New Releases by Thomas Mann

Lit Hub: Most Anticipated Books of 2023 Sparkling new translations highlight the humor and poignancy of Mann’s best stories—including his masterpiece, in its first English translation in nearly a century. A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius. The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)—a subtle masterpiece that reveals the profound emotional significance of everyday life—is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks—a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story—included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”—a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art—rounds out this revelatory, transformative collection.

DigiCat Publishing presents to you this special edition of "Joseph in Egypt (Vol. 2)" by Thomas Mann. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Bashan and I" by Thomas Mann and translated by Herman George Sheffauer may be better known by its alternate name "A Man and His Dog". Sharing the story of a man and his loyal German short-haired pointer, the book explores the bond that humans have with their pets. It also deeply supports the idea that a dog really is man''s best friend.

This novel was written before the outbreak of WWI. It is set in a tiny duchy of Germany and is a description of the result of the arrival there of an independent, free-thinking American woman. Mann invented all sorts of characters to inhabit the novel, thus providing a view of life in rural Germany before the War.

Thomas Mann nannte seine Novelle die Tragödie einer Entwürdigung: Gustav von Aschenbach, ein berühmter Schriftsteller von etwas über fünfzig Jahren und schon länger verwitwet, hat sein Leben ganz auf Leistung gestellt. Eine sommerliche Erholungsreise führt ihn nach Venedig. Dort beobachtet er am Strand täglich einen schönen Knaben, der mit seiner eleganten Mutter und seinen Schwestern samt Gouvernante im gleichen Hotel wohnt. In ihn verliebt sich der Alternde. Er bewahrt zwar stets eine scheue Distanz zu dem Knaben, der späte Gefühlsrausch jedoch, dem sich der sonst so selbstgestrenge von Aschenbach nun willenlos hingibt, macht aus ihm letztlich einen würdelosen Greis.

A classic, controversial book exploring German culture and identity by the author of Death in Venice and The Magic Mountain, now back in print. When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. Thomas took it as an unforgivable stab in the back. The bitter dispute between the brothers would swell into the strange, tortured, brilliant, sometimes perverse literary performance that is Reflections of a Nonpolitical Man, a book that Mann worked on and added to throughout the war and that bears an intimate relation to his postwar masterpiece The Magic Mountain. Wild and ungainly though Mann’s reflections can be, they nonetheless constitute, as Mark Lilla demonstrates in a new introduction, a key meditation on the freedom of the artist and the distance between literature and politics. The NYRB Classics edition includes two additional essays by Mann: “Thoughts in Wartime” (1914), translated by Mark Lilla and Cosima Mattner; and “On the German Republic” (1922), translated by Lawrence Rainey.

In this second installment of his autobiography (following Kind dieser Zeit), Klaus Mann describes his childhood in the family of Thomas Mann and his circle, his adolescence in the Weimar Republic, and his experiences as a young homosexual and early opponent of Nazism. He also describes how, after the Reichstag elections of September 1930, friends and family began to discuss the looming prospect of emigration and exile. When Stefan Zweig published an article claiming that democracy was ineffective, Klaus replied: “I want to have nothing, nothing at all to do with this perverse kind of ‘radicalism.’” After hearing one of his working-class lovers in a storm trooper’s uniform say, “They are going to be the bosses and that’s all there is to it,” Klaus fled to Paris in March of 1933. He became one of one hundred thousand German refugees in France, losing his publisher, friends and associates, and readers in the process. He describes finding a German Jewish publisher in Amsterdam and the difficulties of starting a journal of émigré writing. In 1934, his German passport expired and he was forced to renew temporary travel documents every six months. The President of Czechoslovakia offered citizenship to the entire Mann family in 1936 but then Hitler invaded that country and Klaus emigrated to the United States. Despite statelessness, bouts of syphilis and drug abuse, neither his pace of travel nor publication slowed. His novel Der Vulkan is among the most famous books about German exiles during World War II but it sold only 300 copies. Klaus stopped reading and writing German in the U.S. “The writer must not cling with stubborn nostalgia to his mother tongue,” he writes in The Turning Point. He must “find a new vocabulary, a new set of rhythms and devices, a new medium to articulate his sorrow and emotions, his protests and his prayers.” This extraordinary memoir, an eyewitness account of the rise of Nazism by an out gay man, was Klaus Mann’s first book written in English. “A highly civilized child of the twentieth century is trying to make peace with his times, trying to find a place to belong... The decay of France, the paranoia of Germany, the coming disasters, the shining myth of Europe... are now compelling concerns... A sensitive, cultivated European looks at his world, his life, and describes them in apt and telling phrase. Toward both his attitude is not so strong as despair, but rather one of alienation. His book is a commentary upon evil times...” — Lorinne Pruette, The New York Times “Klaus Mann... has written an intensely engaging autobiography... This is Klaus Mann’s own story; it is also the story of many young intellectuals in a darkening Europe; and it is the story of a son of a famous man... an eloquent book... a lavish document.” — Winfield Townley Scott, The American Mercury “[Klaus Mann’s] autobiography [is] certainly one of the great autobiographies of the century and probably the definitive one of the life of a German exile… Not only very good reading but also essential in the literature of twentieth-century exile.” — Carl Zuckmayer, Bloomsbury Review “A delightful, modern-romantic group portrait of the Manns en famille.” — The New Yorker “The portrait of the Mann family is excellent. Klaus Mann is at his best describing his childhood and the family life... The value and the interest of this book lies in the intimate impressions and memories of many celebrities who crossed the path of Klaus Mann during his wanderings through the whole world.” — The Saturday Review of Literature “The book moves with passion and conviction in a stirring tempo worthy of the son of Thomas Mann. The years in exile are superbly written.” — The New York Post “This autobiography by the son of Thomas Mann has a double value: first as a distinguished autobiography, a sensitive portrait of a young man growing up in between-wars Germany, second as a loving intimate portrait of his father. A vivid picture of what the first war meant to a child, with its violent patriotism, its deprivations; then the moral disorder of Berlin youth in the 20s and his attempts to express himself against the rising tide of fascism, one of the reasons for the family exile.” — Kirkus Reviews

