Most Popular Books by Stephen Graham Jones

This collection showcases the best writings of Stephen Graham Jones, whose career is developing rapidly from the noir underground to the mainstream. The Faster Redder Road features excerpts from Jones’s novels—including The Last Final Girl, The Fast Red Road: A Plainsong, Not for Nothing, and The Gospel of Z—and short stories, some never before published in book form. Examining Jones’s contributions to American literature as well as noir, Theodore C. Van Alst Jr.’s introduction puts Jones on the literary map.

A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

Read award-winning author Stephen Graham Jones''s horror story, "Wait for Night", a Tor.com Original A day laborer hired to clean up a flooded creek outside of Boulder, Colorado uncovers what could be a valuable find—if it doesn''t kill him first. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Nominated for both the Shirley Jackson and Bram Stoker Awards, and a Best of 2016 selection of Tor.com and Book Riot, acclaimed horror writer Stephen Graham Jones'' (The Only Good Indians and My Heart is a Chainsaw) Mongrels goes beyond your typical werewolf story to show a young boy, mired in poverty and always on the run, coming-of-age in a world that fears him and hates his family...but may just be more monstrous than he could ever be. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and narrow escapes—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story— funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly, novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.

"Brilliant." —The New York Times Mapping the Interior is a horrifying, inward-looking novella from Stephen Graham Jones that Paul Tremblay calls "emotionally raw, disturbing, creepy, and brilliant." Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella. Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you''d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

A Locus Award Finalist December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don’t Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

Protected by horror movies -- especially the ones where the masked killer seeks revenge on a world that wronged them, Jade Daniels, an angry, half-Indian outcast, pulls us into her dark mind when blood actually starts to spill into the waters of Indian lake--

From the New York Times–bestselling author of the Indian Lake trilogy: Three stories that uncover what’s lurking just beyond your headlights . . . Take a road trip into your darkest nightmares with three stories from the modern master of horror and “one of the best writers working today” (NPR). Here, Bram Stoker Award–winning author Stephen Graham Jones gives evil an all-too-familiar face, whether it’s the man from the dog shelter, a colleague at a work convention, or even just your phone. Horror can reach you everywhere and when you least expect it . . . In “Interstate Love Affair,” a serial killer’s unique way of disposing of his victims’ bodies gives roadkill an even more gruesome meaning. “No Takebacks” tracks how an app goes from an idea to coding to letting loose its creator’s darkest impulses. And there’s nowhere to hide during “The Coming of Night,” when a predator’s latest kill sets off a creepy-crawly timebomb inside of him. Buckle up for page-turning scares from “a genuine horror superstar” (Esquire).

The New York Times–bestselling author “shows how a serial killer’s paradise and a serial killer’s hell are really the same place” (Brian Evenson, O. Henry Award–winning author). When a serial killer hits the top of his game, where does he go from there? William Colton Hughes finds out. Not interested in notoriety, Hughes just wants to do what he’s good at: torture and murder. It never occurs to him that he could make a living at it . . . until the yoga instructor. She happens to be the girlfriend of a powerful and cunning crime boss who catches Hughes literally red-handed. In a twist even Hughes never sees coming, he’s not immediately put down. Instead, he’s set up in a warren of apartments. Hughes’s own private high-rise sanctuary, where his new benefactor feeds victims to him. He couldn’t ask for more. But when his supplies stop coming, Hughes begins to lose his already tenuous grip on reality—and learns that even monsters have their own boogeymen to deal with . . . “A grim, funny, stylish hallucination of a book—murderous insanity seen from the inside out. You’ll be revolted by this guy, but he’ll fascinate you too.” —Jack Ketchum, Bram Stoker Award–winning author “[Jones’s] writing is hallucinogenic, varied, fascinating. . . . Big names in writing [come] to mind: Pynchon, David Foster Wallace, even Faulkner.” —New Pages

