New Releases by Thomas Gray

This collection of poems by Thomas Gray includes some of his best-known works, including the titular ''Elegy in a Country Churchyard.'' With its themes of mortality and the passing of time, Gray''s poetry is both beautiful and thought-provoking, and this volume is a must-read for anyone interested in English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book contains a collection of poems by Thomas Gray and William Cowper, including the famous "Elegy Written in a Country Churchyard." The poems explore themes of nature, death, and the human condition, and are written in a classical style. The book includes commentary and analysis of each poem, making it accessible to both scholars and general readers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explore the fascinating world of 18th-century English literature and culture with this collection of letters between two influential poets, Thomas Gray and William Mason. Their correspondence offers a window into their personal lives and creative processes, as well as the broader intellectual and social milieu of their time. This book includes extensive annotations and commentary, making it an invaluable resource for scholars and students of the period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Experience Gray''s timeless poem ''Elegy Written in a Country Churchyard'' in a whole new way with this illuminated edition by O. Jones. Featuring stunning illustrations and calligraphy, this book transforms Gray''s words into a work of art that is sure to inspire and awe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Text and facing translation of one of the most important chronicles of medieval England. In 1355, Sir Thomas Gray, a Northumbrian knight and constable of Norham castle, was ambushed and captured by the Scots. Imprisoned in Edinburgh castle, he whiled away the hours by writing a chronicle charting the history of Britain from the Creation. The bulk of the work, written in Anglo-Norman French, is based on existing sources. However, for the section from the reign of Edward I onwards - the portion edited here - Gray relied partly on his own memories, and the stories told him by his father (constable of Norham before him), relating their experiences in the Scottish and French wars. The first known historical work to have been written in England by a member of the lay nobility since the Conquest, the Scalacronica provides a unique perspective on the course of English politics in the fourteenth century, and an insight into the worldview of a militarily active member of England''s governing class.It is a vital source for all those interested in the history of the period. The text, with facing-page translation, has been newly edited from the sole surviving manuscript of the Scalacronica; the volume includes extensive historical notes; and an introduction describing the careers of Thomas Gray and his father, and the written sources used in the compilation of this part of the work.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N011877 Dublin: printed by Thomas Ewing, 1771. [4],69, [1]p.; 4°

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Elibron Classics title is a reprint of the original edition published by unknown publisher

A scholarly edition of the poems of Thomas Gray. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

"Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751.[1] The poem''s origins are unknown, but it was partly inspired by Gray''s thoughts following the death of the poet Richard West in 1742. Originally titled Stanzas Wrote in a Country Church-Yard, the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to preempt a magazine publisher from printing an unlicensed copy of the poem. The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard. The two versions of the poem, Stanzas and Elegy, approach death differently; the first contains a stoic response to death, but the final version contains an epitaph which serves to repress the narrator''s fear of dying"--Wikipedia, accessed November 15, 2022.