reader offers similar features with writings and excerpts that capture the excitement of hot rodding, the history of how it came to be, and the major events, people, cars, and builders who have brought hot rods to national attention. The anthology includes diverse contributions from popular writers covering hot rods and custom cars--writers like Tom Wolfe, Jay Leno, Peter Vincent, and more. Also included are stories about the most daring, cutting-edge innovators in the hot rodding field today. The entire collection works like a field guide, helping readers to explore various themes within hot rodding through news articles, essays, fiction, interviews, and more, with more than 60 color and black-and-white illustrations and photographs to illuminate each excerpt and story. Dig deeper into a hobby that''s all about tinkering with machines to make them go faster, look cooler, function better, and exceed expectations. Motivated by both craftsmanship and performance, hot rodders encourage us to push the limits of both mechanical objects and social acceptance, and in the process, they have redefined the driving experience. Read the full story of the hot rod with The Hot Rod Reader.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami''s Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor''s life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin'' little brother; a billionaire porn addict, crack dealers in the ''hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night''s orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe''s previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today''s girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls'' File-o-Fax diaries, to cite but one of Hooking Up''s displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television''s magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe''s forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe''s two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe''s afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin'' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.

The Bonfire of the Vanities defined an era--and established Tom Wolfe as our prime fictional chronicler of America at its most outrageous and alive. With A Man in Full, the time the setting is Atlanta, Georgia--a racially mixed late-century boomtown full of fresh wealth, avid speculators, and worldly-wise politicians. Big men. Big money. Big games. Big libidos. Big trouble. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta''s grimmest slums--is accused of raping an Atlanta blueblood''s daughter, the city''s delicate racial balance is shattered overnight. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real-estate syndicates, cast-off first wives of the corporate elite, the racially charged politics of college sports--Wolfe shows us the disparate worlds of contemporary America with all the verve, wit, and insight that have made him our most phenomenal, most admired contemporary novelist. A Man in Full is a 1998 National Book Award Finalist for Fiction.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase ''radical chic'' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program''s money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

Originally published: New York: Farrar, Straus & Giroux, 1965.

Amerika in den frühen Sechzigerjahren: LSD-Experimente, San Francisco, Blumenkinder. Und eine Busreise, wie es sie nie zuvor gegeben hat und nie mehr geben wird. 1968 beschrieb Tom Wolfe die Reise von Ken Kesey und seinen „Merry Pranksters“ in seinem legendären Klassiker. Ein Buch, welches längst als Neues Testament der Hipster-Mythologie gilt.

Bottlestoppers offer a great opportunity for caricature carvers, and Tom Wolfe shows the process in his unique way. Preparing the wood block, carving, painting, and applying the hardware are covered in detail and illustrated in detail with full color photographs. The reader gets a clear idea of what needs to be done and how to do it! Tom brings his creative imagination to the project, along with well-honed skills, humor, and some new tricks that will interest carvers of all abilities. The result are bottlestoppers with character, to keep your "spirits" high and delight your guests or customers. A gallery of finished works shows a wide range of possibilities and inspires the carver''s creativity.

One of the most essential works on the 1960s counterculture, Tom Wolfe''s The Electric Kool-Aid Test ushered in an era of New Journalism. This is the seminal work on the hippie culture, a report on what it was like to follow along with Ken Kesey and the Merry Pranksters as they launched the "Transcontinental Bus Tour" from the West Coast to New York, all while introducing acid (then legal) to hundreds of like-minded folks, staging impromptu jam sessions, dodging the Feds, and meeting some of the most revolutionary figures of the day. "An American classic" (Newsweek) that defined a generation. "An astonishing book" (The New York Times Book Review) and an unflinching portrait of Ken Kesey, his Merry Pranksters, LSD, and the psychedelic 1960s.

Step-by-step, illustrated instructions for creating a caricature head and a bird.

Tom Wolfe''s Santa Claus carvings have enchanted carvers and collectors alike with their joviality and character. By popular demand, he revisits Old Saint Nick with a carving of the "jolly old elf" walking with a cane...perhaps to get the sleigh ready for its overnight journey. With 340 color photographs the reader is taken step-by-step through the carving process. Easy-to-follow instructions review some of the basic techniques of carving caricatures before introducing some new tricks for carving and finishing the figures A large gallery offering four-sided views of a variety of Santas, is a useful guide. The exciting variety of Santas will inspire carvers to produce full figure carvings, busts, ornaments, bottle stoppers, and more. A great book for woodcarvers of all ages.

Divorce after more than twenty years of marriage sets the stage for author Tom Wolfeas journey in rhyme through self discovery, dating, love, and life. Designed to inspire us during times of change, he boldly guides in his unique style. To dare to explore oneas soul is not an act of courage, but instead just a simple inward glance down oneas stovepipe. Who is actually in there, you might ask? Are you hiding? Why should you dare come out to play? Lost after love, Tom challenges himself to look toward the horizon, questioning if the love that had grown inside him was only about athe relationship.a He discovers that our love resides within ourselves. Itas a flashathe instant between loving embrace and heated words. The sinking emptiness that follows becomes his tears of wisdom, his tears of regret, his tears of loneliness, and his tears full of questions. From the muck inside, he arose to see the dawning of a new day, resolved to walk, and then to fly!

At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.

Con su característica atención al detalle, Tom Wolfe aplica su observación personal de universidades en los Estados Unidos a la historia de Charlotte Simmons - una estudiante ingenua en su primer año de estudio. Aunque al principio, la Universidad de Dupo

Sherman MacCoy, fleuron de la jeune aristocratie des boursiers de Wall Street, vit très luxueusement sur Park Avenue. Mais, un soir, tout bascule : perdu dans le Bronx avec sa maîtresse, il renverse un jeune Noir et prend la fuite. Une des plus cyniques et des plus justes présentations de New York.

Step-by-step instructions for carving an amusing golfing figure from wood, painting it, and displaying it. Full of original personality and a spark of wit, the design will delight all who encounter it. Other patterns make up a foursome, with a color gallery illustrating all.

A roughout is the start of a carving that skips the first few steps to take you right into the good part. In his friendly, laid-back way, Tom Wolfe guides you step-by-step through the carving of an unlucky fisherman from his own roughout design. The emphasis here is on staying loose with the carving and seeing the endless possibilities you have in carving anything from the most basic shapes to the smallest details.

" L''audace de Tom Wolfe ? Faire entrer la totalité de la société américaine contemporaine dans une seule et unique œuvre d''art, formidable et tentaculaire ". The New York Times. " Un roman imposant, d''une ambition spectaculaire, superbement observé, et d''une drôlerie impitoyable ". Entertaimnent Weekly. " Des dialogues tranchants. Une mise en scène ébouriffante... Un chef-d''œuvre... ". The Wall Street Journal. " Un homme, un vrai rappelle l''œuvre de Dickens et des autres grands écrivains de l''ère victorienne, par la façon qu''il a d''embrasser tout l''éventail de la société humaine. Voici l''œuvre d''un journaliste hardi, aux facultés de perception aiguës, d''un homme qui croit que la fiction doit engager le monde, et qui y parvient avec une puissance narrative tout à fait singulière ". The Washington Post.