Thirteen stories of monsters, murder, and mayhem from a master of horror, the New York Times–bestselling author of I Was a Teenage Slasher. Stephen Graham Jones takes familiar horror tropes—zombies, camping mishaps, damaged children—and intertwines them with the dark forces of human nature to create unique and unforgettable short fiction. These thirteen tales run the gamut, immersing you in worlds you think you’ve seen before, but with outcomes you’ll never see coming. In “Father, Son, Holy Rabbit,” a dad and his child are lost in a snowstorm and learn what the true cost of survival is. A snake-oil salesman makes his way across Arizona territory, peddling his wares to unsuspecting customers—and leaving ghost towns in his wake—in “Lonegan’s Luck.” While in “Raphael,” four twelve-year-old outcasts, seemingly invisible to everyone around them, make up a “scare” club, pushing themselves further and further into the unthinkable. As Laird Barron says in his introduction, “The Ones Who Got Away is a slippery collection; it resists and gnaws at the bonds of genre, yet may be the most pure horror book I’ve come across.” Jump in and hold on for your life . . . “The twisty endings, villainous characters, and truly shocking scenarios make several of these disturbing stories truly unforgettable.” —Publishers Weekly “Readers looking for horror can’t go wrong with Stephen Graham Jones and diving into these thirteen collected short stories is the perfect way to countdown to Halloween night.” —Bookish “The Ones Who Got Away is the perfect showcase for [Jones’s] wide-array of literary acrobatics.” —Dark Scribe Magazine

The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today''s society the uneasy relations between Indians and white''s is still fueled by mistrust, stereo-types and casual violence.

When a Martian moon explodes, what follows in rural Texas will take your breath away, in this haunting short novel from the New York Times–bestselling author. When Lee’s wife of fifteen years leaves him on the same night a Martian moon is destroyed, the fields of his farm still need to be irrigated and the cotton planted. The space accident is too far away to concern Lee more than boll weevils and rain forecasts—but then a giant caterpillar is found on his land. For months, all Lee sees of the caterpillar are the pieces it leaves behind from molting . . . until the night the moon debris makes its way to Earth. “Sterling City is mesmerizing, horrifying, strange, and you can’t put it down. It has a kind of stark poetry in the concision and clarity of its prose. Another great example of why you should be reading Stephen Graham Jones.” —Jeff VanderMeer, New York Times–bestselling author of Annihilation

“[The] tale of a zombie horde reigning terror on the few humans left inside a building . . . a refreshing nod to the George Romero movies of old.” —Mourning Goats There’s not much rumbling during the Recipe Days show at the Lubbock Municipal Coliseum—except for stomachs, that is—until the professional wrestlers arrive early for their Saturday night matches. Chaos ensues when the home cooks are overrun by Xombie, the Hellbillies, and Jersey Devil Jill. They’re not everyone’s idea of family fun . . . especially when the rowdy wrestlers descend on the free donuts brought for the security team—and are turned into brain-eating zombies. The night’s main event starts early with undead wrestlers squaring off against kitchen divas and soccer moms. And as the contagion spreads, the few survivors, armed with mixers, booth poles, and a Zamboni, must fight to keep their heads on straight—and off the menu. “Zombie specialist Stephen Graham Jones shows how to put a fresh spin on a classic dish.” —The Denver Post “Zombie Bake-Off is fast, witty, original and ridiculously entertaining. Stephen Graham Jones has created an action-packed literary pastry that packs a sugar rush you just have to experience.” —HorrorTalk

From the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, comes a slasher story where a teen prank goes very wrong and all hell breaks loose in a small town. Winner of both the 2020 Bram Stoker and Shirley Jackson Awards! We thought we''d play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He''ll save everyone to the best of his ability. He''ll do whatever he needs to so he can save the day. That''s the thing about heroes—sometimes you have to become a monster first. "A fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Set on the Blackfeet Reservation, the life of one Indian boy, Doby Saxon, is laid bare through the eyes of those who witness it: his near-death experience, his suicide attempts, his brief glimpse of victory, and the overdose of one of his best friends." "But through Doby there emerges a connection to the past, to an Indian Agent who served the United States Government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian Agent have impacted the lives of generations of Blackfeet. And the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history."--BOOK JACKET.

