New Releases by Samuel Taylor Coleridge

Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth represents a seminal collaboration that marked the dawn of the Romantic Movement in English literature. This collection encompasses a diversity of themes and literary styles, ranging from the tranquility of nature to the tumults of the human psyche, effectively capturing the quintessence of Romanticism''s valorization of emotion and nature. Notable for its innovative use of common language within lyrical poetry, the anthology stands as a defiant departure from the more ornate, classical forms that preceded it, thereby redefining the literary landscape of its time. The backgrounds of Wordsworth and Coleridge, both pivotal figures of the Romantic era, offer a rich tapestry of cultural and intellectual contexts that inform this collection. Their collaborative effort not only underscored the personal and philosophical kinship between the two poets but also crystallized the defining characteristics of Romantic literature: an emphasis on emotion, a focus on the individual''s experience of the sublime, and a deep reverence for nature. Through their works, they championed a new, accessible poetic diction, significantly influencing subsequent literary movements and generations of poets. This anthology is recommended for readers seeking to immerse themselves in the lyrical beauty and thematic depth of the Romantic era. Lyrical Ballads and other Poems presents a unique opportunity to experience the converging visions of Wordsworth and Coleridge, whose collective genius reshaped poetic expression. The collection not only offers invaluable insights into the intellectual and emotional fervor of its time but also encourages a continued dialogue with the many facets of human experience and the natural world. It is a must-read for anyone wishing to explore the foundations of Romantic literature and its enduring legacy.

This famous poem by Samuel Taylor Coleridge tells the haunting tale of a sailor who is cursed after killing an albatross. One of the most famous examples of English Romantic poetry, it has inspired countless artists and musicians. This edition includes beautiful illustrations and a detailed introduction by a literature expert. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1817, Biographia Literaria is a seminal work of literary criticism and autobiography. Written by the influential Romantic poet Samuel Taylor Coleridge, the book includes biographical sketches of Coleridge''s contemporaries, as well as extensive discussions of literary theory and criticism. This edition, edited and expanded by Coleridge''s nephew Henry Nelson Coleridge, provides valuable insight into the intellectual and cultural milieu of the late 18th and early 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lyrical Ballads and Other Poems of Coleridge & Wordsworth'' stands as a seminal collection that heralds the dawn of English Romanticism, encapsulating its fervent spirit through a rich tapestry of themes including nature, the imagination, and the common man. This anthology showcases a remarkable diversity in literary styles, ranging from the accessible and lyrical to the profoundly philosophical. Its significance is further amplified by the inclusion of such groundbreaking works as ''Tintern Abbey'' and ''The Rime of the Ancient Mariner,'' which together challenge and redefine the poetic norms of their age. The contributing poets, William Wordsworth and Samuel Taylor Coleridge, emerge from distinctly rich literary backgrounds, yet share a common vision that propels the Romantic movement. Their collaboration on this volume not only solidifies a lifelong friendship but also a striking intellectual partnership that has deeply influenced the landscape of English literature. These poets'' varied experiences and perspectives enrich the anthology, offering insights into the era''s shifting attitudes towards nature, humanity, and society. For those seeking to immerse themselves in the heights of English Romanticism, ''Lyrical Ballads and Other Poems of Coleridge & Wordsworth'' provides an unparalleled vantage point. The collection invites readers to explore the breadth and depth of human emotion and intellect through the lenses of two of its most influential voices. This anthology serves not only as an educational resource but as a testament to the power of collaboration in fostering profound literary innovation, making it an essential read for enthusiasts of literature and history alike.

Christabel is a long narrative poem in two parts. Coleridge planned three additional parts, but these were never completed. The story of Christabel concerns a central female character of the same name and her encounter with a stranger called Geraldine, who claims to have been abducted from her home by a band of rough men. Coleridge aimed to write Christabel using an accentual metrical system, based on the count of only accents: even though the number of syllables in each line can vary from four to twelve, the number of accents per line never deviates from four. Kubla Khan; or, A Vision in a Dream is a poem written by Samuel Taylor Coleridge. According to Coleridge''s Preface the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer palace of the Mongol ruler and Emperor of China Kublai Khan. Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by a person from Porlock. The poem could not be completed according to its original 200–300 line plan as the interruption caused him to forget the lines. Samuel Taylor Coleridge (1772 – 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets.

Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature.The immediate effect on critics was modest, but it became and remains a landmark, changing the course of English literature and poetry.ContentWordsworth and Coleridge set out to overturn what they considered the priggish, learned, and highly sculpted forms of 18th-century English poetry and to make poetry accessible to the average person via verse written in common, everyday language. They emphasize the vitality of the living voice used by the poor to express their reality. This language also helps assert the universality of human emotions. Even the title of the collection recalls rustic forms of art - the word "lyrical" links the poems with the ancient rustic bards and lends an air of spontaneity, while "ballads" are an oral mode of storytelling used by the common people.In the ''Advertisement'' included in the 1798 edition, Wordsworth explained his poetical concept: The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purpose of poetic pleasure.If the experiment with vernacular language was not enough of a departure from the norm, the focus on simple, uneducated country people as the subject of poetry was a signal shift to modern literature. One of the main themes of "Lyrical Ballads" is the return to the original state of nature, in which people led a purer and more innocent existence. Wordsworth subscribed to Rousseau''s belief that humanity was essentially good but was corrupted by the influence of society. This may be linked with the sentiments spreading through Europe just prior to the French Revolution...William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).Wordsworth''s magnum opus is generally considered to be The Prelude, a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published, before which it was generally known as "the poem to Coleridge."Wordsworth was Britain''s poet laureate from 1843 until his death from pleurisy on 23 April 1850...Samuel Taylor Coleridge ( 21 October 1772 - 25 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and "Kubla Khan," as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He had a major influence on Ralph Waldo Emerson and on American transcendentalism.Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction. Coleridge

Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature.The immediate effect on critics was modest, but it became and remains a landmark, changing the course of English literature and poetry.Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only four poems to the collection, including one of his most famous works, The Rime of the Ancient Mariner.A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair''s avowed poetical principles. For another edition, published in 1802, Wordsworth added an appendix titled Poetic Diction in which he expanded the ideas set forth in the preface.

The Piccolomini By Samuel Taylor Coleridge PREFACE. The two dramas, -PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN''S CAMP. This is written in rhyme, and in nine-syllable verse, in the same lilting metre (if that expression may be permitted), with the second Eclogue of Spenser''s Shepherd''s Calendar. This prelude possesses a sort of broad humor, and is not deficient in character: but to have translated it into prose, or into any other metre than that of the original, would have given a false idea both of its style and purport; to have translated it into the same metre would have been incompatible with a faithful adherence to the sense of the German from the comparative poverty of our language in rhymes; and it would have been unadvisable, from the incongruity of those lax verses with the present taste of the English public. Schiller''s intention seems to have been merely to have prepared his reader for the tragedies by a lively picture of laxity of discipline and the mutinous dispositions of Wallenstein''s soldiery. It is not necessary as a preliminary explanation. For these reasons it has been thought expedient not to translate it. The admirers of Schiller, who have abstracted their idea of that author from the Robbers, and the Cabal and Love, plays in which the main interest is produced by the excitement of curiosity, and in which the curiosity is excited by terrible and extraordinary incident, will not have perused without some portion of disappointment the dramas, which it has been my employment to translate. They should, however, reflect that these are historical dramas taken from a popular German history; that we must, therefore, judge of them in some measure with the feelings of Germans; or, by analogy, with the interest excited in us by similar dramas in our own language. Few, I trust, would be rash or ignorant enough to compare Schiller with Shakspeare; yet, merely as illustration, I would say that we should proceed to the perusal of Wallenstein, not from Lear or Othello, but from Richard II., or the three parts of Henry VI. We scarcely expect rapidity in an historical drama; and many prolix speeches are pardoned from characters whose names and actions have formed the most amusing tales of our early life. On the other hand, there exist in these plays more individual beauties, more passages whose excellence will bear reflection than in the former productions of Schiller. The description of the Astrological Tower, and the reflections of the Young Lover, which follow it, form in the original a fine poem; and my translation must have been wretched indeed if it can have wholly overclouded the beauties of the scene in the first act of the first play between Questenberg, Max, and Octavio Piccolomini. If we except the scene of the setting sun in the Robbers, I know of no part in Schiller''s plays which equals the first scene of the fifth act of the concluding plays. [In this edition, scene iii., act v.] We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Musaicum Books presents to you this carefully created volume of "The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition)". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Samuel Taylor Coleridge (1772-1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Content: Introduction: The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman Poetry: Notable Works: The Rime of the Ancient Mariner Kubla Khan; or, A Vision in a Dream: A Fragment Christabel France: An Ode LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) THE CONVERSATION POEMS The Complete Poems in Chronological Order

