New Releases by Russell Martin

The tawny-bellied cotton rat, Sigmodon fulviventer dalquesti, is a Texas endemic subspecies reported only from a collection that occurred in 1991 near the town of Fort Davis in the Trans-Pecos region. The current population, distribution, and evolutionary origin of S. f. dalquesti is enigmatic, and its taxonomic status is uncertain. For example, the relationship among S. f. dalquesti and other S. fulviventer subspecies in Mexico, Arizona, and New Mexico is not well understood, and previous genetic comparisons only included one specimen in a phylogenetic assessment of the genus. Hence, Texas Parks and Wildlife Department''s Texas Conservation Action Plan designates S. f. dalquesti as critically imperiled within the state and suffering from data deficiency. The current study provides a more comprehensive cranial morphometric and genetic treatment of S. f. dalquesti. Analysis of craniometric characters, mitochondrial cytochrome b, and full mitochondrial genome data presented herein support continued recognition of S. f. dalquesti, which is at least as distinct from the other subspecies available for comparison as the other subspecies are from each other. A potential founding source of S. f. dalquesti from the main S. fulviventer distribution is indicated by phylogenetic affinity and a two-codon insertion at the beginning of the ND2 gene shared by all S. f. dalquesti, and one S. f. minimus from northern Mexico. Distribution modeling suggests under-surveyed areas of potential range extension. However, despite multiple field surveys during this study in the area of the original detection, S. f. dalquesti was never captured. It is not possible to say if this reflects extinction or a population size occurring below the limit of detection during the survey period.

The Essential Russell Martin is a collection of work by the internationally renowned writer that spans forty years. Collected here are three excerpts from novels and a novella, five articles, and excerpts from seven narrative nonfiction books-all of them published between the years 1983 and 2022. As he describes in the book''s introduction, Martin has written often over the years about the work people choose to do and how they go about it. He has written about people with disabilities a number of times and has been lured by the inspired work of artists-painters, musicians, writers-who have achieved monumental creative heights. Both Europe and the New World have captured his attention, and he has always been as interested in history as the present moment. He written about death repeatedly, and once wrote about the young men, most of them actually still boys, who forged a football team that had a transcendent season. When Colorado College awarded him an honorary doctorate, the citation read, in part, "Mr. Martin offers to general audiences precise and accurate, but highly readable, studies of extraordinarily complex issues. He does more: he sees beyond what is already known; he moves beyond synthesis to new insights. His work is disciplined, analytical, and creative. It is also profoundly humane." This is an important retrospective collection of some of the very finest work by one of America''s most celebrated writers.

On a bright afternoon in February 1910, thirteen-year-old Tommy Dumont witnesses the most stupendous event he has ever seen-the first flight of a powered airplane in Denver history. But only months later, this enterprising son of a wealthy banker is living on the city''s streets and alleys because his father is appalled by the epileptic seizures that have begun to regularly overtake him. Eventually looked after by both an Irish immigrant who earns her living as a prostitute and Denver''s renowned juvenile court Judge Ben Lindsey, Tommy survives by his bountiful wits and his determination to make something of his life despite his seizures until the judge make a life-changing request of him. Tommy is a remarkable character, and his story is one of courage and the meaning friendship, tragedy and redemption. "Martin is, first and foremost, a consummate storyteller," says Kirkus Reviews. Daily Bread is a novella that will capture your heart and linger in your memory.

This is the story of one particular little boy trapped in silence, struggling to regain language. And it is the story of every one of us who uses language in much the same way we breathe: effortlessly, intuitively, taking this gift for granted in our daily lives. In a work that captures the whole universe of language, Russell Martin probes this most profound and complex human trait but never abandons his central concern, always circling back to the troubling question of the speechless child. Investigating the mystery of what went wrong and why, he spins a tale of detection, unearthing disturbing truths and reaching surprising conclusions. In the end, his is a spellbinding drama; a tale of one family''s determination to help their child find his way back to words; a story of one school''s willingness to make room for this child; a story, too, about big, seemingly insurmountable problems, and small but noble victories. In combining this story, with an elegant inquiry into the totality of language, Martin takes us on a voyage of discovery into the very essence of what makes us human. Moving us with the miracle of language, he tells a tale that is a cause for celebration. "A wholly remarkable book . . . Martin leaves us with a deeper understanding of language itself, a richer appreciation of its promise, and a realization that the ability to communicate is a kind of grace." --The Los Angeles Times "A deeply moving rendering of human beings in adversity. . . Other accounts of the suffering of autism have been published, but few can vie with this one for thoughtfulness, scholarship, and personal accent." --New York Times Book Review "The journey into language is a magical passage for any of us, and Russell Martin''s brilliantly observed story of a boy struggling to speak takes us into the latest realms of how and why words come to us, and we to them." --Ivan Doig, author of This House of Sky and English Creek