A USA TODAY Bestseller From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix. 1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

A novel unlike any previous work of Native American fiction.

From the award-winning author, “the kind of collection that lodges in your brain like a malignant grain of an evil dream” (Laird Barron, author of The Imago Sequence). Winner of the This Is Horror Award Finalist for the Shirley Jackson Award Finalist for the Bram Stoker Award This is not your cookie-cutter horror collection. Stephen Graham Jones has taken nightmarish visions from his fevered imagination and crafted them into pieces of literary genius. If the absolute fear doesn’t sweep you away, his lyrical and haunting prose will. As Joe R. Lansdale states in the introduction, “You need this book. If you like anything close to horror, and also like your stories to have elements other than just standing in the darkness with a bloody knife, you have the right book. Enjoy.” Does holding your breath for two minutes during the scariest part of a horror movie invite the terror in? Just ask the kids who go to the local theater in “Thirteen.” In “Doc’s Story,” even the most beloved family tales have teeth—that’s what happens when you’re born into a werewolf pack. And a father doesn’t have to think twice when he’s given one chance to make the ultimate sacrifice in “Snow Monsters.” In these fifteen stories, Jones coaxes our greatest fears from the shadowy corners of our minds, and we can’t turn away. “With razor-sharp prose . . . he pummels us in a full-court press of discomfort, paranoia, and a desire to keep the lights on.” —Pantheon Magazine “Jones is a true master of the horror short story. Inventive, quirky, unexpected and masterful.” —Jonathan Maberry, New York Times–bestselling author

Award-winning author Stephen Graham Jones returns with another chilling horror story, "Men, Women, and Chainsaws," a Tor.com Original. It''s been two years since Jenna''s ex-boyfriend left her alone in East Texas heartbroken. Now he''s back in town and she wants to payback. One night, she stumbles upon a bloodthirsty Camaro that may be the key to carrying out her revenge. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Sharp, searing, with a masterful use of language, Attack of the 50 Foot Indian is a brilliant satire of the portrayal of American Indians from breakout author Stephen Graham Jones. A Tale of Two Moons. Every government of every nation debates what to do when a fifty-foot tall man, dressed in a loincloth and dripping from the sea, appears off the Siberian coast. As the American people puzzle over how he came to be and what to do next, the news outlets start calling the titan “Two Moons,” social media abducts him into the memesphere, and the military, well, they have their own action-plan for dealing with threats to what they mistakenly consider their homeland. With unapologetic honesty and wit, Stephen Graham Jones cuts to the bone of the stereotypes used for American Indians, showcasing his talent as a humorist and as one of our great American writers in this short story.

It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it''s still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas''s cotton. Stephen Graham Jones was twelve that year. What he remembers best, what''s stuck with him all this time, is that nobody ever came forward to claim that destruction. And nobody was ever caught. Greenwood just leaned forward into next year''s work, and the year after that''s, pretending that the fire had never happened. But it had. This fire, it didn''t start twenty-five years ago. It had been smoldering for years by then. And everybody knew it. Getting them to say anything about it''s another thing, though. Now Stephen''s going back. His first time since high school, and maybe his last. For answers, for closure, for the people who can''t go back. The ones who never got to leave. Part mystery, part memoir, Growing Up Dead in Texas is packed with more secrets than your average graveyard. Stephen Graham Jones'' breakout novel is a story about farming. A story about Texas. A story about finally standing up from the dead and walking away.

