New Releases by Terry Teachout

Whittaker Chambers is one of the most controversial figures in modern American history a former Communist spy who left the party, testified against Alger Hiss before the House Un-American Activities Committee, and wrote a classic autobiography, Witness. Dismissed by some as a crank, reviled by others as a traitor, Chambers still looms as a Dostoevskian figure over three decades after his death in 1961. A man of profound pessimism, rare vision, and remarkable literary talents, his continuing importance was attested to when Ronald Reagan posthumously awarded him the Medal of Freedom in 1984. Ghosts on the Roof, originally published in 1989, brings together more than fifty short stories, essays, articles, and reviews that originally appeared in Time, Life, National Review, Commonweal, The American Mercury, and the New Masses. Included are essays on Karl Marx, Reinhold Niebuhr, James Joyce, Franz Kafka, George Santayana, Dame Rebecca West, Ayn Rand, and Greta Garbo. These show Chambers at his best, as a peerless historian of ideas.

THE STORY: SATCHMO AT THE WALDORF is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong''s playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York''s Waldorf-Astoria Hotel, where Armstrong performed in public for the last time four months before his death. Reminiscing into a tape recorder about his life and work, Armstrong seeks to come to terms with his longstanding relationship with Glaser, whom he once loved like a father but now believes to have betrayed him. In alternating scenes, Glaser defends his controversial decision to promote Armstrong''s career (with the help of the Chicago mob) by encouraging him to simplify his musical style, while Davis attacks Armstrong for pandering to white audiences.

A major new biography of Duke Ellington from the acclaimed author of Pops: A Life of Louis Armstrong Edward Kennedy “Duke” Ellington was the greatest jazz composer of the twentieth century—and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like “Mood Indigo” and “Sophisticated Lady,” remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm. As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. A semi-finalist for the National Book Award, Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, “All the musicians should get together one certain day and get down on their knees and thank Duke.”

Louis Armstrong was the greatest jazz musician of the twentieth century and a giant of modern American culture. Offstage he was witty, introspective and unexpectedly complex, a beloved colleague with an explosive temper whose larger-than-life personality was tougher and more sharp-edged than his worshipping fans ever knew. Wall Street Journal arts columnist Terry Teachout has drawn on new sources unavailable to previous biographers, including hundreds of private recordings of backstage and after-hours conversations, to craft a sweeping new narrative biography of this towering figure that shares, for the first time, full, accurate versions of such storied events as Armstrong''s quarrel with President Eisenhower and his decision to break up his big band.--From publisher description.

Certain to be the definitive word on Louis Armstrong, "Pops" paints a gripping portrait of the man, his world, and his music. Drawing on a cache of new sources, the author has crafted a sweeping new narrative biography of this towering figure.

A hard-boiled dame cooks up her own little Singapore fling. Her double crossing lover gets a lethal dose of lead as a lovely parting gift. Her sap of a husband helps her get away with murder. Almost ... Set in British Malaya between the wars.

Publisher Description

Terry Teachout''s thought-provoking observations on everyone from Louis Armstrong to The Sopranos, and on everything from American opera to serials on TV Terry Teachout, one of our most acute cultural commentators, here turns his sharp eye to every corner of the arts world--music, dance, literature, theater, film, TV, and the visual arts. This collection gathers the best of Teachout''s writings from the past fifteen years. In each essay he offers lucid and balanced judgments that invariably illuminate, sometimes infuriate, and always spark a response--the mark of a critic whose thoughts, however controversial, cannot be ignored. In a thoughtful introduction to the book, Teachout considers how American culture of the twenty-first century differs from that of the last century and how the information age has altered popular culture. His selected essays chronicle America''s cultural journey over the past decade and a half, and they show us what has been lost--and gained--along the way. With highly informed opinions, an inimitable wit and style, and a genuine devotion to all things cultural, Teachout offers his readers much to delight in and much to ponder.

When H. L. Mencken talked, everyone listened -- like it or not. In the Roaring Twenties, he was the one critic who mattered, the champion of a generation of plain-speaking writers who redefined the American novel, and the ax-swinging scourge of the know-nothing, go-getting middle-class philistines whom he dubbed the "booboisie." Some loved him, others loathed him, but everybody read him. Now Terry Teachout takes on the man Edmund Wilson called "our greatest practicing literary journalist," brilliantly capturing all of Mencken''s energy and erudition, passion and paradoxes, in a masterful biography of this iconoclastic figure and the world he shaped.

The Wall Street Journal drama critic and Missouri native remembers growing up in small-town America, paying tribute to the memories he developed and people he met while revealing the reasons he finally left for New York City. In this collection of anecdotes and memories, Terry Teachout sings of the pride of regional America. City Limits is the story of Teachout’s as he grew up in small town of Silkeston, Missouri, filled with countless adventures and embarrassments. Beginning with his life as a young boy and progressing to eventual his decision to leave the only place he knew for New York City, Teachout gives readers a glance into the mind of small-town boy that grew into a big-city man.

A native of Sikeston, Missouri, pays tribute to small-town life in America, discussing the things he misses and the reasons he finally left for New York City