Tonio Kroger By Thomas Mann A title in the Bristol Classical Press German Texts series, in German with English notes, vocabulary and introduction. Thomas Mann (1875-1955), was awarded the Nobel Prize for literature in 1929, and "Tonio Kroger" occupies a central position in his spiritual and artistic development. A study of youth, it draws together many strands of his life and work: the duality of his parentage; his abhorrence of discipline; and the influence of Schopenhauer and Wagner on his early phase of writing. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Death in Venice is a novella written by the German author Thomas Mann and was first published in 1912 as Der Tod in Venedig.[1] The work presents a great writer suffering writer''s block who visits Venice and is liberated, uplifted, and then increasingly obsessed, by the sight of a stunningly beautiful youth. Though he never speaks to the boy, much less touches him, the writer finds himself drawn deep into ruinous inward passion; meanwhile, Venice, and finally, the writer himself, succumb to a cholera plague.

A selection of work taken from his highly acclaimed collection Stories of a Lifetime by one of the greatest writers of the 20th Century. In elegant prose, Mann explores such eternal themes as: individuals forced into the extremes of their existence, isolation and the artist''s tentative position in the harsh world, the realization of one''s true nature.

In ritiro in un sanatorio, lo scrittore Spinnel si ritrova in compagnia della signora Klöterjahn, bella moglie di un uomo d’affari, arrivata al sanatorio in preda a gravi problemi polmonari. Già invaghito dell’acume della donna che lo risveglia dal torpore in cui era caduto a causa degli altri ospiti della struttura, lo scrittore rimane folgorato dopo averla convinta a suonare il pianoforte, passione che la donna ha dovuto abbandonare a causa del matrimonio. Le note del “Tristano e Isotta” di Wagner li legheranno profondamente. Tratto da “La morte a Venezia” pubblicato da Feltrinelli. Numero di caratteri: 92.025

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare''s finesse to Oscar Wilde''s wit, this unique collection brings together works as diverse and influential as The Pilgrim''s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

"Brilliant…a little masterpiece."—Chicago Sun-Times "Beautiful…one of the best short novels he has written."—New York Times Book Review "Can rank with the best of Mann''s writing."—The Boston Globe "Magnificent…one of the greatest bits of writing which one of the world''s greatest writers has ever given us."—Chicago Herald-American "Brilliant…one of those splendid novelettes which in this reviewer''s opinion represent the very essence of Mr. Mann''s literary art."—Saturday Review of Literature "Thomas Mann wrote this engaging novella in a few weeks in 1943. (The new translation by Marion Faber and Stephen Lehmann, which is brisk and direct, is a welcome replacement of the fussier and less accurate English version done by Helen Lowe-Porter for the original publication.)…What is especially noteworthy about The Tables of the Law among Mann''s fictions is its playfulness." —Robert Alter, London Review of Books "His senses were hot, and so he yearned for spirituality, purity, and holiness—the invisible, which seemed to him spiritual, holy, and pure." Thus Thomas Mann introduces Moses in The Tables of the Law, the Nobel Prize winner''s retelling of the prophet''s life. Invited in 1943 to write this story as a defense of the Decalogue, Mann reveals how strange and forbidding Moses'' task was. As "the Lawgiver"—endowed with the wrists and hands of a stonemason—engraves the tablets, so he hews the souls of his people: "Into the stone of the mountain I carved the ABC of human behavior,but it shall also be carved into your flesh and blood, Israel…" Mann''s tale of the ethical founding and molding of a people sharply rebukes the Nazis for their intended destruction of the moral code set down in the Ten Commandments. But does his famous irony and authorial license mock or enhance the Biblical account of the shaping of the Jewish people? You know the Bible story. Now read Mann''s version—it will grip you anew. Newly translated from the German by Marion Faber and Stephen Lehmann. "To present the foundation of law for half the world is no simple task. The Tables of the Law is a historical title following Moses as he is tasked by God to present the ten commandments, providing a human and much different insight on the role of Moses as the Prophet of God. Expertly translated, The Tables of the Law is a solid addition to any literary fiction collection."—Midwest Book Review

