New Releases by Stephen Graham Jones

From the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, comes a slasher story where a teen prank goes very wrong and all hell breaks loose in a small town. Winner of both the 2020 Bram Stoker and Shirley Jackson Awards! We thought we''d play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He''ll save everyone to the best of his ability. He''ll do whatever he needs to so he can save the day. That''s the thing about heroes—sometimes you have to become a monster first. "A fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

A NEW YORK TIMES BESTSELLER From bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. This is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Sylvia Moreno Garcia and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way. In this “thrilling, literate, scary, [and] immersive” (Stephen King) tale, Jones blends his signature storytelling style with a haunting narrative that masterfully intertwines revenge, cultural identity, and tradition.

Sharp, searing, with a masterful use of language, Attack of the 50 Foot Indian is a brilliant satire of the portrayal of American Indians from breakout author Stephen Graham Jones. A Tale of Two Moons. Every government of every nation debates what to do when a fifty-foot tall man, dressed in a loincloth and dripping from the sea, appears off the Siberian coast. As the American people puzzle over how he came to be and what to do next, the news outlets start calling the titan “Two Moons,” social media abducts him into the memesphere, and the military, well, they have their own action-plan for dealing with threats to what they mistakenly consider their homeland. With unapologetic honesty and wit, Stephen Graham Jones cuts to the bone of the stereotypes used for American Indians, showcasing his talent as a humorist and as one of our great American writers in this short story.

A neighborhood won’t let its residents forget the past. One taste draws two lovers into a nightmarish addiction. A harsh winter forces strange creatures down from the mountains. At sea level, where it’s safe, things like this can’t happen. But when you’re sky high in Denver, Colorado, anything goes...including your sanity. Beware of Terror at 5280’, a horror fiction anthology featuring dark tales set in and around Denver and the Front Range of the Rocky Mountains, penned exclusively by local authors. Edited by: Josh Schlossberg, Gary Robbe, Melinda Bezdek, Bobby Crew, Desi D, Lisa Mavroudis, Thomas C. Mavroudis, and Jeamus Wilkes. TABLE OF CONTENTS Preface – Denver Horror Collective Foreword – John Palisano The Depths – Matthew Lyons Laffing Sal – Lindsay King-Miller This Was Always Going to Happen – Stephen Graham Jones Electric Stalker – Rebecca S.W. Bates Gaze with Undimmed Eyes and the World Drops Dead – Carina Bissett Grave Mistake – Joshua Viola & Carter Wilson There is Something Up There – Joy Yehle Scrape – Gary Robbe The Copper Door Karma Jar – Cindra Spencer Block 12 – Thomas C. Mavroudis A Place for Cady – Melinda Bezdek Taste – Henry Snider Chronic Cold – Josh Schlossberg The Dead Spot – Angela Sylvaine The Ghosts of Cheesman Park – Grace Horton Old Golden Road – Jay Seate If I Shall Wake – Desi D The Blue Lady – Sean Murphy Mountain Lovers – Bobby Crew Left Behind – P.L. McMillan Deep Veins – Travis Heermann That Time Maggie Ghosted Me – Jeamus Wilkes Last Words: Cannibal Kings and Queens – Larry Berry

An all-new anthology of eighteen classic myth retellings featuring an all-star lineup of award-winning and critically acclaimed writers. Madeleine L’Engle once said, “When we lose our myths we lose our place in the universe.” The Mythic Dream gathers together eighteen stories that reclaim the myths that shaped our collective past, and use them to explore our present and future. From Hades and Persephone to Kali, from Loki to Inanna, this anthology explores retellings of myths across cultures and civilizations. Featuring award-winning and critically acclaimed writers such as Seanan McGuire, Naomi Novik, Rebecca Roanhorse, JY Yang, Alyssa Wong, Indrapramit Das, Carlos Hernandez, Sarah Gailey, Ann Leckie, John Chu, Urusla Vernon, Carmen Maria Machado, Stephen Graham Jones, Arkady Martine, Amal El-Mohtar, Jeffrey Ford, and more, The Mythic Dream is sure to become a new classic.