“Jones crosses into the noir badlands of No Country for Old Men—bloody and throwing sparks but cool as a killer angel—and by sundown he owns the joint.” —Will Christopher Baer, author of Kiss Me, Judas Smuggler Dodd Raines just got the job of a lifetime. He’ll finally earn enough money to secure a decent future for his young daughter and start over on the right side of the law. There’s just one catch: his cargo is made up of moon rocks—with mass-casualty levels of radiation. Getting across the border from Mexico into the United States isn’t easy, even though Raines has done it hundreds of times. If the blazing sun and hungry coyotes don’t take him down, the border cop obsessed with catching him will. And then there are the moon rocks. No one delivering them is meant to survive—especially after already being killed. But that’s the twist. One that transforms Raines into an undead rabbit-eared monster starving for vengeance, on a path straight into his orphaned daughter’s life . . . “A pitch-perfect noir tale of love and revenge.” —The Denver Post “No other writer could have done this. Period. Stephen Graham Jones has built a story out of radioactive scrap metal that anyone else would have rendered as kitsch. But with Jones, the diary of a rabbit-headed zombie chupacabra shepherd is absolutely convincing and utterly moving.” —Craig Clevenger, author of Mother Howl and The Contortionist’s Handbook

"The Night Cyclist" by award-winning author Stephen Graham Jones is a horror novelette about a middle-aged chef whose nightly bicycle ride home is interrupted by an unexpected encounter. There must be no compulsion to hide the bodies. Otherwise I’d have never found them. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Memorial Ride is a high-speed, ragtag chase across the American Southwest. Cooper Town, an American Indian soldier, has returned from the Middle East to attend his father''s funeral, make some quick cash off his father''s old Harley, and spend a whirlwind weekend with his girlfriend, Sheri Mun. However, when Coop runs afoul of the violent John Wayne gang, he and Sheri Mun have no choice but to twist the throttle back on that storied chopper and make tracks. In the spirit of Billy Jean, but fully aware of Billy Jack, Coop and Sheri Mun''s race to survive is full speed ahead with many potholes in their path. Turning the traditional Western on its head, Memorial Ride recasts the genre as a road movie. It''s raucous, it''s violent, and, scarily enough, it might even be true. In short, this graphic novel delivers the storytelling prowess of Stephen Graham Jones through Maria Wolf''s artwork, and the result is a ride you''ll want to take again and again.

The Fast Red Road--A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion--of aliens, ghosts, telekinesis, and water-pistol violence--where television offers redemption, and "the Indian always gets it up the ass." Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe--a group of radicals to which Cline belonged. Pidgin''s search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west--a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor''s Griever, The Fast Red Road--A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past--the texture of the road--can and must be changed.

“This strange, subtle story of father-son disaffection and disjointed love is told with [Jones’s] signature narrative inventiveness and dark humor.” —Kris Saknussemm, author of Private Midnight If drinking mercury from a thermometer didn’t kill him, maybe spray painting in an unventilated garage would. Or so Nolan’s father thought. One inspired yet failed suicide attempt after another, each with a note to his son—with only a hint of accusation. But as Nolan sits in an empty office building, the last customer service employee for a nearly obsolete video game, those many suicide notes come back to haunt him. As do the levels of the game that no one plays anymore. And now a homicide detective is on the phone. Maybe his father was right when he wrote that he was teaching Nolan not to give up, that the only way to understand what happened was to make it to the end of the game. But there’s no cheatcode that’s going to get Nolan through this . . . “Two unreliable narrators, a bunch of suicide letters, and a plot that collapses on itself just like the characters do—Stephen Graham Jones is our contemporary Jorge Luis Borges.” —Michael Kimball, author of Big Ray “Like Lethem and Murakami before him, Jones mines his genre fiction past to bring us a work of startling literary merit. Mystery, horror, sci-fi: the ingredients are all in there.” —David Goodwillie, author of Kings County “[A] stark exploration of guilt, grief, and fear. . . . And did I mention that it’s funny? Unplug your consoles, kids, and play this book.” —Zack Wentz, author of The Garbageman and the Prostitute

Written as a literary film treatment littered with footnotes like bread crumbs, "Demon Theory" is even parts camp and terror, combining glib dialogue, fascinating pop culture references, and an intricate subtext as it pursues the events of a haunting movie trilogy too real to dismiss.