A reworking of the Faust legend in which a fictional German composer, Adrian Leverkühn, makes a pact with Mephistopheles for early fame. After confessing his pact, Leverkühn collapses, dying ten years later, bedridden and helpless. The composer''s life parallels the rise and fall of Nazism.

The correspondence of Theodor Adorno and Thomas Mann documents a rare encounter of creative tension between literary tradition and aesthetic modernism spanning the years 1943-1955.

Publisher Description

This remarkable new translation of the Nobel Prize-winner’s great masterpiece is a major literary event. Thomas Mann regarded his monumental retelling of the biblical story of Joseph as his magnum opus. He conceived of the four parts–The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider–as a unified narrative, a “mythological novel” of Joseph’s fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur. Now the award-winning translator John E. Woods gives us a definitive new English version of Joseph and His Brothers that is worthy of Mann’s achievement, revealing the novel’s exuberant polyphony of ancient and modern voices, a rich music that is by turns elegant, coarse, and sublime.

Presents the correspondence of Thomas and Heinrich Mann

A title in the Bristol Classical Press German Texts series, in German with English notes, vocabulary and introduction. Thomas Mann (1875-1955), was awarded the Nobel Prize for literature in 1929, and "Tonio Kroger" occupies a central position in his spiritual and artistic development. A study of youth, it draws together many strands of his life and work: the duality of his parentage; his abhorrence of discipline; and the influence of Schopenhauer and Wagner on his early phase of writing.

Mann''s humorous life of Pope Gregory provides an ironic take on medieval beliefs, and examines the relationship between religion and magic. The story, published in 1951, can also be read as a critique of the condition of Europe after World War II.

Reprint. Originally published: New York: Knopf, 1954.

"Mann''s pivotal role during the Nazi period as perhaps the most eloquent spokesman for the ''other Germany'' that lived in exile means that anyone studying the history of our century must begin with him. . . . These letters are literary and cultural documents that have few equals in our age."--James K. Lyon, University of California, San Diego "Mann''s pivotal role during the Nazi period as perhaps the most eloquent spokesman for the ''other Germany'' that lived in exile means that anyone studying the history of our century must begin with him. . . . These letters are literary and cultural documents that have few equals in our age."--James K. Lyon, University of California, San Diego

Thomas Mann, fascinated with the concept of genius and with the richness of German culture, found in Johann Wolfgang von Goethe the embodiment of the German culture hero. Mann''s novelistic biography of Goethe was first published in English in 1940. Lotte in Weimar is a vivid dual portrait--a complex study of Goethe and of Lotte, the still-vivacious woman who in her youth was the model for Charlotte in Goethe''s widely-read The Sorrows of Young Werther. Lotte''s thoughts, as she anticipates meeting Goethe again after forty years, and her conversations with those in Weimar who knew the great man, allow Mann to assess Goethe''s genius from many points of view. Hayden White''s fresh appraisal of the novel reveals its consonances with our own concerns. Thomas Mann, fascinated with the concept of genius and with the richness of German culture, found in Johann Wolfgang von Goethe the embodiment of the German culture hero. Mann''s novelistic biography of Goethe was first published in English in 1940. Lotte in Weimar is a vivid dual portrait--a complex study of Goethe and of Lotte, the still-vivacious woman who in her youth was the model for Charlotte in Goethe''s widely-read The Sorrows of Young Werther. Lotte''s thoughts, as she anticipates meeting Goethe again after forty years, and her conversations with those in Weimar who knew the great man, allow Mann to assess Goethe''s genius from many points of view. Hayden White''s fresh appraisal of the novel reveals its consonances with our own concerns.

This classic chronicles four generations of the Buddenbrook family from 1830 to about 1900. For two generations this Lubeck family retains its power and prosperity but succeeding generations see its decline into dreamy ineffectual characters.