The essential collection of beloved ghost stories, compiled by the editor who helped define the genre—including stories from award-winning, bestselling authors such as Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay. Everyone loves a good ghost story, especially Ellen Datlow—the most lauded editor in short works of supernatural suspense and dark fantasy. The Saga Anthology of Ghost Stories is her definitive collection of ghost stories. These twenty-nine stories, including all new works from New York Times bestselling authors Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay, span from the traditional to the eclectic, from the mainstream to the literary, from pure fantasy to the bizarrely supernatural. Whether you’re reading alone under the covers with a flashlight, or around a campfire with a circle of friends, there’s something here to please—and spook—everyone. Contributors include: Joyce Carol Oates, Alice Hoffman, Vincent J. Masterson, A.C. Wise, M. Rickert, Seanan McGuire, Lee Thomas, Alison Littlewood, M.L. Siemienowicz, Richard Kadrey, Indrapramit Das, Richard Bowes, Nick Mamatas, Terry Dowling, Aliette de Bodard, Carole Johnstone, Dale Bailey, Stephen Graham Jones, Bracken MacLeod, Garth Nix, Brian Evenson, Jeffrey Ford, Gemma Files, Paul Tremblay, Nathan Ballingrud, Pat Cadigan, John Langan.

Tor.com Publishing Editorial Spotlight #3 is a curated selection of novellas by editor Ellen Datlow This collection includes: The Ballad of Black Tom by Victor LaValle The Twilight Pariah by Jeffrey Ford Mapping the Interior by Stephen Graham Jones Gods, Monsters, and the Lucky Peach by Kelly Robson A cosmic horror is rising in Red Hook, and Black Tom must either stop it or help it grow in Victor LaValle’s award-winning The Ballad of Black Tom. Three friends go looking for treasure and find horror in Jeffrey Ford''s The Twilight Pariah. ("Poignant and punchy." —New York Times). Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella Mapping the Interior. Experience award-winning author Kelly Robson’s Gods, Monsters, and the Lucky, a far-reaching, mind-bending science fiction adventure that uses time travel to merge climate fiction with historical fantasy. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Each month The Dark brings you the best in dark fantasy and horror!Edited by award winning editors Silvia Moreno-Garcia and Sean Wallaceand brought to you by Prime Books, this issue includes two all-newstories and two reprints:"Snake Season" by Erin Roberts"Cutting Teeth" by Kirsty Logan (reprint)"Being an Account of The Sad Demise of The Body Horror Club" by Nin Harris"The Darkest Part" by Stephen Graham Jones (reprint)

"The grift. The scam. The double-cross. Blackmail and burglary; murder and larceny. Blood Business tracks the underbelly of human nature through the muck of our lesser angels in twenty-seven crime stories set in this world ... and beyond"--Publisher's website.

The New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, brings readers a spine-tingling journey through a young boy''s haunted home. Winner of the 2017 Bram Stoker Award for Long Fiction! "A triumph. So emotionally raw, disturbing, creepy, and brilliant." —Paul Tremblay, New York Times bestselling author of Horror Movie Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you''d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his younger brother in the worst danger, and puts him in the position to save them . . . at a terrible cost. "Brilliant." —The New York Times Also by Stephen Graham Jones: Night of the Mannequins At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

The March/April 2017 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Beth Cato, Stephen Graham Jones, JY Yang, Sarah Pinsker, and S. Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O'Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

"The Night Cyclist" by award-winning author Stephen Graham Jones is a horror novelette about a middle-aged chef whose nightly bicycle ride home is interrupted by an unexpected encounter. There must be no compulsion to hide the bodies. Otherwise I’d have never found them. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

This collection showcases the best writings of Stephen Graham Jones, whose career is developing rapidly from the noir underground to the mainstream. The Faster Redder Road features excerpts from Jones’s novels—including The Last Final Girl, The Fast Red Road: A Plainsong, Not for Nothing, and The Gospel of Z—and short stories, some never before published in book form. Examining Jones’s contributions to American literature as well as noir, Theodore C. Van Alst Jr.’s introduction puts Jones on the literary map.