From the author of The Only Good Indians comes Stephen Graham Jones''s horror story, "Chapter Six", a Tor.com Original. This anthropological zombie tale concerns Crain, a grad student, who has a theory of mankind''s evolution. As he and his former professor scavenge on bone marrow left behind by the local zombie horde, he makes his well-reasoned argument. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

These thirteen stories are our own lives, inside out. A boy''s summer romance doesn''t end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods who''s exactly what she needs, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn''t be possible, but now he can''t stop listening. A woman finds out that the shipwreck wasn''t the disaster, but who she''s shipwrecked with. A big brother learns just what he will, and won''t, trade for one night of sleep. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there''s no anesthetic. Turn the light on if you want, but that just makes for more shadows.

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale. It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand. New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

When their rental truck breaks down, two friends moving cross-country kill time by telling stories about the strange carving in front of the motel where they’re awaiting a mechanic . . . At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

A chilling and masterfully terrifying horror novel about a young woman who is all that stands between malicious supernatural forces and the children in her care. Perfect for fans of Nat Cassidy and Grady Hendrix. When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms won''t help if she chokes on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes. Charlotte''s last babysitting gig almost ended in tragedy when her young charge sleepwalked unnoticed into the middle of the street, only to be found unharmed by Charlotte''s mother. Charlotte vows to be extra careful this time. But the house is filled with mysterious noises and secrets that only the twins understand, echoes of horrors that Charlotte gradually realizes took place in the house eleven years ago. Soon Charlotte has to admit that every babysitter''s worse nightmare has come true: they''re not alone in the house.

When a fellow officer is killed while searching the vehicle of a Native American, deputy sheriff Jimmy Doe discovers that the killer is targeting another victim, prompting Doe to launch an investigative road trip across Texas.

The Stoker Award-winning chilling anthology of 18 short stories in tribute to the genius of Shirley Jackson, collecting today’s best horror writers. Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more. A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers. This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson. Featuring Joyce Carol Oates, Josh Malerman, Carmen Maria Machado, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Kelly Link, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, Jeffrey Ford, M. Rickert, Seanan McGuire, Gemma Files, and Genevieve Valentine.

Tor.com Publishing Editorial Spotlight #3 is a curated selection of novellas by editor Ellen Datlow This collection includes: The Ballad of Black Tom by Victor LaValle The Twilight Pariah by Jeffrey Ford Mapping the Interior by Stephen Graham Jones Gods, Monsters, and the Lucky Peach by Kelly Robson A cosmic horror is rising in Red Hook, and Black Tom must either stop it or help it grow in Victor LaValle’s award-winning The Ballad of Black Tom. Three friends go looking for treasure and find horror in Jeffrey Ford''s The Twilight Pariah. ("Poignant and punchy." —New York Times). Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella Mapping the Interior. Experience award-winning author Kelly Robson’s Gods, Monsters, and the Lucky, a far-reaching, mind-bending science fiction adventure that uses time travel to merge climate fiction with historical fantasy. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Capturing the electric short fiction energy that led Robert E. Howard to be one of the top fantasy writers of the century, with exclusive serialized eBook stories starring Conan, Solomon Kane, and more by many of today’s top writers in fantasy and sword-and-sorcery. Awakening covered in blood, the sole survivor of a doomed raiding party, Conan sets out for the taverns, women, and ale of Trinnecerl. To reach the village, however, he must pass ruins scattered with the shattered helmets, broken blades, and bones of untold victims—as well as the hideous the creature that left them, the Lord of the Mount. Rapid-paced and bloody fantasy action written by Stephen Graham Jones, award-winning and New York Times bestselling author of The Only Good Indians.