New Releases by Samuel Taylor

Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth represents a cornerstone in the Romantic literary movement, encapsulating the introspective and emotive spirit of the era. The anthology challenges conventional poetry by focusing on everyday language and subject matter, crafted through a lens of emotional depth and philosophical inquiry. As readers delve into this collection, they are presented with a compelling fusion of narrative poetry and meditative reflections, epitomized in works that traverse the rustic landscapes and emotional subtleties of human experience. The collaborative genius of Wordsworth and Coleridge manifests in their seamless ability to transcend the immediate sensory experience and explore the profound, often mystical, interconnections between humanity and nature. Their backgrounds—Wordsworth''s profound connection to the natural world and Coleridge''s fascination with the supernatural and philosophy—enrich this collection beyond mere poetic expression. Aligned with the Romantic movement''s emphasis on individualism and emotional authenticity, these voices collectively invite readers into a world where inner and outer realities coexist in harmony and tension. Lyrical Ballads and other Poems beckons scholars and poetry enthusiasts alike to explore the revolutionary perspectives that redefined literary ideals. This anthology is not merely a collection but an invitation to engage with the transformative power of poetry, offering both introspective pleasure and a nuanced understanding of Romanticism''s profound influence on literature and culture. Capturing the spirit of innovation, this volume promises to stimulate mind and soul with its timeless narratives and insights, bridging the 18th century to modern readers with unmatched relevance and resonance.

Samuel Taylor Coleridge''s ''The Rime of the Ancient Mariner (Illustrated)'' is a timeless classic in English literature, combining elements of supernatural, ballad, and moral allegory. The poem follows a mariner who shares his harrowing tale of a journey at sea filled with supernatural events, guilt, and redemption. Coleridge''s use of vivid imagery and symbolism creates a haunting and immersive reading experience, making this work a must-read for fans of romantic poetry. The illustrations included in this edition enhance the overall aesthetic of the poem, adding an extra layer of depth to the narrative. Coleridge''s unique blend of narrative style and thematic depth sets ''The Rime of the Ancient Mariner'' apart in the literary canon, showcasing his mastery of poetic form and storytelling. The author''s personal struggles with guilt, addiction, and spiritual questioning have been said to have influenced the themes and tone of the poem, adding an extra layer of complexity to the narrative. Readers interested in exploring the darker corners of human nature and the power of redemption will find ''The Rime of the Ancient Mariner'' a compelling and thought-provoking read.

First published in 1817, Biographia Literaria is a seminal work of literary criticism and autobiography. Written by the influential Romantic poet Samuel Taylor Coleridge, the book includes biographical sketches of Coleridge''s contemporaries, as well as extensive discussions of literary theory and criticism. This edition, edited and expanded by Coleridge''s nephew Henry Nelson Coleridge, provides valuable insight into the intellectual and cultural milieu of the late 18th and early 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Coleridge''s Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge''s changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh''s influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A leading poet, literary critic and philosopher who helped found the Romantic Movement in England, Samuel Taylor Coleridge has had an immense impact on world literature. This volume of the bestselling Delphi Poets Series presents the complete works of Coleridge, with beautiful illustrations, informative introductions and the usual Delphi bonus material. (4MB Version 1) * Beautifully illustrated with images relating to Coleridge''s life and works * Concise introductions to the poetry and other works * Excellent formatting of the poems * THE RIME OF THE ANCIENT MARINER appears with Gustave DorÈís celebrated illustrations, vividly bringing the famous poem to life * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * The poetry features line numbers and page breaks for each poem ñ ideal for students * The complete plays, with individual contents tables * Includes Coleridge''s prose works - spend hours exploring the poet''s theoretical and literary studies * Features two bonus biographies - discover Coleridge''s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: Major Works THE RIME OF THE ANCIENT MARINER CHRISTABEL KUBLA KHAN FRANCE AN ODE LYRICAL BALLADS, WITH A FEW OTHER POEMS LYRICAL BALLADS, WITH OTHER POEMS THE CONVERSATION POEMS The Complete Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Plays THE FALL OF ROBESPIERRE OSORIO THE PICCOLOMINI THE DEATH OF WALLENSTEIN REMORSE ZAPOLYA: A CHRISTMAS TALE IN TWO PARTS The Prose LIST OF PROSE WORKS The Biographies THE LIFE OF SAMUEL TAYLOR COLERIDGE by James Gillman COLERIDGE by S. L. Bensusan Please visit www.delphiclassics.com to browse through our range of exciting titles

Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.

The story of Biographia Literaria begins in a conversation between two friends, Wordsworth and Coleridge, both settled in the Lake District after their return from Germany in 1799. They were debating what form a second edition of the Lyrical Ballads should take to replace the exhausted edition of 1798. In the course of a walk the idea of replacing the brief Advertisement by a critical Preface was conceived. In the aged memory of Wordsworth many years after, the idea and indeed the very substance of the Preface as he came to write it were all Coleridge''s. ''I have never cared a straw about the theory,'' he wrote impatiently on the manuscript of Barron Fields biography of him, ''and the Preface was written at the request of Mr. Coleridge out of sheer good nature. I recollect the very spot, a deserted quarry in the Vale of Grasmere, where he pressed the thing upon me, and but for that it would never have been thought of.'' By 1815, of course, when he came to write the Biographia, the Preface was ''Wordsworth'' and the Biographia Coleridge''s reply to Wordsworth but the simplification is much too crude. It poses and tries to answer two closely connected questions: first, what relation should the language of poetry bear to that of ordinary life? And secondly, what relation should the subject of poetry bear to itself? (The order in which the questions are put look irrational, but it is Wordsworth''s own order and there are good reasons for it.) The answers of the Preface are ''the real language of men in a state of vivid sensation'' and ''the incidents of common life.'' These two questions, or rather Coleridge''s attempt to modify and clarify the old answers to them, are together the central theme of the second half of the Biographia.

In this prose work, Biographia Literaria, Coleridge succeeds for the first and (so far) for the last time in English criticism in marrying the twin studies of philosophy and literature, developing his distinction between fancy and imagination. He does this not simply by writing about both within a single book, but by discovering a casual link between the two in the century-old preoccupation of English critics with the theory of the poet''s imagination. Besides essays on literary criticism, the book also contains a discussion of the distinction between reason and understanding, an explanation of Coleridge''s concept of a "willing suspension of disbelief," a severe critical analysis of Wordsworth''s poetry, and detailed portions of the philosophies of Kant, Schelling and Fichte.