Immerse yourself in the unnerving world of the paranormal with these tales of horror curated by Bram Stoker Award-nominated Anthony Rivera and Sharon Lawson, editors of the #1 Amazon bestseller Peel Back the Skin and the critically acclaimed Dark Visions series. It’s here in Death’s Realm where the spirits of the dead and monstrosities that should never exist torment the souls of the living they’ve left behind in sixteen disquieting tales of the supernatural from horror''s modern masters. From dangerous specters summoned from beyond the veil with treacherous intent on all of humankind, to a young boy with dangerous special powers that seem directed from beyond the grave, Death''s Realm delves into the abnormal, the ghostly and the infernal. It''s only here that a grieving son''s demon can beckon him to a secluded cemetery plot in the dead of night, where a preternatural murder-for-hire has extreme supernatural repercussions, and when the revenant of a dead mother seeks vengeance on her dying daughter. And there is so much more. With horror fiction from two-time Bram Stoker Award-winning author and World Fantasy Award nominee Hank Schwaeble; the award-winning, Bram Stoker Award-nominated and Shirley Jackson Award-finalist Stephen Graham Jones; the Bram Stoker Award and Thriller nominated JG Faherty; editor-in-chief of the highly respected Jamais Vu magazine Paul Michael Anderson; critically-acclaimed authors Jay Caselberg and John F.D. Taff; emerging masters of modern horror Aaron Polson, Gregory L. Norris and Martin Rose; co-authors known for their extremely disturbing horror fiction, Simon Dewar and Karen Runge; critic favorites Brian Fatah Steele, John C. Foster and Jane Brooks; the twisted, Lovecraft-influenced Rhoads Brazos; and recognized authors of literary fiction Jay O''Shea and Matthew Pegg. Proudly presented by Grey Matter Press, the multiple Bram Stoker Award-nominated independent publisher. Rip open the veil to Death''s Realm and let the wrong ones in.

From the author of The Only Good Indians comes Stephen Graham Jones''s horror story, "Chapter Six", a Tor.com Original. This anthropological zombie tale concerns Crain, a grad student, who has a theory of mankind''s evolution. As he and his former professor scavenge on bone marrow left behind by the local zombie horde, he makes his well-reasoned argument. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

The scene of his mother's gruesome death greets high school senior Cooper as he arrives home from illegally killing a pregnant doe in the wilds of west Texas. In grief and with a sense of helpless guilt, Cooper begins to uncover the details of his mother's life. Raped when she was his age, she never knew who had violated her and left her with the son who is now cast adrift. Everyone knows something in Eberhart, Texas, but silence and fistfights are the only answers Cooper gets. As he tries to string together scraps of evidence, he grows increasingly suspicious of seemingly upstanding citizens. With his best friend Denny and Denny's twin, the ethereal Gina, Cooper spends more and more time hunting, drinking, and holding on to the only people he knows he can trust. Their rural world is tightly circumscribed, yet it contains all of the ugliest and most sublime aspects of the human condition.

The author of Mongrels and the author of The Cabin at the End of the World team up to tell a quirky and uplifting fantasy “that will enthrall young teens” (School Library Journal). Things Mary doesn’t want to fall into: the river, high school, her mother’s life. Things Mary does kind of want to fall into: love, the sky. This is the story of a girl who sees a boy float away one fine day. This is the story of the girl who reaches up for that boy with her hand and with her heart. This is the story of a girl who takes on the army to save a town, who goes toe-to-toe with a mad scientist, who has to fight a plague to save her family. This is the story of a girl who would give anything to get to babysit her baby brother one more time. If she could just find him. It’s all up in the air for now, though, and falling fast . . . Fun, breathlessly exciting, and full of heart, Floating Boy and the Girl Who Couldn’t Fly is an unforgettable ride. “Straddles the border between magic realism and weird science . . . an entertaining, thoughtful piece.” —Publishers Weekly “Absolutely adorable . . . The plot was fast paced and driven and it kept me intrigued until the very end. It was [a] really light, easy read.” —Read Rant Review