Christabel is a long narrative poem in two parts. Coleridge planned three additional parts, but these were never completed. The story of Christabel concerns a central female character of the same name and her encounter with a stranger called Geraldine, who claims to have been abducted from her home by a band of rough men. Coleridge aimed to write Christabel using an accentual metrical system, based on the count of only accents: even though the number of syllables in each line can vary from four to twelve, the number of accents per line never deviates from four. Kubla Khan; or, A Vision in a Dream is a poem written by Samuel Taylor Coleridge. According to Coleridge''s Preface the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer palace of the Mongol ruler and Emperor of China Kublai Khan. Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by a person from Porlock. The poem could not be completed according to its original 200-300 line plan as the interruption caused him to forget the lines. Samuel Taylor Coleridge (1772 - 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets.

Coleridge''s Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge''s changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh''s influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A leading poet, literary critic and philosopher who helped found the Romantic Movement in England, Samuel Taylor Coleridge has had an immense impact on world literature. This volume of the bestselling Delphi Poets Series presents the complete works of Coleridge, with beautiful illustrations, informative introductions and the usual Delphi bonus material. (4MB Version 1) * Beautifully illustrated with images relating to Coleridge''s life and works * Concise introductions to the poetry and other works * Excellent formatting of the poems * THE RIME OF THE ANCIENT MARINER appears with Gustave DorÈís celebrated illustrations, vividly bringing the famous poem to life * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * The poetry features line numbers and page breaks for each poem ñ ideal for students * The complete plays, with individual contents tables * Includes Coleridge''s prose works - spend hours exploring the poet''s theoretical and literary studies * Features two bonus biographies - discover Coleridge''s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: Major Works THE RIME OF THE ANCIENT MARINER CHRISTABEL KUBLA KHAN FRANCE AN ODE LYRICAL BALLADS, WITH A FEW OTHER POEMS LYRICAL BALLADS, WITH OTHER POEMS THE CONVERSATION POEMS The Complete Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Plays THE FALL OF ROBESPIERRE OSORIO THE PICCOLOMINI THE DEATH OF WALLENSTEIN REMORSE ZAPOLYA: A CHRISTMAS TALE IN TWO PARTS The Prose LIST OF PROSE WORKS The Biographies THE LIFE OF SAMUEL TAYLOR COLERIDGE by James Gillman COLERIDGE by S. L. Bensusan Please visit www.delphiclassics.com to browse through our range of exciting titles

Great title poem plus "Kubla Khan," "Christabel," 20 other sonnets, lyrics, odes: "Sonnet: To a Friend who asked how I felt when the Nurse first presented my Infant to me," "Frost at Midnight," "The Nightingale," "The Pains of Sleep," "To William Wordsworth," "Youth and Age," many more. Alphabetical lists of titles and first lines.

Enth.: Vol. 1, 1794-1804 ; vol. 2, 1804-1808 ; vol. 3, 1808-1819 ; vol. 4, 1819-1826.