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Biblia del Jubileo 2000 Sagradas Escrituras Versión Antigua, Reina Valera 2000 Traducida de los Textos Originales en Hebreo y Griego al Español por Casiodoro de Reina (1569) y cotejada con la revisión de Cipriano de Valera (1602) Apoyada en el Nuevo Testamento de Francisco de Enzinas (1543) y en el Nuevo Testamento (1556) con los Salmos (1557) de Juan Pérez de Pineda Y cotejada posteriormente con la traducción antigua de William Tyndale al Inglés (Nuevo Testamento de 1534) y con la Versión Autorizada (King James) de 1611. Versión inglesa: Jubilee Bible 2000

The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso''s War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.

From 1505 to 1689, Russia''s tsars chose their wives through an elaborate ritual: the bride-show. The realm''s most beautiful young maidens--provided they hailed from the aristocracy--gathered in Moscow, where the tsar''s trusted boyars reviewed their medical histories, evaluated their spiritual qualities, noted their physical appearances, and confirmed their virtue. Those who passed muster were presented to the tsar, who inspected the candidates one by one--usually without speaking to any of them--and chose one to be immediately escorted to the Kremlin to prepare for her wedding and new life as the tsar''s consort. Alongside accounts of sordid boyar plots against brides, the multiple marriages of Ivan the Terrible, and the fascinating spectacle of the bride-show ritual, A Bride for the Tsar offers an analysis of the show''s role in the complex politics of royal marriage in early modern Russia. Russell E. Martin argues that the nature of the rituals surrounding the selection of a bride for the tsar tells us much about the extent of his power, revealing it to be limited and collaborative, not autocratic. Extracting the bride-show from relative obscurity, Martin persuasively establishes it as an essential element of the tsarist political system.

The Judaeo-Christian ethic arose within cultures that needed to produce large families in order to survive. The Judaeans originally adopted the sexually promiscuous culture of the Canaanites, but eventually developed their own ethic under the influence of the middle east cultures around them. Through the direction of Paul, Christians took the Judaean ethic and transmitted it throughout the Roman empire. The negative attitude toward sex was a reaction to the crude sensuality and brutality of the dominant cultures. A proper positive code of justifiable appropriate sexual conduct will depend on a thorough examination and selection of the best human practices.

Christian fundamentalism is based on as literal an interpretation of the bible as possible. The nature and development of this interpretation is misguided because it accepts the misunderstandings and deliberate distortions of the biblical message. Those who take such a literal perspective must avoid the world of scientific knowledge and live in a past age that is often irrelevant today. Fundamentalism is ultimately dangerous because it is deceptively simple, unacceptably wrong, and morally inadequate. There are valid alternatives that avoid the literalist trap and provide a comprehensive understanding that is logically defensible, spiritually satisfying, and realistic in the modern world.

Introduces the life of the Austrian composer, along with the story of a lock of his hair cut by a barber after his death, which was kept by various owners and the analysis of which revealed the high level of lead present in the composer''s body.

Science has invalidated much of the bible, including its theistic understanding of God. Christianity and Judaism will become irrelevant unless they change to accommodate a scientifically defensible understanding of God.

Russell Martin, the best-selling author of ¿Beethoven¿s Hair,¿ weaves politics, history, art, & science into a stirring narrative of the monumental canvas that was to become the most important artwork of the 20th century. Pablo Picasso, enraged by Hitler¿s bombing of Guernica in northern Spain on April 26, 1937, responded to the devastation in his homeland by beginning work on ¿Guernica,¿ a painting that became his masterpiece & perhaps the most eloquent visual statement in opposition to war in history. Here, Martin follows ¿Guernica¿ across decades & continents, crafting a story of its impassioned creation & the struggle to find hope in the face of unspeakable acts of terror. Martin is a first-rate investigator who deftly weaves together world & art history.

Jesus proclaimed God''s imminent universal kingdom. His Jewish followers were faithful to him. Paul misunderstood Jesus and subverted his message, but succeeded when the truth was accidentally lost in history.

It is generally taken for granted that the authority of Judaean leaders was limited by the Romans from 6 - 66 CE to the extent that Jewish officials required Roman permission before carrying out such important functions as convening for official judicial purposes and capital punishment. This work examines the three critical pieces of literary evidence on which a determination of the extent of local autonomy ultimately rested.

One hot Colorado afternoon, physician-turned-archaeologist Sarah MacLeish unearths the skeleton of an Ancestral Puebloan girl with a deformed leg. Her efforts to understand something of the long-ago life of that girl confront her with the flaws in her own body, and in her marriage.