Fiction. Native American Studies. Stephen Graham Jones' first collection of flash fiction, STATES OF GRACE, is aptly named: these stories balance drama, play, and puissance, like forty-nine high-wire feats. While some stories arc through the briefest moments and interstices, others seem to examine an entire lifetime in a page. There are alcoholic fathers, definitions of infidelity, conversations in the middle of the ocean, murder, plotting murder, polite murder, shooting fish in a barrel, sons, and daughters. Never predictable, from the real to the surreal; there's no knowing what to expect from an attempt at a state of grace.

A woefully overmatched PI must confront his past and solve a murder in rural Texas.

Flushboy is every job you ever had in high school, times ten: working the window of your father's drive-through urinal.

Weird Tales 359 presents interviews with Laird Barron and Richard Kirk, features on books and weird music, and short stories by Stephen Graham Jones, Evan J. Peterson, Tom Underberg, Leena Likitalo, Joel Lane, and Conrad Williams -- plus poetry and the usual features.

It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it''s still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas''s cotton. Stephen Graham Jones was twelve that year. What he remembers best, what''s stuck with him all this time, is that nobody ever came forward to claim that destruction. And nobody was ever caught. Greenwood just leaned forward into next year''s work, and the year after that''s, pretending that the fire had never happened. But it had. This fire, it didn''t start twenty-five years ago. It had been smoldering for years by then. And everybody knew it. Getting them to say anything about it''s another thing, though. Now Stephen''s going back. His first time since high school, and maybe his last. For answers, for closure, for the people who can''t go back. The ones who never got to leave. Part mystery, part memoir, Growing Up Dead in Texas is packed with more secrets than your average graveyard. Stephen Graham Jones'' breakout novel is a story about farming. A story about Texas. A story about finally standing up from the dead and walking away.

The premier magazine of the bizarro genre. Issue Five features the novella "The Obese" by Nick Antosca, short fiction by Stephen Graham Jones, Alan M. Clark, Jeremy Robert Johnson, Sam Pink, Bradley Sands, Andersen Prunty, R.J. Sevin, J. David Osborne, and Kirsten Alene, nonfiction articles by Patrick Wensink, Douglas Lain, and Caris O'Malley, a spotlight on author Andrew Goldfarb, comics, reviews, and more!

When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.

These thirteen stories are our own lives, inside out. A boy''s summer romance doesn''t end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods who''s exactly what she needs, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn''t be possible, but now he can''t stop listening. A woman finds out that the shipwreck wasn''t the disaster, but who she''s shipwrecked with. A big brother learns just what he will, and won''t, trade for one night of sleep. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there''s no anesthetic. Turn the light on if you want, but that just makes for more shadows.

"Set on the Blackfeet Reservation, the life of one Indian boy, Doby Saxon, is laid bare through the eyes of those who witness it: his near-death experience, his suicide attempts, his brief glimpse of victory, and the overdose of one of his best friends. But through Doby there emerges a connection to the past, to an Indian Agent who served the United States Government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian Agent have impacted the lives of generations of Blackfeet. And the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history."--BOOK JACKET.

The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today''s society the uneasy relations between Indians and white''s is still fueled by mistrust, stereo-types and casual violence.

A novel unlike any previous work of Native American fiction.

The Fast Red Road--A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion--of aliens, ghosts, telekinesis, and water-pistol violence--where television offers redemption, and "the Indian always gets it up the ass." Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe--a group of radicals to which Cline belonged. Pidgin''s search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west--a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor''s Griever, The Fast Red Road--A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past--the texture of the road--can and must be changed.